'A Serene Look upon the World' at Mendes Wood DM, Brussels, Belgium on 22 Apr–30 May 2026

Mendes Wood DM in Brussels presents 'A Serene Look upon the World,' a group exhibition running from 22 April to 30 May 2026. The show features 22 artists including Lucas Arruda, Hiroshi Sugimoto, Lee Ufan, and Daniel Steegmann Mangrané, whose works explore the sublime as a tension between permanence and transformation. The exhibition juxtaposes painting, photography, sculpture, and mixed media to evoke moments of pause before the overwhelming, drawing on philosophical ideas from Longinus and Kant.

Time as Witness: Ai Weiwei at Nature Morte

Ai Weiwei has launched his first major solo exhibition in India at Nature Morte gallery in New Delhi, timed to coincide with the India Art Fair 2026. The show features a range of works spanning three decades, including his signature large-scale Lego compositions and porcelain sculptures. Notably, the artist debuted new pieces that engage specifically with Indian art history, reimagining works by modernists SH Raza and VS Gaitonde, as well as traditional Rajasthani Pichwai paintings, through his modular toy-brick medium.

Ai Weiwei's first solo show in India features a Pichwai in his iconic toy-brick style

Globally renowned conceptual artist Ai Weiwei has opened his first solo exhibition in India at the Nature Morte gallery in New Delhi. The show, presented in collaboration with Galleria Continua, features his iconic toy-brick canvases, including new commissions inspired by Indian modernist painters like Raza and Gaitonde, and a unique LEGO-brick interpretation of a traditional Pichwai painting. Other works address themes of migration, history, and censorship through mediums like Neolithic stone axes, porcelain urns, and repurposed furniture.

BRAFA 2026: the art market heats up from the opening

The 71st edition of BRAFA art fair in Brussels opened with strong sales, signaling a promising start to the 2026 art market. During the first three invitation-only days, major works were sold by galleries including Greta Meert, which placed a €500,000 Enrico Castellani, and Mulier Mulier Gallery, which sold a Tom Wesselmann for €80,000. Other notable sales include a Kim Tschang Yeul work at Boon Gallery, a Renoir painting at Stern Pissarro, and a James Ensor piece at Patrick Derom Gallery. The fair features 147 exhibitors and has attracted loyal collectors, with many galleries reporting multiple red dots and strong interest from younger buyers.

Mumbai Gallery Weekend looks beyond the city's historic art district

The 14th edition of Mumbai Gallery Weekend (MGW) is underway, running until January 12, and for the first time appoints co-leads from galleries outside the city's historic art district of Colaba and Fort. Ayesha Parikh of Art and Charlie (Bandra) and Sanjana Shah of Tao Art Gallery (Worli) helm the event, reflecting the geographic expansion of Mumbai's art scene into western suburbs and financial districts. The weekend features ambitious exhibitions, including a solo show of terracotta works by Chippa Sudhakar at Tao and a group show curated by Zeenat Nagree at Art & Charlie. MGW, co-founded in 2012 by Shireen Gandhy and other South Mumbai galleries, has grown from nine to 33 participating galleries, and now includes the Midtown Arts Collective, which represents galleries from Worli, Lower Parel, and Bandra.

Frieze London's Artist-to-Artist section highlights talent emerging amid political tensions

At Frieze London 2025, the Artist-to-Artist section features emerging artists selected by established names, including René Treviño chosen by Amy Sherald and Ilana Harris-Babou nominated by Camille Henrot. Treviño's solo presentation centers on the sculpture 'Regalia, Moscas Brillantes (Rojo)' (2025), which addresses queer resistance and colonial histories through a fusion of Aztec and European aesthetics. Other presentations include Katherine Hubbard's photographs about her mother's dementia (nominated by Nicole Eisenman), T. Venkanna's delicate works on gender and patriarchy (picked by Bharti Kher), Ana Segovia's subversive cowboy paintings (selected by Abraham Cruzvillegas), and Neal Tait's paintings (chosen by Chris Ofili).

