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19 New Exhibits Coming to the Smithsonian Museums in 2026

The Smithsonian Institution has announced 19 new exhibitions opening across its museums in 2026, including shows at the African American History and Culture Museum, African Art Museum, Air and Space Museum, American Art Museum, American History Museum, and Asian Art Museum. Highlights include Nick Cave's immersive installation "Mammoth" at the American Art Museum, a photography survey of the U.S. Bicentennial, and a major reopening of the Air and Space Museum's final seven galleries after eight years of renovations. Several exhibitions tie into the nation's 250th anniversary, while others explore LGBTQ+ African art, HBCU collections, salsa music history, and contemporary water-themed paintings by Hiroshi Senju and Bingyi.

Paris exhibition provides a new canon-busting vision of Minimalism

The Bourse de Commerce in Paris hosts "Minimal," a groundbreaking exhibition curated by Jessica Morgan, director of the Dia Art Foundation. The show centers on five large-scale natural-material works by 81-year-old US artist Meg Webster, while featuring over 100 works by more than 50 artists to challenge the traditional narrative that 1960s-70s Minimalism was exclusively a white, male, American movement. It includes thematic sections on light, balance, and monochrome, a gallery devoted to Japan's Mono-ha movement, and retrospectives of Agnes Martin and Lygia Pape, drawing largely from the Pinault Collection with international loans.

Malba acquires collection of more than 1,200 Latin American works

The Argentine real-estate developer and collector Eduardo F. Costantini has acquired the entire Daros Latinamerica Collection, adding 1,233 works by 117 artists to his Museo de Arte Latinoamericano de Buenos Aires (Malba). Previously housed in Zurich, the collection includes key pieces by artists such as Ana Mendieta, Hélio Oiticica, Lygia Clark, and Cildo Meireles. The acquisition brings 75 new artists to Malba's holdings, including Doris Salcedo and Jesús Rafael Soto, and strengthens existing ones like Guillermo Kuitca and León Ferrari. Plans for a museum expansion to accommodate the works are already underway.

Museum of the African Diaspora caps 20th anniversary celebration

The Museum of the African Diaspora (MoAD) in San Francisco is celebrating its 20th anniversary with a public celebration on December 13 and two exhibitions: “Continuum: MoAD Over Time” and “UNBOUND: Art, Blackness and the Universe.” Since opening in 2005, MoAD has been defined by Chester Higgins’s photomosaic “The Girl from Ghana,” which features over 3,000 stamp-sized images from contributors worldwide. Under executive director Linda Harrison (2013–2019) and current CEO Monetta White, the museum shifted from a focus on historical and anthropological narratives to centering contemporary Black artists, hiring its first full-time staff curator, Key Jo Lee, in 2023.

Gunmen stole works by Matisse and Portinari from Brazilian library in brazen daytime heist

On Sunday, December 7, two armed gunmen entered the Biblioteca Mário de Andrade (BMA) in São Paulo during public visiting hours and stole 13 artworks: eight engravings by Henri Matisse and five works by Candido Portinari. The theft occurred on the final day of the exhibition "Do livro ao museu" (From the Book to the Museum), organized in collaboration with the Museu de Arte Moderna de São Paulo (MAM-SP). The thieves subdued a security guard and an elderly couple, broke a glass display case, and escaped with the works in a canvas bag. Police have identified one suspect and seized the getaway vehicle; Interpol and other agencies have been alerted to prevent the works from being sold on the commercial market.

Lima’s historic city centre to be restored after years of earthquake damage and abandonment

The Metropolitan Municipality of Lima has launched an ambitious revitalization project called Lima 2035 to restore the city's historic center, a UNESCO World Heritage Site since 1991. Decades of neglect, earthquakes, and urban flight have left many buildings abandoned and damaged, particularly those made of adobe and quincha. The project, led by architect Luis Martín Bogdanovich Mendoza, involves over 500 professionals working since 2019 to rehabilitate the area, with completion timed for Lima's 500th birthday in 2035.

New £200,000 contemporary art prize is biggest in UK

The Serpentine Gallery in London has launched a new contemporary art prize in partnership with the Flag Art Foundation in New York. The Serpentine x Flag Art Foundation Prize will award £200,000 each to five artists over ten years, making it the largest contemporary art prize in the UK. The prize will be given every other year to an international artist who has been exhibiting professionally for less than ten years, with the first winner selected in 2026 and exhibitions at both venues in 2027 and 2028. The Flag Art Foundation was founded by collector Glenn Fuhrman, a trustee of the Museum of Modern Art in New York.

Venice, Sydney, Gwangju: the most interesting biennials to visit in 2026

The article previews several major biennials scheduled for 2026, including the 61st Venice Biennale, the 25th Sydney Biennale, and the 16th Gwangju Biennale. The Venice Biennale will proceed posthumously under the vision of curator Koyo Kouoh, who died in May 2025; she was the first African woman appointed to curate the event. The Sydney Biennale, themed "Rememory" and inspired by Toni Morrison, will be directed by Hoor Al Qasimi, while the Gwangju Biennale will be led by Singaporean artist Ho Tzu Nyen, focusing on collective artistic responses to global crises.

A vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds

The Henry Moore Institute in Leeds has opened "Beyond the Visual," the first major UK exhibition of sculpture centered on blind and partially blind artists and curators. Co-curated by Ken Wilder, Aaron McPeake, and Clare O'Dowd, the show features works by 16 international artists including Henry Moore, Barry Flanagan, Lenka Clayton, Emilie Louise Gossiaux, David Johnson, and others. The exhibition prioritizes touch, sound, and sensory engagement, with all objects available to handle, textured flooring mats, high-contrast signage, and audio descriptions. It includes new commissions such as David Johnson's "Nuggets of Embodiment" (2024-25), made of 10,000 stone-plaster Digestive biscuits with Braille text.

Spring 2026 Exhibitions Opening Celebration

The Wexner Center for the Arts at Ohio State University has announced its Spring 2026 exhibitions lineup, featuring works by Vitória Cribb, Ximena Garrido-Lecca, Eric N. Mack, Hew Locke, and Naeem Mohaiemen. Highlights include Cribb's 'echoes of a wet finger,' commissioned by Sharjah Art Biennial 16 and Mercosul Biennial 14, and solo presentations by Garrido-Lecca, Mack, and Locke, as well as Mohaiemen's film and video works. The season is supported by a range of funders including the American Electric Power Foundation, the Mellon Foundation, and the National Endowment for the Arts.

Theaster Gates redeems discarded materials in Smart Museum’s ‘Unto Thee’

Theaster Gates's first solo exhibition in his hometown of Chicago, 'Unto Thee,' opens at the Smart Museum of Art, featuring materials collected over his career that are tied to the University of Chicago. The show includes slate from Rockefeller Chapel, glass lantern slides from the art history department, and the 4,500-volume archive of a late colleague, all transformed into sculptural installations that explore the changing meaning of objects.

William Nicholson, often overlooked in favour of his more famous son, is coming out of the shadows

Pallant House Gallery in Chichester, West Sussex, is staging the first full survey of British painter William Nicholson (1872-1949) in 25 years, running from 22 November 2025 to 10 May 2026. The exhibition aims to present Nicholson's diverse output—including posters made with the Beggarstaff Brothers, woodcuts, book illustrations, theatre costumes, portraits, still lifes, and landscapes—as an integrated whole, rather than isolating individual media as past shows have done.

Albuquerque exhibition depicts German art made during the tragic ascent of authoritarianism

The Albuquerque Museum has opened a landmark exhibition titled "Modern Art and Politics in Germany 1910–1945: Masterworks from the Neue Nationalgalerie, Berlin," featuring German and European art from the early 20th century. The show traces the trajectory from the German Empire through World War I, the Weimar Republic, Nazi rule, and World War II, including works by Max Beckmann, George Grosz, Hannah Höch, Ernst Ludwig Kirchner, Paul Klee, and others. Many pieces were originally condemned as "degenerate art" by the Nazis. The exhibition, which has three U.S. stops, is currently in Albuquerque after appearing at the Kimbell Art Museum in Fort Worth and will travel to the Minneapolis Institute of Art.

The Crocker Art Museum’s CEO Wants the World — and People of Sacramento — to Love His Newly Adopted City

Agustín Arteaga, the new Mort and Marcy Friedman director and CEO of the Crocker Art Museum in Sacramento, discusses his first months on the job, including extensive meetings with staff, board members, and community stakeholders. Arteaga, who previously led the Dallas Museum of Art, the Museo Nacional de Arte in Mexico City, and the Museo de Arte de Ponce in Puerto Rico, emphasizes the need to balance fundraising, donor relations, educational programming, and political transparency while maintaining the museum's relevance as the oldest art museum in the American West.

Kyle Stephan finds in art the power to activate people

Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.

‘Truly inspiring’: New Princeton University Art Museum opens its doors to all

The new Princeton University Art Museum opened its doors to the public on Oct. 31, 2025, with a 24-hour open house that drew 21,763 visitors. The event featured dancing, stargazing, artmaking, live performances, film screenings, and a trivia contest, with highlights including Claude Monet's "Water Lilies and Japanese Bridge" and Nick Cave's mosaic. Director James Steward welcomed the crowd, and the museum also hosted previews for students, faculty, staff, and tradespeople, attracting thousands more.

Performa brings digital doubles, kids reciting animal noises and more to New York

Performa, New York's performance art biennial, returns for its 20th anniversary edition with a main slate of eight commissions, seven by women artists and one by a male-female duo. Projects include Ayoung Kim's live motion capture choreography exploring body doubles and digital avatars at Canyon, Diane Severin Nguyen's remix of Vietnam War-era protest songs with an 11-person supergroup at Bric, and Tau Lewis's staging of the Sumerian epic 'The Descent of Inanna' using textile sculptures and experimental opera at Harlem Parish. The biennial also features a Lithuanian Pavilion with Augustas Serapinas's mobile wooden shack and Lina Lapelytė's piece 'The Speech,' in which 270 children perform animal vocalizations at Federal Hall.

