A historic section of the Eiffel Tower's original staircase is set to go up for auction

Un tronçon historique de l’escalier d’origine de la tour Eiffel s’apprête à s’envoler aux enchères

The auction house Artcurial is set to auction a 2.75-meter-tall section of the original spiral staircase from the Eiffel Tower on May 21. This specific segment, consisting of fourteen riveted steel steps, was part of the structure connecting the second and third floors until it was dismantled in 1983 to make way for modern elevators. Estimated between €120,000 and €150,000, the piece holds significant historical value as it is the inaugural 'Lot No. 1' from the original 1983 dispersal sale.

Chaïm Kaliski’s Drawings Haunted by the Shoah Revealed in an Exhibition at mahJ

Les dessins hantés par la Shoah de Chaïm Kaliski se révèlent dans une expo au mahJ

The Musée d’Art et d’Histoire du Judaïsme (mahJ) in Paris is hosting the first monographic exhibition dedicated to Chaïm Kaliski, a Belgian artist who began drawing at the age of 60 to process the trauma of the Holocaust. After his death in 2015, thousands of drawings were discovered in his Brussels apartment, documenting his family's history and the fate of Polish Jews in Belgium. The exhibition features 120 works that blend childlike aesthetics with haunting historical narratives, including poignant depictions of his parents' final moments at Auschwitz.

Nicéphore Niépce in 2 Minutes

Nicéphore Niépce en 2 minutes

Joseph Nicéphore Niépce, a Burgundian engineer and inventor, is credited with creating the world's first permanent photograph, "Point de vue du Gras," in 1827. Using a process he termed heliography, Niépce utilized bitumen of Judea on pewter plates to fix images captured in a camera obscura. Despite his groundbreaking achievement, he died in relative obscurity in 1833, shortly after entering a partnership with Louis Daguerre, who would later receive the primary credit for the invention of photography.

Croissant, pigeon… At Nothing Serious gallery, artist Paa Joe transforms Parisian clichés into pop coffins

Croissant, pigeon… À la galerie Nothing Serious, l’artiste Paa Joe transforme les clichés parisiens en cercueils pop

Ghanaian artist Paa Joe has transformed iconic Parisian symbols into vibrant "fantasy coffins" for his solo exhibition, "From Paa Joe to Paaris," at Galerie Nothing Serious. The show features 25 large-scale sculptures, including a Café de Flore cup, a croissant, a Renault 4L, and a bottle of Pouilly-Fumé, all handcrafted in the tradition of Ga burial customs. Created alongside his son Jacob Tetteh-Ashong, these works reinterpret French clichés through a playful yet surreal lens, marking the gallery's return after a four-year hiatus.

1815, a Key Year for the Question of Art Restitution at the Heart of an Enlightening Book

1815, année clé de la question des restitutions d’œuvres d’art au cœur d’un ouvrage éclairant

Art historian Bénédicte Savoy has released a new book, "1815, le temps du retour," which examines the massive wave of art restitutions following the collapse of the Napoleonic Empire. Between 1794 and 1811, French revolutionary and imperial forces seized thousands of artworks and cultural objects from across Europe to fill the Louvre under the guise of creating a universal museum. After Napoleon's defeat in 1815, the subsequent return of these works sparked a global debate involving intellectuals and politicians regarding national identity, cultural property, and the legal status of looted heritage.

Colours of Time review – Monet meets Mamma Mia in charming French artist comedy

Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.

‘One simple gesture says it all’: the world in black and white – in pictures

Photographer Marina Sersale has released a new monograph titled 'Liminal Space,' published by Gost, which compiles over a decade of monochrome photography. The collection features dramatic black-and-white images captured between 2013 and 2021 across diverse locations including Italy, Japan, Iran, and the United States. Sersale, a former documentary filmmaker, focuses on the interplay of light and shadow to document fleeting, everyday moments—from sunbathers in Positano to commuters in Naples.

And this one shows the police evicting me: the fabulous fabric visions of Elizabeth Allen

The British textile artist Elizabeth Allen, who lived in a dilapidated hut and gained brief international fame in the 1960s after being discovered by artist Patrick Heron, is the subject of a major rediscovery. A new exhibition at Compton Verney in Warwickshire features works that have been hidden in storage or private collections for nearly fifty years, including the first public display of 'Autobiraggraphy,' a textile work documenting her wrongful eviction in 1934.

Segregation stories: Gordon Parks in the US south – in pictures

Jackson Fine Art in Atlanta is hosting "Gordon Parks: The South in Colour," a major exhibition curated by photographer Dawoud Bey. The show features over 30 works from Parks’ seminal 1956 "Segregation Story" series, including several previously unshown images of the Thornton, Causey, and Tanner families in Alabama. The exhibition coincides with the 70th anniversary of the series' original publication in Life magazine and the 20th anniversary of The Gordon Parks Foundation.

