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We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

In Venice For the Biennale? Don’t Miss These 15 Shows Around the City

The article is a guide to 15 art exhibitions taking place in Venice during the Biennale, curated by CULTURED magazine. It highlights shows such as "If All Time Is Eternally Present" at Palazzo Nervi-Scattolin, featuring film works by Tai Shani, Meriem Bennani & Orian Barki, and Kandis Williams; "Michael Armitage: The Promise of Change" at Palazzo Grassi; "Amoako Boafo: It doesn’t have to always make sense" at Palazzo Grimani; "Transforming Energy" by Marina Abramović at Gallerie dell’Accademia; and "Helter Skelter" by Arthur Jafa and Richard Prince at Fondazione Prada. Each entry includes location, dates, and curatorial context.

In Giuseppe Penone’s Sculptures, Humankind and Nature Are One

Giuseppe Penone is preparing for his exhibition 'The Reflection of Bronze' at Gagosian's New York flagship, running from April 22 through July 2. The show, curated by former Whitney Museum director Adam D. Weinberg, features eighteen artworks from 1995 to the present, including the new sculpture 'Marsia (Marsyas)', and is designed to create a forest-like sensory immersion using materials like cork.

Artist interview

The article is an interview with an artist, though the provided text is incomplete and primarily consists of a subscription prompt for The Art Newspaper's digital newsletter. The core content of the interview itself is missing from the given snippet, which only includes the title "Artist interview" and standard footer information about the publication.

Hyperallergic’s Guide to the 2026 Venice Biennale

Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.

The Nearly Sixty-Year Career of Legendary Gallerist Enzo Cannaviello: A Wide-Ranging Interview

I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo

Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.

Review: The Good, The Bad and The Venice Biennale

The article reviews the 2024 Venice Biennale, focusing on controversies over Russia's and Israel's participation. Protests erupted during opening week, leading the EU to cut funding and the International Jury to resign. As a result, awards like the Golden Lion and Silver Lion will be decided by public vote, with many pavilions and artists withdrawing in protest. The main exhibition, curated under the theme 'Minor Keys,' features standout works by Alfredo Jaar and Carrie Schneider, alongside national pavilions like Austria's provocative entry by Florentina Holzinger.

No Hay Banda: Vandria Borari, Petra Feriancová, Karoliina Hellberg, and Sofia Silva, 29th May – 26th June 2026, CFA, Milan, Italy. Private View: 28th May 2026.

CFA in Milan presents "No Hay Banda," a group exhibition running from 29 May to 26 June 2026, featuring four international artists: Vandria Borari (Brazil/Germany), Petra Feriancová (Slovakia), Karoliina Hellberg (Finland), and Sofia Silva. The show brings together ceramicist and Indigenous activist Borari, whose work includes the Yupirungáwa series and the Fluid Forest project; Feriancová, a Slovak artist who represented the Czech and Slovak Pavilion at the 55th Venice Biennale; and Hellberg, a Finnish artist who recently won the Visual Artist Award from the Marcus Collins Memorial Fund. The private view is scheduled for 28 May 2026.

FAD’s Fab Five: 5 Must-See Highlights at the 2026 Venice Biennale

Lee Sharrock selects five must-see highlights at the 61st Venice Biennale, titled "In Minor Keys" and conceived by the late curator Koyo Kouoh, who passed away in 2025. The Biennale runs from May 9 to November 22, 2026, at the Giardini, Arsenale, and various Venetian venues. Featured highlights include Marina Abramović's historic exhibition "Transforming Energy" at the Gallerie dell'Accademia—the first major show for a living woman artist there—the Holy See Pavilion's "The Ear is the Eye of the Soul" with artists like Patti Smith and Brian Eno, and Lubaina Himid's British Pavilion presentation "Predicting History: Testing Translation."

The Kyrgyzstan Pavilion at the Venice Biennale Builds a Bridge Between Two Cultures

Il Padiglione del Kirghizistan alla Biennale di Venezia getta un ponte tra due culture

Alexey Morosov presents "BELEK" at the Kyrgyzstan Pavilion of the 61st Venice Biennale, a project inspired by the mountainous landscapes, glaciers, and brutalist dams of Kyrgyzstan. Combining video, sculpture, painting, and sound, Morosov explores water as a key resource for the future and a deep cultural memory of Central Asia, linking the region's hydro-engineering transformations with the nomadic heritage of the Kyrgyz people. The project centers on the traditional equestrian game Kok-Börü, which Morosov describes as constitutive of Kyrgyz identity, and features centaur-like figures made from raw earth used in local dwellings.

