The Studio Museum in Harlem has temporarily closed due to water damage caused by a sprinkler emergency during a snowstorm. The incident, which affected the gift shop near the entrance, prompted an evacuation of staff and visitors. The museum will remain closed through February 7 for repairs, with all programs and events cancelled and refunds issued to ticket holders. No artworks or galleries were affected, according to a museum representative.
W. David Marx joins Artnet News senior editor Kate Brown on the podcast 'The Art Angle' to discuss his new book, *Blank Space: A Cultural History of the Twenty-First Century*. The book argues that creativity across art, media, and popular culture has stagnated over the past 25 years, driven by commercialization, rapid technology shifts, and a preference for profit-driven formulas over experimentation. Marx identifies a 'conspicuous blank space where art and creativity used to be' and proposes five strategies to revive cultural inventiveness.
Masumi Shinohara, a Japanese-born, French-bred former luxury executive who joined Sotheby's Japan in April 2024 to lead its operations, has been promoted to managing director for Asia within his first year. He succeeded Nathan Drahi, son of majority owner Patrick Drahi, and now oversees Sotheby's expansion across the region amid a recovering global art market. The article features an interview with Shinohara discussing his transition from luxury brands (Valentino, L'Oréal, Ermenegildo Zegna) to the auction world, his childhood immersion in art through his father, and the strategic benefits of Sotheby's new permanent Hong Kong premises, Sotheby's Maison, which allows year-round auctions and thematic sales.
The Guggenheim Bilbao has canceled its planned expansion in the Urdaibai Biosphere Reserve, a UNESCO-designated site in Spain's Basque country, citing territorial, urban planning, and environmental constraints. The project, first announced in 2022, faced fierce opposition from activists, environmental groups like Greenpeace, and over 1,000 Basque creatives who signed a petition. The expansion would have included a facility in Guernica and a net-zero exhibition space in Murueta, but legal disputes and public pressure led the museum's Board of Trustees to terminate the plan. Local group Guggenheim Urdaibai Stop celebrated the decision as a victory and plans a festival in February 2026 to mark the project's demise.
The Ruth Foundation for the Arts has named five artists as recipients of its 2026 Ruth Awards: Yuji Agematsu, Ranu Mukherjee, Will Rawls, Ellen Sebastian Chang, and Anna Martine Whitehead. Each winner receives an unrestricted $100,000 grant disbursed over two years. The artists work across diverse media—from Agematsu's miniature street-detritus sculptures and Rawls's multidisciplinary choreography to Mukherjee's painting and film installations, Sebastian Chang's decades-spanning theater and film work, and Whitehead's performance art. The awards are open to artists across North America and are now in their third year.
Hong Kong will send two artists, Angel Hui and Kingsley Ng, to represent the special administrative region at the 2026 Venice Biennale, marking the first time a duo has been selected. The Hong Kong Museum of Art (HKMoA) and the Hong Kong Arts Development Council (HKADC) are collaborating for the first time on the presentation, which will take place at the Campo della Tana as a collateral event. Hui, a gongbi ink painter born in 1991, and Ng, a media artist and associate professor born in 1980, will explore "the poetic rhythms of daily life" in dialogue with the Biennale's main exhibition theme, "In Minor Keys." The selection follows HKADC's decision in April to oust M+ museum as the exhibition's organizer, a role it had held since 2013, without citing a reason.
The Pérez Art Museum Miami (PAMM) has announced two major gifts totaling $7 million for its Caribbean Cultural Institute (CCI). The Mellon Foundation contributed an additional $2 million, while the Green Family Foundation (GFF) donated $5 million, leading to the institute's renaming as the Green Family Foundation Caribbean Cultural Institute. The funds will support operating expenses and the endowment of the CCI, which was originally established in 2019 with a $1 million Mellon grant. The Green Family Foundation, founded by Steven J. Green and Dorothea Green, has deep philanthropic roots in Miami, including ties to Florida International University and local art initiatives. Current CCI fellows include artist M. Florine Démosthène, writer Rianna Jade Parker, and anthropologist Celia Irina González.
Pace Gallery, Emmanuel Di Donna, and David Schrader are launching a new joint gallery called Pace Di Donna Schrader Galleries (PDS), dedicated to secondary-market sales. The boutique operation will begin operations in spring 2026, open a formal space on New York's Upper East Side in summer, and host a major historical exhibition in autumn. The venture is a collaborative model rather than a merger, combining Pace's global reach and estate relationships, Di Donna's connoisseurship, and Schrader's expertise in private sales.
Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after a 45-year career in criticism, including 36 years at the newspaper. His final day is Friday. Knight, one of the few remaining full-time art critics in American journalism, was praised by colleagues for his encyclopedic knowledge and razor-sharp assessments. He won the Pulitzer Prize for criticism in 2020, notably for a series of articles that harshly critiqued the Los Angeles County Museum of Art's (LACMA) proposed redesign by architect Peter Zumthor. He also received a lifetime achievement award from the Dorothea and Leo Rabkin Foundation in 2020, and the College Art Association's Frank Jewett Mather Award in 1997. Before his journalism career, Knight worked as a curator at the Museum of Contemporary Art San Diego and consulted for the Lannan Foundation and the Smithsonian Institution's Archives of American Art.
British artist and designer Es Devlin, known for stage designs for U2 and Kendrick Lamar, has created a 50-foot-tall revolving library titled 'The Library of Us' for the 10th anniversary of the Faena hotel and cultural complex in Miami Beach. The installation, presented during Art Basel Miami Beach, contains 2,500 books that have influenced Devlin, with visitors able to sit on revolving stools and read. Phrases from 250 books will appear on an LED screen accompanied by Devlin's voice. After the installation closes on December 9, all books will be donated to Miami organizations including public libraries and schools.
Upsilon Gallery, founded by German-Argentine dealer Marcelo Zimmler, will open its first continental European location in Milan on November 18. The 200-square-meter space is situated near Via Monte Napoleone in the Quadrilatero fashion district, joining a wave of international galleries—including Thaddaeus Ropac, Cardi Gallery, and Robilant + Voena—that are betting on Milan's potential to become a global art capital. The inaugural exhibition features four canvases from Osvaldo Mariscotti's Valley series, with a bilingual catalogue edited by critics David Ebony and Alex Grimley, and coincides with twin shows in Upsilon's London and New York outposts.
P. Staff's current exhibition at David Zwirner in New York transforms the gallery's Upper East Side townhouse into a haunting, body-centric experience. The show features a new video titled *Penetration* (2025), split across three floors, depicting a person with a laser beamed at their bare stomach, alongside sculptures with wood spikes under latex drapes and ambient sounds of a beating heart. The installation evokes a dread of having a body, with jaundiced yellow window films and disjointed sensory elements creating an uncomfortable, dysphoric atmosphere.
Martin Beck has created a new body of artwork inspired by the *Environments* series of LPs, which debuted in 1969 and featured long-duration nature sounds and aural abstractions. The works are on view at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, through October 5, and include wall works, video, and an exhibition design that explores how the records were marketed as lifestyle accessories and productivity aids. Beck first encountered the series through a friend's lecture at Columbia University and became fascinated by its blend of utopian vision and commercial hype.
President Donald Trump signed the "One Big Beautiful Bill Act" on July 4, which includes a provision requiring the Smithsonian Institution to transfer a space vehicle—widely understood to be the space shuttle Discovery—to NASA. The shuttle has been displayed at the Steven F. Udvar-Hazy Center in Chantilly, Virginia, since 2012. The move must be completed by January 4, 2027, and $85 million has been allocated for planning, transportation, and a new exhibition facility in Houston. The provision originated from the "Bring the Space Shuttle Home Act" introduced by Texas senators John Cornyn and Ted Cruz, after their state lost the original competition to host Discovery.
Kaari Upson's posthumous retrospective "Dollhouse" has opened at the Louisiana Museum in Copenhagen, Denmark. The exhibition features works such as "Trespass" (2012), a simulated chain-link fence coated in flesh-toned acrylic, and "The Grotto" (2008-09), a faux-rock formation with water features and video projections of sex-doll-like figures. The show explores themes of voyeurism, transgression, and the blurring of public and private boundaries, drawing from Upson's acclaimed "Larry Project" (2005-12), which involved breaking into a neighbor's abandoned home.
New York's American Museum of Natural History is launching a new film at the Hayden Planetarium titled "Encounters in the Milky Way," narrated by actor Pedro Pascal. Opening June 9, the 30-minute show uses data from the European Space Agency's Gaia observatory and contributions from over 20 academic institutions to map the sun's journey through the Milky Way over billions of years. The project involved astronomers, artists, and science visualization experts, with a score by composer Robert Miller and direction by museum trustee Shawn Levy.
Frieze Seoul 2025 will bring together 120 galleries from over 30 countries for its fourth edition, running September 4–6 at the COEX convention center with a preview day on September 3. The fair coincides with Kiaf Seoul and is split into three sections: the main Galleries section (90 exhibitors), Focus Asia (10 solo presentations of emerging artists), and Frieze Masters (20 booths covering works from the Middle Ages to the 20th century). Blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, and David Zwirner, alongside leading Korean galleries such as Gallery Hyundai and Kukje Gallery. Five galleries have graduated from Focus Asia to the main section, and 20 first-time participants join the main section.
