filter_list Showing 1835 results for "SAM" close Clear
search
dashboard All 1835 museum exhibitions 896trending_up market 253article news 183article local 169article culture 130person people 76article policy 42rate_review review 39candle obituary 27gavel restitution 17article events 2article event 1
date_range Range Today This Week This Month All
Subscribe

Weisman Art Museum shows rugs as the messengers of our stories

The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.

Indigenous artists transform works at Metropolitan Museum in unsanctioned augmented reality project

On Indigenous Peoples’ Day (13 October), 17 Native artists staged an unsanctioned augmented reality intervention inside the Metropolitan Museum of Art’s American Wing. The project, titled ENCODED: Change the Story, Change the Future (through 31 December), digitally overlays cosmological figures, pow-wow dancers, and ivy onto 19th-century paintings and sculptures, challenging the museum’s narratives. Co-curated by filmmaker Tracy Renée Rector and an anonymous Indigenous co-curator in collaboration with the non-profit Amplifier, the intervention coincides with the American Wing’s centenary.

An exhibition in New York City takes on censorship in the art world

Art at a Time Like This, a non-profit organization, has opened the exhibition 'Don’t Look Now' in New York City's Nolita neighborhood (October 10–25), featuring 24 contemporary artists whose work has been censored or blacklisted. Participants include Marilyn Minter, Shepard Fairey, Dread Scott, Danielle SeeWalker, and Yvonne Iten-Scott, whose pieces were removed from shows, rescinded from residencies, or targeted by officials due to political content. The exhibition responds to the Trump administration's crackdown on free speech in the culture sector, including mass layoffs at the NEA and NEH, proposed funding cuts, and canceled shows at institutions like the Smithsonian.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

The Los Angeles County Museum of Art (LACMA) has expanded its Local Access program, adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the LA County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, the initiative brings exhibitions sourced from LACMA's permanent collection to communities across Southern California. The program's latest exhibition, 'Act on It! Artists, Community, and the Brockman Gallery in Los Angeles,' opens at the Vincent Price Art Museum on September 27, exploring the legacy of the historic Brockman Gallery and its role in the Black Arts Movement.

Memorial Art Gallery Announces Frontiers of Impressionism: Paintings from the Worcester Art Museum Opening Nov. 2

The Memorial Art Gallery (MAG) in Rochester, NY, will present "Frontiers of Impressionism: Paintings from the Worcester Art Museum" from November 2, 2025, through March 1, 2026. The exhibition features fifty-two masterworks from the Worcester Art Museum's collection, including Claude Monet's 1908 painting "Nymphéas (Water Lilies)"—the first water lily painting ever purchased by an art museum. More than thirty European and American artists are represented, such as Monet, Pierre-Auguste Renoir, Camille Pissarro, Mary Cassatt, Childe Hassam, and John Singer Sargent.

Gustave Caillebotte: Painting His World

The Art Institute of Chicago presents 'Gustave Caillebotte: Painting His World,' a major exhibition running from June 29 to October 5, 2025, featuring over 120 works including paintings, works on paper, photographs, and ephemera. The show explores the personal interests and relationships that shaped the Impressionist artist, highlighting his focus on family, friends, sportsmen, and workers, as well as his unique depictions of nude men. It includes iconic pieces like 'Paris Street; Rainy Day' and 'Floor Scrapers,' alongside lesser-known works such as the Musée d'Orsay's recent acquisition 'Boating Party' and the Louvre Abu Dhabi's 'The Bezique Game,' many from private collections rarely seen by American audiences.

SILSILA: Highlights from the Dalloul Collection Including Modern & Contemporary Middle Eastern Art - Christie's

Christie's will hold a live auction titled 'SILSILA: Highlights from the Dalloul Collection including Modern and Contemporary Middle Eastern Art' on 6 November 2025 at King Street, London, with an online sale running from 28 October to 11 November. The evening sale features 20 exceptional works from the esteemed Dalloul Collection in Beirut, Lebanon, led by masterpieces from artists such as Mohamed Melehi, Mahmoud Saïd, Dia Al-Azzawi, Marwan, Huguette Caland, Paul Guiragossian, Samia Halaby, and Kamal Boullata. A preview will be held at Christie's Dubai from 3-10 October, showcasing highlights including Guiragossian's 'Automne (Autumn)', El Rayess's 'Soukhour Meyrouba', and Said's 'La colline de Mekarzel'.

NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Is Vermeer’s ‘The Art of Painting’ in fact a lost work?

Paul Taylor, a curator at London’s Warburg Institute specializing in 17th-century Dutch art, argues that Vermeer’s celebrated painting *The Art of Painting* (1666-68), housed at Vienna’s Kunsthistorisches Museum, may not be the work referenced in a 1676 legal document by the artist’s widow, Catharina. Taylor tracked 25 period descriptions of “de schilderconst” (the art of painting) and found they all depict allegorical personifications of painting, not studio scenes like Vermeer’s composition. He believes the document refers to a now-lost Vermeer that could still resurface.

Daegu Photo Biennale tackles the Anthropocene

The Daegu Photo Biennale in South Korea, now in its 10th edition, tackles the Anthropocene through the lens of symbiosis, featuring three main exhibitions: 'The Pulse of Life', 'The Origin of the World', and a solo show by Rinko Kawauchi titled 'M/E On this Sphere Endlessly Interlinking'. Artistic director Emmanuelle de l’Ecotais, a former curator at Centre Pompidou and Musée d’Art Moderne de Paris, leads the biennale, which includes 80 artists in the main exhibition and 75 in the special exhibition, alongside emerging artist showcases, a symposium, a photobook exhibition, and a portfolio review, all spread across 4,000 square meters at the Daegu Culture and Arts Center.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

A queer art exhibition in Germany shines a spotlight on marginalized modernist artists

A new exhibition titled "Queer Modernism. 1900 to 1950" opens at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany, featuring over 130 works by 34 artists from Europe and the United States. The show highlights queer contributions to modernism during the first half of the 20th century, a period of both sexual liberation in cosmopolitan centers and persecution under fascism. Works include Lotte Laserstein's "I and My Model" (1929/30) and Ludwig von Hofmann's "The Source" (1913), once owned by Thomas Mann.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

LACMA has expanded its Local Access initiative by adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the L.A. County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, these institutions join four existing partners in creating exhibitions sourced from LACMA’s permanent collection. The program’s latest exhibition, "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," will open at the Vincent Price Art Museum on September 27. Local Access, launched in 2021, was the first Art Bridges Cohort Program in the Western United States.

Is This the Breaking Point for Museums?

Museums across the West are facing a severe funding crisis as governments slash public support. In the U.S., President Donald Trump’s deep cuts to the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Institute for Museum and Library Services (IMLS) have resulted in hundreds of millions of dollars in lost funding, while stock market volatility and increased endowment taxes further strain budgets. In Europe, Berlin cut €130 million from cultural funding in December 2024, and other countries face similar pressures, forcing museums to confront dwindling subsidies and shifting philanthropy.

Marianne and Edward Gibson Art Museum opens at SFU Burnaby campus

The Marianne and Edward Gibson Art Museum, a new 12,100-square-foot facility on the Simon Fraser University Burnaby campus in British Columbia, has officially opened to the public. Designed by Siamak Hariri of Hariri Pontarini Architects, the museum features B.C.-sourced mass timber beams, floor-to-ceiling windows, and a layout that integrates with the surrounding forest. Its inaugural exhibition, "Edge Effects," includes works by artists such as Debra Sparrow, Cindy Mochizuki, Patrick Cruz, Lorna Brown, and Jin-me Yoon, and the museum also houses approximately 5,900 works from the Simon Fraser University Art Collection.

‘A really pivotal moment’: 6 neurodivergent artists highlighted in a sensory-dense, striking exhibition

An exhibition titled 'LOOK HERE' opens at Haverford College's Cantor Fitzgerald Gallery, featuring six neurodivergent artists from Greater Philadelphia who are connected with the Center for Creative Works (CCW). Curated by Jennifer Gilbert alongside CCW artists Paige Donavan and Mary T. Bevlock, the show highlights diverse works including mixed-media sculptures by blind artist Cindy Gosselin, textured ceramics by Clyde Henry, marker drawings by Allen Yu, and contributions from Kelly Brown, Tim Quinn, and Brandon Spicer-Crawley. The gallery is designed for accessibility, with lowered paintings, sensory backpacks, braille booklets, ASL-embedded videos, and custom seating by artists.

