An immersive Van Gogh experience has opened in Denver, allowing visitors to step inside the mind of the famed artist through displays of his art, letters, and a projection room where his paintings come to life. The exhibit, organized by Exhibition Hub, combines art, technology, and history to celebrate the 2,100 works Van Gogh created in his short 37 years.
The Italian Cultural Institute in Beijing hosted a lecture on May 12, 2026, featuring Zhou Zhiwei, a Chinese painter based in Italy, who shared his four-decade artistic journey. Zhou, born in Shanghai in 1954, studied under renowned oil painters Yu Yunjie and Liu Kemin before entering the Academy of Fine Arts in Venice in 1980, where he learned from masters like Bruno Saetti and Emilio Vedova. He also trained with Pietro Annigoni and Riccardo Tommasi Ferroni, mastering fresco and tempera grassa techniques. The event was chaired by Federico Antonelli, cultural counselor of the Italian Embassy in China, who recalled Zhou's first exhibition at the institute in 1984. Zhou discussed his solo exhibition 'Notes along the Way,' which explores the Mediterranean through an Eastern lens, blending classical Italian painting with Chinese tradition.
The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, South Korea, has opened a major exhibition titled “Art between Korea and Japan since 1945,” co-organized with the Yokohama Museum of Art. Running from May 14 to September 27, 2026, the show marks the 60th anniversary of normalized diplomatic ties between the two countries. Featuring some 200 works by 43 artists, including Zainichi artists and video art pioneer Nam June Paik, the exhibition traces eight decades of artistic exchange shaped by colonialism, war, division, and ongoing tensions. It previously opened in Yokohama, drawing over 37,000 visitors—significantly surpassing typical attendance—with strong interest from younger audiences.
The Venice Biennale has announced the voting rules for the new Visitors' Lion awards, which replace the traditional Golden Lions after the original jury resigned before the opening. On the same day the popular voting opened, dozens of artists from the central exhibition 'In Minor Keys' and several National Pavilions announced their withdrawal from the competition in solidarity with the resigned jury, releasing a statement via e-flux on May 9, 2026. The voting system requires visitors to have attended both the Giardini and Arsenale venues, with anonymous voting open until November 22, 2026.
The Lucas Museum of Narrative Art, set to open in Los Angeles on September 22, has announced its inaugural Cinema Exhibition will be "Star Wars in Motion," focusing on vehicle designs, props, costumes, and illustrations from the first six Star Wars films. The museum is now accepting founding member sign-ups at LucasMuseum.org, with four membership tiers ranging from $140 to $600, offering benefits such as priority access, preview events, limited-edition products, and lifetime recognition as a Founding Member. Founding memberships last one year from the museum's opening through September 2027.
British-Indian sculptor Anish Kapoor, best known for Chicago's 'Cloud Gate' sculpture (commonly called 'The Bean'), publicly criticized American politics in a recent interview, denouncing what he described as a 'politics of hate' and 'warmongering.' Kapoor, whose monumental public artworks have become global icons, did not specify particular events but spoke broadly about the current political climate in the United States.
The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.
Internationally acclaimed glass artist Dale Chihuly has returned to Frederik Meijer Gardens and Sculpture Park in Grand Rapids, Michigan, for the first time in over a decade with the exhibition "Chihuly at Meijer Gardens," running from May 2 to November 1, 2026. The show spans 12 outdoor locations and includes an indoor component, "Chihuly: Radiant Forms," making it the largest Chihuly exhibition in the venue's history. The artwork was built in Chihuly's Seattle studio, disassembled, shipped, and reassembled on site over two weeks.
Salisbury Cathedral will host a new art exhibition titled 'Joyful Noise' from May 16 to October 25, featuring works by international artists including Denzil Forrester, Christine Sun Kim, Yuri Suzuki, Sokari Douglas Camp, Phyllida Barlow, Caroline Walker, Tim Etchells, and Emeka Ogboh. The exhibition reimagines the biblical call to 'make a joyful noise unto the Lord' and spans painting, sculpture, video, text, and sound, with installations both inside and outside the cathedral. Highlights include Tim Etchells' neon piece 'Songs (2026)' in the North Porch, Phyllida Barlow's six-metre-high sculpture 'untitled: megaphone (2014)' on Choristers' Green, and Emeka Ogboh's outdoor choral sound installation 'Abide with me (2026)' featuring the Salisbury Cathedral Choir. Entry is included with cathedral admission and free for local residents in SP1 to SP5 postcode areas.
Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.