Art Basel Paris has announced the 203 galleries participating in its 2025 edition, set to take place at the Grand Palais from October 24–26, with VIP previews on October 22–23. The fair is divided into three sections: the main Galeries section with 177 dealers, Emergence featuring 16 solo booths for emerging artists, and Premise with nine presentations from 10 galleries challenging the art historical canon. Notable blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, and top Parisian galleries such as Balice Hertling, Galerie Chantal Crousel, and Mennour. The fair will also bring back its Oh La La! Initiative and public art exhibition in the Jardin des Tuileries.
Writer and critic Domenick Ammirati chronicles a whirlwind week in New York during Frieze Week, visiting art fairs, exhibitions, and social events. Highlights include Jeff Koons' Hulk sculptures at Gagosian's Frieze booth, discovering painter Karol Palczak at Emalin gallery, and attending the group painting show "R U Still Painting???" curated by the collective FALCON in a raw Midtown office space. Ammirati notes a subdued, less intoxicated atmosphere compared to previous years, reflecting a broader unease in the art world.
A small statue depicting President Donald Trump raising his fist after a failed assassination attempt during a 2024 campaign rally has appeared on his Oval Office desk, drawing renewed attention. The sculpture, based on a photograph by Associated Press photographer Evan Vucci, was created by artist Stan Watts, who is fundraising for a nine-foot-tall version. Separately, documentary filmmaker Steven C. Barber installed a life-sized bronze monument of the same scene at Trump International Golf Club in West Palm Beach, Florida, created by George and Mark Lundeen of Lundeen Sculpture.
The Sistine Chapel has closed to the public in preparation for the papal conclave beginning May 7, where cardinals will elect a successor to Pope Francis. The chapel, adorned with Michelangelo's frescoes including the ceiling (1508–1512) and *The Last Judgement* (1536–1541), has been the permanent seat of the conclave since 1878. Preparations include installing a chimney and stove for the smoke signals that announce voting results, as well as modern facilities like chemical toilets added after the 2013 conclave.
The article examines the rise of Taiwanese contemporary art on the international stage, focusing on its growing prominence in digital and technological art. It traces the evolution of digital art in Taiwan through three phases: video art in the 1990s with pioneers like Wang Jun-Jieh and Yuan Goang-Ming, digital media experimentation in the 2000s driven by the tech sector, and a recent phase of internationalization and interdisciplinary integration fueled by the semiconductor industry and government support. Key factors include Taiwan's hardware industry, cultural liberalization after the lifting of martial law in 1987, and sustained policy support from institutions like the National Culture and Arts Foundation (NCAF), the Taiwan Contemporary Culture Lab (C-LAB), and the Taiwan Creative Content Agency (TAICCA).
Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.
Clémentine Bruno’s artistic practice explores the tension between presence and absence, treating the canvas as a site of temporal layers rather than a flat surface for representation. Her work emphasizes the preparatory stages of painting—the laying of gesso and the construction of supports—allowing images to emerge reluctantly through processes of sanding, veiling, and partial erasure. Recent exhibitions, such as "Educational Complex" at Tonus and "Vision of Fading" at Mendes Wood DM, highlight her interest in how institutional structures and memory maps dictate what is retained and what is forgotten.
FUNDACIÓN CARTIER. UNA DELGADA LÍNEA ENTRE EXTRACTIVISMO Y REIVINDICACIÓN CULTURAL
The Cartier Foundation inaugurated its new Paris headquarters on October 25 with the exhibition "Exposition Générale." The curatorial approach and, most notably, the labyrinthine architectural design by Jean Nouvel have drawn criticism from the specialized press, described as disappointing and patchwork. The new space, a dense black cube in central Paris, represents a radical departure from the foundation's previous luminous, glass-walled hall, forcing a complete rethinking of how to present its 40-year collection.
The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building, a major architectural project designed to be a glamorous cultural beacon. The building itself is a striking landmark, but the exhibition spaces within present significant challenges for the display of art, creating a complex, maze-like environment for visitors.
Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.
The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.
The Centre Pompidou is expanding its global footprint with the opening of a new satellite museum in Seoul this June. Housed in a former aquarium within the Hanwha Group's headquarters in the Yeouido financial district, the Centre Pompidou Hanwha is the result of a four-year partnership between the French institution and the Hanwha Foundation of Culture. The renovated 108,000-square-foot space, designed by architect Jean-Michel Wilmotte, will debut with an exhibition titled "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its intersections with Korean art.
Kengo Kuma and Associates has been selected to lead the design of a massive £750 million extension to London’s National Gallery, titled Project Domani. The Tokyo-based firm won the commission over sixty-four other competitors and will collaborate with UK firms BDP and MICA to develop the new wing on land currently occupied by a hotel and office complex. The design features a dual-level approach, utilizing vaults and arches on the main floor to harmonize with existing galleries while introducing a modern geometric aesthetic on the upper level.