Venice Biennale: A Silent US Pavilion

Biennale de Venise : un Pavillon US silencieux

The US Pavilion at the 2026 Venice Biennale, featuring artist Alma Allen, opened to sparse crowds despite a 10% overall attendance increase at the Biennale. The pavilion was embroiled in controversy before opening: Allen was selected by the American Arts Conservancy (AAC), a private entity created in 2025 at the initiative of Donald Trump after the dissolution of the federal committee that previously oversaw the pavilion. AAC head Jenni Parido, a former pet food executive, chose the self-taught, little-known artist who had never had a solo museum exhibition. Major funders the Ford and Mellon Foundations withdrew, forcing the AAC to launch a public donation appeal. The exhibition features 25 abstract bronze, stone, and burl-wood sculptures that the artist describes as biomorphic landscapes, but critics find them pleasant yet silent, lacking the promised political or visceral resonance.

6 musées incontournables à visiter à Venise

Beaux Arts Magazine highlights six must-visit museums in Venice, including the Palazzo Ducale, Gallerie dell'Accademia, Peggy Guggenheim Collection, and the Pinault Collection venues Palazzo Grassi and Punta della Dogana. The article notes that during the Biennale, the city is filled with free pavilions, but the main museums have high entry fees, offset by passes like the Venice Museum Pass (€59) and Venice City Pass (€119). It also mentions a current Marina Abramović exhibition at the Gallerie dell'Accademia, marking her as the first living female artist honored there.

Tintoretto Genesis Cycle Restored

tintoretto genesis cycle restored

Four paintings from Tintoretto’s 16th-century “Stories from Genesis” cycle have been reunited in Venice for the first time in two centuries following an extensive restoration. The exhibition at the Gallerie dell’Accademia features three works from the museum’s permanent collection alongside a crucial loan from the Uffizi Galleries, all of which underwent a year-long conservation process to remove centuries of darkened varnish and grime.

antonello da messina ecce homo

The Italian Ministry of Culture has acquired a rare double-sided Renaissance painting by Antonello da Messina, 'Ecce Homo; Saint Jerome in Penitence,' for $14.9 million in a private sale with Sotheby's New York. The work was withdrawn from a planned public auction, and its final institutional home is now the subject of a heated debate among major Italian museums and the artist's hometown.

michelangelo florence art trail

Seven museums in Florence have merged to form the Galleria dell'Accademia di Firenze e Musei del Bargello, creating the world's largest collection of works by Michelangelo. The new complex includes the Bargello National Museum, the Medici Chapels, Palazzo Davanzati, Orsanmichele, Casa Martelli, the former Church of San Procolo, and the Accademia, home to Michelangelo's David. Starting March 15, joint tickets will be available, with a system-wide pass costing €38 for 72 hours. Ticket prices at individual museums will rise on February 1, and three themed tours will launch in May, including one focused on Michelangelo's innovations.

nazi looted painting argentina attribution investigation

A painting discovered in an Argentine home in August, initially attributed to 18th-century Italian painter Giuseppe Ghislandi and believed to be Nazi-looted art, has been called into question. Paolo Plebani, curator of the Accademia Carrara in Bergamo, Italy, told the Argentine newspaper Clarín that the work is actually by Giacomo Ceruti, another Northern Italian painter. The painting was previously owned by Jewish art dealer Jacques Goudstikker, who fled the Nazis, and later by former Nazi Friedrich Kadgien, whose daughters Patricia and Alicia owned the Mar del Plata home where it was found. Argentine authorities recovered the painting after placing the daughters and Patricia's husband under house arrest.

In Lugano, there are 5 exhibitions dedicated to the Orient to discover around the city

A Lugano ci sono 5 mostre dedicate all’Oriente da scoprire in giro per la città

Five exhibitions dedicated to East Asian art are currently on view across Lugano, Switzerland. Four are housed in the city's two major museums, MASI and MUSEC, while the fifth is presented by Primo Marella Gallery. The shows feature a range of works, from historical Japanese kakemono scrolls and screens to contemporary art by Chinese artists Zhang Hong Mei and He Wei, and a survey of video art from South Korea.

