NEXT in the Gallery: See Pittsburgh-made art in the streets, coffeehouses and a warehouse in Brooklyn

NEXTpittsburgh's August gallery guide highlights a wave of Pittsburgh-made art appearing in streets, coffeehouses, open studios, and even a warehouse in Brooklyn. Featured exhibitions include the Pittsburgh Photography Club's 140-year retrospective at Manos Gallery, Monica Matthews' graphite pencil drawings at Ruckus Coffee Gallery & Café, the juried group show "Living Canvas III" at Studio 4, Kristin Divers' pastel solo show at Mark Rengers Gallery, the multimedia group exhibition "Horizons" at Castle Consortia, and Annie Heisey's paintings at Sweetwater Center for the Arts. The month also includes a one-night solo show by New Orleans muralist Dago at Studio 4.

Art Vibe: June 2025

The article surveys notable art exhibitions in Kenya for June 2025, highlighting a range of venues and artists. Key shows include 'The Print Press' at Alliance Française de Nairobi (June 13–29), featuring printmakers such as Michael Soi, Mari Endo, Dennis Muraguri, and James Mbuthia, and 'The Promise' by Moses Nyawanda at Talisman Restaurant in Karen (May 27–June 27). The piece also covers exhibitions by Jonathan Sölanke Gathaara Fraser at Circle Art Gallery, Michelle Nyambura at Tafaria Castle, Annick Mitchell in Rosslyn, and Khalid Shatta and Onesmus Okamar, emphasizing both established and emerging voices across media.

Winter Solstice: Seeds of Nothingness. Edo Costantini in collaboration with Delfina Braun & Delfina Muniz Barreto

WINTER SOLSTICE: SEEDS OF NOTHINGNESS. EDO COSTANTINI EN COLABORACIÓN CON DELFINA BRAUN & DELFINA MUNIZ BARRETO

Praxis Gallery in New York is hosting "Winter Solstice: Seeds of Nothingness," a multidisciplinary exhibition by Argentine artist Edo Costantini in collaboration with Delfina Braun and Delfina Muniz Barreto. The show features photography, sound, moving images, and bronze sculptures that explore the quiet, latent biological processes occurring during the winter season. Based on Costantini’s decade-long observation of the landscapes in Katonah, New York, the works focus on the concept of stillness as an active state of reorganization and persistence.

Dutch Commission Recommends New Guardianship for ‘Orphaned’ Nazi-Looted Art

A Dutch government-appointed committee has proposed transferring guardianship of thousands of unclaimed Nazi-looted artworks from a state agency to a Jewish foundation, preferably housed at the Jewish Museum in Amsterdam. The plan includes funding for exhibitions and explanatory labels to publicly display the so-called "orphaned" art from the Netherlands Art Property Collection.

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More than 100 Cuban artists, curators, and cultural workers, including the nation's Culture Minister and prominent intellectuals, have issued an open letter titled "Cuba is Not a Threat" appealing for international intervention. They argue the US economic embargo, particularly restrictions on oil and fuel shipments, has crippled the island's infrastructure and exacerbated a severe humanitarian crisis, making stabilization efforts impossible.

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Four ancient bronze sculptures illegally removed from Thailand in the 1960s have been repatriated from San Francisco’s Asian Art Museum to their original home in Thailand, following an investigation led by the US Department of Homeland Security. The works, which were featured in the museum’s 2024 exhibition “Moving Objects: Learning from Local and Global Communities,” were linked to convicted antiquities trafficker Douglas Latchford and had been acquired by the museum’s founding collector Avery Brundage. The Asian Art Commission unanimously approved the return after a two-stage voting process that began in September 2024 and concluded in April 2025.

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A rare Fabergé Winter Egg, made of crystal and adorned with 4,000 diamonds, sold for £22.9 million ($30.2 million) at Christie’s London on Tuesday, setting a new auction record for any Fabergé egg. The sale was part of a 48-lot collection titled “The Winter Egg and Important Works by Fabergé from a Princely Collection,” which achieved a total of £27.8 million ($37.1 million). The egg was created for Russia’s imperial family by Alma Theresia Pihl, one of the few women in Fabergé’s St. Petersburg workshop, and fabricated by her uncle, chief jeweler Albert Holmström. It had previously sold at Christie’s in Geneva in 1994 and in New York in 2002.

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Shanti Escalante-De Mattei's column 'Link Rot' examines the debate over generative AI in creative fields, focusing on the argument that AI is just another tool like a paintbrush. The article critiques this view by highlighting how AI is being used by clients and studios to pressure animators, cut pay, and impose unrealistic deadlines, while the technology was built on ethically questionable datasets scraped from public websites without permission.

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A new study published in the journal Antiquity reveals that Egypt’s Karnak Temple was originally built on a small island, or “fluvial terrace,” surrounded by river channels. The research, led by Ben Pennington of the University of Southampton, is the first comprehensive geoarchaeological survey of the site, analyzing 61 sediment cores and thousands of ceramic fragments. It dates the earliest occupation of Karnak to around 2520 BCE, with ceramics from 2305–1980 BCE, and shows that ancient Egyptians geo-engineered the landscape by dumping desert sand into channels to create new building land.

