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Ukrainian art resists war

An exhibition titled "Still Joy" opened in Venice during the preview days of the Biennale, organized by the Pinchuk Art Center in Kiev, showcasing Ukrainian art that responds to the ongoing war with Russia. The show features works by artists including Kateryna Aliinyk, Piotr Armianovski, Roman Khimei and Yarema Malashchuk, Zhanna Kadyrova, Alevtina Kakhidze, and Nikita Kadan, addressing themes of resilience, memory, and resistance. The Ukrainian Pavilion at the Biennale also centers on the conflict, with Kadyrova's work referencing the Budapest Memorandum. Many of these artists have chosen to remain in Ukraine despite the dangers, keeping the cultural scene alive.

Lowry Hill Gallery Exhibition: Kirsten Tradowsky, “Annemarie’s Vision”

Lowry Hill Gallery is hosting an exhibition titled “Annemarie’s Vision” featuring the work of artist Kirsten Tradowsky. The show is presented in partnership with Minnesota Women's Press, highlighting Tradowsky's artistic exploration of vision and narrative.

See exhibition by Erin Jane Nelson, ‘Living and Working,’ at UAB’s AEIVA through Sept. 26

The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.

Carole A. Feuerman | Miniature Serena (with Blue-Green Tube) (2021) | For Sale

Carole A. Feuerman's sculpture "Miniature Serena (with Blue-Green Tube)" (2021) is being offered for sale. The work is an oil on resin piece with 24K gold leaf cap, table-top scale, measuring 10 x 17 x 8 inches, from a variant of 10. Feuerman, born in 1945, is an American sculptor and author credited with co-founding the Hyperrealist movement in the late 1970s, known for figurative works of swimmers and dancers. Her public sculptures have been displayed globally, including at Central Park, the National Portrait Gallery of the Smithsonian Institution, the Venice Biennale, and the State Hermitage Museum. She has received multiple awards, including the Medici Award, and her works are in the permanent collections of 31 museums and owned by notable figures such as Steven A. Cohen, former President Bill Clinton, and Dr. Henry Kissinger.

Exhibition | Kelly Akashi, 'Heirloom' at Lisson Gallery, 508 West 24th Street, New York, United States

Kelly Akashi presents her first exhibition with Lisson Gallery in New York, titled 'Heirloom,' featuring a new body of work that explores loss, grief, and absence through sculpture. The exhibition includes bronze, Corten steel, flame-worked glass, and carved stone pieces, many inspired by her garden and personal artifacts like an inherited stone ring and her grandmother's lace tablecloth. It coincides with her participation in the 2026 Whitney Biennial and a commission for John F. Kennedy International Airport's New Terminal One.

Acclaimed Wilkes Artist Ward Nichols dies

Ward Hampton Nichols, a celebrated artist from North Wilkesboro, North Carolina, died on May 5 at the age of 95 at the Kate B. Reynolds Hospice Home, surrounded by his children. A few weeks before his passing, a celebration of his life, legacy, and art was held at the Wilkes Art Gallery. Nichols, born in 1930 in Welch, West Virginia, taught himself to draw as a child and later served in the U.S. Navy during the Korean conflict, where he designed a NATO shoulder patch and co-founded a shipboard newspaper. After his service, he pursued a lifelong passion for art, painting until January of this year, and was also an avid aviator and sports car enthusiast.

More than 30 exhibitions on display in May at art centers from Marco Island to Sarasota

More than 30 exhibitions are on display in May at art centers across Southwest Florida, from Marco Island to Sarasota. Venues like Art Center Sarasota host shows featuring member, regional, and nationally renowned artists, including the "North Sarasota County Schools Spring Art Show" with over 1,500 student artists, solo exhibitions by Anja Palombo and Cat Tesla, and the "Architects Who Art" show co-curated by Morris Hylton III.

Birmingham Museum of Art to unveil new Black American art exhibition

The Birmingham Museum of Art (BMA) announced it will unveil a landmark exhibition titled "Roll Call: Two Hundred Years of Black American Art" in September 2026. The show features 99 works drawn entirely from the museum's permanent collection, tracing two centuries of Black artistic production. Organized in four thematic sections—The Ground We Stand On, Ujima: Collective Work and Responsibility, What Freedom Feels Like, and In the Heart of It All—the exhibition highlights the museum's history of collecting Black art, which began in 1971 and now includes over 1,000 works by 250 Black artists. The exhibition coincides with the museum's 75th anniversary and runs from September 26, 2026 to January 17, 2027.