A Husain horse painting, a portrait of Max Ernst’s soulful dog, and a Fini cat mask: our pick of the September auctions and fairs

The article highlights several notable artworks heading to auction and art fairs in September 2024. These include M.F. Husain's "Untitled (Horses)" (1971) at Christie's New York, estimated at $100,000–$150,000, following a record-breaking sale of another Husain work earlier this year. Also featured are Leonor Fini's embroidered cat mask (around 1960) at Weinstein Gallery during Independent 20th Century in New York, Dorothea Tanning's "Katchina and Her Soul" (1951) at Sotheby's London, and Alberto Giacometti's "Small Head of Elsa Schiaparelli" (around 1935) at FAB Paris.

Annette Messager Enters the Musée de la Chasse et de la Nature with Her Entire Bestiary

Annette Messager entre avec tout son bestiaire au musée de la Chasse et de la Nature

The Musée de la Chasse et de la Nature in Paris is hosting a major exhibition dedicated to the animal-themed works of Annette Messager. Titled "Une hirondelle ne fait pas le printemps," the show integrates Messager’s diverse practice—including drawings, sculptures, and her signature use of plush toys—into the museum’s permanent collection of taxidermy and hunting artifacts. Curated by Colin Lemoine, the exhibition spans three floors and features works ranging from a ceramic cat from the artist's own kitchen to provocative installations like a taxidermied dachshund wearing a surgical mask.

7 Artists Discuss the Power and Urgency of Textiles

Louisiana Channel has released a new film titled "7 Artists on Soft Sculptures," featuring artists Sheila Hicks, Nick Cave, Shoplifter, and Kaarina Kaikkonen, among others. The film explores the tactile and emotional power of textiles in contemporary art, with each artist discussing their unique approach—from Hicks's call for softness in a hard world to Cave's use of found objects in identity-masking suits, Shoplifter's vibrant synthetic hair installations, and Kaikkonen's deeply personal incorporation of her late father's clothing.

Galle Facing

Colombo’s skyline has undergone a radical transformation into a forest of glass and steel towers, epitomized by projects like the Lotus Tower and Port City. This rapid urbanization, driven by a state ambition to create a 'world-class city' following decades of civil war, has resulted in the displacement of local neighborhoods and the burial of historical layers under new infrastructure.

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Five of seven valuable 18th-century snuffboxes stolen from Paris’s Cognacq-Jay Museum in November 2024 have been recovered. Paris Musées announced the return, crediting a police investigation with assistance from the Paris Criminal Investigation Department. The boxes were taken by masked thieves during a daylight robbery from the exhibition “Pocket Luxury.” Two of the recovered boxes were on loan from the Louvre, two from the British royal family’s Royal Collection Trust, and one from the Victoria and Albert Museum. Two more boxes, one from the V&A and one from the Royal Collection, remain missing. The stolen items, decorated with gold, precious stones, mother-of-pearl, or enamel, are estimated to be worth at least €1 million ($1.16 million).

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British art authenticator Curtis Dowling claims he received two phone calls on Sunday, October 19, 2025, from individuals asking him to authenticate "some important French jewelry," just hours after a $102 million jewel heist at the Louvre. The stolen pieces once belonged to Emperor Napoleon III and Empress Eugénie and were taken by three masked men using chainsaws to breach a museum window. Dowling, who hosts the TV series "Treasure Detectives" on CNBC Prime Time, said the callers offered him cash far above his usual fee, which he declined, suspecting the jewels were stolen and that organized crime was involved.

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YouTube megastar MrBeast (James Donaldson) released a video titled "I Survived 100 Hours in an Ancient Temple" on May 10, amassing over 55 million views in four days. Mexico's National Institute of Anthropology and History (INAH) confirmed that the production had full permission from federal and state authorities to film at Mayan archaeological sites including Chichén Itzá, Calakmul, and Balamcanché, and that all shoots occurred in public areas without disrupting other visitors. However, INAH also pointed out several inaccuracies in the final cut: no drones were flown inside El Castillo, no helicopter descents occurred, no one spent the night at a site, and a funerary mask shown in the video was a contemporary reproduction, not an authentic artifact.

