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washington post art critic sebastian smee laid off

The Washington Post laid off approximately 30% of its newsroom staff, including Pulitzer Prize-winning art critic Sebastian Smee, as part of broader cuts to sports, local news, and international coverage. Smee, who joined the Post in 2018 after working at the Boston Globe and The Australian, confirmed his departure in a statement to ARTnews, expressing gratitude to former editor Marty Baron and solidarity with affected colleagues. Another Pulitzer-winning critic, Philip Kennicott, reportedly remains on staff. The layoffs come shortly after the release of a documentary produced by Amazon MGM Studios, owned by Post owner Jeff Bezos.

picasso ceramics studio reopens

Pablo Picasso's former ceramics studio, the Madoura Pottery workshop in Vallauris, France, is set to reopen to the public in 2027 after a €7 million ($8.2 million) renovation. The studio, opened in 1938 by ceramicist Suzanne Ramié and her husband Georges, was a creative hub for Picasso, Matisse, and Marc Chagall before closing in 1997. Mayor Kevin Luciano has led the project, which includes structural repairs, asbestos removal, a new 3,000-square-foot extension for a museum entrance, and a 20,000-square-foot public garden. The first construction phase is complete, with the second starting this fall.

by the numbers a marathon night at sothebys moves 186 1 million worth of contemporary art

Sotheby's held a marathon night of three sales in New York, totaling $186.1 million in contemporary and ultra-contemporary art. The evening began with single-owner sales from the collections of the late dealer Barbara Gladstone and veteran dealer Daniella Luxembourg, both achieving 'white glove' results with no buy-ins. The main sale featured 42 lots, led by Jean-Michel Basquiat's *Untitled* (1981), which sold for $16.4 million. Overall, 66 of 69 lots sold, with a 94% sell-through rate, though the total fell short of the $234.6 million achieved in the equivalent sale last year.

cowley abbott spring auction 2025

Cowley Abbott's spring live auction, 'Select Masterworks of Canadian and International Art,' will take place on May 28, 2025, featuring over 90 lots. Highlights include works by Marcelle Ferron (Sans titre, 1964, est. $300,000–$400,000), Andy Warhol (Ladies and Gentlemen (Ivette and Lurdes), 1975, est. $70,000–$90,000), Emily Carr (Fir Trees, ca. 1935, est. $275,000–$375,000), Henri Le Sidaner (L’Escalier, Beauvais, ca. 1900, est. $100,000–$150,000), and Fernand Léger (Composition, 1950, est. $30,000–$50,000). The sale spans Pop art, Canadian Modernism, Post-Impressionism, and abstraction.

New Exhibition Explores Modern British Printmaking

The University of Liverpool's Victoria Gallery & Museum will present "Making a Mark: Artworks from the Studio Prints Collection" from June 13, 2026 to January 30, 2027. The free exhibition features 45 prints by seven British artists—including Frank Auerbach, Lucian Freud, and Celia Paul—created at Studio Prints, a pioneering printmaking workshop founded by Dorothea Wight in 1968. The works were gifted to the university in 2019 through the Arts Council England Cultural Gifts Scheme and will be displayed for the first time.

Christie's to sell three early paintings by Lucian Freud for £20m

Christie's will offer three early paintings by Lucian Freud from a single private collection at its London evening sale on 15 October, with a combined estimate of £13m to £20m. The works span three decades of Freud's career: *Woman with a Tulip* (1944, est. £3m-£5m), *Self-portrait Fragment* (around 1956, est. £8m-£12m), and *Sleeping Head* (1961–71, est. £2m-£3m). All three have been in the same collection for many years and have been exhibited widely, including in major retrospectives at the National Gallery, London, and the Kunsthistorisches Museum, Vienna.

summer group shows julien nguyen kyoko idetsu reviews

The article reviews two summer group shows in New York. At 56 Henry, "Small Format Painting," curated by painter Josh Smith and actor/former gallerist Leo Fitzpatrick, features 34 artists working on identical 10x8 inch canvases, including blue-chip names like Nate Lowman and emerging talents. At Matthew Marks Gallery, Julien Nguyen presents a solo show of compact oil-on-copper paintings, inspired by Rembrandt's techniques and featuring his muse Nikos.

