Christie's nets $1.1bn from back-to-back S.I. Newhouse and 20th century evening sales in New York

Christie's held back-to-back evening auctions in New York, featuring the esteemed S.I. Newhouse collection and a 20th-century evening sale, achieving a combined total of $950 million (or $1.1 billion with fees). The Newhouse sale was a white-glove affair, 100% sold, though entirely backed by third-party guarantees. Highlights included Constantin Brancusi's bronze 'Danaïde' (1913) selling for $107.5 million with fees, a record for the artist, and Pablo Picasso's 'Tête de femme (Fernande)' fetching $48.3 million. Other top lots included works by Piet Mondrian, Joan Miró, Henri Matisse, Francis Bacon, Jasper Johns, Andy Warhol, and Jackson Pollock, with many going to anonymous telephone bidders.

Christie’s Double-Header Totals $1.1 B., With Several Trophy Works Notching New Records

Christie’s held two evening sales on Monday—the S.I. Newhouse collection and a 20th-century art sale—that together generated $1.1 billion across 64 lots. The Newhouse tranche alone made $630.8 million, bringing the cumulative total of the collection to over $1 billion, making it likely the most expensive collection ever sold at auction after Paul Allen’s $1.7 billion blockbuster. Top lots included Jackson Pollock’s *Number 7A, 1948* at $181.2 million (the fourth most expensive painting ever sold at auction), Constantin Brâncuși’s *Danaïde* at $107.6 million, and a Mark Rothko work at $98.4 million.

Mark Rothko Painting Agnes Gund Hung in Her Living Room Sells for $98 M., Setting a Record

A Mark Rothko painting, *No. 15 (Two Greens and Red Stripe)* (1964), formerly owned by prominent art patron and Museum of Modern Art president emerita Agnes Gund, sold at Christie’s on Monday night for $98.4 million (including fees). The work, which Gund purchased directly from Rothko in 1967 and kept in her living room until her death last September, received about a dozen bids before hammering at $85 million to a buyer represented by Christie’s specialist Rachael White Young. The sale broke Rothko’s previous auction record of $86.9 million set in 2012 for *Orange, Red, Yellow* (1961), also at Christie’s New York.

What ‘Costume Art’ Gets Wrong About the Body

The Metropolitan Museum of Art's Costume Institute spring exhibition, featuring nearly 400 objects, pairs garments and ensembles with Western figurative artworks from the museum's permanent collection in dyadic, associative displays. The show eschews traditional art-historical timelines and context in favor of visual and thematic parallels—comparing, for example, Rudi Gernreich's Pubikini with an Egyptian statuette, or Ying Gao's sound-responsive dress with a David Hockney drawing. The exhibition is sponsored by Jeff and Lauren Sánchez Bezos.

Watching You, Watching Me: On Panteha Abareshi and the Spectacle of Illness

In Venice, the Monumental Farewell of Georg Baselitz at the Cini Foundation

À Venise, l’adieu monumental de Georg Baselitz à la fondation Cini

The Fondazione Giorgio Cini on Venice's San Giorgio Maggiore island has opened "Georg Baselitz. Eroi d'Oro," an exhibition of the late German artist's final works, just one week after his death in 2026. The show, presented alongside the Venice Biennale, features monumental self-portraits and portraits of his wife Elke, painted over gold-leaf backgrounds. Created in the last two years of his life, these works represent Baselitz's ultimate creative gesture, synthesizing six decades of experimentation with his signature inverted figures and expressionist color, supported by Galerie Thaddaeus Ropac.

Art in America’s Summer Issue Features 20 “New Talent” Artists, Juicy Art Heist Stories, and More

Art in America's Summer issue features 20 emerging artists in its annual "New Talent" portfolio, selected by the magazine's editors. The issue also includes a feature on art heist stories by Jackson Arn, an essay on systems art by Emily Watlington, and a piece on tragicomic times by Eugenie Brinkema. Additional content includes a tribute to Henrike Naumann, a spotlight on Olga Fröbe-Kapteyn, a book review of Trevor Paglen's latest work, and departments covering museum and gallery worker perspectives, a Frick Collection vs. Morgan Library comparison, and a summer reading list of art-themed novels.

Shared Crafting, Touching, and Lying Down

"Gemeinsames Basteln, Anfassen und Hinlegen"

Christie's in New York achieved record auction results, with Jackson Pollock's "Number 7A, 1948" selling for $181.2 million and Constantin Brâncuși's bronze sculpture "Danaïde" reaching $107.6 million, both from the S. I. Newhouse collection. Meanwhile, critic Gesine Borcherdt published a scathing review of the Marina Abramović exhibition "Balkan Erotic Epic" at Gropius Bau Berlin, arguing that museums increasingly demand audience participation—crafting, touching, lying down—under the guise of democracy, which she likens to group therapy and warns carries authoritarian tendencies. In London, makeup artist and designer Isamaya Ffrench opened a hybrid gallery and concept store called Studio Iron, featuring works by Abramović, Paul McCarthy, Kelly Wearstler, and Anne Imhof, aiming to blur boundaries between art, design, and function.