Museum diplomacy in action at ICOM UK 2026: museums in a changing world

ICOM UK hosted its 2026 annual conference in Oxford, bringing together delegates from over 20 countries to explore the theme of 'Museum Diplomacy.' Keynote speaker Dr. Sascha Priewe of the Aga Khan Museum and ICOM Canada framed the current geopolitical moment as a 'GZERO World,' where no country is willing or able to lead globally, and discussed how sanctions, export controls, and shifting alliances are straining international museum collaborations. Sessions featured case studies from the Science Museum Group and International Arts & Artists, emphasizing that trust and networks, not grand gestures, are essential for enduring partnerships.

Gala Porras-Kim: Future spaces replicate earlier spaces

Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.

5 Artists to See at Converge 45

New York curator Lumi Tan has organized the 2026 Converge 45 triennial in Portland, Oregon, titled "Here, To You, Now." Running from August 27 across more than 15 venues, the triennial prioritizes performances and time-based artworks over traditional gallery exhibitions, featuring both local and visiting artists. Tan, whose background includes stints at the Kitchen, Luna Luna, and Frieze New York, selected five standout artists: Lex Brown (presenting an operatic video and installation), Trisha Baga (a 3D video installation about AI and parenting), Rose Salane (archival works involving Princess Diana’s shoes), and Linda K. Johnson (a choreographer mapping Portland’s dance network).

Art Top 5: May 2026

The article presents a curated list of five notable art exhibitions in the Chicago area for May 2026. Highlights include a solo show of monumental sculptures by Dr. Charles Smith at the Intuit Art Museum, exploring anti-monumentalism and African American historical representation; a 50th-anniversary group exhibition at Zolla/Lieberman Gallery featuring over 140 artists; and a two-part cosmic-themed group show at the Renaissance Society. Other featured shows include drawings by late Imagist Suellen Rocca at Corbett vs. Dempsey and a waterscape-themed group exhibition at Grove Gallery in Evanston.

Artists take a satirical look at the financial crisis in a new London show

Three emerging artists—Jenna Bliss, Buck Ellison, and Jasmine Gregory—present a multi-media exhibition titled 'Genuine Fake Premium Economy' at London’s Institute of Contemporary Arts (ICA). The show satirically examines the societal and economic fallout of the 2008 financial crisis, using works that critique capitalism, inheritance, and art-world stereotypes. Gregory repaints Patek Philippe ads to expose class structures, Bliss films a fictional art fair that blurs reality and fiction, and Ellison creates lightboxes for a fictional private bank, manipulating corporate language and philosophy.

First UK Ken Price solo exhibition in nearly 10 years to open at Lisson.

Lisson Gallery, in collaboration with Matthew Marks Gallery, will present the first solo exhibition of Ken Price's work in the UK in nearly a decade. The show brings together sculptures and drawings, several shown in London for the first time, spanning the late American artist's five-decade career. Best known for expanding the possibilities of ceramics, Price created intimate yet monumental works that blend abstraction and figuration, with richly layered surfaces achieved through painstaking pigment and sanding processes. The exhibition includes iconic pieces such as 'Prone' (1997), 'Itself' (2003), 'Yin' (2009), and 'Amazon' (2003), alongside rarely seen works on paper that reveal his imaginative, dreamlike landscapes.

Three Filipino artists make the Sovereign Asian Art Prize 2026 shortlist

The Sovereign Asian Art Prize, now in its 22nd year, has announced its 2026 shortlist of 30 artists from 12 Asia-Pacific countries and territories. Among the finalists are three Filipino artists: Joey Cobcobo, Josephine Turalba, and Alvin Zafra. Cobcobo's nominated work, "Ika-8 Utos: Wag Kang Kukurap (Thou Shall Not Steal)," addresses corruption in the Philippines using a recycled canvas walked on by the public. Turalba, a transdisciplinary artist, has exhibited at Art Basel Hong Kong 2025 and serves as director of the Artistic Research Center at Philippine Women's University. The prize is run by the Sovereign Art Foundation, with proceeds from shortlisted works supporting its Make It Better charity program for children in Hong Kong.

