The River Studio Gallery in Norwich is set to host a spring group exhibition titled "In Full Bloom" on April 18. The show features a diverse range of media including painting, photography, and multimedia works from seven local artists, notably featuring a posthumous tribute to Donald Vorhees alongside works by Serena Potter and gallery owner Michael David Brathwaite.
The 35th annual Governor’s Art Show has returned to the Loveland Museum, showcasing a juried selection of fine art from across Colorado. This year’s exhibition features approximately 60 artists, including 10 first-time participants, selected through a competitive blind jury process. The show includes a diverse range of media, from Lorri Acott’s life-size bronze animal sculptures to Jane DeDecker’s new works blending bronze with fused glass, and Faye Crowe’s Western-influenced abstract paintings.
The Shenzhen Museum of Contemporary Art and Urban Planning is currently hosting "Walking in the Sun — Ai Jing Art Exhibition 2026," a major solo retrospective of the multidisciplinary artist Ai Jing. Curated by He Guiyan, the exhibition features a diverse range of works including painting, sculpture, and a significant installation involving 150 bags of black soil transported from the artist's hometown of Shenyang. The show is structured into three thematic sections that explore the artist's personal history and her philosophical engagement with the concept of "walking" as a metaphor for life's journey.
Scottsdale Arts has unveiled a diverse spring lineup of programming across its various venues, featuring a mix of milestone celebrations, contemporary exhibitions, and community events. Highlights include the 50th-anniversary ARTrageous Gala on April 11, the opening of Nancy Kravetz’s solo exhibition, and the 20th anniversary of Cycle the Arts, a citywide public art bicycle tour. The schedule also integrates performing arts with appearances by Americana musicians Drew Holcomb & The Neighbors and a showcase of Arizona-based choreographers.
High school seniors Olivia Dai and Maggie Liu debuted their joint exhibition, "Gen-Z: Searching for Meaning," at the New Providence Memorial Library. The show features a diverse range of media, including painting, mixed media, and experimental video, focusing on the specific anxieties and hopes of the current generation. Works such as "Doom Scrolling" and "Normalcy" tackle themes of digital addiction, academic pressure, and identity formation.
The globally acclaimed exhibition "Art of the Brick" has officially opened in downtown Cincinnati, showcasing over 100 sculptures crafted by artist Nathan Sawaya. The display features millions of LEGO bricks transformed into large-scale original works, including a 20-foot T-Rex, alongside brick-built interpretations of iconic masterpieces like the Mona Lisa and The Starry Night. Visitors can also engage with a hands-on building zone designed to foster creativity.
The Museum of Graffiti in Miami’s Wynwood district has launched a new permanent artist studio residency program featuring Jel Martinez, James “Ras Terms” Monk, Nicole “Nico” Holderbaum, and Entes. These four established artists, who began their careers painting illegally on the streets, now occupy professional workspaces that are open to the public seven days a week. Fully funded by the museum, the initiative allows visitors to observe the creative process in real-time and purchase works directly from the artists through an on-site sales gallery.
Heartware Store & Gallery in Singapore's Joo Chiat district has launched "555 MART," a solo exhibition by Bangkok-based illustrator and graphic designer Nene (Nanthawan Jamsai). The gallery has been transformed into a neon-lit, immersive convenience store where everyday grocery items like cup noodles and canned sardines are reimagined through ballpoint pen sketches and vibrant Risograph printing. The show features a mock checkout belt and art displayed alongside groceries, blending a retail environment with a traditional gallery space.
Major cities across the United States are hosting First Friday events tonight, featuring extended gallery hours, free museum admissions, and live cultural programming. A central highlight is the Natural History Museum of Los Angeles, which is celebrating the 20th anniversary of its after-hours series with a sold-out evening of live music, DJ sets, and science discussions led by experts.
Gold by Serakai Studio has launched its inaugural exhibition, "Certainly," in Hong Kong’s Wong Chuk Hang district. Curated by Tobias Berger, the former head of art at Tai Kwun, the show features 50 works by 11 diverse artists that explore themes of unpredictability and experimentation. The exhibition takes its conceptual cue from La Monte Young’s 1960 Fluxus score, "Draw a straight line and follow it," using the impossibility of that task as a metaphor for navigating global instability.
Three museums in the Philadelphia area—the Woodmere Museum, the Maguire Museum at St. Joseph’s University, and the Berman Museum of Art at Ursinus College—have jointly organized a major retrospective of sculptor Syd Carpenter's five-decade career. The exhibition, titled "Syd Carpenter: Planting in Place, Time and Memory," is split across the three venues, each focusing on different aspects of her artistic evolution, from early pottery to recent organic, plant-inspired sculptures.