James Turrell’s New Skyspace Is Opening in Denmark—and It’s Monumental

James Turrell's largest Skyspace to date, titled "As Seen Below – The Dome," will open at ARoS Aarhus Art Museum in Denmark on June 19, 2026, timed for the summer solstice. The dome-shaped underground chamber, over 50 feet high and 130 feet in diameter, frames the sky and is housed within a grassy mound as part of the museum's subterranean expansion, The Next Level. The project, first announced in 2015, faced financial and technical delays, including a supplier bankruptcy, and required additional funding of 6.7 million kroner this year.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

Indigenous artists transform works at Metropolitan Museum in unsanctioned augmented reality project

On Indigenous Peoples’ Day (13 October), 17 Native artists staged an unsanctioned augmented reality intervention inside the Metropolitan Museum of Art’s American Wing. The project, titled ENCODED: Change the Story, Change the Future (through 31 December), digitally overlays cosmological figures, pow-wow dancers, and ivy onto 19th-century paintings and sculptures, challenging the museum’s narratives. Co-curated by filmmaker Tracy Renée Rector and an anonymous Indigenous co-curator in collaboration with the non-profit Amplifier, the intervention coincides with the American Wing’s centenary.

Comment | Museums can't get enough of anniversary exhibitions—but surely there's better ways to serve the public

The article critiques the growing trend of museums mounting anniversary exhibitions to celebrate the birth or death of famous artists, using the centennial of Robert Rauschenberg as a prime example. Nearly 100 organizations worldwide are participating in Rauschenberg-related shows, from the Menil Collection in Houston to the Grey Art Museum in New York. The author notes similar patterns in 2024 for James Ensor and in 2023 for Ellsworth Kelly and Pablo Picasso, with museums often resorting to highly specific or gimmicky themes to differentiate their offerings.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

Introducing Erich Heckel, the unsung driving force of Die Brücke

The Neue Galerie in New York is opening the first US museum exhibition dedicated to German Expressionist artist Erich Heckel (1883-1970), running from October 9, 2025 to January 12, 2026. Heckel was a co-founder of the influential group Die Brücke in 1905, alongside Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, and Fritz Bleyl. Unlike the more flamboyant Kirchner, Heckel was introverted and avoided scandal, but he served as the group's organizational driving force, organizing key exhibitions and transforming Die Brücke into a promotional platform. The show features around 40 works from 1905 to 1920, including loans from the Harvard Art Museums and the Metropolitan Museum of Art.

The Disturbing Lessons of the 1937 ‘Degenerate Art’ Show

The article examines the historical context and enduring relevance of the 1937 Nazi-organized 'Degenerate Art Show' (Entartete Kunst) in Munich, which displayed hundreds of works by modern artists like George Grosz, Wassily Kandinsky, and Paul Klee as examples of moral and cultural corruption. It traces the concept's roots in 19th-century Social Darwinism, its adoption by Adolf Hitler and the Nazi Party to denigrate modern art, and the gradual escalation of cultural purification policies after Hitler seized power in 1933, including the firing of museum directors and the construction of the Haus der Deutschen Kunst.

Tate Britain’s Lee Miller exhibition seeks to go beyond her mythology

Tate Britain is opening a major survey of American photographer Lee Miller (1907-77), running from 2 October 2025 to 15 February 2026. Curated by Hilary Floe, the exhibition aims to refocus attention on Miller’s artistic output rather than her storied personal life—her roles as a Surrealist, fashion photographer, war correspondent, and muse to figures like Man Ray, Pablo Picasso, and Jean Cocteau. The show presents the UK’s largest survey of her work, deliberately selecting images based on artistic merit rather than biographical illustration.

In first peek at collections, Art Museum announces two opening exhibits

The Princeton University Art Museum (PUAM) has announced its two opening exhibitions for the newly rebuilt museum, set to debut on October 31. The inaugural shows are “Princeton Collects,” featuring approximately 150 works donated over the past four years including the largest piece by Irish-American artist Sean Scully, and “Toshiko Takaezu: Dialogues in Clay,” a ceramics exhibition highlighting the late artist’s closed-form works and her connections to teachers, peers, and students. The museum, described by Director James Steward as a “once-in-a-century remaking,” will open with a 24-hour public open house after student and member previews.

Exhibition Of Contemporary Anishinaabe Art At Detroit Institute Of Arts

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," a major exhibition featuring over 60 Anishinaabe artists from Michigan and the Great Lakes region. The show, running from September 28, 2025, to April 8, 2026, includes nearly 100 contemporary artworks and was sparked by a request from artist Kelly Church, whose black ash top hat was donated to the DIA in 2020. Church collaborated with DIA Assistant Curator Denene De Quintal and a Native advisory board—the "Council of the Three Fires"—to select artists, blending established figures like Frank Big Bear and George Morrison with lesser-known artists receiving their first major institutional exposure.

An exhibition at Cranbrook Museum of Art spotlights overlooked perspectives from the midcentury modern movement

The Cranbrook Museum of Art has opened a new exhibition that highlights underrepresented voices and overlooked perspectives within the midcentury modern movement. The show features works by artists and designers who were historically marginalized or excluded from the dominant narrative of midcentury modernism, including women and people of color.