A recently discovered cache of negatives taken by Tatiana Franchetti, the wife of artist Cy Twombly, reveals intimate and personal photographs of the 20th-century master. The negatives were found by Twombly's granddaughter, offering a new, private perspective on the artist's life and daily surroundings.
Hastings Contemporary in the UK is hosting three major summer exhibitions until September 13, featuring international contemporary and modern artists. The shows include the first major UK solo exhibition of German-Brazilian artist Janaina Tschäpe, a solo show by Argentinian artist Miguel Rothschild with a new seascape installation, and "Moore / Freud," which brings together 20 works by Lucian Freud and Henry Moore exploring familial and personal connections.
Ouvrages reçus du 7 novembre 2025 au 27 mai 2026
La Tribune de l'Art has published a roundup of art books received between November 7, 2025, and May 27, 2026, covering medieval to 17th-century art. Highlights include exhibition catalogues for Martin Schongauer at the Musée du Louvre, a unicorn-themed show at the Musée de Cluny, and a display of Renaissance Limoges enamels at Galerie Kugel. Scholarly works on Michelangelo's sculptures, Caravaggio's early career, and Georges de La Tour are also featured, alongside a volume on Romanesque and Gothic architecture in the Creuse region.
Performa, the New York City-based nonprofit dedicated to performance art, is hosting a one-night-only variety show fundraiser on June 10 at Midtown's Town Hall theater. The cabaret-style event will feature 12 acts blending comedy, dance, music, and acrobatics, with participants including visual artists Barbara Kruger, Laurie Simmons, and Marcel Dzama, performance artist Anne Imhof, dancer Yvonne Rainer, actor Julio Torres, and musicians Slauson Malone, Precious Renee Tucker, and Lonnie Holley. The fundraiser supports Performa's biennial, which takes place every other November.
Brazilian police have named Laéssio Rodrigues de Oliveira Silva as the alleged mastermind behind the December 2024 theft of thirteen artworks from the Biblioteca Mario de Andrade in São Paulo. The stolen works include eight prints by Henri Matisse from his book *Jazz* (1947) and five illustrations by Candido Portinari for *Menino de Engenho* (1959). Two suspects were initially identified, with one arrested, but police now allege Rodrigues de Oliveira Silva orchestrated the heist from prison, where he is already serving time for previous thefts of rare books and manuscripts from institutions including the National Library Foundation and the University of São Paulo. He is also suspected of ties to the PCC organized crime gang. Two alleged intermediaries and one of the two gunmen have been arrested, while the other gunman, Gabriel Pereira Rodrigues de Mello, remains at large, and the artworks have not been recovered.
Kalshi, a controversial online prediction market, has launched a new category allowing users to bet on individual art auction sales and total art auction profits. The platform, which has processed tens of billions of dollars in trading volume since government approval in 2020, now offers bets on outcomes such as whether Basquiat will break his auction record or the sale price of a specific Modigliani painting. Kalshi has also expanded into luxury watch auctions and precious metals, and has faced criticism from addiction experts over risks to young users.
The May 19 evening sales at Sotheby’s and Phillips generated a combined $419.1 million, signaling a potential recovery in the contemporary and modern art market. Sotheby’s brought in $303.9 million—60% more than the previous year—led by a record-breaking $48.4 million Matisse, while Phillips achieved $115.2 million, more than double its 2025 sales. Both auctions saw high sell-through rates, with 98% and 100% of lots sold respectively. Notable lots included a $42.6 million Picasso, a $29.4 million van Gogh drawing, and strong performances by female artists like Lee Bontecou, Joan Mitchell, and Helen Frankenthaler.
Blanca de la Torre, director of the Institut Valencià d’Art Modern (IVAM), discusses her concept of the "Museo Anfibio" (Amphibious Museum) in an interview for Artishock Revista's series on Ibero-American museum leaders. She proposes reimagining the museum as a relational institution that mediates between physical and symbolic territories, communities, and ecosystems, structured around two axes: Territories-Earth and Aquatic Environments. The interview is part of a series leading up to International Museum Day, with previous entries including Nicolás Gómez Echeverri of the Banco de la República de Colombia.
The article provides a guide on how to turn a TV into a rotating art gallery by downloading high-resolution, public-domain images from museum digital collections. It explains the need to filter for Open Access works to avoid copyright issues and recommends several museums with extensive free collections, including the Art Institute of Chicago and the Getty Museum.
Andrew Durbin's new dual biography, *The Wonderful World That Almost Was: A Life of Peter Hujar and Paul Thek* (2026), explores the intertwined lives of photographer Peter Hujar and visual artist Paul Thek. The book traces their relationship from their first meeting in Florida in their early 20s through their artistic development, shifting from lovers and confidantes to a more complex bond marked by longing and resentment, ending with both dying of AIDS in the late 1980s. The review highlights a renewed interest in the artists, citing recent exhibitions and a film.