10 Exhibitions to See in Venice Which Aren’t Part of the Biennale

Ocula's editors have curated a list of 10 must-see collateral exhibitions in Venice that are not part of the main Biennale. Highlights include Shirin Neshat's film trilogy "Do U Dare!" about YouTuber Nasim Aghdam, Hernan Bas's ironic paintings of tourists at Ca' Pesaro, and the group show "Outta Love" featuring Francesca Woodman, Jenny Saville, and Wolfgang Tillmans. Another notable exhibition is "Turāndokht" from Parasol unit, which brings together 11 female artists from Central Asia to challenge Orientalist stereotypes.

Review: Getting lost in the art is the best part of LACMA’s new revisionist fever dream of a museum

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a radical reinvention of the museum experience. The installation, conceived by director Michael Govan and architect Peter Zumthor, abandons traditional chronological and departmental silos, instead creating a continuous, curving flow of art from across time, place, and medium. Visitors are encouraged to wander and get lost, forging their own connections between works.

17 must-see works of art at LACMA’s new David Geffen Galleries

The Los Angeles County Museum of Art (LACMA) has unveiled a selection of must-see works within its new David Geffen Galleries, marking a radical departure from traditional museum curation. Moving away from rigid chronological and geographic silos, the museum has organized its encyclopedic collection around four major bodies of water—the Atlantic, Pacific, and Indian Oceans, and the Mediterranean Sea—to highlight the historical movement of resources, ideas, and cultures. The single-level, fluid architectural space encourages visitors to meander through evolving installations that include high-profile acquisitions like Francis Bacon’s "Three Studies of Lucian Freud" alongside intricate Kuba ceremonial textiles.

LACMA announces April 19 opening for new galleries

The Los Angeles County Museum of Art (LACMA) will open its new David Geffen Galleries building on April 19. Designed by architect Peter Zumthor, the 900-foot-long structure spans Wilshire Boulevard and will house the museum's permanent collection, featuring a non-hierarchical, single-level display of approximately 2,500-3,000 objects. The opening will be marked by a ribbon-cutting ceremony and two weeks of priority access for members.

LACMA’s new galleries have an opening date(s). Here’s when you can visit.

The Los Angeles County Museum of Art (LACMA) has announced the opening schedule for its long-awaited David Geffen Galleries, a new single-building replacement for its eastern campus. A ribbon-cutting ceremony on April 19, 2026, will kick off two weeks of previews for members and donors, with general public access beginning on May 4. The building, designed by architect Peter Zumthor, will feature a mix of returning collection highlights, recent acquisitions, and new commissions.

February Book Bag: from Tracey Emin’s conversations about painting to a catalogue of Lucian Freud’s drawings

The article presents a selection of recently published art books, highlighting new releases on artists Tracey Emin, Beatriz González, and Lucian Freud, as well as a second volume on Arab Modernist artists. It details the content of each book, including personal reflections, career overviews, and connections to upcoming exhibitions.

Frenemies or rivals? Tate Britain show explores Turner and Constable's turbulent relationship

Tate Britain will present "Turner and Constable," a major exhibition spanning 2025–2026 that explores the intertwined careers and rivalry of J.M.W. Turner (1775–1851) and John Constable (1776–1837). For the first time, a show is devoted to both artists, featuring historical reconstructions such as the famous 1831 Royal Academy Summer Exhibition pairing of Turner's *Caligula’s Palace and Bridge* (1831) and Constable's *Salisbury Cathedral from the Meadows* (1829–31). Curated by Amy Concannon, the exhibition includes loans from private collections and rarely seen works, including Turner's *The Burning of the Houses of Lords and Commons, 16 October 1834* (1835) from the Cleveland Museum of Art, on show in the UK for the first time since 1883.

Moss & Freud review: film exploring unlikely friendship ultimately fails to scratch the surface

The film *Moss & Freud*, directed by James Lucas, explores the unlikely friendship between supermodel Kate Moss (played by Ellie Bamber) and painter Lucian Freud (Derek Jacobi) in 2001 London. The story centers on Moss's desire to sit for the reclusive portraitist, culminating in Freud's unflattering *Naked Portrait 2002*. However, the film glosses over Freud's darker reputation—his punishingly long sittings, cruelty, and violent tendencies—portraying him instead as a benign, eccentric old man. It also fails to deeply investigate Moss's character or the exploitation within the fashion industry, relying on weak scripting and forced parallels between Moss and Freud's ex-wife Lady Caroline Blackwood.