Lynn University hosted the Lynn NFT Art Museum 2025 Opening and All Hands on Deck Skateboard Deck Design Competition at the Boca Raton Innovation Campus (BRiC). Organized by the College of Communication and Design under Dean Cesar Santalo, the event featured a panel titled "Collecting Culture: How Toys and Comics Shape Our Stories" moderated by Michael Williams, with participants including toy designer Matt Nuccio, illustrator Mark Sparacio, and others. Exhibitions included Digitalism 2025, curated by Pixar RenderMan specialist Leif Pedersen; Stolen Data, featuring net-artists Vuk Ćosić, Rodolfo Peraza, and Rhea Myers; and the Fugitive Commons AI Animation and Video Art Contest, won by Tery Spataro. The skateboard deck competition showcased over 450 boards from students across eight countries.
Slawn and Opake have opened a joint exhibition titled “Heroes, Villains, & Violence” in Miami, timed to coincide with Art Basel. The show explores themes of heroism, villainy, and violence through imagery from comics, film, and media, including Iron Man, Captain America, Snow White, and the Mad Hatter. Boxing serves as a recurring motif, with a real boxing ring hosting Miami fighters Uly “Monster” Diaz and Bryan “El Gallo” Duran during the opening. The exhibition runs through Dec. 31 at The Art of Hip Hop.
Somerset artist Brian Fox has created a powerful exhibit titled “In the Valley of the Shadow,” now on display at the Narrows Center for the Arts in Fall River, Massachusetts, through December 27th. The paintings depict the harrowing experiences of Vietnam War veterans, with Fox spending hours consulting veterans like Wayne Smith, a former combat medic, and David Jennings of the 1st Marine Division to ensure historical and emotional accuracy. The project began with a single war-themed painting and has grown into a full exhibition that Fox plans to expand by one or two paintings each year.
Heffel Fine Art Auction House held its marquee autumn sales in Toronto on November 19, featuring four auctions that included works from the collection of the Hudson's Bay Company, North America's oldest company, which declared bankruptcy earlier this year. The marathon series of sales also included a single-owner auction of the late collector Lillian Mayland McKimm's holdings and two multi-owner sales of Canadian, Impressionist, modern, post-war, and contemporary art. Over 16 artists' secondary market records were broken, with total sales reaching C$31 million ($22.1 million). Notable highlights included E.J. Hughes' 'Entrance to Howe Sound' selling for C$4.8 million, more than doubling his previous record, and Winston Churchill's painting 'Marrakech' fetching C$1.5 million.
Oriel Myrddin, a contemporary visual arts and craft gallery in Carmarthen, Wales, will reopen on 22 November 2025 after a major redevelopment. The relaunch features the exhibition "GWRACH | WITCH Clive Hicks-Jenkins: A Fairy Tale Retold," an immersive show blending Welsh folklore with the artist's handcrafted retelling of Hansel & Gretel. The redevelopment includes a new public cafe and expanded space, and the gallery is now operating as an independent charitable incorporated organization (CIO) with support from Carmarthenshire County Council and the Arts Council of Wales.
Saif Azzuz, an artist of Libyan and Yurok heritage, presents a new body of work that intertwines themes of water, fire, and family, drawing from his experiences in both the Louisiana Bayou and the San Francisco Bay. The article, published by The New York Times, explores how Azzuz's mixed Indigenous and North African background informs his artistic practice, blending personal history with environmental and cultural narratives.
Palestinian artist Dima Srouji's exhibition *A Cosmogram of Holy Views* opens at London's Ab Anbar Gallery, presenting a decade of research into the built heritage of Palestinian Christians. The show juxtaposes European Renaissance depictions of the Holy Land with the reality of life under Israeli occupation, using media such as tinted glass collages, blown glass, carved stone, and mother-of-pearl objects. Works like *Return to Nazareth* overlay biblical scenes with personal childhood memories, while *Phantom Votives* offers wax votive forms as a response to the destruction in Gaza.
Lisja Tërshana, co-founder of Khrais–Tërshana, an art dealership and production studio based in London with operations between Tirana and Krakow, discusses her unconventional path from law to the art world. After studying law in London and passing the Solicitor Qualifying Exam, she enrolled in Central Saint Martins' MA Innovation Management, where she met co-founder Sofian Khrais. The dealership operates across three distinct art markets: Poland's confident and institutionally anchored scene, Albania's emerging infrastructure with few international commercial galleries, and London's established yet innovative market. Tërshana emphasizes the importance of curation in her work, blending market instincts with curatorial vision, and draws on her legal background to ensure fairness and trust between artists and collectors.
Jodhpur Arts Week, inaugurated on 1 October 2025, transforms the historic city of Jodhpur into an open-air art gallery for the first time. Founded by Sana Rezwan and curated by the Public Arts Trust of India (PATI), the week-long festival features exhibitions, installations, panel discussions, and workshops across iconic sites such as Toorji Ka Jhalra, Ghanta Ghar, Mandore Gardens, and heritage hotels like Daspan House and Khaas Bagh. Highlights include a video projection by Raqs Media Collective, a neon installation by Chila Kumari Singh Burman, and works by artists Gaspard Combes, Richa Arya, Jenjum Gadi, Awdhesh Tamrakar, and others, blending contemporary art with Rajasthan's traditional crafts.
