The New-York Historical Society has launched a major exhibition exploring the 17th-century origins of New York City during its era as the Dutch settlement of New Amsterdam. The show utilizes a diverse array of artifacts, maps, and historical documents to trace the colony's development from a fur-trading outpost to a diverse maritime hub, highlighting the complex interactions between Dutch settlers, Indigenous populations, and enslaved Africans.
The Fondation Louis Vuitton in Paris has launched "Calder: rêver en équilibre," a massive retrospective featuring over 300 works by the American modernist Alexander Calder. The exhibition spans the artist's entire career, from his early engineering-influenced "Circus" performances and hand-wrought jewelry to his iconic suspended mobiles and monumental outdoor sculptures. Notably, the show marks the first time the Frank Gehry-designed institution has installed artworks on its exterior lawns, creating a dialogue between Calder’s geometric forms and the building's avant-garde architecture.
The Palm Springs Art Museum is launching "A Queer Arcana: Art, Magic, and Spirit," an ambitious exhibition exploring the intersection of LGBTQ+ identities and spiritual practices. Spanning over a century of creative production from 1906 to 2026, the show features 35 artists who have utilized occultism, tarot, and magical traditions to navigate societal oppression and foster community. The collection includes a diverse array of media, ranging from historical occult drawings by Austin Osman Spare to contemporary paintings by Devan Shimoyama and feminist tarot decks.
Bangladeshi artist Soma Surovi Jannat has opened her first UK exhibition, 'Climate Culture Care,' at the Ashmolean Museum in Oxford. The show features around 20 paintings and drawings created largely during a 2023 residency, drawing inspiration from the endangered Sundarbans mangrove forest and the museum's own collections. Her works fuse human, animal, and mythological imagery to depict the region's ecological and social struggles.
In un maestoso ex mulino di Milano sta per nascere un nuovo polo culturale: studi, residenze, alberghetto creativo
A historic 1929 flour mill in Milan, originally designed by Cesare Chiodi and Gio Ponti, is being transformed into 'Mulino Factory,' a multidisciplinary creative hub. Spearheaded by Ludovica Virga, the granddaughter of the building's mid-century owner, the site eschews traditional real estate development in favor of a community-focused ecosystem. The complex already houses artist studios, including that of Lola Montes Schnabel, an art gallery, and a gym, with a boutique hotel designed by Tom Dixon set to open following the 2026 Milan Design Week.
Ladji Diaby’s solo exhibition at Lafayette Anticipations, titled “Who’s Gonna Save the World?”, features furniture repurposed as vitrines for discarded objects. By collecting and displaying artifacts that have lost their original utility, Diaby creates a symbolic dialogue between himself and the anonymous former owners of these items, elevating mundane debris into the realm of high art.
Un important relief italien pour Nüremberg
The Germanisches Nationalmuseum in Nuremberg has acquired and publicly unveiled a previously unknown masterpiece: a large silver relief depicting the Lamentation of Christ, created in the workshop of Luigi Valadier in 1786. The work, purchased from a private collector in 2024 with support from several foundations, is now on temporary display and will later join the museum's permanent collection.
Un hommage à deux grands marchands
Two major Parisian art dealers, Giovanni Sarti and Jean-Marie Rossi, have recently retired. This spring, exhibitions are being held to honor their pivotal roles as discoverers of artistic treasures, highlighting specific masterpieces they brought to light, such as the 'Sarti Madonna' attributed to Duccio and Bramantino's 'Pietà Artaria'.
The German government has established a new council, the Coordination Council for Returns of Cultural Property and Human Remains from Colonial Contexts, to oversee the restitution of artifacts acquired during the colonial era. The council will include representatives from federal, state, and municipal authorities and is intended to provide a structured, national approach to handling these complex returns.
Christine Tien Wang and Rachel Youn presented a two-person exhibition titled "Factory Doomscroll" at Night Gallery in Los Angeles. The show ran from February 21 to April 4, 2026, and was documented extensively with 82 installation images.
Kunsthalle Mainz vor dem Aus?
