Open Letter on Auction of “Tributes” to the Russian Avant-Garde

An open letter signed by art historians, curators, and researchers protests an upcoming auction at Stanley's Auction House in Zaventem, Belgium, scheduled for April 23, titled “Tributes to the Russian Avant-Garde & Constructivists.” The second sale is organized in cooperation with Drouot, a major French auction platform, and offers approximately one hundred works from the so-called Toporovsky collection, which has been linked to a scandal involving forged Russian modernist paintings at the Museum of Fine Arts Ghent. The alleged suppliers, Igor Toporovsky and Olga Toporovsky, face criminal charges including the sale of 171 forged works for about €20 million, with court proceedings beginning in May in Ghent. The signatories argue that the auction, with works priced around €300 each, is deeply troubling given the pending legal case and the undisclosed consignor identity.

Meet the Former Monk Taking Over Venice During This Year’s Biennale

Wallace Chan, a Hong Kong-born sculptor and jeweler who once lived as a Buddhist monk, is presenting his latest exhibition “Vessels of Other Worlds” at the Chapel of Santa Maria della Pietà in Venice on May 8, coinciding with his 70th birthday and the Venice Biennale, followed by a show at Shanghai’s Long Museum on July 18. The exhibition features three monumental titanium sculptures standing seven, eight, and 10 meters tall, evoking religious oil vessels, and explores themes of birth, growth, and rebirth through the demanding medium of titanium, which Chan describes as the material closest to eternity.

art olivia walton crystal bridges

Olivia Walton, former TV journalist and current board chair of the Crystal Bridges Museum of American Art in Bentonville, Arkansas, discusses her leadership and vision in an interview for Cultured's 2026 CULT100 honorees. She took over from founder Alice Walton, her husband's aunt, in 2021 and has championed free admission and expanded access. The museum is set to open a major expansion in May, doubling its public space and celebrating its 15th anniversary alongside America's 250th birthday.

“Human Being Human” at The Private Museum

The Private Museum in Singapore presents "Human Being Human: Selections from the Collection of John and Cheryl Chia," an exhibition running from January 19 to April 26, 2026. Organized into four chapters—"Stateless," "State," "Statehood," and "Rebirth"—the show features works by artists including Joseph Beuys, Lee Wen, Eadweard Muybridge, Sherman Ong, John Clang, Sun Xun, and Green Zeng, exploring the body as a central site of inquiry into identity, vulnerability, and societal conditioning. The collection, amassed over 25 years by doctors John and Cheryl Chia, uses the body to examine themes of statelessness, state control, collective ideology, and rebirth, with works that challenge linear narratives and embrace conceptual loops.

Architecture as Microcosm: Interview with Architects Barclay & Crousse Coming to an Exhibition in Milan

Architettura come microcosmo. Intervista agli architetti Barclay & Crousse che arrivano in mostra a Milano

Architects Sandra Barclay and Jean Pierre Crousse, founders of Barclay & Crousse Architecture, are the subject of a feature interview and exhibition in Milan. The studio, established in Paris in 1994 and now based in Peru, is known for projects that deeply engage with the Peruvian landscape, particularly the coastal desert between the Pacific Ocean and the Andes. Their notable works include the Lugar de la Memoria (Lima, 2015), the Museo de Paracas (2016), and the Franco-Peruvian School in Lima (2025), which recently won the Grand International Prize at the X Bienal Internacional de Arquitectura de Santa Cruz (Bolivia) in 2026. The article traces their education across Peru, France, and Italy, and their return to Peru in 2006, where they continue to run a French branch called Atelier Nord Sud.

Fire erupts at San Francisco's Vaillancourt Fountain during its dismantling

A fire broke out at San Francisco's Vaillancourt Fountain on May 4, 2025, as construction crews used torches to dismantle the 1971 Brutalist structure, igniting debris inside its steel tubes. The San Francisco Arts Commission confirmed the fire was quickly extinguished with no major damage, but the incident has raised concerns about safety protocols, as workers were reportedly not wearing protective gear against potential lead or asbestos exposure, and no public warnings were posted. The dismantling proceeded after a California appeals court denied a request from the local coalition Friends of the Plaza to halt the removal, which the city justified citing asbestos and structural risks.

