Brooklyn Museum director Anne Pasternak sparked a critical conversation at the Making Their Mark Forum in Washington, D.C., highlighting a gendered disparity in museum leadership exits. Pasternak observed that while male directors are typically permitted to retire with dignity, female leaders are increasingly being fired or forced out, calling on the press to investigate the lack of formal data on this trend.
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Spanish luxury fashion house Loewe has designed custom, high-performance lab coats for the restoration department at the Museo Nacional del Prado in Madrid. Developed in collaboration with the museum's conservators, the garments are crafted from non-reflective materials to prevent glare on masterpieces and feature leather-reinforced pockets specifically sized for restoration tools.
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The New Art Dealers Alliance (NADA) has launched a new initiative called NADA Collects, a series of salons and educational events designed to demystify the art-buying process. Through gallery walks, dinners, and informal Q&A sessions, the program addresses the intimidation factor that often prevents potential buyers from entering the contemporary art market. By fostering a space where "no question is too dumb," NADA aims to bridge the gap between galleries and a new generation of collectors who may feel alienated by the perceived elitism of the art world.
Isaiah Zagar, the visionary mosaic artist behind the landmark Philadelphia’s Magic Gardens, died on February 19 at age 86 due to complications from heart failure and Parkinson’s Disease. A Pratt Institute graduate and former Peace Corps volunteer, Zagar transformed Philadelphia’s South Street neighborhood over five decades, creating more than 200 public murals and a sprawling, immersive environment of tunnels and grottos made from glass, tile, and found objects.
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Hever Castle has launched "Capturing a Queen: The Image of Anne Boleyn," a landmark exhibition exploring the visual legacy of King Henry VIII’s second wife at her childhood home. The show brings together an unprecedented collection of portraits, woodcuts, and costumes to challenge the long-held myth that all contemporary likenesses of Anne were destroyed after her execution. Key highlights include infrared analysis of the 1583 "Rose" Portrait and research suggesting that some famous posthumous depictions actually blended her features with those of her daughter, Elizabeth I, to solidify Tudor legitimacy.
In mid-December, Abby Jones, acting chief of protocol at the State Department, suggested during a tour of the Smithsonian’s National Portrait Gallery that the museum create a dedicated gallery featuring multiple images of President Donald Trump, in addition to his official portrait. The White House later noted it regularly receives artworks depicting Trump from supporters and proposed displaying some at the museum, though no formal request has been made. The discussion follows the gallery’s recent replacement of Trump’s official photograph with a more flattering image and the removal of wall text referencing his two impeachments, which the museum described as part of a broader exhibition update.
The British Museum's proposal to redesign its forecourt with two permanent security pavilions and a Mediterranean-style garden has drawn opposition from conservation groups. The Georgian Group and the Victorian Society argue the additions would disrupt the historic symmetry and formal setting of Robert Smirke's 19th-century Greek Revival building, urging Camden Council to reject the plan.
The first Art Angle Round-Up of 2026 highlights three major art world stories. The selection includes the controversy surrounding the South Africa pavilion at the Venice Biennale, the Prado Museum's struggle with and plans to manage overwhelming visitor numbers, and the phenomenon of 'speed painting,' exemplified by artist Vanessa Horabuena selling a 10-minute painting of Jesus for nearly $3 million at a Mar-a-Lago fundraiser.
The British Museum faced significant criticism from archaeologists and the public after posting images containing A.I.-generated content on its Instagram and Facebook accounts. The posts, which featured a young woman contemplating exhibits, were tagged to an A.I. model and a marketing agency. Following a wave of negative comments, the museum removed the posts approximately six hours later and reportedly unfollowed critics on social media.
The Walker Art Center and the Minneapolis Institute of Art closed on January 20, 2026, in protest of escalating Immigration and Customs Enforcement (ICE) operations in the Twin Cities. The closures follow the fatal shooting of Renee Good, a 37-year-old mother of three, by ICE agent Jonathan Ross, which sparked nationwide outrage. The museums canceled scheduled events, including a performance by Nile Harris, and joined a broader one-day economic blackout called "A Day of Truth and Freedom" organized by Minnesota union leaders and community groups. Other cultural institutions participating include the Bakken Museum, the Minnesota Museum of American Art, the Weisman Art Center, and the Museum of Russian Art.
Soho Revue in London presents "Behind the Curtains," a group exhibition running from January 14 to February 29, 2026, featuring eight female artists—Lorena Lohr, Lucrezia Abatzoglu, Nettle Grellier, Drea Cofield, Kim Booker, Joline Kwakkenbos, Harriet Gillet, and Abigail McGinley—who reframe feminine sensuality outside the male gaze. The gallery is draped in deep red velvet, creating an intimate, private chamber that echoes Renaissance curtain conventions and the scale of 16th-century portrait miniatures, with each artist working in small formats to slow visual consumption and challenge who controls the frame.
