Māori art returns to New York’s Met museum in reimagined exhibition

The Metropolitan Museum of Art in New York City has reopened its Oceania galleries after an extensive renovation and reimagining from an Indigenous perspective. The new Arts of Oceania installation features over 650 works representing 140 cultures from across the region, including Australia, New Guinea, and New Zealand. Curated by Maia Nuku, the exhibition took eight years to plan and showcases artworks created in the last 500 years, emphasizing the ocean as a connective highway rather than a barrier. The reopening continues the legacy of the landmark 1984 exhibition Te Māori: Māori Art from New Zealand Collections, which set a benchmark for shared decision-making between museums and Indigenous communities.

Intuit Art Museum has its big reopening: ‘I don’t want this to be a traditional art museum’

The Intuit Art Museum in Chicago has reopened after a landmark $10 million renovation, marking a significant rebranding from its former name, "Intuit: The Center for Intuitive and Outsider Art," to simply "Intuit Art Museum" (IAM). The museum, which collects work by self-taught artists, replaced a traditional ribbon-cutting with a collaborative ribbon-tying ceremony, creating an interconnected artwork that will remain in its collection. The renovation tripled its gallery space and introduced new exhibitions, including a refurbished Henry Darger installation with LED screens and an immersive recreation of the artist's apartment, as well as a rotating permanent collection display featuring artists like Mr. Imagination, Lee Godie, and Wesley Willis. The second floor is dedicated to the special exhibition "Catalyst: Im/migration and Self-taught Art in Chicago," featuring works by artists such as Drossos Skyllas, Thomas Kong, Pooja Pittie, and Carlos Barberena.

Troy, ancient site in western Turkey, hosts expansive contemporary art exhibition

The Troy Museum in western Turkey has opened a contemporary art exhibition titled "Emanet" (meaning "trust," "legacy," or "safekeeping") by Turkish artist Vuslat. The show, running from May 25 to July 25, features sculptures, drawings, installations, and sound works placed alongside ancient artifacts in the museum's main halls and gardens, marking the first time contemporary art has been integrated into the museum's primary exhibition spaces near the legendary site of Troy.

US participation in 2026 Venice Biennale in limbo amid Trump's arts defunding

The United States' participation in the 2026 Venice Biennale is in jeopardy due to the Trump administration's campaign to defund the arts. According to a Vanity Fair report by Nate Freeman, the US government's preparation is behind schedule, with the typical 18-month planning timeline now reduced to just 12 months before the opening. The National Endowment for the Arts (NEA) faces funding cuts, staff reductions, and a vacant position for coordinating biennale affairs, while the application process has been altered to emphasize "American values" and remove references to diversity, equity, and inclusion.

To make up for NEH grants cancelled by Trump, Mellon Foundation gives $15m to US humanities organisations

The Mellon Foundation has announced $15 million in emergency funding for humanities councils in all 50 US states and six territories, after the Trump administration and the Department of Government Efficiency (DOGE) cancelled approximately $65 million in grants from the National Endowment for the Humanities (NEH). The NEH cuts, which affected over 6,600 local organizations, were redirected toward presidential priorities including a planned patriotic sculpture park called the "National Garden of American Heroes" and a new "Celebrate America!" grant program for the 250th anniversary of the Declaration of Independence. The Mellon Foundation's president, Elizabeth Alexander, stated the funds aim to preserve the operational integrity of museums, libraries, and historical societies nationwide.

Indigenous Identities: Here, Now & Always

The Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey, is presenting "Indigenous Identities: Here, Now & Always," on view from February 1 through December 21, 2025. This exhibition is the largest and final show organized by the late Native artist Jaune Quick-to-See Smith, featuring over one hundred works by ninety-seven artists representing some seventy Nations and communities. The show is organized around four thematic sections—Political, Tribal, Social, and Land—and includes a separate gallery of Quick-to-See Smith's own prints, notably the "Survival Suite" (1996). The exhibition is intergenerational, with artists ranging from their eighties to those born at the end of the twentieth century, and most works date from the twenty-first century.

