Parisian art dealer Kamel Mennour has acquired the historic Galerie Malingue, taking over its prestigious 4,300-square-foot showroom on Avenue Matignon. The purchase represents a generational shift, with the younger dealer assuming control of a space founded over fifty years ago by Daniel Malingue, known for its focus on Impressionist, Surrealist, and modern masters.
Sotheby’s has secured the personal collection of the late financier and legendary art dealer Robert Mnuchin for its marquee May auctions in New York. The 24-work consignment is headlined by Mark Rothko’s 1957 masterpiece 'Brown and Blacks in Reds', which carries an estimate of $70 million to $100 million. The collection also features significant works by Willem de Kooning, Franz Kline, and Jeff Koons, reflecting Mnuchin's lifelong dedication to postwar abstraction and the New York School.
Takashi Murakami’s latest exhibition at Perrotin Los Angeles, titled “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis,” marks a significant return to his academic roots in Nihonga (traditional Japanese painting). The show features 24 compositions, including four monumental canvases that took over three years to complete, blending Edo-period woodblock aesthetics with 19th-century Impressionism and contemporary Pokémon imagery. The artist describes this body of work as a reflection on the non-linear nature of time and the physical manifestation of memory.
Dealer Gordon VeneKlasen has announced plans to relaunch his gallery under his own name, VeneKlasen Gallery, after splitting from Michael Werner Gallery. He will take over the New York and London locations, while Werner's Los Angeles outpost will close. Justine Birbil and Kadee Robbins have been promoted to partners. The gallery will debut at Art Basel Qatar with a solo presentation by Issy Wood and will host inaugural exhibitions of works by Sigmar Polke. Separately, a rare 16th-century portrait by Sofonisba Anguissola, "Portrait of a Canon Regular" (1552), has been rediscovered and is on view at the Winter Show at Manhattan's Park Avenue Armory, at the booth of dealer Robert Simon. The work was found in a private collection in Durham, North Carolina, after being thought lost.
Roland Augustine, cofounder of New York's Luhring Augustine gallery, is stepping down to focus on philanthropy. Cofounder Lawrence Luhring will continue leading the gallery alongside longtime directors Lauren Wittels and Donald Johnson Montenegro, who will become equity partners. Luhring bought out Augustine's share at the end of last year, and the gallery plans to restructure in 2026, potentially changing its name within three years.
ArtTactic's year-end report reveals that the global art auction market rebounded to $4.55 billion in 2025, an 11.1% increase from 2024. Sotheby's saw a 17% sales jump and Christie's a nearly 7% rise. Historic single-owner sales, including estates of Leonard Lauder, Cindy and Jay Pritzker, and Pauline Karpidas, drove recovery with $884.9 million in total. Old Masters, Impressionist, and modern art surged 42.3% year-on-year, while contemporary and post-war art lagged. The trophy market (works over $10 million) grew 19.4% to $1.48 billion, led by Impressionist art up 80.4% to $1.04 billion, fueled by three Gustav Klimt canvases from the Lauder collection.
Lévy Gorvy Dayan sold Andy Warhol's 'Muhammad Ali' (1977) for $18 million during the VIP preview of Art Basel Miami Beach. The painting, autographed by Ali and formerly owned by Richard L. Weisman, was displayed just a few hundred feet from the Miami Beach Convention Center, where Ali defeated Sonny Liston in 1964. The consignment was kept secret until ten days before the fair, and the work drew crowds of buyers and admirers, including Ali's sons and figures connected to Warhol's 'Athletes' series.
Michael Werner and Gordon VeneKlasen, partners at Michael Werner Gallery for 35 years, are dissolving their partnership at the start of next year. Werner will continue operating Galerie Michael Werner in Berlin, while VeneKlasen will launch a new international gallery called VeneKlasen, taking over the current New York, London, and Los Angeles locations. The changes take effect in February, with VeneKlasen announcing his program early next year.
Art Basel Miami Beach has undergone a last-minute lineup change, with gallery Ross + Kramer being replaced by Ross + Co. following an unexplained split between principals Todd Kramer and Ryan Ross. Ryan Ross, who has been in the art business for decades and runs Arcature Fine Art in Palm Beach, will now show under the new name at the fair, which opens to VIPs next week. The change was reported by ARTnews, which noted that the fair's 2025 participant list still links to Ross + Kramer's website, and Ross + Co.'s page features outdated branding.
The US Department of State confirmed that Mexico-based artist Alma Allen will represent the United States at the 2026 Venice Biennale, opening next May. Jeffrey Uslip will serve as curator, and the commissioning institution is the American Arts Conservancy (AAC), with its executive director Jenni Parido as official commissioner. Allen, who has had only two museum solo shows in three decades, was approached directly by Uslip in October after the State Department had already approved him. The selection process broke from tradition: the National Endowment for the Arts was not involved due to time constraints and staffing transitions, and a prior proposal by artist Robert Lazzarini and curator John Ravenal fell through after negotiations with the University of South Florida’s Contemporary Art Museum collapsed. Allen’s pavilion, titled "Call Me the Breeze," will feature about 30 works exploring elevation and transformation, framed by the State Department as furthering the Trump Administration’s focus on American excellence.