The Kunsthalle Mainz is facing potential closure by the end of the year following the withdrawal of funding by the Mainzer Stadtwerke. The crisis is compounded by the departure of director Stefanie Böttcher, who is moving to the Kunsthalle Kiel, and the fact that her position has not been advertised for replacement. Despite its international reputation and successful recent exhibitions, such as the current Britta Marakatt-Labba retrospective, the institution lacks a secured financial future and a leadership succession plan.
Geschichten in Kupfer und Vinyl
The UCCA Center for Contemporary Art in Beijing is hosting "Hundreds and Thousands," the first institutional retrospective of the late American conceptual artist Rutherford Chang. The exhibition showcases Chang’s career-long obsession with collecting and cataloging mass-produced objects, most notably featuring his collection of over 3,700 first-pressings of the Beatles’ "White Album." Other significant works include a 31-kilogram copper cube created from 10,000 pre-1982 pennies and a digital archive of over 2,000 of the artist's own Game Boy Tetris sessions.
Annette Messager entre avec tout son bestiaire au musée de la Chasse et de la Nature
The Musée de la Chasse et de la Nature in Paris is hosting a major exhibition dedicated to the animal-themed works of Annette Messager. Titled "Une hirondelle ne fait pas le printemps," the show integrates Messager’s diverse practice—including drawings, sculptures, and her signature use of plush toys—into the museum’s permanent collection of taxidermy and hunting artifacts. Curated by Colin Lemoine, the exhibition spans three floors and features works ranging from a ceramic cat from the artist's own kitchen to provocative installations like a taxidermied dachshund wearing a surgical mask.
Sur Arte, « Le Tableau volé » plonge dans les salles de ventes aux enchères à travers la redécouverte d’un Egon Schiele spolié par les nazis
Director Pascal Bonitzer’s film 'Le Tableau volé' (The Stolen Painting) dramatizes the real-life 2005 discovery of a lost Egon Schiele masterpiece, 'Autumn Sun,' in the modest home of a factory worker in Mulhouse. The narrative follows a cynical auctioneer, played by Alex Lutz, as he navigates the authentication and eventual sale of the work, which was looted by the Nazis from Jewish collector Karl Grünwald during World War II.
Sur Arte, « Le Tableau volé » plonge dans les salles de ventes aux enchères à travers la redécouverte d’un Egon Schiele spolié par les nazis
Director Pascal Bonitzer’s film 'Le Tableau volé' (The Stolen Painting) dramatizes the real-life 2005 discovery of a lost Egon Schiele masterpiece, 'Autumn Sun,' in the modest home of a factory worker in Mulhouse. The narrative follows a cynical auctioneer, played by Alex Lutz, as he navigates the authentication and eventual sale of the work, which was looted by the Nazis from Jewish collector Karl Grünwald during the 1940s.
Archaeologists at the Shenduntou site near the Yangtze River have unearthed a significant Bronze Age metal-working center dating back to the Zhou dynasty. The excavation, led by Nanjing Normal University, revealed approximately 1,000 artifacts including clay molds, arrowheads, and knives, alongside evidence of furnaces and protective earthen walls. These findings confirm the existence of a high-level workshop dedicated to large-scale bronze production within the ancient Wu kingdom.
Taylor Sheridan, the creator of the hit television series Yellowstone, has been tapped to direct a 4D film for the upcoming Alamo Visitor Center and Museum in San Antonio. The film will serve as the centerpiece of a $185 million museum revamp, which includes a state-of-the-art theater designed to be the most technologically advanced of its kind. Sheridan, a Texas native, will chronicle the 1836 siege and battle that remains a foundational event in Texan history.
Archaeological research from Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. These two-sided "binary lots," found at Folsom-period sites in Wyoming, Colorado, and New Mexico, predate the earliest known Old World dice by more than 6,000 years. The study reclassifies artifacts previously overlooked or misidentified, highlighting that these objects were the only decorated, non-utilitarian items found at these late-Pleistocene sites.
Archaeologist Robert J. Madden of Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. By re-examining artifacts from Late Pleistocene Folsom-period sites in Wyoming, Colorado, and New Mexico, Madden discovered that these "binary lots" predate the earliest known Old World dice by more than 6,000 years. These objects are often the only decorated, non-utilitarian items found at these ancient sites, featuring artistic markings that distinguish them from everyday tools.