I grandi artisti Kounellis e Warhol insieme in una mostra a Milano: una condivisa spiritualità
The Galleria Fumagalli in Milan presents "Kounellis | Warhol. La messa in scena della tragedia umana," a curated exhibition pairing the classical, material-driven works of Jannis Kounellis with the pop iconography of Andy Warhol. Curator Annamaria Maggi explores the theme of tragedy through contrasting yet complementary approaches: Kounellis transforms raw matter into symbols of memory and suffering, while Warhol reveals the dark side of glamour through mechanical repetition and frozen surfaces. The show includes Warhol's 1981 polaroids and a 1978 negative serigraph of Marilyn Monroe, alongside Kounellis's 2006 "Senza titolo" featuring a coat crushed against iron.
Five artists transformed a vacant Seattle bungalow slated for demolition into a temporary exhibition space called "Once Removed," conceived by gallerists Zoë Hensley and Sammy Skidmore. The project invited visitors to experience site-specific works made from impermanent materials like wax, cornstarch, and charcoal, set against the backdrop of a house left mid-renovation. The event culminated in a single evening of music and art before the house was torn down.
Sotheby's New York will auction a 67-million-year-old Tyrannosaurus rex fossil named Gus on July 14, with an estimated value of $20–$30 million—the highest estimate ever placed on a dinosaur skeleton. The specimen, discovered in Harding County, South Dakota, on land owned by the late rancher Gary "Gus" Licking, is approximately 63 percent complete with 183 fossil bone elements, including a well-preserved skull and rare humeri. Excavated over three summers from 2021 to 2023, Gus is comparable in size and integrity to only two other T. rex fossils that have come to market: Stan and Sue.
A federal jury has found Daniel Sikkema guilty of orchestrating the murder-for-hire of his estranged husband, New York art dealer Brent Sikkema. Brent Sikkema, 75, was stabbed 18 times in his Rio de Janeiro townhouse in January 2024. The hitman, Alejandro Triana Prevez, a Cuban security guard, was arrested days later and remains in prison awaiting trial. Prosecutors presented evidence including voice notes in which Daniel Sikkema allegedly threatened to become a widower, phone calls via a burner phone, and a $9,000 payment to Prevez. Daniel Sikkema was arrested in March 2024 on passport fraud charges and later charged with conspiracy to commit murder for hire.
Phillips held its Modern & Contemporary Art Evening Sale in New York on May 19, 2026, achieving a complete sell-out with a total of $115.2 million. All 41 lots were sold, doubling the result from May 2025 ($52 million). Top lots included Andy Warhol's *Sixteen Jackies* ($16.2 million), Claude Monet's *La Route de Vétheuil, effet de neige* ($9.9 million), and Jackson Pollock's *Untitled* (1948) ($9.2 million). New auction records were set for Lee Bontecou, Pat Passlof, P.S. Krøyer, and Joseph Yaeger, while works by Salman Toor and Cecily Brown also sold above estimates.
Austrian artist Valie Export, a pioneering feminist performance and media artist, died on May 14, three days before her 86th birthday. Her death was confirmed by Thaddaeus Ropac Gallery. Export, born Waltraud Lehner in 1940, rejected traditional domestic roles and adopted her iconic all-uppercase name from a cigarette brand. She created guerrilla-style performances and films that directly confronted the male gaze and patriarchal society, often using her own body as a medium. Key works include “Genital Panic” (1968), in which she walked through a Munich cinema in crotchless pants, and “Tapp und Tastkino (Tap and Touch Cinema)” (1968), where she invited strangers to touch her bare breasts through a stage strapped to her chest.
È il grande Mark Rothko a guidare le prime aste di Sotheby’s a New York
Sotheby's kicked off New York's art and auction week with two major sales on May 14, 2026, led by the highly anticipated Robert Mnuchin: Collector at Heart Evening Auction. The top lot was Mark Rothko's "Brown and Blacks in Reds" (1957), which sold for $85.8 million, the second-highest price ever for the artist at auction. The Mnuchin auction achieved a "white glove" sale, selling all 11 lots for a total of $166.3 million, followed by The Now & Contemporary Evening Auction which brought in $266.8 million. Combined, Sotheby's generated $433.1 million, a 133% increase over its May 2025 session. The sales reflect a strong return of high-value trophy lots to the secondary market, driven by the dispersal of prominent collectors' estates.
Art Busan, celebrating its 15th anniversary, will be held from May 21 to 24, 2026, at BEXCO in Busan, South Korea, bringing together over 110 galleries from 18 countries. The fair introduces two new integrated segments: DEFINE, which expands the fair to include collectible design, furniture, and craft, and LIGHTHAUS, which transforms gallery booths into curated spatial experiences to encourage deeper engagement. These initiatives aim to move beyond purely transactional sales and speculative momentum.