This article argues that the traditional view of art as a vanguard force predicting cultural change is outdated in the early 21st century. It contends that the rapid acceleration of mainstream culture, driven by social media and news cycles, makes it nearly impossible for traditional fine art media like painting and sculpture to stay ahead of the curve. The author suggests that forward-looking art now emerges from para-artistic digital practices such as AI experiments, Red Chip art, NFTs, memes, and TikTok lore, which often challenge conventional aesthetic and ethical standards. Citing Claire Bishop's 2024 book *Disordered Attention*, the piece notes that contemporary artworks tend to be symptomatic of larger conditions rather than anticipatory, and that artists like Artie Vierkant, Joshua Citarella, and Brad Troemel have pivoted from art-making to art-adjacent content creation.
This article argues that the traditional notion of avant-garde art as a predictive force—a 'distant early warning system' for cultural change—is increasingly obsolete in the 21st century. The author contends that the rapid acceleration of mainstream culture, driven by social media and online discourse, has made it nearly impossible for traditional fine art media like painting and sculpture to stay ahead of the curve. Instead, the most prescient contemporary works are likely to emerge from para-artistic digital practices such as AI experiments, Red Chip art, NFTs, memes, and TikTok lore, which often challenge conventional aesthetic and ethical standards. The piece cites Claire Bishop's 2024 book 'Disordered Attention' to support the idea that contemporary art is more symptomatic than anticipatory, and notes that artists like Artie Vierkant, Joshua Citarella, and Brad Troemel have shifted from art-making to art-adjacent content creation.
Sam McKinniss's new exhibition "Law and Order" at Jeffrey Deitch in New York presents paintings of viral and iconic figures, including Jeremy Meeks, Luigi Mangione, Chuck Bass from Gossip Girl, and riderless horses running through urban streets. The show explores how social media blurs the lines between advertising, entertainment, and politics, capturing the experience of scrolling through online content. The article, part of ARTnews's Link Rot column by Shanti Escalante-De Mattei, examines McKinniss's attempt to illustrate the feeling of living in contemporary America through curated images of law enforcers and law breakers.
Sam McKinniss's new exhibition "Law and Order" at Jeffrey Deitch in New York presents paintings of viral and iconic figures, including Jeremy Meeks, Luigi Mangione, Chuck Bass from *Gossip Girl*, and riderless horses. The show explores how social media blurs the boundaries between advertising, entertainment, and politics, aiming to capture the feeling of living in America through recognizable images from the internet and media landscape.
The US Marshals Service is auctioning four artworks by Pablo Picasso, Jean-Michel Basquiat, and Diane Arbus that were surrendered to the US Department of Justice in connection with the 1Malaysia Development Berhad (1MDB) scandal. The online-only auction, run by Gaston and Sheehan auction house in Texas, began on July 16 and closes on September 4, with no buyer's premium. The works include Basquiat's *Self Portrait* (1982) and *Red Man One* (1982), Picasso's *Tête de taureau et broc* (1939), and Arbus's *Child with a Toy Hand Grenade* (1962). The pieces were linked to fugitive financier Jho Low and actor Leonardo DiCaprio, who surrendered them after they were located in Switzerland.
Seventy-three artists and curators participating in the main exhibition of the 2024 Venice Biennale have issued an open letter objecting to the organizers' decision to relocate the Israeli national pavilion to the Arsenale. They argue this move creates an intimidating atmosphere contrary to the late curator Koyo Kouoh's vision of "radical solidarity" and will necessitate a heightened security presence. The signatories, which include key curators tasked with realizing Kouoh's exhibition, also call for the exclusion of Israel, Russia, and the United States from the event, citing their governments' alleged commission of war crimes.
The global art fair calendar for 2026 is taking shape with a mix of established blue-chip events and significant new international expansions. Key highlights include the debut of Pavilion in Taipei and Hong Kong, the expansion of Paris Internationale into Milan, and the highly anticipated return of the ADAA Fair to New York's Park Avenue Armory following a strategic hiatus.
Steven Soderbergh’s new film, The Christophers, explores the complexities of artistic legacy and authenticity through the story of Julian Sklar, a fictional washed-up artist played by Ian McKellen. The plot follows Sklar’s children as they hire an art restorer, played by Michaela Coel, to secretly finish their father’s legendary unfinished series to capitalize on his market value. To ground the film in reality, screenwriter Ed Solomon consulted with art world figures like dealer George Barker and artists Jann Haworth and Derek Boshier, while production designer Antonia Lowe and painter Barnaby Gorton created the physical artworks seen on screen.
Art dealer David Schrader is launching a new secondary-market gallery in New York with partners Marc Glimcher and Emmanuel Di Donna. He argues the current market stabilization and renewed optimism, especially in the secondary sector, provide a favorable backdrop for their streamlined, focused venture that aims to avoid the overhead of historic gallery models.
A secret, invitation-only auction for a single Andy Warhol portrait of Brigitte Bardot was held at a private bar in New York on November 19, 2025, during the major public auction week. Organized by the online platform Fair Warning and presided over by former Christie's auctioneer Jussi Pylkkänen, the event attracted elite collectors and resulted in a $16.7 million sale, making it the most expensive Warhol of the season.