Segregation stories: Gordon Parks in the US south – in pictures

Jackson Fine Art in Atlanta is hosting a significant exhibition of Gordon Parks’ color photography, titled "The South in Colour." Curated by photographer Dawoud Bey, the show features over 30 works from Parks’ 1956 "Segregation Story" series, including previously unshown images and a new portfolio from The Gordon Parks Foundation. The collection documents the daily lives of the Thornton, Causey, and Tanner families in Alabama, capturing the quiet dignity of Black Americans living under the oppressive Jim Crow laws of the postwar era.

Gangnam styles: South Korea’s brutalist gems – in pictures

Photographer Paul Tulett has captured the stark, concrete landscapes of South Korea in his new book, *Brutalist Korea*, published by Prestel. The photo series highlights a range of architectural landmarks, from Tadao Ando’s minimalist Jeju Glass House and Zaha Hadid’s futuristic Dongdaemun Design Plaza to the playful geometry of the Paju Kindergarten. Tulett’s work documents how the raw, monumental aesthetic of Brutalism has evolved from the country’s postwar industrialization into a sophisticated tool for modern urban experimentation.

What can 160-million-year-old clay tell us about AI and ethics? Inside Es Devlin’s tech and pottery summit

Artist and stage designer Es Devlin convened a diverse group of AI researchers, tech experts, and academics at the Oxford Kilns for a unique summit blending pottery with ethical debate. Participants engaged in the tactile process of shaping 160-million-year-old Jurassic clay while discussing the moral implications of artificial intelligence, ranging from the Turing test to Isaac Asimov’s laws. This collaborative workshop serves as a precursor to Devlin’s upcoming installation, "360 Vessels," created in partnership with composer Nico Muhly.

Björk, Rihanna and a passionate embrace: visions of love – in pictures

A new book titled 'Can Love Be a Photograph: 40 Years of Inez and Vinoodh' has been published, accompanied by an exhibition at the Kunstmuseum Den Haag. The publication celebrates four decades of work by the influential fashion photography duo Inez van Lamsweerde and Vinoodh Matadin, featuring celebrity portraits and surrealist visions organized around 16 thematic connections.

A Mirrored Monet review – painter reflects on his past in a musical with heart and humour

A new musical titled 'A Mirrored Monet' explores the life of Impressionist painter Claude Monet, focusing on his later years as he reflects on his youth, his artistic struggles, and the personal sacrifices he made, particularly regarding his first wife Camille. The production uses innovative set design to immerse the audience in the Impressionist style and features a strong cast portraying Monet and his contemporaries.

Gilles Bloch: "The Museum needs 1.1 billion euros"

Gilles Bloch : « Le Muséum a besoin de 1,1 milliard d’euros »

Gilles Bloch, president of the Muséum national d’histoire naturelle in Paris, has issued an urgent call for €1.1 billion in funding to address the critical state of the institution's infrastructure. Ahead of its 400th anniversary in 2026, a diagnostic report reveals that 74% of the museum's 120 buildings are in poor condition, with several galleries currently closed to the public or suffering from inadequate climate control. The requested funds would cover €500 million in emergency repairs to stabilize decaying structures and a further €600 million for long-term modernization and energy efficiency upgrades.

A Centre Pompidou in Korea

Un Centre Pompidou en Corée

The Centre Pompidou has officially announced the opening date for its new satellite branch in Seoul, South Korea, scheduled for June 26, 2026. This international expansion is being developed in partnership with the Hanwha Foundation of Culture, a philanthropic arm of the South Korean conglomerate Hanwha, and will be housed in a space designed by architect Jean-Michel Wilmotte.

Renoir: A festival of loans for a double exhibition

Renoir : un festival de prêts pour une double exposition

The Musée d'Orsay in Paris has launched a major two-part exhibition dedicated to Auguste Renoir, titled "Renoir dessinateur" (Renoir as a Draughtsman) and "Renoir et l'amour" (Renoir and Love). The initiative began with a study for Renoir's controversial painting *Les Grandes Baigneuses* and has grown into an international loan effort, featuring over 150 rarely seen drawings, watercolors, pastels, and paintings from major museums and private collections worldwide, including the Philadelphia Museum of Art, the MET, and the Barnes Foundation.

Giuditta Branconi “Cannon Fodder” at Collezione Maramotti, Reggio Emilia

Italian artist Giuditta Branconi has unveiled her first institutional solo exhibition, titled "Cannon Fodder," at the Collezione Maramotti in Reggio Emilia. The exhibition features a series of new large-scale paintings and a site-specific installation characterized by dense, chaotic compositions where multiple narratives unfold simultaneously. Branconi describes her approach as fostering an "anarchic gaze," intentionally refusing to guide the viewer through her crowded, vibrant visual landscapes.