Paloma Elsesser, Joan Jonas, and Isha Ambani Descended Upon Beacon for a Day at Dia

On a warm spring Saturday, the Dia Art Foundation hosted its annual Spring Benefit at Dia Beacon, drawing a cross-disciplinary crowd of artists, curators, museum leaders, and fashion figures. The event celebrated the opening of seven major exhibitions across the Beacon campus, featuring works by John Chamberlain, Lee Ufan, Kishio Suga, and Jack Whitten, and marked the rollout of a new partnership with Chanel. Guests explored over 20 galleries, enjoyed a seasonal lunch amid Chamberlain's sculptures, and participated in a special children's program, all set within the former Nabisco box-printing factory along the Hudson River.

Sotheby’s Hauls In $304 Million at Modern Art Auction, as Market Momentum Continues

Sotheby’s achieved $303.9 million in its modern art auction in New York, led by Henri Matisse’s *La Chaise Lorraine* (circa 1919) at $48.4 million and Pablo Picasso’s *Arlequin (Buste)* at $42.6 million. The sale included an auction record for a painted bottle, René Magritte’s *Femme-bouteille* (1955), which sold for $974,000. The auction featured conservatively priced material from smaller estates, with a 97.6% sell-through rate and a 63% increase over a similar sale last year.

Six Artists Vie to Design Billie Holiday Monument in New York

Six artists have been selected as finalists to design a public monument honoring jazz singer Billie Holiday in Queens, New York, outside the Jamaica Performing Arts Center. The finalists—La Vaughn Belle, Nikesha Breeze, Nekisha Durrett, Tanda Francis, Thomas J. Price, and Tavares Strachan—submitted proposals after an open call in late 2025, site visits, and discussions with Holiday scholars and family. The New York City Department of Cultural Affairs released the designs on May 19 for public feedback through the end of May, with a final selection expected later this year. Proposals range from abstract silhouettes and bronze beans to more representational figures, reflecting Holiday's legacy and her connection to Queens.

Dubai Plans a Massive New Museum for Digital Art

Dubai has announced plans for a new Museum of Digital Art (MODA), a major institution dedicated to digital and tech-driven art. The museum is part of a $27 billion transformation of Dubai's financial district into a technology hub, and will feature immersive and interactive experiences. No budget or completion date has been set, but Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, chairperson of Dubai Culture, stated the museum advances the city's commitment to converging creativity and technology. The museum will be designed by Adrian Smith + Gordon Gill Architecture, the firm behind the Burj Khalifa.

Cindy and Howard Rachofsky’s Dallas Home Could Be Yours at a Discount, for $17.5 M.

Cindy and Howard Rachofsky, prominent art collectors and mainstays on the ARTnews Top 200 Collectors list, have reduced the asking price of their Dallas home, the Richard Meier–designed Rachofsky House, from $23 million to $17.5 million. The property, completed in 1996 and located in the affluent Preston Hollow neighborhood, has been on the market since October 2024. The Rachofskys, whose collection includes over 800 works, previously hosted the Two x Two gala in support of AIDS- and art-focused initiatives in Dallas, but stopped hosting the event in 2024.

$181.2 Million Pollock, $107.6 Brancusi Million Sell at Christie’s, as Records Fall

Christie's New York auctioned 16 works from the collection of late media magnate S.I. Newhouse for a total of $630.8 million, far exceeding the $450 million estimate. The top lot was Jackson Pollock's "Number 7A" (1948), which sold for $181.2 million, setting a new auction record for the Abstract Expressionist and making him the latest artist to join the $100 million club. Minutes earlier, Constantin Brancusi's bronze sculpture "Danaïde" (1913) achieved $107.6 million, also a record for the Romanian modernist and the second-highest price ever for a sculpture at auction.

The most beautiful Parisian museum terraces to enjoy the sunny days

Les plus belles terrasses de musées parisiens pour profiter des beaux jours

Beaux Arts Magazine has published a guide to the best museum terraces in Paris for enjoying the sunny days of spring and summer. The article highlights five standout spots: Rose Bakery at the Musée de la Vie romantique, Joli at the Musée Carnavalet, the Grand Café at the Grand Palais, Corail at the Musée d'Art moderne, and Sama at the Institut du monde arabe. Each terrace is described for its unique atmosphere, from the bucolic garden of the Musée de la Vie romantique to the spectacular colonnade of the Grand Palais, with details on chefs, menus, and seasonal highlights.