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MIT mechanical engineering student Alex Kachkine has developed a new AI technique that could dramatically speed up the restoration of aged or damaged paintings. The method uses a high-resolution scan of the artwork, an AI algorithm to identify cracks and missing patches, and a digitally printed polymer film—called a "digital mask"—that is overlaid onto the painting and sealed with varnish. The mask can be removed without trace using conservators' solvents. Kachkine tested the process on a 15th-century oil-on-panel painting by the Master of the Prado Adoration of the Magi, where the AI identified 5,612 damaged sections and the restoration took just 3.5 hours—66 times faster than conventional hand inpainting.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

DePaul Art Museum Bids Farewell with Barbara Nessim’s Retrospective

The DePaul Art Museum (DPAM) is hosting a career-spanning retrospective for New York-based artist Barbara Nessim titled "My Compass Is the Line" before the institution permanently closes in June. The exhibition marks Nessim’s first solo show in Chicago, featuring works from the 1960s to the present that span painting, computer art, and her iconic 1982 Time magazine cover. The show highlights Nessim’s exploration of femininity and sexuality, drawing stylistic parallels to the Chicago Imagists while showcasing her technical versatility.

Two New Orleans Artists Selected for the 61st International Art Exhibition of La Biennale di Venezia

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st Venice Biennale, titled "In Minor Keys." This marks the first time since 2015 that artists from New Orleans have been included in the prestigious international exhibition, and they are the only representatives from the American Gulf South selected for this edition. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon is celebrated for his intricate beadwork and craftsmanship rooted in the Black Masking Indian tradition.

TWO NEW ORLEANS ARTISTS SELECTED FOR THE 61ST INTERNATIONAL ART EXHIBITION OF LA BIENNALE DI VENEZI

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys." Curated by Koyo Kouoh, the exhibition marks the first time since 2015 that artists from New Orleans have been featured in the main international section. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon represents the Black Masking culture of the Young Seminole Hunters, showcasing the city's intersection of contemporary innovation and ancestral tradition.

‘Painted Worlds: Color and Culture in Mesoamerican Art’: A colorful journey through time, culture and belief

The Nelson-Atkins Museum of Art has opened 'Painted Worlds: Color and Culture in Mesoamerican Art', a major exhibition featuring over 250 works spanning nearly 3,000 years, from pre-Hispanic times to the present day. Curated by Kimberly Masteller, the show is the first presentation of Mesoamerican art at the museum in nearly 40 years and includes textiles, ceramics, paintings, murals, and codices organized by color categories—white, blue/green/yellow, and red/black—to explore the cultural and spiritual significance of color in Mesoamerican traditions.

Untitled: Artist Takeover Oct 2025

The Denver Art Museum hosted "Untitled: Artist Takeover Oct 2025," a Halloween-themed evening event featuring performances, art installations, and interactive activities across its Hamilton Building, Martin Building, and Sturm Grand Pavilion. Highlights included a memorial installation series "Death of Baddy" by artist Moe Gram, classic horror film screenings, tarot readings, shadow puppet theater, mask-making, and a dance party with DJ 2AND2. Participating artists and performers included Justy Robinson, Miguel Garcia, Kendall Bennett, Patty McCrystal, Zora Beglarian, Lisa Frank 666, Karma Leigh, Joe Oliver, Medicine Mama Kia, Shaunie Berry, Elle Hong, and Rafael & Kristina Maldonado Bad Hand.

The Met opens reimagined Arts of Oceania galleries showcasing works from the Pacific

New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

Comment | Digital art today has a narcissism problem

Art Basel Miami Beach's new digital art section, Zero 10, featured a heavily subsidized presentation curated by Eli Scheinman, bypassing the fair's usual selection process. The centerpiece was Beeple's installation "Regular Animals" (2025), which displayed dog-like robots with humanoid masks of figures including Kim Jong-un, Elon Musk, and Beeple himself, which critics argue lacks substantive critique and relies on shallow satire.

