Where did the great artist Joseph Beuys live? The comic story by Gianluca Costantini

Dove viveva il grande artista Joseph Beuys? Il racconto a fumetti di Gianluca Costantini

In the summer of 2022, the author visited Düsseldorf and discovered that Joseph Beuys's former home at Drakeplatz 4 in Oberkassel was for sale, but the city's cultural department declined to purchase it. Beuys lived and worked there from 1961 until his death in 1986, using the space as both a residence and studio. The article recounts the intimate details of family life there, including how Beuys painted the main room white for his wife Eva's photography, and how the family navigated the blend of private life and artistic practice. Two years later, the Brunhilde Moll Foundation acquired the house and opened it to the public, though it was closed for renovations when the author returned. The house now displays about sixty works from Beuys's creative period and will host artist residencies and events.

maria lai magazzino

Maria Lai (1919–2013), a Sardinian artist who blended abstraction, Arte Povera, and craft, is receiving her first North American museum retrospective at Magazzino Italian Art in Cold Spring, N.Y. The exhibition, curated by Paola Mura, features nearly 100 works drawn from the personal collection of founders Nancy Olnick and Giorgio Spanu, the artist's foundation, and Italian museums. It includes a permanent installation of Lai's 1992 cement sculpture *Colombe di Cemento* on the museum grounds.

lilo and stitch galleria dell accademia graceland

Disney has placed a white statue of the character Stitch from "Lilo & Stitch" inside the Galleria dell’Accademia in Florence, Italy, where it sits on a plinth near Michelangelo's David. The installation, part of a partnership between Disney and the Italian Ministry of Culture, promotes the upcoming live-action remake of the 2002 animated film. A promotional video shows Stitch causing mischief in the museum before carving its own marble likeness. The statue will be on view through June 20. Separately, Stitch also made an appearance at Graceland in Memphis, Tennessee, where it posed with Elvis Presley memorabilia and a pink Cadillac.

suffering life models in florence are threatening legal action over working conditions

Life models at the Accademia di Belle Arti di Firenze (Florence Academy of Fine Arts) are threatening legal action and a potential nude protest over poor working conditions. They complain of exhausting work, insufficient breaks, and renewable annual contracts offering 500 hours over 11 months with no insurance, holidays, sick leave, or timecards. The models argue that a 2024 Italian ministry law requiring permanent contracts for those with three years of service does not apply to them because the academy claims they were hired under simplified procedures. Union president Giancarlo Iacomini met with academy director Gaia Bindi on April 9 to seek a resolution, calling the situation "deeply contradictory."

Miet Warlop on Representing Belgium at the 61st Venice Biennale

Miet Warlop, the artist representing Belgium at the 61st Venice Biennale (2026), discusses her plans for the Belgian Pavilion in the Giardini in an interview with ArtReview. Her installation, inspired by the Belgian motto 'L'union fait la force' ('unity makes strength'), aims to create a space between a workspace, exhibition, and performance that brings people together in introspection. She cites time spent with Venice's artistic communities, including students at the Accademia, as influential, and notes that her work engages with the Biennale's theme 'In Minor Keys' by incorporating minor-key music to evoke nuanced, introspective emotions.

The 10 best pavilions to see at the 2026 Venice Art Biennale. Artribune's top ten

I 10 migliori padiglioni da vedere alla Biennale d’Arte di Venezia 2026. La top ten di Artribune

Artribune presents its top ten must-see national pavilions at the 2026 Venice Biennale, which features a record 100 participating countries. The article highlights standout projects including Greece's escape room by Andreas Angelidakis critiquing nationalist populism, Belgium's participatory dance installation by Miet Warloop, and Canada's greenhouse-like pavilion by Abbas Akhavan exploring colonial botany. The Biennale, curated by Koyo Kouoh under the theme "In Minor Keys," is marked by last-minute jury resignations leading to public voting for the Golden Lions, as well as protests over the participation of Russia and Israel.

Marina Abramović’s Historic Venice Biennale Exhibition Is a Full-Circle Moment

Marina Abramović has become the first living woman to be honored with a dedicated exhibition at the Gallerie dell’Accademia di Venezia, titled “Marina Abramović: Transforming Energy.” The show, which coincides with her 80th birthday, features works selected in dialogue with Renaissance masterpieces from the museum’s permanent collection, including pieces such as “The Lovers, Great Wall Walk,” “Balkan Baroque,” and “Pietà (Anima Mundi).” Abramović first visited the Venice Biennale at age 14 and later won the Golden Lion there in 1997; this exhibition marks a full-circle return to the city that inspired her.