Kevin Potter, a jeweler based in Tucson, Arizona, has assembled the world's largest collection of artifacts from America's industrial jewelry manufacturing era. His collection, housed in two warehouses, contains an estimated 1.2 million hubs and dies—the hand-carved steel tools used to mass-produce jewelry through die-striking—along with related machinery and ephemera, preserving a vast physical archive of a vanished craft.
Film Notes has published an essay by Mats Antonissen analyzing Henri Michaux's 1963 film "Images du monde visionnaire." The essay situates the film within Michaux's decade-long exploration of psychotropic substances, the history of pharmaceutical filmmaking, and postwar avant-garde cinema. This publication coincides with an exhibition at the Vandenhove Centre in Ghent dedicated to the film and related works, on view through May 2026.
The Louvre Museum has announced a four-year restoration project for Peter Paul Rubens's monumental 'Marie de' Medici Cycle,' comprising 24 large-scale paintings. The works will be removed from public view starting this fall as the museum transforms their dedicated gallery into an on-site restoration studio to address yellowed varnishes and discordant past retouching.
Agosto Machado, an experimental theater veteran and artist known for his deep connection to New York's avant-garde scene, has died. He was a dedicated archivist who collected ephemera from his friends and colleagues in the downtown arts community.
The New York Times has traced the whereabouts of a distinctive blue-and-white vase featured in the 1958 film 'Bonjour Tristesse,' directed by Otto Preminger. The vase, which played a prominent role in the film's set design, was discovered to be a piece by French ceramicist Georges Jouve and had been quietly residing in a private Los Angeles collection for decades.
The Museum of Art and Photography (MAP) in Bengaluru is hosting 'Paper Gardens,' an exhibition that re-examines the history of botanical art through the lens of British colonialism. While the show features visually stunning hand-coloured lithographs of rhododendrons and medicinal plants, it juxtaposes these aesthetics with the harsh realities of the East India Company’s surveys. The exhibition highlights how local Indian artists and knowledge keepers were often marginalized or left anonymous, even as their expertise was essential to the scientific and commercial success of the British Empire.
Japanese artist Chiharu Shiota has debuted her first Bay Area solo exhibition, "Two Home Countries," at the Asian Art Museum in San Francisco. The show features Shiota’s signature immersive installations of red thread, most notably the 88-foot-long work "Diary," which suspends handwritten journal pages from World War II soldiers and postwar civilians within a dense crimson web. The exhibition also includes sculptures, video, and performance-based works that explore themes of memory, displacement, and the psychological state of living between cultures.
"Das Humboldt Forum wird schon beschossen"
The architectural firm J. Mayer H. and partners Jürgen Mayer H. and Hans Schneider have won the eighth 'Kunst-am-Bau' competition for Berlin’s Humboldt Forum. Their winning installation, titled "Südpfeil" (South Arrow), features a 3.6-meter-long abstract arrow embedded high in the building's facade. The work references the 19th-century discovery of 'Pfeilstörche'—migratory storks that returned to Europe with African arrows in their bodies—which provided the first scientific proof of global migration routes.
The Walters Art Museum in Baltimore is set to open "Douriean Fletcher: Jewelry of the Afrofuture," a major exhibition featuring over 100 works by the renowned jewelry artist. Fletcher, who gained international acclaim for her costume design work on Marvel’s "Black Panther" franchise, will see her contemporary Afrofuturistic pieces displayed alongside ancient artifacts from the museum's permanent collection, including items from Ancient Egypt and Ethiopia.
The Florida Museum of Photographic Arts has launched "Cigars! Photography, Industry and Identity," a new exhibition by local photographer Zack Wittman. The show documents the architectural remnants of Tampa’s historic cigar industry, which once boasted over 200 factories but has dwindled to approximately 25 standing brick buildings. Through a collaboration with the J.C. Newman Cigar Company, Wittman captured both preserved and derelict structures that define the unique personality of Ybor City.
The Albuquerque Museum is hosting a retrospective of Chicana artist Delilah Montoya, titled "Delilah Montoya: Activating Chicana Resistance." The exhibition's centerpiece is "Detention Nation," an immersive installation created in collaboration with the Sin Huellas Artist Collective that simulates the conditions of ICE detention centers. The work features cyanotype images of detainees on prison cots, chain-link fencing, and displays of meager government-issued personal items alongside the official National Detainee Handbook.