The Heard Museum in Phoenix has opened a new exhibition titled "Wisdom from the Future," which pairs artwork by 28 Indigenous artists aged 55 and older with personal letters they wrote to their younger selves. The letters offer reflections on creativity, identity, and lived experience, with participating artists including Kay WalkingStick, Norbert Peshlakai, Preston Singletary, and others. The exhibition was developed in connection with the museum's Creative Aging program, which supports older adults in developing artistic skills.
The Guntersville Museum hosted a recognition ceremony for the 18th annual ARTS Works All-County Student Art Exhibit, organized by the nonprofit Artists Responding to Students (ARTS). The exhibit featured around 100 artworks from K-12 students across Marshall County, including Boaz, Grant, Guntersville, and Albertville. For the second year, the show included special needs artists, with the Kamryn HeART Award presented in memory of a young artist. Additionally, the Lakeview Community Civic Organization displayed posters from its Black History Month contest. Winners were announced across multiple grade categories, judged by two National Board Certified Teachers from Decatur.
Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.
Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, is hosting its largest-ever exhibition of glass artist Dale Chihuly, titled "CHIHULY: Radiant Forms." Opening May 2 and running through November 1, 2026, the show marks Chihuly's first exhibition at the venue since 2010 and spans the 158-acre campus, including a new concentration of works in the Japanese Garden. The indoor gallery presents a chronological survey of Chihuly's 50-year career, featuring early baskets and cylinders, Venetian-inspired goblets, and iconic sea forms in open-air aquariums.
World-renowned glass artist Dale Chihuly returns to Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, with a new exhibition opening Saturday, his first at the venue since 2010. The show spans nearly 50 years of his career, divided into outdoor installations across the park's 158-acre property and a new indoor exhibit titled CHIHULY: Radiant Forms, featuring a massive glass garden centerpiece. The indoor galleries were custom-built to showcase different series of his work, creating dramatic transitions between spaces.
Geelong Gallery in Australia is preparing to host "Discovering the Impressionists: Paul Durand-Ruel, art dealer among the artists," its most ambitious international exhibition ever, running from 20 June to 11 October. The show features over 70 paintings by Claude Monet, Pierre-Auguste Renoir, Berthe Morisot, Camille Pissarro, and second-generation Impressionists, with most works from a private French collection never before seen in Australia. The exhibition marks the gallery's 130th anniversary and is supported by the Geelong Major Events committee. Separately, the genU artX Regional 2026 exhibition at Rachinger Gallery showcases over 130 works by artists with disabilities or mental illness, on view until 22 May.
Georg Baselitz, the influential German painter known for his inverted figures and raw, expressive style, has died at age 88. A pioneer of postwar German art, Baselitz gained international fame in the 1960s by turning his canvases upside down, forcing viewers to focus on form and paint rather than narrative. His work often grappled with the trauma of Nazi Germany and the divided nation's identity, making him a central figure in the Neo-Expressionist movement.
The New Mexico Watercolor Society is hosting its annual juried Spring Exhibition at Expo New Mexico's Fine Arts Building from May 2 through May 23, featuring approximately 100 watercolors by over 300 society members. The show includes works by artists like Marcia Birmingham, Tom Cassidy, and Junko Nakao, who paint subjects ranging from old grain elevators to historic rail yard interiors and Japanese shrines. The society holds free monthly meetings open to anyone interested in learning watercolor techniques.
St. Gregory's College in Lagos, Nigeria, launched its inaugural Gregorian Art Exhibition on April 25, 2026, at Jubilee Hall. Organized by the St. Gregory's College Old Boys Association in honor of legendary artist Bruce Onobrakpeya, the three-day event features established and emerging artists under the theme “Celebrating Legacy, Excellence and Continuity.” Speakers included former association chairman Dr. Michael Omolayole and current president Francis Kudayah, who announced plans for an annual art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, who could not attend in person, delivered a vote of thanks reflecting on his career and the school's role in his development.
The Davis Arts Center (DAC) has donated approximately 100 artworks from its permanent collection to the Friends of the Davis Public Library for a sale starting this weekend. The works, mostly from the 1960s-1980s, include pieces by notable Davis-area artists such as Richard Nelson, Robert Arneson, Margery Mann, and Roland Petersen, and are priced under $100. The donation follows DAC's 2019 transformation from an exhibition space to a studio-focused nonprofit offering classes and camps, which led to most of its collection being placed in storage. DAC executive director Sam King enlisted Davis High School art teacher Luke Turner—a former museum professional—to help curate and place select pieces with institutions like the Mills College Art Museum and the Manetti Shrem Museum, while the remaining works are now being offered to the community at bargain prices.