Lithuania's pavilion at the 2019 Venice Biennale presents "Sun & Sea (Marina)," an opera about a day at the beach that serves as a subtle, chilling commentary on climate change. Viewers observe performers lounging on a sandy tableau from a balcony, as they sing about mundane inconveniences and environmental apathy. The work, created by theater director Rugilė Barzdžiukaitė, playwright Vaiva Grainytė, and composer Lina Lapelytė, was adapted into English for the biennale and organized by Lucia Pietroiusti of London's Serpentine Galleries.
The Museum of Modern Art (MoMA) in New York has acquired eight CryptoPunks and eight Chromie Squiggles for its permanent collection, donated by multiple collectors including ARTnews Top 200 Collector Ryan Zurrer and others. The works, both generative NFT projects on the Ethereum blockchain, were added through MoMA's Media and Performance department and will be displayed alongside new media art. CryptoPunks, launched by Larva Labs in 2017, are considered the first major NFT collection, while Chromie Squiggles were created by Erick Calderon (Snowfro) as the first project on ArtBlocks.
The Cambodian government has formally requested the records and archival materials of Emma C. Bunker, a late art historian and former Denver Art Museum board member, from her family. This follows the museum's repatriation of 11 Asian artifacts to Vietnam, Cambodia, and Thailand, many of which were donated by Bunker, who had ties to Douglas Latchford, an antiquities dealer accused of smuggling looted Southeast Asian artifacts. Bunker died in 2021 without charges, but a 2022 Denver Post investigation alleged she helped Latchford use the museum as a "way station for looted art" and forged provenance records. The museum cut ties with Bunker in 2023, removing her name from its Southeast Asian gallery.
A new biography by art historian Elizabeth Goldring, titled "Holbein: Renaissance Master," traces the journey of German painter Hans Holbein the Younger from his humble beginnings in Augsburg to becoming the official painter of King Henry VIII in Tudor England. The book, already released in the U.K. and hitting U.S. bookshops on January 6, examines how Holbein's portraits—including the iconic image of Henry VIII and rival courtiers Thomas More and Thomas Cromwell—defined the visual legacy of the Tudor dynasty. Goldring highlights Holbein's ability to confer power through paint, with his works still shaping global perceptions of the Tudors centuries later.
Pace Gallery, Emmanuel Di Donna, and David Schrader are launching a new joint gallery called Pace Di Donna Schrader Galleries (PDS), dedicated to secondary-market sales. The boutique operation will begin operations in spring 2026, open a formal space on New York's Upper East Side in summer, and host a major historical exhibition in autumn. The venture is a collaborative model rather than a merger, combining Pace's global reach and estate relationships, Di Donna's connoisseurship, and Schrader's expertise in private sales.
A Tiffany Studios stained-glass window, the Goddard Memorial Window, sold for $4.2 million at Christie's Design Sale on June 12, 2025, exceeding its high estimate of $3 million. Commissioned in 1909 by Mary Edith Jenckes Goddard for St. Luke's Episcopal Church in East Greenwich, Rhode Island, the window features a pastoral landscape with an apple blossom tree, symbolic of youth. The sale follows a surge in the Tiffany window market, including a record $12.4 million sale at Sotheby's in November 2024 and recent acquisitions by the Metropolitan Museum of Art and Crystal Bridges Museum.
Joanna Mytkowska, director of the Museum of Modern Art in Warsaw (MSN Warsaw) since 2007, discusses the museum's first year in its new building designed by American architect Thomas Phifer. Located in Warsaw's Central Square near the Palace of Culture and Science, the white modernist structure opened last fall with performances and the collection exhibition "The Impermanent." Mytkowska reflects on the museum's controversial reception among local audiences, its role in Poland's political debates—including being mentioned during the recent presidential election campaign—and the institution's long-standing ambivalence toward artistic canons rooted in its close ties to Warsaw's progressive artistic community.
The Art Dealers Association of America (ADAA) has launched a digital guide on Bloomberg Connects, a free arts and culture app developed by Bloomberg Philanthropies. The guide aggregates information on more than 200 member galleries across the United States, including exhibition listings, public programs, archival material, an interactive map, weekly openings, and interviews. The ADAA becomes one of the first national gallery associations to consolidate its programming on the platform, which already hosts guides from over 1,100 cultural organizations worldwide, including the Whitney Museum of American Art, Storm King Art Center, and the Hammer Museum.