Jamea Richmond-Edwards: Another World and Yet the Same September 13, 2025 — June 14, 2026 - Wellin Museum

The Ruth and Elmer Wellin Museum of Art at Hamilton College will present "Jamea Richmond-Edwards: Another World and Yet the Same" from September 13, 2025, to June 14, 2026. Curated by Alexander Jarman, the exhibition features a large body of newly created work alongside mixed-media paintings from the past seven years, exploring race, class, and identity. Richmond-Edwards draws on her Detroit roots, incorporating music genres like jazz, soul, Motown, techno, and hip hop, as well as imagery from school marching bands. The title references a 17th-century dystopian novel by Joseph Hall, and the artist adapts its narrative through a fictional character, Iceberg, who leads a voyage to Antarctica to establish an egalitarian society, addressing themes of climate change and self-determination.

Chef Daniel Humm Is the Latest Star to Leave Their Mark on Sotheby’s Contemporary Curated Auction Series

Chef Daniel Humm, the renowned culinary figure behind Eleven Madison Park, has guest-curated Sotheby's Contemporary Curated auction series, selecting artworks with the same rhythmic and intentional approach he uses in menu creation. In an interview with CULTURED, Humm describes how a transformative encounter with Claude Monet's Water Lilies at the Musée de l'Orangerie in Paris inspired his curatorial philosophy, emphasizing stillness, contemplation, and dialogue between works. His selections include pieces by Roni Horn, Alex Katz, Keith Haring, Sarah Crowner, and Jean Dubuffet, reflecting personal friendships and a desire to create an immersive, sensory experience akin to a multi-course meal.

On Loss and Absence: Textiles of Mourning and Survival

The Art Institute of Chicago presents 'On Loss and Absence: Textiles of Mourning and Survival,' an exhibition running from September 6, 2025, to March 15, 2026. Featuring over 100 objects from antiquity to the present, the show draws primarily from the museum's own collection and is organized into four thematic sections: Death and Mourning, Transition of Realms, Care and Repair, and Resistance and Survival. Works include funeral hangings, burial cloths, mourning samplers, Indonesian ship cloths, a Taoist priest's robe, and contemporary pieces by artists such as Nick Cave, Carina Yepez, the Noqanchis collective, and Diné weaver Barbara Teller Ornelas. The exhibition is curated by four artist-educators from the School of the Art Institute of Chicago's Fiber and Material Studies department: Isaac Facio, Nneka Kai, L Vinebaum, and Anne Wilson, with senior museum advisor Melinda Watt.

Dealers get creative pairing artists at Duet—just don’t call it an art fair

Duet, a pop-up exhibition conceived by curators Zoe Lukov and Kyle DeWoody, debuts in Manhattan’s Financial District with 11 galleries and a group show running until 8 September. Housed in the WSA building, each gallery occupies a glass-walled meeting room and pairs two artists around a thematic connection—such as Pace showing Nina Katchadourian with Matthew Day Jackson, or Galerie Sardine pairing Jenna Kaës with Anthony Banks. A group exhibition features works by Marina Abramović, Lynda Benglis, Maya Lin, Radcliffe Bailey, Karon Davis, Miles Greenberg, Carlos Motta, Sam Moyer, Brendan Fernandes, and Naama Tsabar, with performances by Fernandes and Tsabar.

8 Must-See Solo Gallery Shows in September

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for September, featuring artists from New York to San Francisco. Highlights include Yuan Fang's abstract exploration of her cancer journey at Skarstedt, Sam McKinniss's pop-culture-infused paintings at Jeffrey Deitch, María Berrío's mythological collages at Hauser & Wirth, and Maria Nepomuceno's contemporary take on ancient traditions at Sikkema Malloy Jenkins, among others.

A former director at Lower Manhattan galleries goes it alone Uptown

Christiana Ine-Kimba Boyle, a former director at Lehmann Maupin, Canada, and Pace, has launched Gladwell Projects, a nomadic gallery with a staff of one. The gallery's second show, "The Spirituality of Color," opens October 3 in a Harlem townhouse, featuring works by Sam Gillam, Kylie Manning, and others. Its first show, "The Metroplex," was held in collector Christie Williams's Dallas home during the Dallas Art Fair, resulting in acquisitions by the Dallas Art Museum. Ine-Kimba Boyle aims to present blue-chip rigor at a smaller, community-focused scale, part of a "Domestic Interventions" series in private homes.

