Michaelina Wautier Market Appraisal

michaelina wautier market appraisal 2742009

The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

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An artist known as Sunday Nobody has created a new work consisting of a bag of Flamin' Hot Cheetos encased in resin and suspended inside a 3,000-pound concrete sarcophagus, which he has buried outside Seattle with instructions for it to be opened in 10,000 years. The 28-year-old motion graphics designer, who maintains anonymity, funds his complex, labor-intensive projects through his day job and documents their creation in viral social media videos.

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Newly released documents from the Department of Justice, part of the Jeffrey Epstein case, contain email exchanges from 2013 that reference prominent art collectors Steve Tisch and Jean Pigozzi. The emails show Epstein facilitating introductions between Tisch and multiple women, with discussions about their backgrounds and travel arrangements. Tisch has stated the association was brief and expressed regret.

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David Zwirner Books has released a new monograph titled *William Eggleston: The Last Dyes* (2025), dedicated to the final major body of photographs by pioneering American color photographer William Eggleston using the now-discontinued dye-transfer printing process. A solo exhibition of these images will open at David Zwirner gallery in New York on January 15, 2026, following a presentation at the gallery’s Los Angeles location earlier this year. The book includes a newly commissioned essay by critic Jeffrey Kastner.

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Barbara Dauphin Duthuit, the wife of Henri Matisse's grandson, has donated 61 works by Matisse to the Musée d’Art Moderne de Paris. The gift includes seven paintings, numerous drawings, etchings, lithographs, and illustrated books, most of which feature portraits of the artist's eldest daughter, Marguerite (1894–1982). Many of these works were on view in France for the first time during the museum's recent exhibition “Matisse and Marguerite: Through Her Father’s Eyes.” The donation spans from Marguerite's childhood to 1945, including pieces that reference her convalescence from diphtheria and her survival of Gestapo torture during World War II.

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Wafaa Bilal has been named the recipient of the 2025 ARTnews Award for Established Artist, recognizing his survey exhibition “Wafaa Bilal: Indulge Me” at the Museum of Contemporary Art, Chicago (February 1–October 19, 2025). The show is the first major retrospective for the Iraqi American artist, featuring works that put his body at risk, including the iconic performance *Domestic Tension* (2007), in which remote participants fired a paintball gun at him over the internet, and *Virtual Jihadi* (2008), a modified video game that blurs the lines between aggressor and victim. Curated by Bana Kattan, the exhibition restages elements of Bilal’s original performance and presents his ongoing critique of U.S. involvement in the Middle East, particularly the Iraq War and the use of drone warfare.

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Artnet News continues its exploration of famous artists' studios via Google Maps Street View, featuring nine historic homes and workspaces. Among them are Max Liebermann's lakeside Berlin villa, now a memorial museum; the modernist compound of Diego Rivera and Frida Kahlo in Mexico City, designed by Juan O'Gorman; Dora Gordine's eclectic Dorich House in South London; and Ben Nicholson's studio in the historic Porthmeor Studios building in Cornwall, which once housed Francis Bacon and other artists. Each entry includes the location, historical context, and an interesting fact about the site.

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The Phillips Collection in Washington, D.C., is proceeding with plans to auction major works by Georgia O'Keeffe, Arthur Dove, and Georges Seurat at Sotheby's on November 20, despite sharp backlash from former curators, members of the Phillips family, and the museum's non-governing members body. The works—including O'Keeffe's *Large Dark Red Leaves on White* (estimate $6–8 million), Seurat's conté crayon drawing ($3–5 million), and Dove's *Rose and Locust Stump* ($1.2–1.8 million)—are considered central to founder Duncan Phillips's vision. Director and CEO Jonathan Binstock argues the proceeds will fund a permanently restricted endowment for commissioning new work by living artists, acquisitions, and collection care, aligning with Duncan Phillips's belief in supporting contemporary practitioners.

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Trustee Patsy Marino resigned from the Palm Springs Art Museum board just one week after Christine Vendredi was appointed director on September 29, 2024. In a resignation letter reported by the Los Angeles Times, Marino alleged that the hiring committee failed to interview any outside candidates, despite two "exceptional" candidates being considered, and cited "inappropriate interference" by the executive committee, individual trustees, and museum staff. Two other board members also left the 22-member body, though the museum claims their departures were unrelated. Vendredi, previously chief curator and interim CEO, has a background in luxury brand management at Louis Vuitton and holds multiple advanced degrees but no prior museum directorship experience.

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Metallica guitarist Kirk Hammett is auctioning Frank Frazetta's painting *Conan the Berserker* (1967), which he purchased directly from the artist for $1 million in 2009. The work, originally used as cover art for a paperback edition of Robert E. Howard's novel *Conan the Conqueror*, will be offered in Heritage Auctions' “Hollywood/Entertainment Signature Auction” on December 9–10, with bidding starting at $10 million. The sale follows a record-breaking Frazetta auction in September, when his oil painting *Man Ape* (1966) sold for $13.5 million.