What to See at the 2026 Venice Biennial

The 2026 Venice Biennale, opening May 9 and running through November 22, features a main exhibition titled "In Minor Keys" organized by the late Koyo Kouoh, alongside 99 national pavilions. The event spans the Giardini and Arsenale sites, with concurrent shows across the city, including a group exhibition at the Fondazione Dries Van Noten, Melissa McGill's installation "Marea" at Corte Nova, Illy's artist-designed espresso cups at Giardini Reali, and a solo exhibition of Hernan Bas's paintings at Ca' Pesaro International Gallery of Modern Art.

15 Must-See Events Enriching the Venice Biennale 2026 Experience.

The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.

In pictures: demand is high at the Pavilion of Art and Design

The Pavilion of Art and Design (PAD) in Mayfair's Berkeley Square saw strong sales on opening day, with limited-edition design pieces and jewelry being snapped up quickly. Highlights included a Finn Juhl Judas table listed at £68,000, a Maurice Marty sofa from 1971, Alvar Aalto furniture, and works by Carlo Bugatti, Tristano di Robilant, and Max Lamb. Galleries such as Meubles et Lumières, Sceners, and Fumi reported brisk business, with some items selling within minutes of the doors opening.

The Must-See Biennale Exhibitions in Venice

The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," opens May 9 as a tribute to its late curator Koyo Kouoh. Alongside the Biennale, Venice hosts numerous concurrent exhibitions: Marina Abramović's "Transforming Energy" at Gallerie dell'Accademia (the only living female artist with a major show there); the Matthew Wong Foundation's inaugural exhibition "Interiors" featuring unseen works by the late Chinese Canadian artist; retrospectives of Michael Armitage at Palazzo Grassi and Lorna Simpson at Punta della Dogana; Hernan Bas's new paintings at Ca' Pesaro; Lu Yang's "DOKU The Illusion" at Espaces Louis Vuitton Venezia; and "Minimal Legends" at the Vincenzo de Cotiis Foundation, staging a dialogue among Minimalist masters.

VALIE EXPORT, icon of feminist art who placed the body at the center of her research, has died

È morta VALIE EXPORT, icona dell’arte femminista che ha messo il corpo al centro della sua ricerca

VALIE EXPORT, the Austrian artist and feminist icon known for using her body as a political and artistic tool, has died in Vienna at age 85. Born in Linz in 1940, she changed her name in 1967 and became a pioneer of performance, film, and media art, creating provocative works such as "Tapp-und Tastkino" (1968), where she turned her body into a touchable cinema screen, and "Aktionshose: Genitalpanik" (1969). Her career spanned over six decades, and she taught at institutions including the University of Wisconsin and the Berlin University of the Arts. In 2023, the Albertina Museum in Vienna held a major retrospective of her work.

In Genoa, an exhibition dedicated to Giovanni Korompay, the Futurist who loved Pink Floyd

A Genova una mostra dedicata a Giovanni Korompay, il futurista che amava i Pink Floyd

A major retrospective exhibition dedicated to Giovanni Korompay, a Venetian painter, sculptor, and illustrator associated with the second wave of Futurism, has opened at the Wolfsoniana in Genoa Nervi. Titled "Korompay, un’antologica," the show runs until November 1st and features around sixty works, including paintings, sculptures, graphic works, photographs, and documents. It explores Korompay's evolution from traditional training under Ettore Tito to his embrace of Futurist aeropainting, exemplified by works such as "Alta velocità" (High Speed), which celebrates a 1934 world speed record set by a Macchi-Castoldi MC 72 seaplane. The exhibition is curated by Alex Casagrande, Matteo Fochessati, Franco Tagliapietra, and Anna Vyazemtseva, with loans from public museums (Mart, Mambo), private collections, and the Fondazione Korompay.

Is there really an energy transformation in Marina Abramović's exhibition in Venice?

Nella mostra di Marina Abramović a Venezia c’è davvero una trasformazione di energia?

At the Gallerie dell'Accademia in Venice, Marina Abramović's exhibition "Transforming Energy" opens to the public from May 9 to September 30, 2026, as part of the 2026 Venice Biennale. The show is designed as an experiential device that moves beyond traditional exhibition formats, inviting viewers to determine their own presence through a sequence of rooms built around relationships between body, materials, and time. Crystals and locks of hair function not as decoration but as presences to be inhabited, demanding radical attention rather than spectacular participation. During the press conference, Abramović and curator Shai Baitel insisted that the materials, especially the crystals, possess real energy capable of directly affecting the viewer's body and perception, not merely as metaphor but as an active condition.

