filter_list Showing 115 results for "2024 Venice Biennale" close Clear
search
dashboard All 115 museum exhibitions 43article news 29person people 13trending_up market 10article policy 8article culture 6candle obituary 3rate_review review 2gavel restitution 1
date_range Range Today This Week This Month All
Subscribe

art artists gaza fundraiser wolfgang tillmans

Artist Mai-Thu Perret has organized a fundraiser called '100 Artists for Gaza,' bringing together over 170 artists to support humanitarian efforts in Gaza. The initiative includes an online auction and an exhibition at Doctors Without Borders’ Geneva location, culminating in a live auction on December 2. Proceeds benefit Doctors Without Borders. Co-organized by Vidya Gastaldon, Sarah Benslimane, and Anne Lamunière, the project features works by notable contemporary artists such as Kara Walker, Rosemarie Trockel, Peter Doig, Wolfgang Tillmans, and Camille Henrot, among others. Some works explicitly reference the conflict, while others gesture toward shared humanity.

Henrike Naumann, Sculptor Set to Represent Germany at Venice Biennale, Dies at 41

henrike naumann sculptor dead germany venice biennale

The German art world is mourning the death of sculptor Henrike Naumann, who passed away in Berlin at age 41 following a brief battle with cancer. Naumann was a rising star known for her immersive installations that utilized furniture and domestic objects to explore the complex sociopolitical legacy of East Germany and the psychological tensions of reunification. Her death comes just months before she was scheduled to represent Germany at the 2024 Venice Biennale.

south africa officially cancels venice biennale pavilion

South Africa has officially withdrawn from the 2024 Venice Biennale following a legal battle over the cancellation of its national pavilion. The controversy began when Culture Minister Gayton McKenzie pulled the plug on artist Gabrielle Goliath’s planned exhibition, which referenced the deaths of Palestinians in Gaza. Goliath and curator Ingrid Masondo challenged the decision in court, alleging censorship and a violation of freedom of expression, but a South African judge recently dismissed their case without providing a specific reasoning.

south african court rejects gabrielle goliaths bid to reinstate venice biennale pavilion

A South African high court has dismissed artist Gabrielle Goliath’s urgent application to reinstate her selection for the 61st Venice Biennale. Culture Minister Gayton McKenzie canceled Goliath’s pavilion, titled "Elegy," labeling the work "highly divisive" just days before the official submission deadline. The artist and curator Ingrid Masondo argued the cancellation was an act of censorship and a violation of constitutional freedom of expression, but the court rejected the bid without providing immediate reasons.

gabrielle goliath legal action south africa venice pavilion

Artist Gabrielle Goliath and curator Ingrid Masondo are filing a court case against South African culture minister Gayton McKenzie after he canceled their planned pavilion for the Venice Biennale. McKenzie objected to a performance from Goliath's "Elegy" series that would address Israel’s war in Gaza, calling it "polarizing," a move Goliath described as censorship. McKenzie later attributed the cancellation to alleged interference by an unnamed foreign nation, with reports suggesting Qatar was involved, though the Qatar Museums ultimately did not purchase the work. The application, to be filed in the South African high court in Pretoria, seeks to have McKenzie's actions declared unconstitutional.

israel pavilion venice biennale belu simion fainaru protest

Israel will officially participate in the 2026 Venice Biennale, two years after its pavilion closed amid protests. The pavilion will be located in the Arsenale rather than its usual Giardini site, which is under construction. Representing Israel is sculptor Belu-Simion Fainaru, a Haifa-based artist and Israel Prize winner, who previously represented Romania at the 2019 Biennale. His pavilion, titled "Rose of Nothingness," will feature an installation about water inspired by poet Paul Celan's concept of black milk, with 16 pipes dripping black water into a pool. The pavilion is curated by Sorin Heller and Avital Bar-Shay. However, the Art Not Genocide Alliance (ANGA) has renewed its protest, calling the pavilion the "Genocide Pavilion" on Instagram and demanding Israel's exclusion from the Biennale.

Somali Cultural Organizations Unhappy With Somalia Pavilion at the Venice Biennale

Somali artists and cultural organizations are protesting the Somalia pavilion at the 2024 Venice Biennale, arguing it excludes artists based in Somalia and relies on diaspora figures and an Italian co-curator, which they view as colonial. The Somali Arts Foundation issued a statement condemning the lack of consultation, while the queer arts collective Warbixinta Cidda criticized the appointment of Italian curator Fabio Scrivanti. Somali American poet Ladan Osman boycotted the pavilion, calling it "anti-indigenous."

Trinity Professor’s Art Installation Comes to Connecticut Museum

The New Britain Museum of American Art has opened "The Museum of the Old Colony," a site-specific installation by Trinity College Professor Pablo Delano. The exhibition uses archival photography, sculptural objects, and text to examine the enduring impact of U.S. colonial rule in Puerto Rico since 1898. For this iteration, Delano has expanded the work to include new materials specifically documenting the history and experiences of the Puerto Rican community within Connecticut.