‘Geometry of Light’: Step into the shadows at Seattle Asian Art Museum

The Seattle Asian Art Museum has opened 'Geometry of Light,' an immersive exhibition featuring artist Anila Quayyum Agha's 300-pound laser-cut steel lantern sculpture that projects intricate geometric shadows across the gallery walls, ceiling, and floor. Visitors' movements become part of the artwork as their own shadows interact with the light patterns. The show spans three galleries, including paper and fabric works and two light-box installations, and also features Ai Weiwei's 'Water Lilies' rendered in LEGO bricks, on view through March 2026.

Caravaggio’s ‘Judith Beheading Holofernes’ coming to Kimbell Art Museum from Rome

The Kimbell Art Museum in Fort Worth announced on August 29, 2025, that it will display Caravaggio’s monumental painting *Judith Beheading Holofernes* (1599–1600) as a Guest of Honor loan from the Gallerie Nazionali di Arte Antica in Rome, where it normally hangs in the Palazzo Barberini. The canvas, approximately six feet wide and five feet tall, will be on view in the Louis I. Kahn Building from September 14, 2025, through January 11, 2026. The painting depicts the biblical moment of Judith decapitating the Assyrian general Holofernes, showcasing Caravaggio’s signature bold realism and dramatic chiaroscuro. The loan follows the museum’s 2022 Focus Exhibition “SLAY,” which featured Artemisia Gentileschi’s and Kehinde Wiley’s interpretations of the same subject.

See Ai Weiwei’s Largest-Ever U.S. Exhibition in Seattle Before It’s Gone

The Seattle Art Museum (SAM) has opened 'Ai, Rebel: The Art and Activism of Ai Weiwei,' the largest-ever U.S. exhibition of the Chinese-born artist-activist, featuring 130 works from the 1980s to the 2020s. Organized in three thematic sections—'Introducing the Rebel,' 'Material Disruptions,' and 'Watching Ai Watching Power'—the retrospective includes performance, photography, sculpture, and installations. Additionally, Ai Weiwei's 'Water Lilies' (2022), a Lego-based work referencing Monet, is on view at the Seattle Asian Art Museum. The exhibition runs through September 7, 2025.

Sarasota Art Museum stages an Art Deco extravaganza

The Sarasota Art Museum (SAM) on the Ringling College of Art and Design campus has opened "Art Deco: The Golden Age of Illustration," an exhibition of 100 large posters from the Crouse family collection. Curated by Rangsook Yoon, the show celebrates the 100th anniversary of Art Deco, tracing its origins from the Belle Epoque through the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, and features works by artists such as Alphonse Mucha, Henri de Toulouse-Lautrec, and Théophile-Alexandre Steinlen. The Crouses, who previously lent works to The Guggenheim and the Victoria and Albert Museum, displayed part of their collection at New York's Poster House in 2023-2024.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

White House Bashes Smithsonian Museums, Exhibitions, as “Woke”

On August 21, the Trump administration published an unsigned article on the White House website attacking several Smithsonian museums and their exhibitions for promoting what it described as "woke" content. The article specifically called out the National Museum of African American History and Culture, the National Museum of American History, the National Portrait Gallery, the Smithsonian American Art Museum, and two planned institutions—the National Museum of the American Latino and the American Women’s History Museum. It cited exhibitions and artworks addressing race, transgender identity, and immigration, including Amy Sherald’s painting *Trans Forming Liberty* (2024), which led the artist to cancel her solo show at the National Portrait Gallery after the museum sought to remove the work to avoid provoking Trump.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

National Museum of Asian Art Presents “Korean Treasures: Collected, Cherished, Shared”

The Smithsonian's National Museum of Asian Art will present "Korean Treasures: Collected, Cherished, Shared" from November 8, 2025 to February 1, 2026, marking the first U.S. exhibition of masterpieces from the Lee Kun-Hee Collection. Featuring over 200 works including a dozen Korean National Treasures, the exhibition spans 1,500 years of Korean art—from ancient Buddhist sculptures and ceramics to Joseon dynasty furnishings and 20th-century modern paintings. The collection, donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, comprises more than 23,000 works accumulated over 70 years. The exhibition is co-organized by the Art Institute of Chicago, the National Museum of Korea, and the National Museum of Modern and Contemporary Art, Korea, with additional loans from the Leeum Museum of Art shown exclusively in Washington, D.C.