Artist Debra Wick is presenting a new series of hyper-realistic watercolor paintings focused on the intricate physics of raindrops at the Redlands Art Association. The exhibition, running from April 18 to May 15, showcases Wick’s unique self-taught technique involving masking fluid and layered washes to capture atmospheric reflections, alongside her earlier works and functional art pieces like painted umbrellas and pillows.
The Jamestown Arts Center is set to host "In the Zeitgeist," a solo exhibition by Maine-based artist François Poisson running from April 10 through June 13. The showcase spans a decade of Poisson’s multidisciplinary work, featuring signature series such as his "Bunny Cars" sculptures and "Exhaust Sticks" that explore themes of national identity, political upheaval, and the American ethos. The exhibition will open alongside "NEXT," a group show dedicated to emerging local talent.
Two KwaZulu-Natal artists, Senzelw’umusa Mathe and Gary McIver, are among the top 40 finalists in the Rust-en-Vrede Portrait Awards, a biennial South African competition. Their works, along with those of other finalists and winner Malik Mani, will be exhibited at the KZNSA Gallery in Durban from February 11 to March 1, 2026, as part of a national tour. Mathe's entry, "Bazali Bami," is a tapestry crochet portrait of her parents, while McIver's "At the Louvre" is an oil painting inspired by his students' reenactment of a neoclassical artwork.
ModA (Modern Anthropology) Studios, a Los Angeles-based creative organization founded by George Fan, opened its first permanent location at 227 E 24th Street in Manhattan's Lower East Side on June 27, 2025, with a contemporary art exhibition titled “Love.” Curated by Sia Fang, the show features nine artists divided into main-exhibiting artists and a subsection called Untapped, the Collection. Artists include Ellen Carpenter, Magali, A Cult, Ching-Wei Wang, Felisa Nguyen, Ibtisam Tasnim Zaman, Edd Ravn, Hongshan, and Agen Xin, working across performance, installation, painting, and mixed media.
The Tacoma Art Museum presents an exhibition curated by Kenji Stoll that traces the evolution of Japanese visual culture from traditional ukiyo-e woodblock prints to contemporary anime-inspired works. The show features a diverse range of artists, including Roger Shimomura, whose painting "Minidoka No.5 (442)" references the Japanese American 442nd regimental unit in World War II, alongside self-taught artists like VanVan, who contributes manga-style drawings. Stoll himself, a tattoo artist, exhibits a large mural titled "Nikkei Butterfly," which celebrates Japanese diaspora culture through patterns and a samurai warrior motif. Other artists include Ed Augai, Lauren Iida, Hanako O’Leary, and Yoshiko Yamamoto, whose works bridge historical ukiyo-e techniques with contemporary themes of identity, memory, and female empowerment.
A new contemporary art space called Progetto opened in Lecce, Italy, on June 28, 2019, with a solo exhibition titled "fortaleza" by artist ektor garcia. Founded by artist Jamie Sneider, who splits time between the United States and Puglia, the space is located in a 16th-century building in the ancient Jewish quarter of the baroque city. Progetto will host international artists for short residencies and exhibitions, fostering dialogue with the region's history and landscape.
Rapper Ferg, also known as Darold Brown, has opened his SoHo loft to reveal his debut solo painting exhibition, "CHOSEN." The show, curated by Anne-Laure Lemaitre and Larry Warsh of No More Rulers, features a body of work that includes figuration, abstraction, and mixed media, all rooted in personal memory and family influence. The exhibition grew out of Ferg's decision to paint the cover art for his album "DAROLD" himself, marking his first self-portrait and a return to the visual art he practiced as a teen.
An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.
Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.
Seven local female artists have launched 'Gossip,' a self-produced group exhibition at Union Hall Gallery in San Diego’s Golden Hill neighborhood. Curated by Scarlett Baily, the show features a diverse array of disciplines including ceramics by Amber Schnitzius, oil painting by Baily Ludwick, and photography by Sarai Elguezabal. The exhibition emerged from the artists' shared desire to bypass the restrictive thematic requirements often found in San Diego’s limited gallery scene, opting instead for a space that prioritizes personal storytelling and creative intuition.