Dahiye, il quartiere di Beirut che non esiste quasi più. Nelle foto di un artista italiano

Italian photographer Armando Perna (born 1981 in Reggio Calabria) has documented Dahiye, a southern suburb of Beirut known as Hezbollah's stronghold, using a digital camera hidden inside a car and controlled remotely via Bluetooth. His project, initiated in 2013 and exhibited in 2017 at the Fondazione Pino Pascali in Polignano a Mare (Bari), creates a street-view-style mapping of a neighborhood that has been heavily bombed by Israeli forces, most recently in the past weeks. The work was promoted by Planar gallery, founded by Antonio Ottomanelli, with Perna and Anna Vasta as part of the #showcase project.

Marina Abramovic on bringing audiences inside art

Performance art pioneer Marina Abramović, now 80, has opened a major exhibition titled "Transforming Energy" at the Gallerie dell'Accademia in Venice, making her the first living woman to receive such a show at the institution. The exhibition, running until October, features interactive "transitory objects" like crystal structures and minerals, alongside re-enactments of her iconic works including a performance with her late partner Ulay. In an interview with Reuters, Abramović discusses her shift from being the subject of her work to focusing on audience participation, a realization she had after her landmark 2010 performance "The Artist Is Present" at MoMA.

The great artist Remo Salvadori has died. He was 79 years old

È morto il grande artista Remo Salvadori. Aveva 79 anni

Italian artist Remo Salvadori has died at age 79. Known for his rigorous, independent practice, Salvadori explored matter, energy, science, philosophy, and spirituality through sculpture, installations, and site-specific works. Born in Cerreto Guidi, he studied at the Accademia delle Belle Arti di Firenze and moved to Milan in the early 1970s, where he participated in the experimental scene without joining any movement. His career included solo shows in Milan galleries from 1971, appearances at the Venice Biennale (1982, 1986, 1993) and Documenta in Kassel (1982, 1992), and works held in major museums worldwide. In 2019 he received the Premio Presidente della Repubblica for sculpture. A major retrospective in 2025 at Palazzo Reale, Museo del Novecento, and San Gottardo in Corte in Milan showcased over 50 works from 1969 to 2025.

Directors Chosen by Internal Call Rather Than Competition: The Great Restoration of State Museums

Direttori scelti per interpello e non per concorso. La grande restaurazione dei musei statali

The Italian state museum system is undergoing a significant reversal of the landmark 2015 Franceschini reforms, which originally opened director positions to international competition and private-sector expertise. Recent appointments at major institutions like the Reggia di Caserta and the Gallerie dell’Accademia in Venice indicate a shift away from global searches toward internal ministerial assignments, effectively turning museum leadership back into a closed bureaucratic career path.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

Il grande artista Michelangelo Pistoletto apre un hotel d’arte a Biella

Michelangelo Pistoletto has opened Hotel Cittadellarte in Biella, Italy, within his Cittadellarte Fondazione Pistoletto. The 31-room hotel houses the exhibition "L'ospite inatteso" by Giuseppe Stampone, curated by Ilaria Bernardi, with each room containing a unique artwork designed to be lived with rather than quickly viewed. The exhibition includes Stampone's "Fotocopie intelligenti" and large tapestries from the Brioni manufactory, addressing themes of migration, belonging, memory, and coexistence. The building was sustainably renovated with PNRR funds.

Intervista all’artista italiano che ha riempito la città di Stoccolma di sculture-animali

Italian artist Davide Rivalta has installed thirteen monumental bronze sculptures of lions, buffalo, and rhinoceroses across Stockholm, Sweden, in a project titled "Blowing Figures into Space." Organized by the Italian Cultural Institute of Stockholm, the works are placed in strategic locations including Mynttorget, Gamla Stan, Ladugårdsgärdet, and Hagaparken, with installations rolling out from April 2025 through summer 2027. The first sculpture was unveiled near the Swedish Parliament during Stockholm Art Week, and additional animals will appear in public parks on August 29.