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Painter Amy Sherald has revealed in a "60 Minutes" interview with Anderson Cooper that she pulled out of her solo exhibition at the Smithsonian's National Portrait Gallery because the museum considered removing her painting of a Black transgender Statue of Liberty, titled "Trans Forming Liberty." Sherald stated that the Smithsonian secretary, Lonnie G. Bunch III, proposed replacing the painting with a video discussing trans issues that would include anti-trans views, which she deemed unacceptable censorship. The exhibition, "American Sublime," was originally organized by the San Francisco Museum of Modern Art and last shown at the Whitney Museum; it is now expected to open at the Baltimore Museum of Art on November 2.

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Qatar has revealed that it is the owner of Gustave Courbet's famed self-portrait *Le Désespéré* (The Desperate Man, 1843–45), which has gone on view at the Musée d'Orsay in Paris for the first time in 17 years. The painting, previously listed as being on loan from an unknown private collector, was acquired by Qatar Museums, a state body that oversees the nation's art scene. Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani, head of Qatar Museums, acknowledged the ownership during a tribute at the Musée d'Orsay, noting that the work will be on long-term loan there for five years before moving to the future Art Mill Museum in Doha, set to open in 2030.

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Issy Wood, a rising British artist known for her figurative paintings of luxury objects and body parts, created the cover for Vanity Fair's first art-themed issue in nearly two decades. The cover features a portrait of pop star Charli XCX titled *Charli 2* (2025), painted in oil on velvet with gauzy stars and white forms. Wood cited their shared Britishness and the singer's career longevity as inspiration, while the article draws parallels between Wood's subject matter and the 'Brat universe.'

sothebys to sell rene magritte work bought by family of nazi executed wwii resistance fighter 1234755449

A René Magritte painting, *La Magie Noire* (1934), will be auctioned at Sotheby’s Paris on October 24 with a high estimate of €7 million ($8.1 million). The work has remained in the same private collection for nearly a century, having been acquired directly from the artist by the family of World War II resistance heroine Suzanne Spaak, who was executed by the Gestapo in 1944 for helping Jewish children escape Nazi persecution. The painting depicts Magritte’s wife, Georgette Berger, and is the first of ten portraits in which the female body merges with sky, stone, and spirit.

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President Donald Trump had lunch with Lonnie G. Bunch III, secretary of the Smithsonian Institution, on Thursday, according to the New York Times. This meeting comes amid ongoing tensions between the Trump administration and the Smithsonian, including a White House list denouncing specific artworks—such as a painting of refugees at the US-Mexico border and Amy Sherald’s portrait of a Black trans woman as the Statue of Liberty—and an executive order claiming the institution has been influenced by “divisive, race-centered ideology.” Trump has also called for a legal review of Smithsonian displays, though his authority over the institution is unclear. The lunch was described as “productive and cordial” by a White House spokesperson, but no details of the discussion were released.

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Amy Sherald's portrait of a Black transgender Statue of Liberty, titled *Trans Forming Liberty* (2024), has appeared on the cover of *The New Yorker* after the artist canceled a planned iteration of her traveling survey at the Smithsonian's National Portrait Gallery, alleging censorship. Sherald said museum leadership objected to the painting and proposed replacing it with a video discussion that would include anti-trans views. The work is currently on view at the Whitney Museum, where her survey 'American Sublime' runs through August 10. The Smithsonian later stated it sought to contextualize rather than replace the work, while the Trump administration praised the removal as a 'principled and necessary step' amid broader scrutiny of the institution's exhibitions.

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A Japanese collector, Hiroaki Narita, is auctioning his extensive collection of Rei Kawakubo's designs for Comme des Garçons at the French auction house Piasa on October 1, during Paris Fashion Week. The sale includes over 500 lots of garments and accessories dating from 1969 to 1999, with estimates ranging from €150 to €2,000. The collection spans Kawakubo's most iconic collections, including Pirates (1981), Body Meets Dress, Dress Meets Body (1997), and Kaleidoscope (1996), showcasing her avant-garde, deconstructed aesthetic.

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Romania has secured a "long-term hold" on El Greco's painting *Saint Sebastian* (1610–1614), which was pulled from a Christie's New York Old Masters sale in February. The work is claimed by Romania as unlawfully taken from its national collection in 1947. The painting will remain at Christie's until legal proceedings resolve the dispute. Meanwhile, Italian sculptor Arnaldo Pomodoro died in Milan at age 98, and abstract painter Thornton Willis died in New York at 89. Other news includes a letter from National Gallery director Gabriele Finali defending the Rubens attribution of *Samson and Delilah*, Japan's curatorial appointments for the 2026 Venice Biennale, and a Bristol City Council fundraiser to acquire an early JMW Turner painting.

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Frank Uwe Laysiepen, known as Ulay, has died at age 76 in Ljubljana, Slovenia. The German-born artist was a pioneer of performance art, photography, and body art, best known for his collaborative works with former partner Marina Abramović, including the iconic "Relation Works" series and their 1988 walk along the Great Wall of China. Ulay had been recovering from lymphatic cancer; the cause of death has not been confirmed. He leaves behind the ULAY Foundation in Amsterdam and a project space in Slovenia.