Victorian time capsule: exhibition tells story of Brodsworth Hall in Yorkshire

An exhibition opens at Brodsworth Hall in Yorkshire celebrating the life and passion of Sylvia Grant-Dalton, the house's long-term custodian. The show focuses on her love of gardening and floral art, featuring her collection of decorative objects, a recreated flower preparation room, and displays inspired by her work, including a large floral installation by local floristry students.

The Public Legacy of Gonzalo Díaz

EL LEGADO PÚBLICO DE GONZALO DÍAZ

A collaborative research project, the Gonzalo Díaz Archive, was presented at the National Museum of Fine Arts in early 2025, focusing on the late artist's five-decade connection to the University of Chile. Just before his death in December 2025, Díaz publicly called for the university to safeguard a substantial part of his prolific work, and he was posthumously awarded the university's Rector Juvenal Hernández Jaque Medal. His widow, artist Nury González, will lead a funded project to transform his decades of preparatory notes and sketches into a new artist's book.

Hired Amid Great Fanfare, Patricia Marroquin Norby, Met’s Inaugural Curator of Native American Art, Quietly Left

Patricia Marroquin Norby, the Metropolitan Museum of Art's inaugural full-time associate curator of Native American art, quietly left her position in December. Her departure followed independent investigations, including a 2024 report from the Tribal Alliance Against Frauds, which challenged her claims of Native American ancestry. Both Norby and the museum cited health concerns as the reason for her exit.

Grapeshot. Nancy Lupo by Maya Tounta

Artist Nancy Lupo is preparing a new exhibition titled "Meow Meow Real Estate" at the Nicoletta Fiorucci Foundation in London. The show shares its name with a novel she is writing, both projects emerging from a period of personal displacement and a fixation on finding a home. The exhibition continues a trajectory of shows that serve as interconnected, physical manifestations of her literary and emotional exploration of place.

Dive into Contemporary Art in Seoul, South Korea: Amorepacific Museum of Art Showcases Global and Korean Masters

The Amorepacific Museum of Art (APMA) in Seoul has established itself as a premier destination for contemporary art, featuring a diverse collection that bridges global masterpieces with traditional Korean aesthetics. The museum's current programming highlights its commitment to international dialogue, showcasing works by world-renowned artists alongside significant Korean historical artifacts and modern pieces.

Tony Hawk, Banksy, Powell-Peralta, Beastie Boys Items Lead Street Art & Culture Auction

Julien's Auctions has announced a 'STREET ART & CULTURE' auction featuring 70 lots that blend skate culture, street art, and music memorabilia. Highlights include Tony Hawk's personal T-shirt and signed poster from his historic 1999 X Games '900' trick (estimate $6,000-$8,000), a Banksy signed limited-edition 'Sale Ends' screenprint (estimate $20,000-$30,000), and boards from Powell-Peralta such as Steve Caballero's 'Half Cab Dragon'. The sale also includes works by Jean-Michel Basquiat, Jamie Reid, Shepard Fairey, and memorabilia from Gorillaz, Beastie Boys, and Wu-Tang Clan. The online auction is scheduled for February 4, 2026.

Students curate the past and look toward the future: SVAD centennial exhibition showcases 100 years of art at USC

Students at the University of South Carolina curated "Generations: 100 Years of Art at USC," a centennial exhibition at the McKissick Museum celebrating the School of Visual Art and Design (SVAD). Developed in an exhibition design course taught by museum director Lana Burgess and professor Susan Felleman, the show traces the art department's history from its founding in 1925 by Katherine Heyward to its current status as the state's largest art program. Junior art history major Agostina Mercado and her classmates researched archives, conducted oral histories with former faculty like Philip Mullen, and uncovered themes of mentorship and community that have defined the school for a century.

The miart 2026 fair is over and no longer has a director. Who will direct the 2027 edition? The name game

La fiera miart 2026 è finita e non ha più un direttore. Chi dirigerà l’edizione 2027? Il totonomi

The 2026 edition of the Milanese art fair miart has concluded, but its director Nicola Ricciardi is not expected to continue. The fair's owner, Fiera Milano, issued a closing statement with results and future dates, but failed to announce a successor, leaving the leadership for the 2027 edition in question.