The Most Provocative Performance in Venice

Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.

The Bahamian Pavilion Brings Junkanoo to Venice in a Biennale Standout

After a thirteen-year hiatus, the Bahamian Pavilion has returned to the Venice Biennale with an exhibition titled "In Another Man's Yard," featuring the late master John Beadle and his former student Lavar Munroe. The pavilion, housed in the San Trovaso Art Space in Dorsoduro, centers on Junkanoo—the vibrant, crepe-costumed procession that is a defining cultural tradition of the Bahamas. Munroe's large-scale sculptural works incorporate strips of discarded Junkanoo costumes, while paintings and installations commemorate Beadle, who died in 2024. The presentation was revived with support from Baha Mar, a resort company, after government funding was withdrawn in 2014.

Gabrielle Goliath Discusses Her Canceled South African Pavilion as She Shows New Work in a Venice Church

South African artist Gabrielle Goliath’s planned pavilion for the South Africa Pavilion at the Venice Biennale was canceled by culture minister Gayton McKenzie, who deemed it “highly divisive.” Despite the cancellation, Goliath has installed her work, a multi-screen iteration of her ongoing performance series *Elegy*, at the Chiesa di Sant’Antonin, half a mile from the Giardini. The new piece mourns victims of atrocities including South African femicide, the Herero and Nama genocide, and the death of Gazan poet Hiba Abu Nada, killed by an Israeli airstrike. Goliath stated that McKenzie explicitly demanded removal of the Palestinian content while deeming the other subjects acceptable.

Abbas Akhavan Transforms the Canada Pavilion Into a Greenhouse, Daring Viewers to Leave Behind Their Preconceptions

Artist Abbas Akhavan has transformed the Canada Pavilion at the Venice Biennale into a functioning greenhouse for his exhibition "Entre chien et loup." The pavilion now houses a 6,000-gallon pool containing giant Victoria water lilies, with modifications including grow lights, water misters, a new ventilation system, and structural reinforcements to support the 25-ton water tank. The installation evokes Victorian-era Wardian cases and London's Crystal Palace, but Akhavan emphasizes that his interest in the lilies began intuitively, not as a commentary on colonialism or empire. The project, developed with curator Kim Nguyen, involved collaboration with Kew Gardens and the Orto Botanico di Padova to cultivate the plants, and the outcome remains uncertain as the lilies may thrive or wither over the exhibition's six-month run.

Venice Diary Day 1: At the Giardini, Artists Refuse to Make Fascism Cozy

Henrike Naumann's posthumous installation at the German Pavilion, which retains its 1938 Nazi-era fascist architecture, refuses to make the space 'cozy' by adorning windows with violently ripped domestic fabrics. The 2026 Venice Biennale is the first under president Pietrangelo Buttafuoco, associated with neo-fascist politics, and is overshadowed by controversy over his 'neutrality' policy allowing all countries to participate despite human rights concerns. The exhibition jury initially announced it would not consider pavilions from countries whose leaders are charged with crimes against humanity, then abruptly quit, leaving the situation unresolved. The US Pavilion features unimpressive blobs by Alma Allen, while the Russian Pavilion offers cut flowers and free vodka, and Andreas Angelidakis responds to fascist aesthetics at the Greek Pavilion.

With Nearly 30,000 Clay Earth Bricks, Dana Awartani Remakes History in the Saudi Arabia Pavilion

Dana Awartani, a Jeddah- and New York-based artist of mixed Palestinian, Saudi, Jordanian, and Syrian descent, has created the Saudi Arabia Pavilion at the Venice Biennale using nearly 30,000 clay earth bricks. The installation, titled "May your tears never dry, you who weep over stones," replicates traditional mosaic motifs sourced from over 20 cultural heritage sites across the Arab world that have been destroyed by human conflict. Awartani emphasizes collaboration, crediting numerous skilled craftsmen—economic migrants to Saudi Arabia—who worked alongside her, and her practice blends formal training at Central St. Martins with Islamic geometry and illumination studies in Turkey.

