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christies hauls in 690 million at robust 20th century art sale led by 62 million rothko 2714467

Christie’s kicked off the fall auction season in New York with a two-part 20th-century art sale that brought in approximately $690 million, led by Mark Rothko’s *No. 31 Yellow Stripe (1958)*, which sold for $62.2 million. The evening featured 18 works from the collection of Robert F. and Patricia G. Ross Weis, totaling $218 million, followed by a 61-lot main sale that realized $471.7 million. Other top lots included Claude Monet’s *Nymphéas (1907)* at $45.4 million and a new auction record for Beauford Delaney’s *The Sage Black (1967)* at $1.5 million. The sale room at Rockefeller Center was packed, with strong bidding despite many works being third-party guaranteed.

christies hauls in 690 million at robust 20th century art sale led by 62 million rothko 2714467

Christie’s kicked off the fall auction season in New York with a two-part 20th-century art sale that brought in approximately $690 million, led by Mark Rothko’s *No. 31 Yellow Stripe (1958)*, which sold for $62.2 million. The evening featured 18 works from the collection of Robert F. and Patricia G. Ross Weis, totaling $218 million, followed by a 61-lot main sale that realized $471.7 million. Other top lots included Claude Monet’s *Nymphéas (1907)* at $45.4 million and a new auction record for Beauford Delaney’s *The Sage Black (1967)* at $1.5 million.

Pakistani artist Shahzia Sikander navigates her country’s complex past—a new monograph tells her story

Shahzia Sikander, a Pakistani artist born in Lahore after the Partition of India, is the subject of a new monograph by art historian Jason Rosenfeld. The article traces her emergence from the National College of Arts (NCA) in Lahore, where she developed her signature contemporary miniature painting style, exemplified by her graduate thesis *The Scroll* (1989-90). It situates her work within Pakistan's complex artistic heritage, blending Indo-Persian miniature traditions with modernism and political trauma, and notes her alongside Imran Qureshi as one of the best-known Pakistani-origin artists alive today.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program offered webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings include that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions adopted simple waste-reduction strategies, with some committing to permanent sustainability changes.

In a Billionaire’s Playground, Six Artworks Could Predict the Market

The New York Times reports on a closely watched auction at Christie's in Palm Beach, where six high-value artworks from a billionaire's collection are expected to set market benchmarks. The sale, taking place in the exclusive playground of the ultra-wealthy, features works by artists such as Basquiat and Richter, and is seen as a barometer for the current state of the art market amid economic uncertainty.

Kicking off New York November sales, Christie's nets healthy $690m from double-header 20th-century auction

Christie's kicked off New York's November auction season with a double-header 20th-century evening sale on November 17, generating $574.7 million before fees and $690 million with fees. The sale featured 80 lots, including 18 from the collection of supermarket magnate Robert Weis and his wife Patricia Ross Weis, with highlights such as Pablo Picasso's *La Lecture (Marie-Thérèse)* selling for $45.4 million and Mark Rothko's *No. 31 (Yellow Stripe)* achieving $62.1 million. Two artist records were set, including for Leonor Fini, and the sale achieved a 94% sell-through rate, with 59 lots backed by third-party or house guarantees.

Kicking off New York November sales, Christie's nets healthy $690m from double-header 20th-century auction

Christie's kicked off New York's November auction season with a double-header 20th-century evening sale on November 17, achieving $574.7 million before fees and $690 million with fees. The sale featured 80 lots, including 18 from the collection of supermarket magnate Robert Weis and his wife Patricia Ross Weis, which alone tallied $184.5 million ($218 million with fees). Highlights included Pablo Picasso's *La Lecture (Marie-Thérèse)* selling for $45.4 million, Mark Rothko's *No. 31 (Yellow Stripe)* for $62.1 million, and a record $2.5 million for Leonor Fini's *Dans la tour (Autoportrait avec Constantin Jeleński)*. The sell-through rate was 94%, with two artist records set.

Leading Art Gallery Opening in Landmarked Aspen Block Building

M.S. Rau, a 113-year-old New Orleans-based gallery specializing in fine art, antiques, and jewelry, has signed a long-term lease to open a second location in Aspen, Colorado. The new 2,200-square-foot space will occupy two levels of the historic Aspen Block Building at 307 S. Galena Street, a designated landmark, and is set to open in January 2026. The gallery will feature works by artists such as Renoir, Picasso, and Magritte, alongside luxury jewelry from Tiffany & Co., Van Cleef & Arpels, Fabergé, and Cartier. The expansion follows the success of a seasonal pop-up in Aspen last year and marks the first year-round secondary location in the gallery's history.