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Jeffrey Rosen has resigned as director of the National Constitution Center in Philadelphia after 12 years, sparking allegations of political interference. While the board cited a leadership crisis following an external review of workplace conditions, board member and former judge J. Michael Luttig claims the ouster was a politically motivated "regime change" orchestrated to align the institution with President Trump’s vision for the upcoming America 250 celebrations.

The Brooklyn Fine Art Print Fair Has Taken Off Its Training Wheels

The Brooklyn Fine Art Print Fair (BFAPF) has returned for its second edition at Powerhouse Arts, expanding significantly from its inaugural "beta test" last year. The fair now features over 60 exhibitors, including a diverse mix of independent print shops, academic departments, self-represented artists, and established international galleries. This year's iteration emphasizes experimental mixed-media practices and a rigorous juried selection process, moving beyond traditional printmaking to include illuminated plexiglass screenprints and sculptural paper works.

Long-Lost Skeleton of D’Artagnan, the Fourth Musketeer, Discovered in Dutch Church

Archaeologists have discovered skeletal remains beneath the floor of St. Peter and Paul Church in Maastricht, Netherlands, which are believed to be those of the 17th-century French soldier Charles de Batz de Castelmore, the historical figure who inspired the literary character D'Artagnan. The discovery was made during repair work, and artifacts found nearby—including a French coin and musket ball fragments—align with the historical record of D'Artagnan's death during the 1673 siege of Maastricht.

C’è un artista che ha deciso di vivere in povertà come un monaco francescano. La storia

Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.

Kunsthaus Paradiso is Born in Venice: Italian Art Has a Home, Despite the Biennale

Nasce a Venezia la Kunsthaus Paradiso: l’arte italiana ha una casa, malgrado la Biennale

A new project called Kunsthaus Paradiso has opened in Palazzo Molin Querini in Venice, running from May 4 to May 31 in conjunction with the Venice Biennale. Founded by curator Caroline Corbetta, the initiative evolved from her earlier Crepaccio project (2012–2016) in Milan and the Padiglione Crepaccio, which debuted at the 2013 Biennale Arte curated by Massimiliano Gioni. Kunsthaus Paradiso focuses on Italian and Venice-based artists—including Thomas Braida, Fabio De Meo, Caterina Rossato, Ornella Cardillo, Alessandro Miotti, Melania Fusco, Mauro Campagnaro, Marta Spagnoli, Barbara De Vivi, Spazio Punch, Giorgio Andreotta Calò, Mattia Sinigaglia, and the collective Scafandra—offering a platform for emerging and local talent during the Biennale.

Una delle opere più importante esposte alla Galleria Nazionale di Roma sta ammuffendo

An article by Laura Carlotta Cortoni on Artribune reports that Pino Pascali's iconic 1967 work "32 mq di mare circa" ("32 square meters of sea approximately"), on display at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, is covered in mold, dust, and insects due to a total lack of maintenance. The author describes the installation as resembling a neglected warehouse and notes that visitors unfamiliar with the piece mistake the decay for an intentional environmental statement, creating a critical paradox given Pascali's own series of works titled "Muffe" (Molds).

Sands and Rituals from the Antipodes: To Be Discovered in a Former Church in Venice

Sabbie e riti dagli antipodi. Da scoprire in una ex chiesa di Venezia

The Church of San Lorenzo in Venice, home to Ocean Space, is hosting "Tide of Returns," an exhibition by the Repatriates Collective. The installation transforms the historic nave with sand dunes populated by thousands of decorated shells known as Dadikwakwa-kwa, or shell dolls, from the Anindilyakwa people of Australia. The show also features a tripartite installation of video, textiles, and braids by German-Bolivian artist Verena Melgarejo Weinandt, exploring themes of ancestral connection and the universal significance of water.

Monuments & Weapons: How Public Space Prepares Us for War Without Us Even Realizing It

Monumenti&armi. Così lo spazio pubblico ci prepara alla guerra senza che neppure ce ne rendiamo conto

Public squares and urban spaces are densely populated with war-related monuments that condition society to accept conflict as a historical inevitability. A study by Philadelphia’s Monument Lab reveals that nearly 60% of U.S. monuments focus on war themes, outnumbering themes of peace thirteen-fold, while Italy maintains over 12,000 memorials dedicated solely to World War I. These structures often prioritize military hierarchy and territorial conquest over themes of care, gender equality, or social diversity.