Hotel Room Transforms into Media Art Exhibition Space

South Korea's only media art fair, Loop Plus, was held from April 23 to 26 at the Grand Josun Busan Hotel in Haeundae, Busan. The fair transformed 26 hotel rooms on the 13th floor into exhibition spaces, featuring media artworks from 19 international galleries including Tang Contemporary Art, Esther Schipper, Chiwen Gallery, and Baek Art. Highlights included a 38-minute video installation by Russian artist group AES+F titled *‘Inverso Mundus’*, presented by Tang Contemporary Art, which humorously subverts societal absurdities. The event also included artist booths for Kang Lee-yeon and Lucia Levolino, and institutional booths for the Justice Foundation and Gwangju Media Art Platform. A related festival, Loop Lab Busan 2026, runs until June 28 across multiple venues in Busan.

War-time exhibition: Yaacov Dorchin’s iron angels and sculptural language

Renowned Israeli sculptor Yaacov Dorchin, recipient of the 2004 Emet Prize and the 2011 Israel Prize for Visual Arts, opened his latest exhibition "Decapitated Fish and Additional Sculptures" at the Gordon Gallery in Tel Aviv on March 12, 2026—his 80th birthday and two weeks into the war with Iran. The exhibition, held without a large opening night due to the conflict, features about 15 sculptures spanning from 1993 to the present, including works in iron, steel, basalt, and other industrial materials. In an interview interrupted by an air raid siren, Dorchin discussed his approach to sculpting, the lyrical names of his heavy works, and how he reorganized the exhibition to create dialogues between older and newer pieces.

Staying Curious: Isabelle de Caters on 20 Years of Gallery Isabelle

Gallery Isabelle, founded by Isabelle de Caters in Dubai's Al Quoz district, celebrated its 20th anniversary in April 2026 with a 20-day exhibition titled "Move, Pause, Return." The show unveiled one work per day before bringing all 20 artists together for a final gathering. De Caters, who opened her first space B21 Gallery in 2006 when contemporary art in the Gulf was seen as a passing fad, reflects on two decades of building a gallery through instinct, long-term artist relationships, and organic growth rather than commercial dictates.

Un grand dessin de Beckmann pour Stuttgart

The Staatsgalerie Stuttgart has acquired a monumental drawing by Max Beckmann titled *Resurrection*, measuring nearly five meters long and three and a half meters high. Executed between 1916 and 1918, it is the largest painting by the artist and a key work in his oeuvre, created after his traumatic experience as a volunteer medical orderly in World War I. Beckmann described the piece as expressing 'the terrifying cry of pain of deceived poor humanity,' marking a shift toward a new formal vocabulary influenced by the war.

Quatre Moreau le Jeune pour Versailles

The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.

The best looks from the 2026 Met Gala

The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.

NEW ZEALAND PHOTOGRAPHER FIONA PARDINGTON REPRESENTS AOTEAROA AT THE VENICE BIENNALE

New Zealand photographer Fiona Pardington (born 1961, Auckland) is representing Aotearoa at the 61st Venice Biennale with her exhibition *Taharaki Skyside*, on view from May 9 to November 22, 2026, at the Aotearoa New Zealand Pavilion. The show features large-scale portraits of taxidermied birds from museum collections across New Zealand and Australia, focusing on endemic species including the extinct huia and whēkau. Curated by Felicity Milburn and Chloe Cull, the exhibition is presented by the Arts Council of New Zealand Toi Aotearoa (Creative New Zealand) and Christchurch Art Gallery Te Puna o Waiwhetū.

Fifty years after Franco, Spain begins to give back art seized during the Civil War

A 2022 Spanish law has quietly triggered a wave of restitutions of art looted during the Spanish Civil War, more than 50 years after dictator Francisco Franco's death. The Museo del Prado has identified 166 confiscated artworks in its collection, including works by Joaquín Sorolla and Pedro Atanasio Bocanegra, and has begun returning pieces such as a panel painting by Maestro de Lupiana to the parish of Yebes. Scholar Arturo Colorado Castellary has uncovered over 26,000 confiscated objects, with around a third never returned to their owners, many deposited in museums, churches, and public administrations.