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David Chichkan, a Ukrainian artist known for his explicitly political and often censored work, has died at age 39. The Ukrainian culture ministry reported that his heart stopped after he was wounded in battle against Russian troops. Chichkan founded the Libertarian Club of Underground Dialectics in 2014 and staged provocative exhibitions, including one about the 2013–14 Maidan revolution that was vandalized by masked intruders. He enlisted in the Ukrainian Armed Forces in 2024 as a mortar operator, after being unable to serve earlier for health reasons, and continued to create art depicting antiauthoritarian soldiers until his death.

Views from Behind. A Figure Without a Portrait

Vu[e]s de dos. Une figure sans portrait

The exhibition "Vu[e]s de dos. Une figure sans portrait" at Les Franciscaines in Deauville, running from February 28 to May 31, 2026, explores the artistic motif of figures seen from behind. Curated by director Annie Madet-Vache, the show was inspired by a small painting from the museum's own collection, André Hambourg's *L'Enterrement de Poincaré*. Unable to secure loans of iconic works such as those by Friedrich, Delacroix, Ingres, or Vermeer, Madet-Vache instead displays large black-and-white reproductions of these masterpieces alongside contemporary works they inspired, turning the absence of the originals into a conceptual strength.

GRACIELA ITURBIDE BRINGS HER MAJOR RETROSPECTIVE TO BERLIN

C/O Berlin is hosting "Eyes to Fly With," the first major retrospective of Mexican photographer Graciela Iturbide in the German capital. The exhibition features approximately 250 works spanning over five decades, ranging from her iconic documentary series of the Seri and Juchitán people to her more introspective studies of Chicano culture in Los Angeles and the personal belongings of Frida Kahlo at Casa Azul.

Native Americans created dice more than 12,000 years ago, study finds

Archaeological research from Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. These two-sided "binary lots," found at Folsom-period sites in Wyoming, Colorado, and New Mexico, predate the earliest known Old World dice by more than 6,000 years. The study reclassifies artifacts previously overlooked or misidentified, highlighting that these objects were the only decorated, non-utilitarian items found at these late-Pleistocene sites.

What Biennials Reveal About the Art World

Ben Davis and Jo Lawson-Tancred of Artnet News have published complementary projects analyzing global art biennials. Davis compiled data from major biennials including Istanbul, Gwangju, São Paulo, Sharjah, and Venice over the past four years, tracking which artists have been shown most frequently worldwide since the 2022 Venice Biennale. Lawson-Tancred examined the upcoming Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, comparing the demographics of its artists to previous editions to trace shifts in the global art conversation.

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Saudi Arabia is scaling back some of its ambitious 'gigaprojects' under the Vision 2030 plan due to falling oil prices and budget constraints, raising questions about the future of its major cultural investments. This shift occurs as the art world's attention turns to the Gulf region for the inaugural Art Basel Qatar, highlighting the tension between grand cultural ambitions and economic realities in a key emerging art market.

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Over 600 artifacts were stolen from a storage building housing the Bristol Museum’s British Empire and Commonwealth collection in the early hours of September 25. The items included an ivory Buddha, copper medallions from the Emancipation campaign of 1838, a carved elephant ornament, and a copper and brass ship lantern. Local authorities have released descriptions of four suspects and images of stolen objects, appealing to the public for help in recovering the items and identifying the thieves.

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A new exhibition at the Pompeii Archaeological Park, titled “Being a Woman in Ancient Pompeii,” aims to correct centuries of historical neglect by highlighting the lives of real women from the ancient city. Through frescoes, artifacts, inscriptions, and an interactive app, the show presents the stories of entrepreneurs, priestesses, innkeepers, artisans, sex workers, and slaves—including Clodia Nigella, a public pig-keeper; Faustilla, a pawnbroker; Asellina, a tavern owner who employed bar workers and sex workers; Julia Felix, an independent property owner who rented out her bathhouse; and Eumachia, a businesswoman. Co-curated by archaeologist Francesca Ghedini, the exhibition uses archaeological evidence to reconstruct the personalities and daily activities of these women, whose roles have long been obscured by male-dominated historical narratives.

5 art exhibitions we can’t wait to see in Toronto

Toronto is set to host a diverse array of art exhibitions this winter, ranging from historical retrospectives to contemporary multimedia installations. Key highlights include a spotlight on 1940s abstract pioneer Edna Taçon at the Art Gallery of Ontario, a cross-cultural exploration of Ukrainian and Turkish identity at the Etobicoke Civic Centre, and solo showcases by local artists Tanya Besedina, Pree Rehal, and Yue Gao across various community galleries.

Finnish up! Claire Aho’s colour revolution – in pictures

A new exhibition titled 'Colour Me Modern: Claire Aho and the New Woman' is being presented at the Hundred Heroines Museum in Stroud, UK. The show celebrates the pioneering work of Finnish photographer Claire Aho, highlighting her vibrant, cinematic, and witty use of color in postwar fashion, advertising, and portrait photography.