Grinnell College art museum showcases dual exhibits of student and faculty curated works

The Grinnell College Museum of Art has opened two new exhibitions. 'Unruly Lines: The Art of Sonia Sekula,' curated by professor Jenny Anger and museum curator Dan Strong, occupies the east gallery, while 'Rhizomatic Intimacies: Photography from the Collection of Keith Jantzen and Scott Beth,' curated by students from Michael Mackenzie's Exhibition Seminar, is on view in the west gallery.

Austin’s SAGE Studio & Gallery features work of local creators, prepares for art fair

SAGE Studio & Gallery in East Austin supports artists with developmental and intellectual disabilities, providing studio space, community, and gallery representation. Founded in 2017 by Lucy Gross and Katie Stahl, the organization has paid over $200,000 in commissions to its artists, with some earning upwards of $30,000 annually. Artists like Molly Hale create works in fiber, paint, pastels, and other media, and SAGE has collaborated with brands such as Vans, Whataburger, and Austin FC. The studio is preparing for an upcoming art fair.

Janusz Jurek Embraces the Weirdness of Everyday Life in Captivating Street Photographs

Polish photographer Janusz Jurek, who works as a graphic designer and commercial photographer, creates candid street photographs that capture humor, happenstance, and the bizarre. He focuses on authentic moments outside the mainstream, often turning away from main attractions to observe people's reactions, small gestures, and strange coincidences. Jurek is preparing a photo collection titled "Look, Before It’s Gone," compiling five years of his street photography.

An important Italian relief for Nuremberg

Un important relief italien pour Nüremberg

The Germanisches Nationalmuseum in Nuremberg has acquired and publicly unveiled a previously unknown masterpiece: a large silver relief depicting the Lamentation of Christ, created in the workshop of Luigi Valadier in 1786. The work, purchased from a private collector in 2024 with support from several foundations, is now on temporary display and will later join the museum's permanent collection.

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The Brooklyn Fine Art Print Fair (BFAPF) will hold its second edition at the Grand Hall of Powerhouse Arts in Gowanus, Brooklyn, from April 9–12, 2026. The fair expands its scope to include academic printmaking departments from across the United States, self-representing artists, and a subsidized program for emerging artists, alongside established galleries and publishers. New exhibitors include 10 Grand Press and Petzel Gallery, while international participants like D & S Fine Art Editions from France return.

Art Formes Presents A multi-disciplinary group exhibition curated by Jean Dreyer

Art Formes presents a multi-disciplinary group exhibition curated by Jean Dreyer at The Old Biscuit Mill in Cape Town, running from 16 April to 11 June 2026. The show features 21 artists including Maja Marx, Katherine Glenday, Gerhard Marx, and others, with works that explore themes of soil, text, and interconnection through painting, ceramics, and sculpture. The exhibition emphasizes dialogue between works and the gallery's architecture, with a press release highlighting the gallery's focus on contemporary African sculpture.

"She's Like the Wind"

The article reviews "She's Like the Wind," an annual all-female group exhibition at Deep Space gallery in Jersey City, featuring works by artists Delilah Ray Miske, Leigh Cunningham, and SarahGrace. Miske's painting "Lemon Lime Toe of God" shows only a woman's leg and foot, while Cunningham's oil paintings present figures as blurred forms seen through a translucent curtain, and SarahGrace's textile works depict headless female nudes with suggestive titles like "Provoke" and "Dominate." The show marks a departure from the gallery's typically family-friendly, sex-averse programming.

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The Union Hall Gallery in San Diego's Golden Hill neighborhood recently debuted "Gossip," a multidisciplinary exhibition featuring the work of seven local female artists. The opening reception drew over 100 attendees, signaling a strong community interest in local grassroots art initiatives. Additionally, the city is preparing for the upcoming Barrio Logan Art Crawl, a recurring cultural event that highlights the region's creative scene.