Leading Art Gallery Opening in Landmarked Aspen Block Building

M.S. Rau, the 113-year-old New Orleans-based gallery specializing in fine art, antiques, and jewelry, has signed a long-term lease to open a permanent second location in Aspen’s historic Aspen Block Building at 307 S. Galena Street. The new two-level, 2,200-square-foot space is set to debut in January 2026, featuring works by Renoir, Picasso, and Magritte, alongside pieces from luxury houses such as Tiffany & Co., Van Cleef & Arpels, Fabergé, and Cartier. The expansion follows a successful seasonal pop-up in Aspen last year and marks the gallery’s first year-round secondary location since its founding in 1912.

Get Ready to Explore the Recently Renovated Portland Art Museum All Winter Long

The Portland Art Museum (PAM) will reopen its completely transformed campus on November 20 after nine years and $111 million in renovations. The centerpiece is the Mark Rothko Pavilion, a glass structure that provides a new intuitive entrance and connects the museum's two historic buildings—the Main Building (designed by Pietro Belluschi in 1932) and the Mark Building (a former Masonic temple from 1924). The renovation eliminates the confusing underground tunnel that previously caused visitors to miss entire exhibitions, replacing it with a media gallery and accessible hallways across four floors. The project also includes a public passageway open 24/7, addressing earlier community backlash over plans to close a walkway.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.

jeffrey epstein emails leon black picasso gagosian 1234761921

Newly released emails from convicted sex offender Jeffrey Epstein reveal that he discussed a plan by billionaire art collector Leon Black to purchase a Picasso painting from Gagosian gallery for $100 million. In a 2015 email to Melanie Spinella, a representative for Black, Epstein questioned the lack of a written contract for the overseas transfer. The emails also show Epstein advising Black on broader art purchasing strategies, including assigning agreements to family members, and offering opinions on Artspace, the online marketplace acquired by Black's publishing house Phaidon.

jeffrey epstein emails leon black picasso gagosian 1234761921

Newly released emails from convicted sex offender Jeffrey Epstein reveal that he discussed a plan by billionaire art collector Leon Black to purchase a Picasso painting from Gagosian gallery for $100 million. In a 2015 email to Melanie Spinella, a representative for Black, Epstein questioned the lack of a written contract for the overseas transfer, calling it 'fishy.' The emails also show Epstein advising Black on broader art purchasing strategies, including assigning agreements to family members, and offering opinions on Artspace, the online art marketplace acquired by Black's publishing house Phaidon.

art books surrealism 2710009

To mark the centenary of Surrealism, Artnet News has published a curated list of essential books on the art movement. The article traces Surrealism's origins to October 15, 1924, when French poet André Breton published his Surrealist Manifesto, and highlights key texts including Breton's own "Manifestoes of Surrealism" and his novel "Nadja," Patrick Lepetit's "The Esoteric Secrets of Surrealism," and Whitney Chadwick's "Farewell to the Muse: Love, War and the Women of Surrealism." Each book is presented as a gateway to understanding the movement's philosophy, occult interests, and overlooked female contributors.

kevin mcgarry reviews jason faragos even 300996

Kevin McGarry reviews the debut issue of *Even*, a new print art journal launched by *Guardian* contributor Jason Farago during Frieze New York. Named after a phrase from Marcel Duchamp's *The Bride Stripped Bare By Her Bachelors, Even*, the magazine is a small, paperback-sized publication that prioritizes text over images, positioning itself as an antidote to market-driven art discourse. The first issue features a lengthy essay on artist Joan Jonas by Elisabeth Lebovici, timed to Jonas's U.S. pavilion at the 56th Venice Biennale, and a piece by Zachary Woolfe on the Björk exhibition at MoMA. McGarry critiques the journal's ambition to revitalize art criticism, noting that while its goals are lofty, the content sometimes falls back on familiar artspeak.

have new york museums hit their peak 28800

New York's major art museums, including MoMA, the Guggenheim, the Metropolitan Museum of Art, and the Whitney, are experiencing attendance levels that have not surpassed their peaks from several years ago. MoMA projects reaching 3.24 million visitors for the 2012–13 fiscal year, just shy of its 2009–10 record of 3.22 million, driven by blockbuster exhibitions like "Magritte: The Mystery of the Ordinary" and a Sigmar Polke retrospective. The Guggenheim's attendance peaked in 2009 at 1.3 million, the Met's busiest season was 2011–12 with 6.28 million visitors, and the Whitney's high was 372,000 in 2009–10. Factors cited include slowed tourism growth, harsh weather, construction, and a shift toward more scholarly exhibitions.