Guggenheim New York Announces Spring and Summer Public Programs

The Guggenheim New York has announced its spring and summer 2026 public programs, featuring a range of events including a performance lecture by LG Guggenheim Award recipient Trevor Paglen on May 18, a conversation between artist Carol Bove and curator Katherine Brinson on June 2, and the annual Museum Mile Festival on June 9. Other highlights include Late Shift evening events with live music, family-friendly activities like Stroller Hour and Art Cart, Teen Circle and Teen Tuesdays, and a screening of Douglas Gordon and Philippe Parreno's video work "Zidane, a 21st century portrait" in celebration of the 2026 FIFA World Cup. Poet-in-Residence Patrick Rosal will also launch summer activations.

Dear Mary, For Chicago, Sincerely Nathaniel Mary Quinn

The National Public Housing Museum in Chicago opened its doors on April 4, 2025, becoming the only museum in the United States dedicated to the histories of public housing and its residents. Located on the site of the historic Jane Addams Homes, the museum was remodeled by architect Peter Landon and features permanent installations, artist residencies, and temporary exhibitions. Current initiatives include Open Mike Eagle's residency as 'Artist as Instigator,' building on his album 'Brick Body Kids Still Daydream' (2017) about life in Robert Taylor Homes, and the art-glass frieze 'Resilient Hues' by Amanda Williams and Olalekan Jeyifous. The museum is led by executive director Lisa Yun Lee and has earned third place on USA Today's list of 'Best New Museums.'

Nalini Malani’s Venice Biennale 2026 exhibition confronts violence, myth, and motherhood

Artist Nalini Malani will present a solo exhibition titled "Of Woman Born" at the 61st Venice Biennale in 2026. The show features a site-specific installation commissioned by the Kiran Nadar Museum of Art, comprising 67 animations with over 30,000 iPad drawings and a haunting soundscape. The work centers on the Greek myth of Orestes, who kills his mother Clytemnestra, and explores themes of violence against women, motherhood, and justice. Malani, now 80, has been a key figure in bringing Indian contemporary art to global prominence, with her work held by major institutions including Tate, MoMA, and Centre Pompidou.

‘Her crotchless trousers are etched in my brain for ever’: Valie Export remembered by the artists she influenced

Valie Export, the pioneering Austrian feminist artist known for provocative performances like *Tapp-und-Tastkino* (1968) and *Genital Panic* (1969), is remembered by four artists she influenced: Peaches, Florentina Holzinger, Joan Jonas, and Candice Breitz. Each shares personal reflections on Export's radical use of the female body as a political weapon, her confrontational public interventions, and her legacy of civil disobedience against patriarchal structures.

Faces of Russian Art

Gesichter der russischen Kunst

On the Venice Biennale, the Russian Pavilion presents itself as a space for dialogue, while simultaneously a major exhibition in St. Petersburg titled "Russischer Imperativ" (Russian Imperative) opened on May 8 at the Manezh exhibition hall, glorifying war as a historical imperative of Russian identity. Curated by Anton Belikov, a Moscow artist and former Russian soldier who fought in Ukraine, the show features works from state museums like the Tretyakov Gallery, blending historical battles with the current war in Ukraine, and includes a monumental, fascistoid design with a ten-meter-tall installation of a soldier's head. The exhibition has sparked outrage on social media and in Russian exile media for its militaristic propaganda.

Venice Biennale: A Silent US Pavilion

Biennale de Venise : un Pavillon US silencieux

The US Pavilion at the 2026 Venice Biennale, featuring artist Alma Allen, opened to sparse crowds despite a 10% overall attendance increase at the Biennale. The pavilion was embroiled in controversy before opening: Allen was selected by the American Arts Conservancy (AAC), a private entity created in 2025 at the initiative of Donald Trump after the dissolution of the federal committee that previously oversaw the pavilion. AAC head Jenni Parido, a former pet food executive, chose the self-taught, little-known artist who had never had a solo museum exhibition. Major funders the Ford and Mellon Foundations withdrew, forcing the AAC to launch a public donation appeal. The exhibition features 25 abstract bronze, stone, and burl-wood sculptures that the artist describes as biomorphic landscapes, but critics find them pleasant yet silent, lacking the promised political or visceral resonance.