British artist Anouska Samms has publicly claimed that the Metropolitan Museum of Art's Costume Institute exhibition "Costume Art" includes a dress, Corpus Nervina 0.0 (2023-24), that was based on her collaborative work with Israeli fashion designer Yoav Hadari. Samms alleges that she co-created the original "Hair Dress" with Hadari in 2023 while both were residents at the Sarabande Foundation, and that the Met initially sought to acquire that piece. After negotiations fell through, Hadari instead provided a similar garment attributed solely to him, prompting Samms to demand proper credit via Instagram posts and through her lawyer.
A parent describes bringing their toddler to a "family-friendly drop-in" session at the Fitzwilliam Museum in Cambridge, where children are allowed to roam freely among priceless ceramics and other artworks. The session is child-led and loosely structured, with activities like coloring, building blocks, and musical instruments placed directly in the galleries rather than in a separate cordoned-off area.
Kiki Smith, a multidisciplinary artist born in 1954, is the subject of an exhibition titled "Flight" at Galerie Lelong. The show features bronzes, stained glass, and drawings in which birds and nature reflect human emotions, continuing her 40-year exploration of the unity of living things—human, animal, and plant—from the microscopic to the cosmic. The article, published in L'ŒIL no. 796 on June 1, 2026, is behind a paywall.
Promenade avec Ernest Pignon-Ernest à Naples en 5 œuvres sublimes
Ernest Pignon-Ernest, a pioneering French street artist born in Nice in 1942, has spent over 50 years creating contextual art by pasting charcoal drawings and screen prints onto urban walls. The article focuses on his long engagement with Naples, Italy, where he first arrived in the 1980s after hearing Neapolitan baroque music on the radio. It highlights five key works from his Neapolitan series, including a 1988 collage combining Caravaggio's 'David and Goliath' with the head of Pier Paolo Pasolini, his 'Pulcinella' figure from the 1990s exploring death and comedy, and 'Épidémie' (1990) depicting plague victims. The works are currently featured in an exhibition at the Bibliothèque-Musée l'Inguimbertine in Carpentras, France.
Leandro Erlich's immersive exhibition at the Grand Palais in Paris transforms the monumental space into a playground of architectural illusions. The show features iconic works such as *Port of Reflections* (2014), where mirrored boats float on a sculpted black surface, and *Bâtiment* (2004), inviting visitors to lie on a building facade and see themselves suspended in a giant mirror. Curated by Fabrice Bousteau, the exhibition includes pieces like *Changing rooms* (2008), *Infinite Staircase* (2020), and the politically charged *Window and Ladder – Too Late for Help* (2008), inspired by Hurricane Katrina. The display emphasizes joy and interaction, contrasting with the contemplative atmosphere of concurrent Matisse and Hilma af Klint shows at the same venue.
The Mémorial de Caen, a museum dedicated to World War II and the Cold War, has opened a new exhibition titled "(Dé)colonisations: des artistes africains interrogent l'histoire" (Decolonizations: African Artists Question History). Curated by Ayoko Mensah and Jean-Yves Marin, the show features 80 works by contemporary artists of sub-Saharan African origin, including Omar Victor Diop and Roméo Mivekannin. Swiss collector Jean Claude Gandur, who is building a foundation adjacent to the museum, lent 23 works, and his foundation's curator Olivia Fahmy helped organize the exhibition. The show is a prelude to a planned permanent section on colonial history at the memorial.
New York Art Week 2026 features over 350 art fair booths across Manhattan, with six major fairs forming the core of the event. The article highlights seven favorite artworks priced under $10,000, offering accessible entry points for collectors during the city's busiest art season.
Paul Thek's work is currently on view at Galerie Buchholz in an exhibition documented by 42 images on Contemporary Art Daily. The show presents the artist's pieces, though no specific artworks or dates are detailed in the article text.
Jonathan Lasker is the subject of a solo exhibition at Galerie Thomas Schulte in Berlin. The show presents a selection of his paintings, characterized by his signature abstract vocabulary of gestural marks, schematic forms, and layered compositions that blend painterly expression with conceptual rigor. The exhibition includes 33 images documenting the works on view.
Contemporary Art Daily published a visual documentation of Walid Raad's exhibition at Galerie Thomas Schulte, featuring 18 images and no videos. The page contains zero text descriptions, focusing entirely on photographic records of the show.
Kishio Suga, a founding figure of the Japanese Mono-ha movement, is the subject of a solo exhibition at Mendes Wood DM gallery. The show presents a selection of works that explore the relationships between natural and industrial materials, a core concern of Suga's practice since the late 1960s. The exhibition is documented through 29 images on the Contemporary Art Daily platform, highlighting the installation and spatial dynamics of his sculptures.
Moyra Davey presents an exhibition at greengrassi gallery in London, featuring a series of new works that continue her exploration of photography, text, and everyday objects. The show includes 14 documented images, blending personal narrative with conceptual art practices.