have new york museums hit their peak 28800

New York's major art museums, including MoMA, the Guggenheim, the Metropolitan Museum of Art, and the Whitney, are experiencing attendance figures that have not surpassed their peaks from several years ago. MoMA projects reaching 3.24 million visitors for the 2012–13 fiscal year, just shy of its 2009–10 record of 3.22 million, driven by blockbuster exhibitions like "Magritte: The Mystery of the Ordinary" and a Sigmar Polke retrospective. Meanwhile, the Guggenheim's attendance peaked in 2009, the Met saw its busiest season in 2011–12 with 6.28 million visitors and is now on track for a second consecutive decline, and the Whitney's high was 372,000 in 2009–10. Factors cited include a harsh winter, ongoing construction at the Met, and a shift toward more scholarly exhibitions, though tourism growth in New York continues, especially among international visitors.

kaws drift rafael lozano hemmer artists participating abu dhabis public light art exhibition 1234761968

Abu Dhabi’s Department of Culture and Tourism has organized the second edition of its public light art event, titled “The Light Compass,” for the 2025-26 season. Curated by a four-person team led by artistic director Khai Hori, the event features 15 installations by international and Emirati artists, including DRIFT, KAWS, Rafael Lozano-Hemmer, Shaikha Al Mazrou, Ammar Al Attar, and Christian Brinkmann. Works are displayed across multiple sites: Jubail Island and Souq Al Mina in Abu Dhabi, and Al Qattara Oasis and Al Jimi Oasis in Al Ain, a UNESCO World Heritage Site. Highlights include DRIFT’s biometric dome and drone show, KAWS’s giant “Companion” figure holding a glowing orb, and site-specific pieces by Lozano-Hemmer and others.

consignors new york november auctions 2025 2711189

New York's November 2025 auction season is set to feature at least $1.67 billion in art across Sotheby's, Christie's, and Phillips, a 54% increase in estimates from the same period last year. The season is dominated by major estates, including Leonard Lauder's $400 million trove at Sotheby's with Klimt paintings and Matisse bronzes, Cindy Pritzker's collection featuring a Van Gogh, and anonymous Surrealist works. Christie's offers $736 million in low estimates from collections like Robert and Patricia Weis, Elaine Wynn, and Stefan Edlis. Phillips remains risk-averse, focusing on established names. The market shows a flight to quality, with emerging art reduced and delegated to day sales, while ultra-contemporary segments contract.

Utah Tech University’s Sears Art Museum celebrates 25 years of Dixie Watercolor Society

Utah Tech University's Sears Art Museum is presenting "The 25th Anniversary Dixie Watercolor Society Exhibition," a juried art show and sale featuring over 150 original watercolor paintings by members of the Dixie Watercolor Society. The exhibition opens with a free public reception on November 21, 2025, and runs through January 9, 2026, with all works available for purchase to support the society's educational programs. A concurrent exhibition, "Highlights from the Sears Art Museum Collection: Watercolors from the West," will be on view in the Eccles Grand Foyer.

Redland Art Gallery celebrates the sea, light and local creativity

Redland Art Gallery in Cleveland, Australia, is launching three new exhibitions in late November 2025, each exploring themes of sea, light, and local creativity. The season features "Water Works" by acclaimed Queensland artist Joe Furlonger, whose expressive paintings and ceramics capture the beauty and danger of the sea; "Some Things Too Bright to See" by emerging Brisbane artist Holly Anderson, focusing on light across water; and "In Focus 2025 – Flourish," an annual community exhibition showcasing local artists. The exhibitions run through January 2026 and include artist talks, workshops, and a People's Choice Award.

Fast-rising Montana art organisation to take over century-old theatre

Tinworks Art, a non-profit contemporary art space in Bozeman, Montana, is expanding from its original industrial campus to the historic Rialto Theater downtown. Opening November 21, Tinworks at Rialto will debut with Matthew Barney's 2018 film *Redoubt*, on view until February 1, 2026, marking the organization's first year-round venue for installations, talks, screenings, and performances. The Rialto, which opened as a theater in 1924, was donated to Tinworks by its previous owners. Additionally, Tinworks is restoring its deteriorating mill building on the northeast campus, set to open in October 2026, which will add flexible gallery spaces, a visitor center, and offices, extending programming beyond its current June-to-October schedule.

Best art exhibits to see in the Bay Area this fall

The article highlights several notable art exhibitions opening in the Bay Area this fall, including 'Rave into the Future: Art in Motion' at the Asian Art Museum, featuring immersive dance culture works and ceramics by Sahar Khoury and Maryam Youssif; Selva Aparicio's solo show at Gallery Wendi Norris, where she carves rug designs into the floor and uses cicada wings and hair in her installations; Andrew Owen's photography exhibition 'In Light Years' at Small Works, capturing California's landscapes and environmental scars; Caterina Fake's installation 'Bed for Dreaming' at the Jones Institute, an experimental home gallery where guests can sleep in an ancient bed; and the farewell celebration at Altman Siegel Gallery after 16 years of operation.