Sylvain Amic, an art historian who became director of the Musée d’Orsay in Paris just 16 months ago, died suddenly at age 58 on Sunday in southern France due to heart failure. His death has shocked the French and international art world. Amic previously led the Musée Fabre in Montpellier, oversaw a consortium of 11 museums in Rouen, and served as an adviser to former French culture minister Rima Abdul Malak. He was in the midst of planning a permanent collection rehang and a new research center at the Orsay, and had recently organized a traveling exhibition of masterworks that visited Shanghai's Pudong Art Museum.
The Smithsonian's National Museum of American History has restored a placard for President Donald Trump to its impeachment display, updating it with new information. The change follows controversy after a temporary placard mentioning Trump was removed, which drew criticism from Democratic leaders and concerns about political interference at the Smithsonian. The museum stated the removal was due to the placard not meeting standards in appearance and presentation, and that no administration requested the change.
James Sundquist and Jack Chase founded U-Haul Gallery in May 2024, a commercial art space operating out of rented U-Haul trucks to bypass New York's high real estate costs. The gallery mounts pop-up exhibitions in unconventional locations, such as public parks and sporting events, and recently staged a performance titled "Show of Stolen Goods" by artist Victoria Gill. This September, the duo will launch the U-Haul Art Fair, running concurrently with the Armory Show in West Chelsea, featuring 10 exhibitors each stationed in their own U-Haul truck.
Taipei Dangdai, the art fair in Taiwan, has canceled its 2026 edition as organizers undertake a "strategic re-evaluation" of the fair's model, timing, scale, and format. The fair, which held its sixth edition in May 2025, is part of The Art Assembly, a conglomerate overseeing three regional Asian fairs including Art SG and Tokyo Gendai. The number of participating galleries dropped from over 90 in its 2019 inaugural edition to 54 in 2025, with no mega-galleries participating this year. The announcement follows a similar "strategic pause" by the Art Dealers Association of America (ADAA) for its flagship fair, The Art Show, and comes amid broader challenges for the fair's organizer, Angus Montgomery Arts, which also canceled recent editions of Photofairs in Hong Kong and New York.
Senegal and Ivory Coast have formally requested the repatriation of thousands of artifacts from French museum collections, following a groundbreaking French government report published on November 23 that recommends returning colonial-era objects taken before 1960. Senegalese culture minister Abdou Latif Coulibaly announced plans to file a formal request for up to 10,000 Senegalese objects, while Ivorian authorities have submitted a list of about 100 masterpieces, with director Silvie Memel Kassi noting up to 4,000 Ivorian objects remain in Paris's Quai Branly-Jacques Chirac Museum and New York's Metropolitan Museum of Art.
The Metropolitan Museum of Art has announced it will return three ancient sculptures to Iraq, collectively valued at $500,000. The objects include a Sumerian gypsum alabaster vessel (ca. 2600–2500 BCE) and two Babylonian terracotta sculptures (ca. 2000–1600 BCE) depicting a male and female head. The repatriation follows new information from an investigation into Robin Symes, a dealer accused of trafficking looted artifacts. The Manhattan District Attorney's Office reported that the Symes investigation has led to the seizure of 135 antiquities worth over $58 million, with two of the items seized by the Antiquities Trafficking Unit earlier this year.
The 2024 Cultural Infrastructure Index (CII) reports a 17% drop in completed cultural projects (from 192 to 159) and a 29% decline in total cost, from $8.58 billion to $6.13 billion. However, the value of future projects announced in 2024 rose 47% to $8.32 billion, though the number of announced projects fell from 198 to 175, indicating fewer but more expensive buildings. The report, developed by AEA Consulting, tracks 334 large-scale cultural infrastructure projects worldwide, with museums and galleries remaining the most common building type. The U.S. led with 62 new facilities, while the Grand Egyptian Museum in Giza was the most expensive completed project at $1 billion, and the Metropolitan Museum of Art's new modern wing topped announced projects at $500 million.
Photographer Diana Markosian has created a new project titled "Replaced," in which she spent three months recreating intimate moments from her past relationship with an ex-partner. To document the experience of falling in and out of love, she hired an actor to play her ex and traveled with him to locations they once visited together, including Miami, Paris, Naples, Capri, and Nice. The series blurs documentary and fiction, using staged reenactments to process grief, heartbreak, and healing.
LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ
The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.
The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.
CISCO MEREL: LA CHANTIN
Kunsthalle Lissabon in Lisbon, Portugal, is presenting 'La Chantin,' the first solo exhibition in the country by Panamanian artist Cisco Merel. The exhibition features a site-specific installation exploring the house as an open, collective, and evolving system, inspired by the mobile, wooden 'shanty' structures built by the Afro-Caribbean diaspora during the construction of the Panama Canal.