In Warsaw, the Poster Museum reopens and it is the oldest in the world

A Varsavia riapre il Museo del Manifesto ed è il più antico del mondo

The Poster Museum in Wilanów, a suburb of Warsaw, has reopened after a major conservation restoration co-financed by the Polish Ministry of Culture and National Heritage. Founded in 1968 as an autonomous institution from the National Museum in Warsaw, it is the oldest museum of its kind in the world. Its collection now holds approximately 63,000 posters from Poland and abroad, dating from the late 19th century to the present, including works by Pablo Picasso, Andy Warhol, and Stasys Eidrigevičius. The reopening exhibition, "Polish Posters: The Collection," features 240 works spanning 130 years of Polish urban life, covering themes from politics and propaganda to cinema, theater, music, and fashion. The museum also hosts the International Poster Biennale, founded in 1966, with the next edition scheduled for 2027.

What does Giovanni Muciaccia do after Art Attack? He continues to spread culture and tells us all about it in this interview

Cosa fa Giovanni Muciaccia dopo Art Attack? Continua a divulgare cultura e ci racconta tutto in questa intervista

Giovanni Muciaccia, the beloved host of the children's art show "Art Attack" that aired in Italy from 1998 to 2004 and again from 2011 to 2014, continues his mission of art education through books, theater performances, and a new online series. Now also an artist and collector himself, Muciaccia discusses his journey from television presenter to full-time art communicator, explaining how his early passion for art was sparked by a middle school teacher and deepened during his time filming in London, where he visited the newly opened Tate Modern and began studying contemporary art.

In Spain, art becomes popular thanks to this expert influencer. We interviewed him

In Spagna l’arte diventa popolare grazie a questo esperto influencer. Lo abbiamo intervistato

Miguel Ángel Cajigal, known as 'El Barroquista,' is a Spanish art historian and popularizer who has brought art history to prime-time television, radio, and social media. In an interview with Artribune, he discusses his books, including 'Otra historia del arte' (2021), his approach to making art accessible without dumbing it down, and his critique of the cult of the individual genius in art historiography. He emphasizes the collective nature of art production and reception, challenging the traditional focus on masterpieces and authorship.

The Cinema and Photography of Agnès Varda. Revolutionary Things on Show in Rome

Il cinema e la fotografia di Agnès Varda. Cose rivoluzionarie in mostra a Roma

A major exhibition dedicated to the work of Agnès Varda, titled "De-ci de-là, Paris-Rome," has opened at the Villa Medici – Accademia di Francia in Rome. The show explores Varda's multifaceted career as a photographer, filmmaker, and contemporary artist, tracing her journey from post-war Paris to the 1960s and her later recognition in the art world. It features her iconic black-and-white portraits, early photographic work, and cinematic elements, presented as a continuous visual sequence.

Venice Biennale 2026 Collateral Events Six Of The Best – Nico Kos Earle

The 61st Venice Biennale is described as the most contested and chaotic in recent history, marked by the absence of a curator following the death of Koyo Kouoh and overshadowed by global conflicts that made presentations in national pavilions fraught with difficulty. Amid this turmoil, standout collateral events include Michael Armitage's exhibition 'The Promise of Change' at Palazzo Grassi, curated by Jean-Marie Gallais and Hans-Ulrich Obrist, which uses softly painted scenes to address sociopolitical tensions and post-colonial identity. Another highlight is The Holy See Pavilion, curated by Hans Ulrich Obrist and Ben Vickers, featuring a sonic prayer by Soundwalk Collective with contributions from contemporary composers including Patti Smith.

Sargent and Paris

The article announces an exhibition titled "Sargent and Paris" at The Metropolitan Museum of Art, focusing on John Singer Sargent's formative decade in Paris from his arrival in 1874 through the mid-1880s. It traces his rapid rise as a young American art student who studied under Carolus-Duran at the École des Beaux-Arts, immersed himself in Parisian cultural life, and produced daring portraits of cosmopolitan subjects. The exhibition highlights key works including his scandalous success "Madame X" and other canvases that captured Parisian society, culminating in his reputation as the era's greatest portrait painter.