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Marlene Dumas's largest retrospective to date, "The Image as Burden," has opened at Tate Modern, showcasing her uncompromising approach to portraiture. The exhibition features over 200 works, including early ink drawings like "Rejects" (1994-ongoing), political pieces such as "Osama" (2010), and the "Magdalenas" series from the 1995 Venice Biennale. Dumas, a South African painter based in Amsterdam, explores themes of identity, politics, and the female body through her fluid, often dark palette and responses to mass media images.

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Katsushika Hokusai's iconic woodblock print "The Great Wave" (officially *Under the Wave off Kanagawa*) is examined through three lesser-known facts. The article notes that the print, created between 1830 and 1832, is surprisingly small—less than 15 inches wide—and that its vivid blue pigment, Prussian blue, was a recent European import that revolutionized Japanese ukiyo-e prints. It also highlights Hokusai's practice of adopting over 30 different names throughout his career, which now helps scholars periodize his work.

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Lorde's new single "Man of the Year" from her upcoming album *Virgin* (released June 27) features a music video that visually references Walter De Maria's *New York Earth Room* (1977), a minimalist installation of 280,000 pounds of soil filling a SoHo loft. The video shows Lorde stripping, taping her breasts, and rolling in dirt, while the song's lyrics explore her fluid gender identity. Lorde also cites Italian artist Lucio Fontana and includes an X-ray cover image by photographer Heji Shin.

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Suzanne Valadon, a self-taught French post-impressionist painter known for her brash, unflinching style and commitment to representation, is the subject of a major retrospective at the Centre Pompidou in Paris through May 26. The exhibition, simply titled "Suzanne Valadon," features 200 works and is part of a recent swell of attention that includes six major exhibitions in six years, highlighting her self-portraits, nudes, and depictions of the human body with unidealized realism.

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Gagosian Gallery will present a new body of work by artist Anna Weyant at TEFAF New York, featuring intimately scaled paintings of jewelry rendered with trompe l’oeil precision. The booth, designed with lavender walls and pine-hued carpet, showcases pieces like "Pearl Earrings" (2025) and "Pearl Bracelet (Sold)" (2025), some with cheeky price tags and red dot stickers. Weyant, represented by Gagosian since 2022, has seen her market soar, with her auction record set at $1.6 million for "Falling Woman" (2020) at Sotheby’s in 2022.

5 Standout Shows to See at Small Galleries in May 2026

Artsy Editorial highlights five standout exhibitions at small and rising galleries for May 2026. Among them is British-born, Amsterdam-based painter K. T. Kobel's first major Swiss show, "Hand, Body, Object, Sin," at Kutlesa in Goldau, Switzerland, running through May 29. Kobel, who has exhibited from Los Angeles to Milan since 2022, presents cinematic, storyboard-like paintings that embrace fragmentation and loose ends.

‘I was super horny when I made my early work’: Loie Hollowell’s abstract paintings of breasts and vaginas

Loie Hollowell discusses her latest painting series 'Overview Effect,' currently on view at Pace Gallery in London. The series features large-scale canvases with twin concave and convex sculpted circles, inspired by the out-of-body experience she had during the home birth of her daughter. The works continue her abstract exploration of pregnancy, birth, and the female body, following earlier series like 'Split Orb' and 'Dilation Stage' that responded to the difficult birth of her son. Hollowell cites influences including Georgia O'Keeffe, Louise Bourgeois, and Luchita Hurtado, as well as Instagram home-birth photographs and the Ina May Gaskin childbirth book.

The Prototype of an Artist

Der Prototyp eines Künstlers

Timm Ulrichs, the self-proclaimed "Totalkünstler" (total artist) known for his boundary-pushing performances—tattooing himself, locking himself inside a hollowed boulder, and running naked in thunderstorms—has died at age 86 in Berlin. A pioneer of Land Art, Body Art, concrete poetry, and endoscopic imaging, Ulrichs created works that anticipated later artists like Isa Genzken, and was invited to Documenta 6 in 1977. Despite his prolific output and influence on younger generations, he often lamented being overlooked by the international art market compared to peers like Georg Baselitz and Gerhard Richter.

Anne Hardy’s Hollow Humanoids

British artist Anne Hardy presents a suite of floor-based installations and assemblage sculptures titled "Interloper" at Visual. The exhibition features a series of "Beings"—twisted, life-size humanoid entities constructed from rusted wire, crushed cans, soil, and the artist’s own cast body parts and clothing. These figures, often posed in yoga-like positions or meditative stances, appear as hollow, faceless outlines that blend a sense of vitality with physical disintegration.

The Must-See Exhibitions in Milan During Art Week 2026

Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026

Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.

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The article recounts the author's experience at Art Basel Miami Beach 2025, beginning with a moment of reflection on the beach before the fair week's chaos. Three veteran attendees—an artist, an advisor, and a gallery owner—chose to skip the event this year, citing lackluster parties, declining collector interest in Miami compared to Paris, and poor sales attrition. Despite these doubts, the fair saw strong sales, with Hauser & Wirth reporting a 40% increase in the first three hours, and a new digital art sector boosting optimism. Pop-up exhibitions, like "The Body is The Body" at the Rice Hotel, were highlights, while Vanity Fair's party remained the most coveted invite.