Actress Alba Clemente Tells Her Story in the Theater and Reveals What Lies Behind Her Partenope, a Smoking Siren

L’attrice Alba Clemente si racconta a teatro e svela cosa si nasconde dietro la sua Partenope, sirena fumatrice

Actress Alba Clemente (née Primiceri) recounts her life and career in a theatrical performance titled "Racconto di una vita, anzi tre: ALBAINCLEMENTE," directed by Guido Torlonia. The show, adapted from an earlier piece created with director Andrew Ondrejcak, premiered in Naples and is set to tour Rome and Milan. Clemente reflects on her rebellious youth in Amalfi, her studies at the Accademia di Belle Arti in Naples, and her encounters with artists such as Joseph Beuys, Andy Warhol, Jean-Michel Basquiat, Alex Katz, and Robert Mapplethorpe. She also describes meeting her husband, internationally renowned painter Francesco Clemente, in Rome on the day Pier Paolo Pasolini was assassinated.

100 anni fa nasceva Nuvolo. Ecco chi era l’artista partigiano che firmava col nome di battaglia

Giorgio Ascani, known by his partisan nickname Nuvolo, was born 100 years ago in Città di Castello, Italy. He adopted the name during the Resistance at age 17, inspired by his ability to appear and disappear like a cloud. Nuvolo became a painter and taught at the Accademia di Belle Arti di Perugia, serving as director from 1979 to 1984. His works are held in museums and collections worldwide. In 2025, a major exhibition curated by Bruno Corà, Aldo Iori, and Paolo Ascani was held at Palazzo Collicola in Spoleto, and in 2018, New York's Galleria Di Donna mounted a retrospective curated by Germano Celant. Now, the fair AMAB in Assisi joins centenary celebrations with 15 works spanning his career, including pieces from the Genesi cycle, Serotipie, and OIGROIG series.

This unpublished comic tries to tell us what the Biennale of the future will be like

Questo fumetto inedito prova raccontarci come sarà la Biennale del futuro

Hurricane (Ivan Manuppelli), a leading figure in Italian underground comics, creates an original comic titled "Biennale 2126" for Artribune, imagining what the Venice Biennale might look like in the future. In an accompanying interview, he discusses his satirical approach, the enduring relevance of underground comics, and the importance of critiquing power through art.

Kunsthaus Paradiso is Born in Venice: Italian Art Has a Home, Despite the Biennale

Nasce a Venezia la Kunsthaus Paradiso: l’arte italiana ha una casa, malgrado la Biennale

A new project called Kunsthaus Paradiso has opened in Palazzo Molin Querini in Venice, running from May 4 to May 31 in conjunction with the Venice Biennale. Founded by curator Caroline Corbetta, the initiative evolved from her earlier Crepaccio project (2012–2016) in Milan and the Padiglione Crepaccio, which debuted at the 2013 Biennale Arte curated by Massimiliano Gioni. Kunsthaus Paradiso focuses on Italian and Venice-based artists—including Thomas Braida, Fabio De Meo, Caterina Rossato, Ornella Cardillo, Alessandro Miotti, Melania Fusco, Mauro Campagnaro, Marta Spagnoli, Barbara De Vivi, Spazio Punch, Giorgio Andreotta Calò, Mattia Sinigaglia, and the collective Scafandra—offering a platform for emerging and local talent during the Biennale.

Andrea Pazienza is alive! A major exhibition opening at MAXXI shouts it

Andrea Pazienza è vivo! Lo urla una importante mostra in apertura al MAXXI

The MAXXI museum in Rome is opening a major exhibition titled "Non sempre si muore" dedicated to Andrea Pazienza, the legendary Italian underground comic artist. Curated by Giulia Ferracci and Oscar Glioti, the show opens on April 24, 2026, and runs until September 27, 2026. It features over 500 original drawings, including a monumental mural Pazienza created live at the 1987 Fiera del Fumetto in Naples, recently restored by the museum. The exhibition is the second chapter of a larger research project by MAXXI, following the earlier show "La matematica del segno" at MAXXI L'Aquila, which focused on Pazienza's formative years. The title quotes a phrase Pazienza said in 1988 to British host Clive Griffiths shortly before his death, underscoring the enduring vitality of his work.

Aste a Parigi: nuovo record per Claude Monet da Sotheby’s e per Ettore Spalletti da Christie’s

Sotheby's Paris achieved a new French auction record for Claude Monet on April 16, 2026, with 'Vétheuil, effet du matin' (1901) selling for €10.2 million, far above its €6-8 million estimate. The evening sale generated €35 million total, an 84% increase over the 2025 session, also featuring strong results for Marc Chagall, Lucio Fontana, and Rembrandt Bugatti. Meanwhile, Christie's Paris celebrated the 25th anniversary of its 'Thinking Italian' section with a complete sell-out of 11 lots, including a new auction record for Ettore Spalletti's 'Mobile' (1974) at €203,200. The overall Paris modern and contemporary art week reached a record €80.9 million, up 39% year-on-year.