London exhibition explores untold history of how homelessness was criminalised

A new exhibition titled "Criminal: The Untold History of Homelessness" opens at the Museum of Homelessness in London, exploring the origins of homelessness in the UK and how it has been criminalized. The exhibition challenges the typical focus on the 19th-century Vagrancy Act, instead tracing the "Homelessness Big Bang" to the early 1600s, when land enclosures, economic shifts, and colonial expansion began penalizing unhoused people. Staged in a meadow at Finsbury Park, the show features artists and activists including the anonymous graffiti artist 10 Foot, designer Matt Bonner, and poet Gemma Lees, with works such as 10 Foot's first sculpture "Fairie Newbuild"—a skip-shaped object made from palisade fencing containing a hawthorn tree.

Why Did the Met Opera Decide to Exhume Frida Kahlo and Diego Rivera’s Marital Strife?

The Metropolitan Opera has staged Gabriela Lena Frank's first opera, *El Último Sueño de Frida y Diego*, which imagines a supernatural reunion between Frida Kahlo and Diego Rivera on Día de los Muertos. The production, conducted by Yannick Nézet-Séguin and starring Isabel Leonard and Carlos Álvarez, uses magical realism to explore the couple's turbulent relationship, though it largely sidelines their Communist activism and Kahlo's queer affairs in favor of a simplified reconciliation narrative.

The Whitney Museum Raised $6.3 Million Last Night

The Whitney Museum of American Art raised $6.3 million at its annual benefit gala on Tuesday night, honoring artist Julie Mehretu, Board Chair Fern Kaye Tessler, and Director Emeritus Adam D. Weinberg. The event drew a crowd of artists, actors, musicians, and arts leaders, with a performance by Grammy winner Shaggy and a seated dinner at the museum's downtown flagship.

Hong Kong Artists Bring Quiet Reflection to Venice

The 61st Venice Biennale, themed “In Minor Keys” by late curator Koyo Kouoh, emphasizes quiet reflection over spectacle. A collateral exhibition titled “Fermata: Hong Kong in Venice,” curated by the Hong Kong Museum of Art (HKMoA), runs through November 22, 2026, and features two Hong Kong-born artists: Kingsley Ng and Angel Hui. Ng’s installation *Laundry Nocturne* (2026) uses projections and sound to connect the shared laundry-drying traditions of Venice and Hong Kong, while Hui’s *I Would Like to Open a Window for You* (2026) incorporates wrought-iron window frames crafted with local metalsmiths. Both artists explore everyday experiences, memory, and quiet emotions, aligning with the Biennale’s call for a slower, more reflective engagement with art.

Tough Stuff: Women in The American Glass Studio

The Corning Museum of Glass (CMoG) opened "Tough Stuff: Women in the American Glass Studio" on May 16, 2026, as part of its 75th anniversary celebration. This is the first survey exhibition dedicated to women artists who shaped the American Studio Glass Movement from the 1960s onward, featuring over 200 works by artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. The exhibition draws from CMoG’s permanent collection, the Rakow Research Library, and loans from the artists, and is complemented by an oral history initiative preserving first-person accounts.

‘These are artifacts from history’: exhibition celebrates objects of sporting victory

A new exhibition at the American Museum of Natural History in New York, titled "For the Win," showcases championship rings, trophies, medals, and jewelry spanning nearly 150 years of US sports history. Highlights include Jesse Owens's 1936 Olympic gold medal, Breanna Stewart's 2024 WNBA championship ring, the 1877 NYPD Medal of Valor, and items from Kevin Durant and the Seattle Seahawks. The exhibition, timed to the upcoming World Cup, is housed in the museum's gems and minerals space to emphasize craftsmanship.

Expansion plans for Rome's Galleria Borghese draw fierce response

Rome's Galleria Borghese, a 17th-century villa museum housing masterpieces by Caravaggio, Bernini, and Canova, is facing controversy over a privately funded feasibility study for a potential expansion. Sponsored by Italian engineering firm Proger, the €900,000 initiative would fund an international architecture competition to explore adding exhibition and visitor space to the Villa Borghese Pinciana grounds. Museum officials cite operational constraints: the historic interiors limit access to 360 visitors per two-hour slot (about 4,000 daily), reservations require weeks of waiting, many works remain in storage, and accessibility is poor. Visitor numbers hit a record 630,760 in 2025, up from 506,000 a decade earlier. Preservation groups including Italia Nostra Roma and Amici di Villa Borghese have objected to any new construction in the sensitive historic landscape. Director Francesca Cappelletti emphasized at a May 18 press conference that no project exists yet and the museum is only beginning a study process, with a winner possible by year's end.