The Grand Egyptian Museum (GEM) will hold its official opening ceremony on November 1, more than 30 years after its initial proposal. The centerpiece of the inauguration is the Tutankhamun Gallery, featuring the famous gold funerary mask under bulletproof glass and a full-scale reproduction of the king's tomb. Designed by German studio Atelier Brückner, the gallery offers two narrative paths: one tracing Tutankhamun's life and reign, the other following Howard Carter's 1922 discovery. The museum, located near the Giza pyramids, has already been partially open to visitors, with conservation labs operating since 2010 and contemporary programming running for two years.
The Patricia & Phillip Frost Art Museum at Florida International University is hosting the exhibition “Harmony of Nature and Art” to commemorate the 30th anniversary of the sister-state agreement between Florida and Wakayama Prefecture, Japan. The traveling exhibition, which previously appeared at the Florida Capitol’s 22nd Floor Art Gallery and the Atlantic Center for the Arts, features traditional Noh masks by master carver Hakuzan Kubo, netsuke miniature sculptures from the Frost Art Museum collection, and paintings by the Florida Highwaymen. It is organized by the Florida Department of State Division of Arts and Culture with loans from multiple institutions and private collectors.
More than 160 treasures from the tomb of King Tutankhamun have been transferred from the Egyptian Museum in Cairo to the Grand Egyptian Museum in Giza, ahead of its long-awaited opening on 3 July. The items include a ceremonial chair inlaid with ivory and gold and an accompanying footstool decorated with gilded motifs. The Egyptian Ministry of Tourism and Antiquities states the move is part of a plan to display the entire Tutankhamun collection together for the first time. The famous golden mask and golden coffins remain at the Cairo museum for now and will be the last items moved.
Studio B Boyertown has appointed Bob Hakun as its new gallery director. Hakun, an assemblage artist who creates works from found objects, previously worked as a computer graphic designer and prepress manager after his career designing Halloween masks and costumes moved overseas. He is a 1976 graduate of Kutztown University with a BFA in painting. The gallery is also presenting the exhibition “Form & Fiber: 3-Dimensional Expression in Art,” featuring 3-D and fiber works by Hakun and fifteen other artists, running through June 21.
À l’INHA, la fermeture estivale de la bibliothèque ravive le sujet
The National Institute for Art History (INHA) in Paris is facing backlash over its decision to implement a permanent two-week summer closure of its library every August. Originally introduced as a temporary measure during the 2024 Olympics and subsequent renovations, the closure is now being formalized by the administration despite a change in leadership. Staff and researchers have launched a petition, arguing that August is a critical period for international scholars and students who rely on the library’s extensive collections.
Fare la pennichella in una galleria d’arte? A Palermo si può, nella nuova ‘pisolineria’
Artist Pietro Librizzi has transformed Palermo's independent Rollò gallery into a temporary "Pisolineria Librizzi," or nap-salon. The project invites the public to visit the gallery not to view art, but to take a paid nap, offering various service packages from a basic rest to a sleep kit with eye masks and a personalized wake-up call.
Enfants et satyre : deux ventes Artcurial à Paris
Artcurial in Paris is holding two upcoming sales on March 25, featuring a diverse collection of works on paper. The sales include a drawing of a camel by Jean-Pierre Houël, a preparatory sketch of a plucked chicken by Jean-François Tourcaty, a study of a man wearing a satyr mask by Parmigianino, and a drawing by Thomas Couture depicting a scene from his painting 'Pierrot en correctionnelle.'
The University of Wyoming Art Museum will open 'Global Collection: Masks of the World' on Saturday, May 2. The exhibition features 28 masks from the museum's permanent collection, spanning diverse regions and cultural contexts, and explores masks as cultural agents, works of art, and objects shaped by circulation and interpretation. The show is drawn from donations made over the past 50 years and was curated with assistance from UW Honors College intern Carter Coggins. Funding comes from the Barbara J. and V. Frank Mendicino Endowment for Collection Conservation and the Patricia R. Guthrie Special Exhibitions Gallery Endowment.