Cristallina Fischetti's solo exhibition 'Alchemea' is on view at the Art Centre in the crypt of St Marylebone Parish Church, London, from 25 April to 18 May. The show presents ten works from the first two acts of a planned 33-painting cycle, incorporating unconventional materials such as coffee, wine, plastic, and leather. Fischetti's process involves ritualistic dance, drawing on her background in ballet, yoga, alchemy, and mystical healing, with influences from abstract expressionists like Frankenthaler and Motherwell, as well as Hilma af Klint.
The article titled 'SCULPTURE IN THE GARDEN: THE STORYTELLERS' appears to be about a sculpture exhibition or installation set in a garden context, focusing on narrative-driven works. The text is heavily corrupted and unreadable due to encoding issues, but the title and fragmentary content suggest it covers a group of sculptors or a specific show where artworks function as storytellers within a natural setting.
Swedish glass artist Bertil Vallien, now 88, has opened a major solo exhibition titled "Starman: Sixty Years of Exploring Glass Art" at the Robert Lehman Gallery in Brooklyn. The show features 35 works spanning his 64-year career, highlighting his mastery of sand-casting and his long collaboration with the heritage brand Kosta Boda. Notable pieces include the *Resting Head* series, *Idun’s Magical Apples*, and the *Ships* series, which draw on Norse mythology and themes of life cycles.
The Mike Kelley Foundation for the Arts (MKFA) has announced the recipients of its 2026 Infinite Expansion Grants (IEG), awarding funding to nine contemporary arts organizations across Los Angeles County. This year marks the tenth anniversary of the grant program, with six of the nine organizations receiving MKFA funding for the first time. The grantees include Art in the Park, Clockshop, and Color Compton, among others, each undertaking projects that explore themes of place, memory, diaspora, and community resilience through exhibitions, installations, and public programming. The grants were selected by a jury of five arts professionals including Tiffany Barber, Jibz Cameron, Justen Leroy, Jenny Lin, and Rodrigo Valenzuela.
88-year-old Swedish glass artist Bertil Vallien, known as the "father of a lost technique" for perfecting glass sand-casting, presents his first solo exhibition in Brooklyn at the Robert Lehman Gallery. Titled "Starman: Sixty Years of Exploring Glass Art," the show features 35 works spanning his 64-year career, including his signature glass heads, transparent boats, surreal sculptures, and colorful vases. Vallien has worked with the Swedish heritage brand Kosta Boda since 1963 and is credited with popularizing black glass and pushing the boundaries of the medium.
The article describes the author's evolving impression of the newly opened David Geffen wing at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor. Initially visiting at 11am, the author found the $724 million, 110,000 sq ft building to be a "dismal, dated, inelegant brute," with thick bronze windows, dark concrete slabs, and bunker-like galleries. However, returning at 4pm, the author experienced a transformation: golden afternoon light warmed the concrete, illuminated the interiors, and revealed the building as a "brilliant innovation and true gift to the city." The article details the building's 20-year design evolution, challenges including fossil discoveries on site, and Zumthor's public frustrations with the compromised details.
Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.
The Lucas Museum of Narrative Art in Los Angeles will open to the public on September 22, 2026, with about 20 inaugural exhibitions curated by George Lucas himself across more than 30 galleries. The $1-billion, 300,000-square-foot museum in Exposition Park, designed by Ma Yansong of Mad Architects, will display over 1,200 objects from Lucas's collection of more than 40,000 works, including manga, comics, children's illustrations, and narrative art by artists such as Norman Rockwell, Beatrix Potter, and Dorothea Lange, with only one exhibition focused on "Star Wars" memorabilia.
This article outlines a one-day itinerary through Milan's 2026 Fuorisalone design week, highlighting key installations and exhibitions. It begins at Torre Velasca, featuring Polish Modernism and Brazilian modernist Jorge Zalszupin, then moves to the University of Milan's cloisters for the Interni magazine exhibition themed 'Materiae,' with oversized sculptures and a yacht installation by Piero Lissoni for Sanlorenzo. Other stops include Palazzo Litta, where architect Lina Ghotmeh presents 'Metamorphosis in Motion,' and Galleria Rossana Orlandi, focusing on the theme of doors. The itinerary concludes at Alcova in the former Baggio Military Hospital, an abandoned space reactivated by curators Valentina Ciuffi and Joseph Grima.
Animierte Körper
Latefa Wiersch presents her exhibition "Atlas Studios" at the Istituto Svizzero in Rome, featuring unsettling, puppet-like sculptures that resemble film sets. The works explore themes of bodily helplessness, imperfection, and geopolitical displacement, drawing on her earlier project "Hannibal" at the Dortmunder Kunstverein, which addressed post-migrant German realities and the demolition of a housing complex. The new installation references the Atlas Studios in Ouarzazate, Morocco, and the history of cinema, with figures made from rags and nylon stockings that appear as actors or set workers.