WHO ARE THE CURATORS THAT WILL LEAD THE NEXT BIENAL DE SAO PAULO

The Fundação Bienal de São Paulo has appointed Amanda Carneiro and Raphael Fonseca as chief curators for the 37th Bienal de São Paulo, scheduled for 2027 at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park. Carneiro, a curator at MASP since 2018 and an artistic organizer for the 2024 Venice Biennale, and Fonseca, a visual arts curator at Culturgest and curator-at-large at the Denver Art Museum, will lead the largest visual arts event in Latin America.

Even exhibition catalogues can become manga: The case of Yuko Mohri

Pure i cataloghi delle mostre possono diventare manga. Il caso Yuko Mohri

The Pirelli HangarBicocca has released a unique exhibition catalogue for Japanese artist Yuko Mohri following her solo show, 'Entanglements,' in Milan. The publication distinguishes itself by including a 24-page manga titled 'Yuko and the Unnamed' by artist Ran Kurumi, tucked into the book's jacket. This graphic insert serves as a biographical narrative, tracing Mohri’s journey from her formative years in Tokyo’s Akihabara electronics district to her recent representation of Japan at the 2024 Venice Biennale.

eimear walshe trial airport protest us military gaza

Artist Eimear Walshe, who represented Ireland at the 2024 Venice Biennale, will stand trial alongside activists Áine Treanor and Aindriú de Buitléir, collectively known as the Shannon Three. They are charged with trespassing and illegally accessing a runway at Shannon Airport in County Clare during a 2024 protest where they raised a Palestinian flag and held a sign reading "US military out of Ireland." The protest, which shut down the airport for over half an hour, was staged on Land Day to draw attention to the conflict in Gaza and the use of the airport by US military and civilian aircraft allegedly transporting munitions to Israel.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation

Belu-Simion Fainaru, the artist representing Israel at the 2024 Venice Biennale, allegedly threatened legal action against Biennale officials, accusing them of “racial discrimination” and “antisemitism” after the international prize jury announced it would exclude countries whose leaders are charged with crimes against humanity—effectively barring Israel and Russia from awards. The jury, handpicked by late artistic director Koyo Kouoh, resigned en masse on April 30, citing their earlier statement of intent. Fainaru had previously opposed calls to exclude Israel over its military actions in Gaza, arguing for dialogue over boycotts.

‘I'm going to miss the quiet life we had’: Greenlander artist Inuuteq Storch on Trump, travel and his ambitions to build a photography museum

Greenlander artist Inuuteq Storch, who gained international recognition for his takeover of the Danish pavilion at the 2024 Venice Biennale, discusses the impact of Donald Trump's renewed claims about taking over Greenland. Storch, whose work focuses on everyday life in Greenland, expresses concern that the political rhetoric could disrupt the quiet, preserved way of life in his community. He is currently showing a new iteration of his Venice exhibition at the Hasselblad Center in Gothenburg, Sweden, and has a major show at MoMA PS1. Storch's practice includes archiving historical images, such as those by Greenland's first photographer John Møller, and using his art to address colonial legacies and resistance.

On the Pistoia Apennines, OCA - Oasy Contemporary Art opens the new season with Arne Quinze

OCA - Oasy Contemporary Art and Architecture in the Pistoia Apennines has opened its 2026 season, featuring Belgian artist Arne Quinze. Quinze presents the outdoor installation *Ceramorphia* (previously shown at the 2024 Venice Biennale) and the solo exhibition *I'm a Gardener*, which includes paintings and works on canvas. The installation, made of ceramic forms, reinterprets nature rather than copying it, while the exhibition explores the relationship between humans and biodiversity. The season began on April 25, 2026, under the artistic direction of Emanuele Montibeller.

Artist Princess Pea wins inaugural Swali Craft Prize

Artist Princess Pea, the alter ego of Natasha Preenja, has won the first-ever Swali Craft Prize. The award, presented by the Chanakya School of Craft in partnership with India Art Fair, includes a cash prize of 1.1 million rupees and an exhibition slot at the fair for a large embroidered wooden sculpture created during a residency at the school.

Opening of Museum of West African Art in Nigeria delayed after protests

The official preview weekend of the Museum of West African Art (MOWAA) in Benin City, Nigeria, was disrupted on Sunday when a group of protestors broke into the main building. Over 250 invited guests, including donors and diplomats, had gathered for a cultural program featuring the exhibition "Nigeria Imaginary: Homecoming," which was an expanded presentation of the Nigerian Pavilion at the 2024 Venice Biennale. The protestors, wearing red hats, blocked access, shouted accusations about former governor Godwin Obaseki, and forced their way inside, leading to the indefinite cancellation of remaining events. MOWAA subsequently announced a postponement of public opening events, citing the protests and misconceptions about its role, while welcoming a presidential committee to resolve related matters.