‘The Christophers’ Review: Fine Art, Frayed Artists

Director Steven Soderbergh’s latest film, 'The Christophers,' features standout performances by Ian McKellen and Michaela Coel in a narrative centered on the high-stakes intersection of the art world and global finance. The story follows the psychological and professional fraying of artists and dealers as they navigate a landscape defined by ego, commerce, and the pursuit of prestige.

Monopol Gives Away 5 x 2 Tickets for Photo Exhibition at Museum Rietberg

Monopol verlost 5 × 2 Tickets für Foto-Ausstellung im Museum Rietberg

The Museum Rietberg in Zurich is presenting the exhibition "Fast ein Paradies" (Almost a Paradise), which critically examines colonial-era photography as an instrument of power. The show juxtaposes historical photographs with contemporary artworks that recontextualize this material, featuring artists like Sasha Huber, Sammy Baloji, Raphaël Barontini, and Andrea Chung, who intervene in the archival images to challenge colonial narratives and restore agency to the subjects.

Manet Under the Magnifying Glass

Manet à la loupe

A new documentary film titled 'Le Monde dans un tableau : les lampes de Manet' offers a detailed investigation into Édouard Manet's final major painting, 'Un bar aux Folies Bergère'. The film features an eclectic mix of interviewees, from a Folies Bergère lighting technician to a Shintō monk and a Tokyo print editor, weaving together art history and broader historical context around the iconic work.

In La Défense, a Plunge Between Art and Science into Abyssal Wonder

À La Défense, une plongée entre art et science d’un émerveillement abyssal

The exhibition "Sous l’horizon" (Under the Horizon) has opened in the Salle des colonnes, a massive underground space beneath the La Défense business district in Paris. Guided by a poetic narrative from writer Mariette Navarro and the voice of singer Emily Loizeau, visitors navigate a darkened 1,000-square-meter environment equipped with headlamps and audio headsets. The immersive journey features works by artists including Antoine Bertin, Ugo Schiavi, Jérémie Brugidou, and Shivay La Multiple, exploring the mysteries of the deep sea through bioluminescence, oceanic soundscapes, and futuristic sculptures.

The True Story of the Caravaggio Theft by the Sicilian Mafia Behind the 'Le Complot Caravaggio' Series on Arte

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The article details the infamous 1969 theft of Caravaggio's masterpiece, "Natività con i santi Lorenzo e Francesco d'Assisi" (The Nativity with Saint Francis and Saint Lawrence), from the Oratory of San Lorenzo in Palermo, Sicily. The painting, a large-scale work measuring three by two meters, was expertly cut from its frame and has never been recovered, remaining second on the FBI's Top Ten Art Crimes list. The theft is widely attributed to the Sicilian Mafia, with theories suggesting it was stolen to order or for use in secret mafia gatherings.

New Seton Gallery Exhibit Celebrates Life and Legacy of Acclaimed Connecticut Artist

The Seton Gallery at the University of New Haven is presenting "Embrace: Elizabeth Gourlay," an exhibition celebrating the life and work of the late Connecticut-based abstract painter Elizabeth Gourlay. The show features her richly layered, color-sensitive paintings and includes an opening reception on February 7 and an exhibition talk on February 22, running through March 10.

Stamina at DREI

A group exhibition titled "Stamina" opened at DREI gallery in Cologne, featuring works by artists Stephan Dillemuth, Matthias Groebel, and Julia Scher. The show ran from February 28 to April 4, 2026, and was documented extensively with 41 installation images.

An Hoang at Halsey McKay

An Hoang at Halsey McKay

An Hoang has opened a solo exhibition titled "Garden Poems" at Halsey McKay Gallery in East Hampton. The show, running from February 7 through March 29, 2026, features a collection of new works, documented by 33 images in the announcement. This presentation marks a continued collaboration with the gallery, highlighting Hoang's latest artistic developments.

A Short Film Joins In the Timeless Swiss Masked Tradition of Silvesterchlausen

A new short film titled 'Silvesterchlausen' by writer and director Andrew Norman Wilson documents the centuries-old Swiss New Year's tradition of the same name. The film captures groups of men and boys in the Appenzell regions who don elaborate, handmade masks and headdresses made from natural materials like pinecones and moss, forming groups to yodel, ring bells, and visit homes over 18-hour days to mark the turn of the year on both the Gregorian and Julian calendars.

Edgar Calel at Kunsthalle Bern

Edgar Calel, a Guatemalan artist born in 1987, is the subject of an exhibition at Kunsthalle Bern. His work draws on the rituals and traditions of his native Guatemala, focusing on the working conditions and environmental impact of export-oriented agricultural industries, particularly palm oil and coffee plantations that dominate the country's economy.

Tarek Atoui “Souffle Continu and Sunflowers” at IMMA, Dublin

IMMA in Dublin is presenting the first Irish solo exhibition of Lebanese sound artist and composer Tarek Atoui, titled "Souffle Continu and Sunflowers." The exhibition opens on February 21, 2026, showcasing Atoui's innovative work in sound, performance, and custom instrument creation, which focuses on the physical experience of listening.