Fragility and Resistance of an Iranian Artist on Display in Rome

Fragilità e resistenza di un’artista dell’Iran in mostra a Roma

The Galleria Anna Marra in Rome is hosting "Assemblages," the first Italian solo exhibition of Iranian artist Sepideh Salehi. The show features works that blend collage, Japanese paper, photography, and drawing to depict Iranian women living in the United States who have shared experiences of displacement and political upheaval. Salehi’s figures often avert their gaze or conceal their faces, symbolizing a "calligraphy of refusal" and a quiet resistance against the historical traumas of the 1979 Islamic Revolution and the Iran-Iraq war.

April 2026 at the Theater: A Guide to Must-See Events in Italy (Including Dance)

Aprile 2026 a teatro: guida agli appuntamenti da non perdere in Italia (anche sulla danza)

Italy’s April 2026 performing arts season features a diverse lineup of major theatrical premieres and experimental adaptations. Highlights include the Italian debut of Annie Baker’s Pulitzer-winning 'Circle Mirror Transformation' directed by Valerio Binasco, and a dark comedy by Ariel Dorfman titled 'The Other Side' exploring the absurdity of war. Other notable productions include Armando Punzo’s non-traditional 'Cenerentola' (Cinderella) moving from a high-security prison setting to the Teatro della Pergola, and a dedicated retrospective for Daria Deflorian at Milan’s Piccolo Teatro.

In this L’Aquila High School, there is a Contemporary Art Collection Created by Students and Artists

In questo liceo dell’Aquila c’è una collezione d’arte contemporanea realizzata dagli studenti con gli artisti

The Liceo Bafile in L’Aquila has established a permanent collection of contemporary art featuring over 60 site-specific works created through collaborations between professional artists and students. Initiated by artist and professor Licia Galizia following the devastating 2009 earthquake, the project integrates art into the educational environment as a tool for cultural rebirth. In 2026, the collection will expand further with seven new installations created by artists including Elena Bellantoni and Marco Nereo Rotelli in partnership with the Academy of Fine Arts of L’Aquila.

Zurich: Peripheral Presence. by Tibor Bielicky and Ellena Ehrl

Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.

Mafalda meets Pimpa. In Rome, the dialogue between two authentic comic icons: interview with the curators

Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori

A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.

L’antica certosa vicino Siena dove il disegno è diventato una performance condivisa. Il report

The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).

At the Baths of Diocletian in Rome, a show by a Chinese artist is a hit. The curator explains why

Alle Terme di Diocleziano di Roma spopola la mostra di un’artista cinese. Il curatore spiega perché

Chinese artist Wu Jian'an (born 1980, Beijing) is the subject of a major solo exhibition at the Baths of Diocletian in Rome, part of the Museo Nazionale Romano. Titled "Metamorphoses. L'arte che trasforma," the show explores connections between Chinese and Italian cultures, as well as broader Eastern and European traditions. Curated by Umberto Croppi, president of the Accademia di Belle Arti di Roma, the exhibition features works such as the monumental leather installation "The Heaven of Nine Levels" (2008–2009) and the series "The Eternal Cycle – Running Through the Seasons" (2024–2025), which combines intricate paper cutouts, silk, wax, and cotton thread. The artist, who represented China at the 57th Venice Biennale in 2017, was inspired by the ancient Roman spaces, creating a dialogue between his contemporary pieces and the site's classical mosaics and architecture.

The project that brings Michelangelo's David to the Swiss Alps: a full-scale copy will be installed among the mountains

Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale

A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.

A Roma fotoromanzi e cliché sono i protagonisti di una mostra femminista a Villa Medici

A retrospective exhibition titled "Fotoromanzo" by French artist Nicole Gravier (born 1949) is on view at Villa Medici, the French Academy in Rome. The show explores Gravier's semiotic dissection of Italian photo-romance magazines from the 1970s, using irony and staged self-portraiture to deconstruct the fabrication of femininity and patriarchal narratives. The exhibition runs concurrently with a separate show dedicated to filmmaker Agnès Varda at the same venue, highlighting parallel feminist inquiries into women's representation.