British artist Gavin Turk is set to debut a new body of work at Ben Brown Fine Arts in London for his sixth solo exhibition with the gallery, titled "The Escapologist." The exhibition features a series of trompe l’oeil paintings depicting partially open doors set within frames, hung low to create a sculptural, illusionistic effect. Drawing on art historical references ranging from Gerhard Richter’s modernist doors to René Magritte’s surrealist metaphors, the works explore the door as a symbol of the threshold and the psychological tension between anticipation and absence.
Jeff Koons and Stella McCartney have launched a limited-edition capsule collection for Spring 2026. The collection features ready-to-wear items like hoodies, t-shirts, tote bags, and keychains, adorned with prints of Koons's artworks such as "Untitled (Girl with Dolphin and Monkey)" (2006) and sculptures from his "Made in Heaven" series, paired with McCartney's playful slogans like "Slippery When Wet" and "Doggy Style." The release also includes a reimagined pendant based on Koons's iconic "Rabbit" (1986) sculpture.
The Mayor Gallery in London is celebrating its centenary with a three-part exhibition series revisiting its history. The second part, 'Celebrating 100 years – Part 2: European Art,' is on view through February 20, 2026, showcasing post-war European artists from movements like ZERO, Arte Povera, and Concrete art, including works by Armando, Lucio Fontana, François Morellet, and Man Ray.
London's Stephen Friedman Gallery is facing serious financial difficulties, with its 2024 financial reports overdue and its 2023 accounts revealing a loss of £1.7 million. The gallery, which recently expanded with a large new London space and a New York outpost, is reliant on external financing and negotiations with creditors to continue operating, casting significant doubt on its future viability.
The Bernard Jacobson Gallery in London is presenting an exhibition titled "For John Constable," which reunites a portfolio of prints originally published by gallerist Bernard Jacobson in 1976. The 1976 project featured works by 19 contemporary artists, including David Hockney, Patrick Caulfield, and Howard Hodgkin, created in response to the legacy of the English landscape painter John Constable, marking his bicentenary. The exhibition, timed for the 250th anniversary of Constable's birth, runs through February 27, 2026.
Gustav Klimt's portrait of Elisabeth Lederer topped the list of the most expensive artworks sold at auction in 2025, achieving $236.3 million at Sotheby's New York on November 18—far exceeding its $150 million estimate and setting a new record for the artist. The painting came from the collection of the late Leonard Lauder, who died in June at age 92. Other top lots included two more Klimts from Lauder's collection, a newly offered Basquiat, and a record-setting Frida Kahlo work, alongside notable sales by van Gogh, Rothko, Mondrian, Monet, and Picasso, with many of the highest prices achieved during the blockbuster November auctions at Sotheby's and Christie's.
Artnet News rounds up the standout auction moments of 2025, highlighting both triumphs and disappointments. M.F. Husain's *Untitled (Gram Yatra)* (1954) smashed expectations at Christie's, selling for $13.8 million—more than double the artist's previous record and the first South Asian Modern work to exceed $10 million. In contrast, Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) fell short of its $50 million estimate at Christie's, missing the artist's auction record, while Alberto Giacometti's *Grande tête mince* (1955) failed to sell at Sotheby's despite a $70 million asking price, underscoring market volatility.
Artnet News analyzed the 10 most expensive lots sold at auction in 2024, drawing on the Artnet Price Database. The top lot was René Magritte's *L'Empire de Lumières* (1954), which sold for $121.2 million at Christie's New York in November, setting a new auction record for the artist and becoming the only work to break nine figures this year. Other notable sales included Ed Ruscha's *Standard Station, Ten-Cent Western Being Torn in Half* (1964) at $68.3 million, Claude Monet's *Nymphéas* (1914–17) at $65.5 million, and Jean-Michel Basquiat's *Untitled (ELMAR)* (1982) at $46.4 million. Seven of the top 10 lots sold in New York, with Hong Kong, London, and Vienna also represented.
A 1977 Andy Warhol portrait of Muhammad Ali, priced at $18 million, will be the centerpiece of Lévy Gorvy Dayan's booth at Art Basel Miami Beach. The 40-inch acrylic and silkscreen canvas, featuring a royal purple background, was previously purchased for $18.1 million at Christie's in 2021. The work is part of a series of 10 Warhol portraits of sports stars commissioned by collector Richard L. Weisman, and is autographed on the back by Ali.
New York's November 2025 auction season is set to feature at least $1.67 billion in art across Sotheby's, Christie's, and Phillips, a 54% increase in estimates from the same period last year. The season is dominated by major estates, including Leonard Lauder's $400 million trove at Sotheby's with Klimt paintings and Matisse bronzes, Cindy Pritzker's collection featuring a Van Gogh, and anonymous Surrealist works. Christie's offers $736 million in low estimates from collections like Robert and Patricia Weis, Elaine Wynn, and Stefan Edlis. Phillips remains risk-averse, focusing on established names. The market shows a flight to quality, with emerging art reduced and delegated to day sales, while ultra-contemporary segments contract.