A pop-up art exhibition titled 'Of Seeds and Stories' will take over Unit 37 at the Winchester Brooks Centre from October 4 to October 31. Co-curated by local Hampshire artists Jo Rose and Olana Light, the show also features work by Konrad Cox and Amanda Berridge, blending folk-inspired storytelling, memory, and nature through paintings, photography, sculptural installations, and wearable art. A free preview event is scheduled for October 4, with public access starting October 5.
A giant spider sculpture by Compagnie La Machine, titled *La Grande Araignée*, has been installed on the Belfry of Bruges to herald the opening weekend of the new Brusk art gallery. The weekend festivities also include a highline act by Belgian collective Lyapunov, a tightrope walk between the Belfry and the Church of Our Lady, and a tape art installation by Numen/For Use inside the gallery. The public can explore the building before its official opening in May 2026.
The Varley Art Gallery of Markham will host an opening reception on September 20, 2025, for two new fall exhibitions: "Kejie Lin: A Garden of My Own," a solo show of meticulous Chinese ink paintings by former landscape architect Kejie Lin, and "Sights of Convergence," a group exhibition featuring Jess Riva Cooper, Gabriela García-Luna, and Stanzie Tooth that explores the entanglement of human and natural worlds. The free public event includes a guided tour by guest curator Yuluo Wei, family-friendly activities, and light refreshments, with both exhibitions running through January 11, 2026.
A new art gallery called Cute Tomatoes Gallery has opened in Savannah's 41st Street district, next to Natasha Gaskill's restaurant Sixby and near other local hotspots. The gallery focuses on showcasing authenticity for Savannah-based artists, providing a fresh platform for local creative voices in the city's growing arts scene.
The Inter Lyceum Art Competition (ILAC) 2025 took place on July 12-13 at the J.D.A. Perera Art Gallery in Colombo, Sri Lanka, featuring 747 student artworks from 10 Lyceum International School branches. The event included categories such as drawing, collage, 3D art, digital graphics, sculpture, and assembling art, and was supported by sponsors Atlas and Academy of Design (AOD). A charity art auction of selected student drawings raised funds for Thimbiriwewa Primary School, a rural school in the Kurunegala area. Chief Guest Dharshan Thavaraja and Guest of Honour Professor Jagath Ravindra attended, with a judging panel of Chandana Kumarasinghe, Anupa Indika, and W.M.A.N. Wasala evaluating the works.
Malta inaugurated a groundbreaking art exhibition, 'Colours in Europe with Maltese Reflections,' on August 1, 2025, at the Skoda Showroom in Ħaż-Żebbuġ. The show features 42 hand-painted mannequins created by 37 artists from Malta, Gozo, and across the European Union, blending fashion with fine art. The opening ceremony was led by Josephine Ebejer Grech on behalf of Catwalk Productions International, founded by Paul Chetcuti, who received a certificate from Malta Records for hosting the largest collection of Maltese-painted mannequins under one artistic concept. Artist Joseph Barbara also spoke at the event, which runs until August 30, 2025.
The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.
Yad Vashem – The World Holocaust Remembrance Center in Jerusalem has unveiled a new exhibition titled "Journey in the Wake of Catastrophe" by Israeli artist Tal Mazliach. The exhibition features eleven original works commissioned specifically for the show, which draw a visual and emotional connection between the Holocaust and the October 7th Hamas attack. Mazliach, a resident of Kibbutz Kfar Aza who survived the attack by barricading herself in her home for over 20 hours, is the second artist selected for Yad Vashem's 'Residency' Project. Her paintings incorporate tribal motifs, bold colors, and layered text, blending personal testimony with collective memory by drawing on Yad Vashem's archival collections.
London-based Chinese artist Jacky Tsai painted the exterior of a ZQ-2E Y2 rocket, which launched into space in May from China's Jiuquan Satellite Launch Center. The project, titled "Chang'e Flying to the Moon," was a collaboration with commercial space company LandSpace, reimagining the Chinese moon goddess in a cosmic context. Tsai worked with engineers to apply aerospace-grade paint, avoiding colors like green that could interfere with tracking systems. He had planned to recover separated rocket parts for a sculptural installation or charity auction, but all painted sections were incinerated upon re-entry.
The Virginia Museum of Contemporary Art (MOCA) in Virginia Beach is presenting "O'er the Wide and Plastic Sea," an exhibition of multimedia works by Brooklyn artist Duke Riley, running through August 31. The show spans two decades of Riley's practice, with the centerpiece artwork created from beach trash—including lighters, buoy pieces, and syringes—collected largely from Virginia Beach shores. Riley's work explores tensions between individual and collective behavior, institutional power, and nature's struggle with modern problems, blending early American styles, folklore, and sea-craft aesthetics.