Sotheby’s secures $120m Pritzker and $400m Lauder collections, with works by Matisse, Munch and Van Gogh

Sotheby’s has secured two major private collections for its autumn New York sales: the Pritzker collection, estimated at $120 million, and the Lauder collection, valued at around $400 million. The Pritzker collection includes Vincent van Gogh’s *Romans Parisiens* (1887) with a $40 million estimate, while the Lauder collection features Gustav Klimt’s *Portrait of Elisabeth Lederer* (1914-16) estimated at over $150 million, along with works by Matisse, Munch, and Martin. The sales will take place at Sotheby’s new headquarters in the Breuer Building this November.

Nicholas Galanin pulls out of Smithsonian event, claiming censorship

Nicholas Galanin, a multidisciplinary artist and member of the Sitka Tribe of Alaska, withdrew from a symposium hosted by the Smithsonian American Art Museum (SAAM), citing government censorship. The symposium accompanies the exhibition *The Shape of Power: Stories of Race and American Sculpture*, which President Donald Trump labeled as “divisive” and “race-centred” in a March 27 executive order. Galanin alleged that the event was made private with a curated guest list and that he was asked not to record or share it on social media. SAAM denied the censorship claims, stating the event was never publicly listed and that participants were encouraged to share with their networks. Galanin’s 2016 work *The Imaginary Indian (Totem Pole)* is featured in the exhibition.

Christie’s expects Elaine Wynn’s collection to bring $75m, while her record-breaking Bacon triptych goes to Lacma

Christie’s will auction more than a dozen jewels from the collection of the late billionaire and philanthropist Elaine Wynn this autumn in New York, with total estimates exceeding $75 million. Highlights include Lucian Freud's *The Painter Surprised by a Naked Admirer* (2005) and Richard Diebenkorn's *Ocean Park #40* (1971), each estimated at $15–$25 million, alongside works by Joan Mitchell, J.M.W. Turner, Wayne Thiebaud, and others. Meanwhile, the crown jewel of Wynn’s collection—Francis Bacon’s 1969 triptych *Three Studies of Lucian Freud*, which she bought for a record $142.4 million at Christie’s in 2013—has been bequeathed to the Los Angeles County Museum of Art (Lacma) and will debut in its new David Geffen Galleries building next April.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

I have seen the light and it’s Tracey Emin’s Jesus – RA Summer Exhibition review | Royal Academy of Arts

The Royal Academy's Summer Exhibition in London features over 1,600 works, with Tracey Emin's painting "The Crucifixion" as the standout piece. The critic describes Emin's work as a sincere, shocking depiction of the crucifixion that reinvigorates religious art, alongside works by Georg Baselitz, Cornelia Parker, Tamara Kostianovsky, George Shaw, Frank Bowling, and Cindy Sherman.

First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery

On May 10, London's National Gallery will unveil its first full rehang of the collection since the Sainsbury Wing opened in 1991. The wing has been closed for over two years to create a larger entrance foyer. Christine Riding, the director of collections and research, oversaw the rehang, which she calls a "once-in-a-lifetime" opportunity. Nearly 40% of the collection—1,045 paintings—will be displayed, including 919 from the collection and 126 on loan. The rehang is sponsored by Hong Kong-based property developer C C Land and is called "C C Land: The Wonder of Art." Works by female artists have been given greater prominence, and some paintings were conserved or reframed. The chronological arrangement from west to east remains similar, but many pictures have been repositioned to highlight artistic influences across generations.

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

Mark Milroy Sees, Remembers, and Imagines at Once

Artist Mark Milroy, an observational painter in his mid-50s who gained a following during the pandemic through Instagram and online shows at Nancy Margolis Gallery, is now holding his debut New York exhibition, "Jumbo," at JJ Murphy gallery through May 16. The show features 18 oil paintings and 12 colored pencil drawings, with subjects ranging from still lifes and portraits to a titular painting referencing the famous P.T. Barnum elephant killed in Milroy's hometown of St. Thomas, Ontario, in 1885. Milroy's work blends personal memory, art historical insight, and a deliberate gaze, drawing influences from Cedric Morris and 15th-century Florentine painting.