Iran Pushes Back on Venice Biennale Withdrawal Reports: ‘We’re Still Coming’

Iran has pushed back against reports that it withdrew from the 2024 Venice Biennale, with Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture, stating that the country never withdrew and is still in negotiations to participate. Tehrani told the Iran Students News Agency that Iran submitted a plan for a pavilion and is awaiting a final response, despite unresolved issues including sanctions, high rental costs, and the ongoing war with Israel and the US. Meanwhile, a separate unofficial pavilion called the Hyperstitional Pavilion of Iran, curated by Pouya Jafari and Nazli Jan Parvar, has been announced, featuring works by Iranian artists and organized by Finland-based nonprofit Perpetuum Mobile.

Frieze New York Opens Strong, But the Real Test Is Just Beginning

Frieze New York has opened with strong early sales, particularly in the Focus section, which is dedicated to emerging and underrepresented artists. This year's Focus prize was awarded to W Galería for its presentation of Seba Calfuqueo, a Mapuche artist whose work addresses colonialism, environmentalism, and gender identity through ceramic sculptures and hair-based materials. Her pieces are priced between $8,000 and $40,000, reflecting the market's growing interest in politically engaged contemporary art.

Henrike Naumann—selected for this year's Germany pavilion at the Venice Biennale—has died

Artist Henrike Naumann, who was selected alongside Sung Tieu to represent Germany at the 2024 Venice Biennale, has died at age 39. She passed away on February 14 in Berlin after a short, serious illness, which her website specified was a late cancer diagnosis. The Institut für Auslandsbeziehungen (Ifa), which oversees the German Pavilion, confirmed her death and stated that her planned work for the Biennale will be realized posthumously according to her completed vision.

Dangling sculpture—‘evacuated’ from Russian-Ukrainian frontline—will be focus of Ukraine's pavilion at Venice Biennale

Ukraine's pavilion at the 2024 Venice Biennale will feature artist Zhanna Kadyrova's concrete sculpture *Origami Deer*, which was evacuated from Pokrovsk in the Donetsk region as Russian forces advanced in 2024. The pavilion, titled *Security Guarantees*, references the 1994 Budapest Memorandum and will include archival materials and a video installation documenting the sculpture's journey across Europe. The work will be suspended from a crane on a truck along the Venice lagoon, symbolizing forced displacement and the fragility of international promises.

61st Venice Biennale: Cultural workers and artists strike and protest against the Israeli genocide in Gaza

Thousands of artists, cultural workers, and protesters marched through Venice on May 8, 2026, one day before the opening of the 61st Venice Biennale, to protest the Israeli genocide in Gaza and Lebanon. The strike, organized by the Art Not Genocide Alliance (ANGA), led to the closure of approximately 27 of the Biennale's 100 national pavilions, with signs reading "We Stand with Palestine." The Israeli pavilion remained closed and guarded by armed police, who clashed with protesters. Meanwhile, the European Commission threatened to suspend €2 million in EU grants to the Biennale Foundation over its decision to allow Russia to participate, citing incompatibility with EU sanctions and the invasion of Ukraine.

New 808 Gallery Exhibition Showcases Faculty, Alumni Artwork

Boston University Art Galleries' 808 Gallery is presenting "Hidden in the Layers," a monthlong exhibition featuring printmaking and photography works by BU faculty and alumni. Originally shown at the 2024 Venice Biennale, the show includes pieces from artists Lynne Allen, Deborah Cornell, Toni Pepe, Joshua Brennan, and Charles Suggs, curated by Lissa Cramer, director of BU Art Galleries. The exhibition explores physical and conceptual layering across varied printmaking techniques.

Charlotte professor brings voice to African artists, reshaping the mold of contemporary art

Lisa Homann, an Associate Art & Art History Professor at UNC Charlotte, will participate in the 2024 Venice Biennale (May 9–Nov. 22) alongside West African Masquerade artist David Sanou. Homann co-curated the traveling exhibition "New African Masquerades: Artistic Innovations and Collaborations," which opened in New Orleans and will conclude at the Smithsonian National Museum of African Art. She was invited by Kevin Dumouchelle, the museum's main curator, to join the African Art in Venice Forum, a critical dialogue aimed at giving voice to contemporary African artists often excluded from mainstream contemporary art narratives. Homann's work with the Sanou family spans nearly two decades, beginning with David's father, Andre Sanou, in 2008.

Turning passion and pride into success

The article reports on the global surge in appreciation for handicrafts, highlighted by their prominent presence at the 2024 Venice Biennale, where curator Adriano Pedrosa noted a renewed interest in traditional, handmade techniques once considered marginal to fine art. It specifically focuses on Saudi Arabia's strategic push to capitalize on this trend by designating 2025 as the Year of Handicrafts, launching the Nama' Accelerators program through the state-run Cultural Development Fund (CDF) to support artisan businesses. The program has already helped entrepreneurs like Ranad Alsaif, who is preparing to open the first specialized natural-dyeing studio in the country.