In new play, Norval Morrisseau forgery scandal prompts questions about authenticity and Indigenous identity

A new play by Ojibway playwright Drew Hayden Taylor, *The Undeniable Accusations of Red Cadmium Light*, dramatizes the massive Norval Morrisseau art forgery scandal in Canada. The story follows an Indigenous art expert named Nazhi, her adopted daughter Beverly, and a journalist whose investigation into Morrisseau forgeries unravels Nazhi’s own identity and status. The play uses Morrisseau’s iconic imagery and the forensic analysis of paint colors to explore the blurred lines between authentic and fake, both in art and in personal identity. It concluded its run at Vancouver’s Firehall Arts Centre on 3 May.

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

Nymphs, mermaids and rosy cherubs: mansion filled with hidden wall paintings makes Victorian Society’s endangered buildings list

A derelict mansion called Parndon Hall, located within the grounds of Princess Alexandra Hospital in Harlow, Essex, has been named to the Victorian Society’s annual list of the top ten at-risk buildings in England and Wales. The house, built in 1867, contains a hidden trove of wall paintings by the almost-forgotten Victorian artist Elizabeth Arkwright, who covered walls, ceilings, and doors with nymphs, mermaids, and cherubs—many still concealed under Edwardian whitewash. The building has been used for storage and has sat unoccupied since flood repairs in 2024.

Michael Jackson Accessories Hit the Market Amid Biopic Buzz

GWS Auctions is offering nine pieces of Michael Jackson memorabilia in a May 2 sale, including a signed pair of the late singer's Florsheim loafers. The auction features 734 items from the collection of Prince Lorenzo de' Medici, with highlights such as a crystal-studded white glove from Jackson's 1984 Victory tour and Swarovski-embellished socks from his Dangerous tour. The loafers, authenticated by Jackson's assistant Rosemary Chavira, carry a starting bid of $7,500, and the sale coincides with the record-breaking opening weekend of a new Michael Jackson biopic.

Israel Addresses Venice Biennale Jury’s ‘Boycott’ of Pavilion: ‘A Contamination of the Art World’

Israel’s foreign ministry has condemned a statement by the Venice Biennale jury, in which the five curators declared they would not consider pavilions from countries charged with crimes against humanity by the International Criminal Court. The jury’s decision effectively boycotts Israel and Russia, whose leaders face ICC arrest warrants. Israel called the move a “contamination of the art world,” while the artist representing Israel, Belu-Simion Fainaru, also denounced the jury for creating a hostile environment. The Biennale’s organizers have distanced themselves from the jury, stating they cannot exclude any recognized state from the exhibition.

One of the Art Market’s Biggest Secrets, Revealed

Global auction totals saw a significant rebound in 2025, rising 13.3 percent compared to the previous year after a prolonged period of decline. The latest Artnet Intelligence Report highlights this recovery while shifting focus toward the increasingly influential world of private auctions, where high-value masterpieces are traded in invitation-only, clandestine settings away from the public eye.

From men on dog leads to public breast-fondling, Valie Export’s art demanded a total feminist revolution

Valie Export, the pioneering Austrian feminist artist known for her provocative and confrontational performances from the 1960s onward, is the subject of a reflective essay by writer and academic Hettie Judah. The article revisits Export's radical works such as *Hyperbulia* (1973), where she crawled naked through electrified wires; *From the Portfolio of Doggedness* (1968), in which she led a man on a dog lead through Vienna; and *Action Pants: Genital Panic* (1969), where she walked through a cinema with exposed genitals. Judah draws on her own interviews with Export, who died in 2023, and discusses the artist's manifesto demanding that women use art to reshape consciousness and achieve liberation.

‘Touch the earth lightly’: the Australian home that floats above the landscape

The article profiles the Ball-Eastaway House, a home designed by pioneering Australian architect Glenn Murcutt in 1983 for artist Sydney Ball and his partner Lynne Eastaway. Located on a 10-hectare block of dry sclerophyll forest northwest of Sydney, the house is elevated on 14 steel columns sunk into a sandstone rock shelf, allowing it to float above the landscape and minimize its environmental impact. Murcutt, who later won the Pritzker Prize, incorporated sustainable design features such as natural ventilation, a gutter system inspired by eucalypt leaf patterns, and a structure that can be dismantled without trace.

‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.