The artist who blocked an Ice projectile with her drawing board during protests

Artist Isabelle “Izzy” Brourman narrowly escaped serious injury while documenting protests against Immigration and Customs Enforcement (ICE) in Minneapolis. While sketching the scene for her project Starring America News, a masked federal agent fired pepper balls at her at point-blank range; Brourman managed to block the projectile with her wooden drawing board, which was left with a jagged hole. The incident, captured on video by her collaborators Peter Hambrecht and Jeannette Berlin, occurred on the same day a nurse was killed by federal agents during the unrest.

Yuan Fang’s Visceral Paintings at Skarstedt Confront the Body’s Fragility and Its Strength

Yuan Fang presents a new series of visceral abstract paintings at Skarstedt Chelsea, created after she was diagnosed with cancer. The works mark a shift from her earlier gestural abstraction, confronting the fragility and resilience of the body through intuitive, layered processes that evoke cycles of generation, decay, and rebirth. Fang, who gained international attention during the pandemic, joined Skarstedt last year and continues to attract collectors in Hong Kong and beyond.

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David Chichkan, a Ukrainian artist known for his explicitly political and often censored work, has died at age 39. The Ukrainian culture ministry reported that his heart stopped after he was wounded in battle against Russian troops. Chichkan founded the Libertarian Club of Underground Dialectics in 2014 and staged provocative exhibitions, including one about the 2013–14 Maidan revolution that was vandalized by masked intruders. He enlisted in the Ukrainian Armed Forces in 2024 as a mortar operator, after being unable to serve earlier for health reasons, and continued to create art depicting antiauthoritarian soldiers until his death.

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The Manhattan District Attorney’s Office returned eight artifacts to Peru during a ceremony at the Peruvian consulate in New York on May 15. The repatriated items include funerary objects illegally taken from tombs in northern Peru during the 1960s and ’70s, a copper mask believed to represent the Moche deity Ai Apaec (circa 300 BCE) from the looted Loma Negra site, and a ceramic portrait vessel from the Chavín culture (1000–700 BCE). This is the second time New York officials have returned a group of works to Peru.

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The article recounts the rediscovery and ongoing excavation of the ancient Sanxingdui civilization in Sichuan, China, beginning with a peasant's accidental find of jade relics in 1929. After decades of political disruption, large-scale digs resumed in the 1980s, uncovering over 50,000 artifacts—including distinctive bronze masks with gold foil—that offer the only clues to this Bronze Age city's culture, trade networks, and mysterious collapse around the 11th century B.C.E.

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A ceremonial saber commissioned by Napoleon Bonaparte in 1802 sold for €4.6 million ($5.2 million) at Giquello auction house in Paris on May 22, far exceeding its estimate of €700,000–€1 million. The sword, made by master armorer Nicolas-Noël Boutet, was given to Marshal Emmanuel de Grouchy on the eve of the Battle of Waterloo in 1815 and remained in his family ever since. It features a curved Damascus blade, gold-plated silver mounts, and a stingray-skin sheath, with classical imagery including Medusa, Hercules, and Mars. The sale was part of a 20-lot auction at Hôtel Drouot that also included a 15th-century sword, a Gabonese mask, and a 17th-century tapestry.

A Short Film Joins In the Timeless Swiss Masked Tradition of Silvesterchlausen

A new short film titled 'Silvesterchlausen' by writer and director Andrew Norman Wilson documents the centuries-old Swiss New Year's tradition of the same name. The film captures groups of men and boys in the Appenzell regions who don elaborate, handmade masks and headdresses made from natural materials like pinecones and moss, forming groups to yodel, ring bells, and visit homes over 18-hour days to mark the turn of the year on both the Gregorian and Julian calendars.