‘Soft Reins’ art exhibition in Palm Beach explores horses as muses

The exhibition 'Soft Reins: From Degas to Fordjour' opened at Acquavella Galleries in Palm Beach's Royal Poinciana Plaza. Curated by artist Tomokazu Matsuyama, it presents works by a range of artists, from historical figures like Edgar Degas and Pablo Picasso to contemporary names like Derek Fordjour and Sarah Miska, all exploring equestrian themes.

An expansive monograph of Celia Paul paints a portrait of a single-minded, singular artist

A new monograph on Indian-born British painter Celia Paul (b. 1959) presents an expansive survey of her career, featuring over 500 color reproductions and essays by Hilton Als, Clare Carlisle, Karl Ove Knausgaard, Edmund de Waal, and Rowan Williams, alongside contributions from the artist herself. The book traces Paul's trajectory from her training at the Slade School of Fine Art and her decade-long relationship with Lucian Freud to her recent solo exhibition *Colony of Ghosts* at Victoria Miro in London, positioning her as a singular figure distinct from the shadow of Freud and the School of London painters.

A New Richard Avedon Documentary Lets Him Down

A new documentary titled "Avedon" (2026), directed by Ron Howard, premiered at the Cannes Film Festival. The film offers a conventional tour of the life of famed photographer Richard Avedon, relying on talking-head interviews and behind-the-scenes anecdotes rather than delving into the artistic process or the deeper implications of his work. The review criticizes Howard's approach as hackwork, noting that the documentary misses opportunities to explore Avedon's insights on image culture, his influence on cinema, and the technical evolution of his photography.

Kate Moss’s portrait sessions with Lucian Freud will be the focus of “Moss & Freud.”

A new biographical drama film titled "Moss & Freud" is set to premiere in the UK, focusing on the portrait sessions between supermodel Kate Moss and painter Lucian Freud. The film stars Ellie Bamber as Moss and Derek Jacobi as Freud, and is directed by James Lucas, having first appeared at the London International Film Festival.

Polygon Gallery exhibition features 'one of the most important artists working in Canada'

The Polygon Gallery in North Vancouver has launched "Photolithics," a major exhibition by Secwépemc and Scottish-settler artist Tania Willard. The show features a decade of Willard’s work, including monumental recreations of historical postcards on sandpaper and photographs viewed through ulexite crystals. The exhibition utilizes innovative installation techniques, such as a traditional kekuli structure, to recontextualize archival imagery and explore the intersection of geological time and Indigenous history.

100 anni tra arte e poesia per annullare i confini. Intervista a Lamberto Pignotti

Lamberto Pignotti, the 100-year-old Florentine artist and poet and a leading figure in visual poetry, is celebrated with two concurrent exhibitions: "Pignotti 100. Pop-esie visive" at the Mart in Rovereto (in collaboration with the Collegio Cairoli of Pavia) and the dual solo show "Identikit di Pignotti e Hogre" curated by Marco Giovenale at Galleria Bianco Contemporaneo in Rome. The latter exhibition, born from a dialogue between Pignotti and the anonymous artist Hogre, centers on a collection of envelopes Pignotti has saved for over fifty years—each addressed to him with varying titles (architect, artist, poet, professor) or altered names (Alberto, Lorenzo, Mario, Giuseppe)—revealing his fragmented identity. Pignotti co-founded the Gruppo '70 in Florence in 1963 with Eugenio Miccini, a movement that brought together multidisciplinary artists including Lucia Marcucci, Ketty La Rocca, and musicians Giuseppe Chiari and Sylvano Bussotti.

London’s Art Market Rebound: Sotheby’s Spring 2026 Recap

Sotheby’s London kicked off its Spring 2026 marquee season with a series of high-energy auctions, totaling £154 million across its Modern & Contemporary sales. The week was highlighted by a "white-glove" evening auction that achieved a 100% sell-through rate, led by Francis Bacon’s 1972 Self-Portrait which sold for £16 million. Significant records were set for British masters, most notably Leon Kossoff, whose painting "Children’s Swimming Pool" shattered estimates to reach £5.2 million.