Khaled Sabsabi is finally at the Venice Biennale: ‘Being here is already a win’

Khaled Sabsabi has opened his exhibition 'conference of one’s self' at the Australian Pavilion of the 61st Venice Biennale, alongside a second installation 'Khalil' in the Arsenale. This follows a tumultuous period in which Creative Australia rescinded his appointment as Australia’s representative in February 2025, sparking widespread backlash from the art community. After being reappointed in July 2025, Sabsabi presents two monumental multimedia works inspired by Sufi practice, created in Bangkok and described as 'one body with two limbs'.

Rose Finn-Kelcey review – flying puns, smart pranks and prayers for 20p

The Guardian reviews "Rose Finn-Kelcey: House Rules," a posthumous exhibition at the new Arts Collective in Northampton, UK. The show features works by the British conceptual artist (1945–2014), including her 1972 flag installation "Power for the People" at Battersea Power Station, a prayer vending machine titled "It Pays to Pray," and pieces exploring permission, spirituality, and societal restrictions. The exhibition is presented as a homecoming for Finn-Kelcey, who was born in Northampton.

Read a book, flip off a Nazi: when reading meant resistance – in pictures

A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.

Monk football and sperm whales: All About Photo awards winners 2026

The 11th edition of the All About Photo awards – The Mind's Eye has announced its 2026 winners, with first place awarded to Matt McClain for his image of an intern working in a historic millinery shop at Colonial Williamsburg, Virginia. The competition features a diverse range of winning photographs, including conceptual self-portraiture by Brooke Shaden, a street scene at the Benin-Togo border by France Leclerc, a train sleeping in Tunisia by Javier Arcenillas, freedivers with sperm whales by Khaichuin Sim, and young monks playing football in the Himalayas by Andrew Newey. Winners receive $5,000 in cash prizes.

Sony world photography awards 2026 – in pictures

The 2026 Sony World Photography Awards have announced their top honors across professional, open, student, and youth categories. Notable winners include Citlali Fabián for her series on Indigenous activists in Mexico, Seungho Kim for a project exploring the intersection of parenting and pet ownership in South Korea, and Dafna Talmor for her abstracted, collaged landscapes. The winning works span a diverse range of subjects, from the documentation of a fire at the Royal Academy of Fine Arts in Stockholm to intimate portraits of faith at the Vatican.

The BFA exhibit at Krannert Art Museum begs you to touch stuff

The 2026 BFA Exhibition at the Krannert Art Museum, featuring work from University of Illinois School of Art & Design students, emphasizes interactivity, inviting visitors to physically engage with the displays. Highlights include Dhanvi Puttur's "The Third Showing," which explores film communities through an interactive prompt, and Venya Naidu's "The Last Maharaja of Mysore," a vibrant piece blending history and vintage advertising aesthetics. The exhibition runs through May 16, 2026, and is free to the public.

For the People: Lubbock’s First Friday Art Trail Engages Thousands of Art-Goers Each Month

Lubbock’s First Friday Art Trail (FFAT), now in its 22nd year, has grown from a small gathering of a few dozen attendees to regularly drawing thousands to the downtown arts district each month. In October 2025, the Louise Hopkins Underwood Center for the Arts (LHUCA) distributed 6,000 wristbands before running out. The event features exhibitions, open studios, craft vendors, music, hands-on activities, drinks, and food trucks, with streets closed to traffic and visitors moving on foot or by trolley. The trail began organically in August 2004, spearheaded by artist Steve Teeters of St. Eligius Studio, and was inspired by a First Friday event in Corpus Christi.

Seattle May art shows include speakeasy-style gallery attached to house

A series of diverse art exhibitions are opening across Seattle in May. Highlights include a show exploring the influence of Japanese woodblock prints on Northwest artists at the Cascadia Art Museum, a site-specific installation in a private garage gallery called Double Garage, and a large-scale display of drawings on sticky notes by Clare Johnson at Gallery 4Culture. Other featured shows include Emma Bergman's surreal multimedia installation at Specialist Gallery and a landmark retrospective of light artist Tom Lloyd at the Frye Art Museum.

Khaled Sabsabi’s Rocky Road From Australia to the Biennale

Lebanese-Australian artist Khaled Sabsabi was nearly removed from his commission for the Venice Biennale after being accused of supporting terrorism, but was later reinstated. He is now arriving in Venice to present not one but two works at the prestigious international exhibition.