Exhibition of large scale contemporary art at Smithsonian’s Hirshhorn Museum

The Smithsonian's Hirshhorn Museum will present "Big Things for Big Rooms," an exhibition tracing the development of immersive, large-scale artworks from the late 1960s to the present. Organized by head curator Evelyn C. Hankins and curatorial assistant CJ Greenhill Caldera, the show features 10 works—five on view for the first time—drawn largely from the museum's collection, including pieces by Robert Irwin, Richard Long, Sam Gilliam, Dan Flavin, Lygia Pape, Mika Rottenberg, Olafur Eliasson, Spencer Finch, Rashid Johnson, and Paul Chan. The exhibition runs from November 21, 2025, through July 4, 2027, and is divided into two parts: the first explores pioneering "Environments" from the 1960s, while the second highlights contemporary artists expanding on those ideas.

Art Collaboration Kyoto holds its most global edition yet

Art Collaboration Kyoto (ACK) opened its fifth edition at the Kyoto International Conference Center, running until 16 November. The fair, launched in 2021 to connect Japanese and international galleries, has grown to a record 72 exhibitors, half from overseas. Special exhibitions are staged at historic temples across Kyoto, including shows by Isabella Ducrot at Kousei-in, Carrie Yamaoka at Manshu-in, and Shio Kusaka with Jonas Wood at Ryosoku-in. Sales were strong on opening day, with galleries like KAYOKOYUKI, Kurimanzutto, Mendes Wood DM, and TARO NASU reporting brisk transactions.

sothebys charles stewart supply and demand 1234761813

Sotheby's CEO Charles Stewart told CNBC that the art market has entered a new phase this fall, with supply finally catching up with demand after months of strong bidder activity. New York's marquee auction houses are preparing for sales expected to total more than $1.4 billion, a roughly 50% jump from last year, driven by major consignments including the estate of Leonard Lauder (55 works valued at over $400 million, led by Gustav Klimt's Portrait of Elisabeth Lederer) and collections from Jay and Cindy Pritzker. Christie's highlights include a Monet Nymphéas, a David Hockney portrait, and a Mark Rothko, each estimated at $40–60 million.

university of leicester trans inclusive museum guideline updates 1234761758

The University of Leicester has updated its guidance on trans-inclusivity for museums and galleries, despite facing litigation threats from the campaign group Freedom in the Arts (FITA). The 44-page document, originally published two years ago by the university’s Research Center for Museums and Galleries (RCMG), offers a framework for creating inclusive public spaces and workplaces, addressing legal and ethical questions about trans inclusion. FITA sent two letters threatening legal action, arguing the guidance is “misleading” and “unlawful,” particularly objecting to bathroom etiquette that states trans visitors should use the bathroom they feel most comfortable using. The university is reviewing the latest correspondence and declined further comment.

trustees bolt palm springs art museum director hire 1234761292

Trustee Patsy Marino resigned from the Palm Springs Art Museum board just one week after Christine Vendredi was appointed director on September 29, 2024. In a resignation letter reported by the Los Angeles Times, Marino alleged that the hiring committee failed to interview any outside candidates, despite two "exceptional" candidates being considered, and cited "inappropriate interference" by the executive committee, individual trustees, and museum staff. Two other board members also left the 22-member body, though the museum claims their departures were unrelated. Vendredi, previously chief curator and interim CEO, has a background in luxury brand management at Louis Vuitton and holds multiple advanced degrees but no prior museum directorship experience.

andrew wolff artnet artsy future 1234761770

Andrew Wolff, CEO of Beowolff Capital, has acquired Artnet and a controlling stake in Artsy, positioning himself as a key consolidator in the digital art market. In an interview tied to his inclusion in the Observer's “Art Power Index,” Wolff outlined plans to integrate data across platforms, develop AI-native tools, and create a seamless ecosystem for discovery, valuation, and transaction, aiming to empower younger collectors who favor networked, permissionless access over traditional gatekeepers.

Transform Your Art Practice at UC Davis: The Maria Manetti Shrem Art Studio MFA Program

UC Davis has announced the Maria Manetti Shrem Art Studio MFA Program, a two-year graduate program supported by a $14 million endowment from Maria Manetti Shrem. The program offers generous funding, spacious private studios, and culminates in a thesis exhibition at the Jan Shrem and Maria Manetti Shrem Museum of Art. It features renowned faculty, visiting artists such as Njideka Akunyili Crosby and Wangechi Mutu, and partnerships with institutions like the Headlands Center for the Arts and Skowhegan School of Painting and Sculpture. Applications are open until January 5, 2026, with a virtual MFA Open House on December 8, 2025.