Sotheby’s Launches Museum Partnership Series, Starting with Exhibition by New York’s Hispanic Society Museum & Library

Sotheby's has launched a new exhibition initiative called 'In Residence' at its Breuer building on Madison Avenue, starting with a presentation of three paintings by Spanish master Joaquín Sorolla from the collection of the Hispanic Society Museum & Library. The inaugural show, titled 'In Residence: The Hispanic Society Sorollas,' opened Monday and runs through June 1, featuring works including 'Sea Idyll' (1909), 'Louis Comfort Tiffany' (1911), and 'Señora de Sorolla in a Spanish Mantilla' (1902). This marks the first partnership between Sotheby's and the Hispanic Society, and the first edition of a broader program inviting museums to stage focused exhibitions inside the Breuer building, which previously housed the Whitney Museum and the Met Breuer.

Poppy Jones “Frozen Sun” at Towner Eastbourne

Poppy Jones presents "Frozen Sun," a solo exhibition at Towner Eastbourne featuring her signature still lifes on repurposed textiles. The show includes a concise selection of her aluminum-framed works that blur the line between painting and object, alongside several new, larger pieces she has been developing in her studio.

Insider’s Look at Curating a Show Inspired by the Declaration of Independence’s 250th Anniversary [Interview]

The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.

There Is No Separation. In Conversation with Alice Maher   by Frank Wasser

Alice Maher, one of several Irish artists at the 61st Venice Biennale, presents three works in the Arsenale as part of the group exhibition “In Minor Keys,” curated by the late Koyo Kouoh. Her presentation includes a reconstructed 1996 installation *Les Filles d’Ouranos*, a new series of drawings and sculptures titled “The Sibyls” (2025), and a collaborative textile piece *The Map* (2021) made with Rachel Fallon. In a conversation with Frank Wasser, Maher discusses the political conditions surrounding this year’s Biennale, including institutional resignations, debates over national representation, and the inclusion of the Israeli and Russian pavilions.

‘Just Dudes Hanging Out’: Dustin Yellin and Paul Rudd on Making the Artist’s First Film

Dustin Yellin, known for his glass sculptures and as founder of Pioneer Works, has made his first film, *Goodnight Lamby*, produced by Darren Aronofsky's A.I.-focused studio Primordial Soup. The short film, a hero's journey to rescue his daughter Zia's favorite stuffed animal, premiered at Cannes. Yellin discusses the project with his friend actor Paul Rudd, who voices the character "Papa," exploring how fatherhood and his existing artistic practice of "frozen cinema" inspired the animation.

Gordon Cheung: Many Worlds, One Mind

CLOSE Gallery in Somerset presents 'Many Worlds, One Mind', a major survey exhibition of contemporary multi-media artist Gordon Cheung, running from 6 June to 15 August 2026. The show brings together 28 works across sculpture, painting, print and etching, including pieces from Cheung's 'New Order' series, which uses algorithms to reorder pixels from Dutch Golden Age still lifes, and 'Passages of Time', a sculpture incorporating Financial Times stock listings. Cheung's work examines global capitalism, cultural memory, and the intersection of classical art history with digital technology.

A life beyond diagnostic labels: Recovering Art exhibition opened this week at Dax Centre, Melbourne

The Dax Centre in Melbourne, in partnership with SANE Australia, has opened "Recovering Art," an exhibition pairing historical works from the Cunningham Dax Collection—created by patients in Victorian psychiatric hospitals from the 1950s—with new contemporary pieces by artists Ruth Buchanan, John Young Zerunge, Abdul Abdullah, Jenna Lee, and Luke Willis Thompson. Curated by Andy Butler, the show includes landscape paintings by Rene Sutton, works by Graeme Doyle, Carla Krijt, and NEG, alongside new commissions that engage with themes of archive, classification, and institutional observation of lived experience.

Actions for the Earth: Art, Care & Ecology

The article titled 'Actions for the Earth: Art, Care & Ecology' discusses an exhibition or initiative that explores the intersection of art, environmental care, and ecological awareness. It likely highlights how artists and cultural institutions are responding to climate change and ecological crises through creative practices and community engagement.

NEW ZEALAND PHOTOGRAPHER FIONA PARDINGTON REPRESENTS AOTEAROA AT THE VENICE BIENNALE

New Zealand photographer Fiona Pardington (born 1961, Auckland) is representing Aotearoa at the 61st Venice Biennale with her exhibition *Taharaki Skyside*, on view from May 9 to November 22, 2026, at the Aotearoa New Zealand Pavilion. The show features large-scale portraits of taxidermied birds from museum collections across New Zealand and Australia, focusing on endemic species including the extinct huia and whēkau. Curated by Felicity Milburn and Chloe Cull, the exhibition is presented by the Arts Council of New Zealand Toi Aotearoa (Creative New Zealand) and Christchurch Art Gallery Te Puna o Waiwhetū.