Kaari Upson “Dollhouse – A Retrospective” at Kunsthalle Mannheim

The Kunsthalle Mannheim is presenting "Dollhouse – A Retrospective," a major posthumous exhibition dedicated to the work of American artist Kaari Upson. The show brings together her sculptures, installations, videos, and drawings, which explore memory, identity, and social reality through the lens of her personal biography.

A Sculptor’s Life, in Constant Motion

A major retrospective of Alexander Calder’s work has opened in Paris, offering a comprehensive look at the sculptor’s career-long obsession with movement and balance. The exhibition invites visitors to engage directly with his iconic mobiles and wire sculptures, emphasizing the physical and temporal experience of art that shifts with the surrounding air and light.

Honoring Frederic Church: Beyond the Hudson River School

Art historians and curators are re-evaluating the legacy of Frederic Church, arguing that his contributions extend far beyond his traditional classification as a Hudson River School landscape painter. New research highlights his sophisticated engagement with 19th-century science, his architectural achievements at his estate, Olana, and his role as a global traveler who captured the spirit of the Andes and the Arctic.

Linda Dresner, Old-School Guru of Avant-Garde Fashion, Dies at 88

Linda Dresner, the influential fashion retailer known for her minimalist, gallery-like boutiques, has died at the age of 88. Operating high-end spaces on New York’s Park Avenue and in Birmingham, Michigan, Dresner was a pioneer in treating avant-garde fashion as fine art, curating collections from designers like Comme des Garçons, Yohji Yamamoto, and Maison Margiela long before they became household names.

How Duchamp Inspired These 4 Artists

Contemporary artists continue to grapple with the legacy of Marcel Duchamp, specifically his 1917 readymade "Fountain." This analysis highlights four modern creators who have directly referenced or reinterpreted the iconic porcelain urinal to explore themes of gender, domesticity, and institutional critique.

A Brief History of 4 Urinals

Marcel Duchamp’s seminal Dadaist work, "Fountain," famously disappeared shortly after its 1917 debut at the Society of Independent Artists exhibition. To satisfy growing institutional demand and ensure the work's legacy, Duchamp authorized and oversaw the creation of several editions and replicas in the 1950s and 60s, which now reside in major museum collections worldwide.

Duchamp Made a Urinal Into Art in 1917. We’re Still Discussing It.

Marcel Duchamp's 1917 submission of a porcelain urinal titled 'Fountain' to the Society of Independent Artists remains one of the most provocative acts in art history. By selecting a mass-produced object and designating it as art, Duchamp introduced the concept of the 'readymade,' effectively decoupling the value of an artwork from the manual skill of the artist.

Pedro Friedeberg, Whose Hand Chair Drew Outsize Attention, Dies at 90

Pedro Friedeberg, the Mexican surrealist artist and designer, has died at age 90. He was best known for his iconic "Hand Chair," a functional sculpture shaped like a hand that became a symbol of 1960s and '70s pop culture and design, as well as for his intricate, fantastical paintings of impossible architectures.

The Antwerp Six and the Problem of Now

A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.

Genti Korini on Representing Albania at the 61st Venice Biennale

Artist Genti Korini will represent Albania at the 61st Venice Biennale with a new moving-image installation titled 'A Place in the Sun.' Curated by Małgorzata Ludwisiak, the project utilizes 'Zaum'—a transrational language from the Russian Futurist movement—to explore themes of performance, puppetry, and animation. The work investigates Albania’s historical position as a 'somewhere place' often defined by external exoticism and orientalist perceptions rather than its own internal voice.

New exhibition ‘Personal Structures – Confluences’ to open in Venice in May 2026

The European Cultural Centre Italy has announced the eighth edition of its biennial contemporary art exhibition, 'Personal Structures – Confluences,' set to run from May 9 to November 22, 2026, in Venice. Spanning Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, the massive showcase will feature 175 artists from over 40 countries, including high-profile figures like ORLAN, Rashid Al Khalifa, and Hirohiko Araki. This edition introduces 'PS Design,' a new section dedicated to the intersection of art and architecture, and will host the national pavilions of El Salvador and Seychelles alongside a significant collaboration with the Palestine Museum US.

‘Transcription’ by Ben Lerner Review: No Phones

Ben Lerner’s latest novel, Transcription, marks a departure from his previous sprawling autofiction like The Topeka School, opting instead for a spare, three-part structure set during the COVID-19 pandemic. The narrative unfolds through three pivotal conversations involving the protagonist, his aging mentor Thomas, a curator, and Thomas’s son Max. Central to the plot is the protagonist’s failure to record a final interview with Thomas due to a broken phone, forcing a reliance on fallible memory and reconstruction.