liz collins fiber art risd museum venice biennale

Liz Collins created two monumental 16-foot-long tapestries for the 2024 Venice Biennale, titled *Rainbow Mountains: Moon* and *Rainbow Mountains: Weather* (both 2023). Initially conceived as a single 40-foot weaving, the project proved too ambitious and was split in two. Collins worked at the TextielLab in Tilburg, Netherlands, switching to a lighter yarn after a failed trial, and ultimately brought the finished works to New York in duffel bags before curator Adriano Pedrosa selected them for the Biennale. The textiles depict mountain ranges emitting rainbows through dark skies, exploring themes of duality—danger and joy, precarity and euphoria.

john singer sargent and dollar princesses

A new exhibition titled “Heiress: Sargent’s American Portraits” at London’s Kenwood House explores the phenomenon of the “dollar princesses”—American heiresses who married into the British aristocracy between 1870 and 1914. The show features eight paintings and ten charcoal studies by John Singer Sargent, including portraits of notable figures like Nancy Astor and Consuelo Vanderbilt, and runs through October 5. Curated by Wendy Monkhouse of English Heritage, the exhibition examines the complex social dynamics behind these transatlantic unions, which were often criticized as mercenary transactions.

leonard lauder mfa boston postcards

Leonard Lauder, the 85-year-old chairman emeritus of Estée Lauder Companies, has amassed a collection of approximately 130,000 postcards, many of which are a promised gift to the Museum of Fine Arts, Boston. A selection of 350 propagandist postcards from the World War I and World War II eras is now featured in a new exhibition at the MFA titled “The Art of Influence: Propaganda Postcards from the Era of World Wars” (through January 21), accompanied by a publication. Lauder began collecting as a boarding school student in Miami Beach, drawn to the idealized images and vibrant colors of Art Deco hotel postcards, and later expanded to historical and propagandist cards that he describes as “living history.”

marlene dumas pushes the limits of portraiture at tate modern

Marlene Dumas's largest retrospective to date, "The Image as Burden," has opened at Tate Modern, showcasing her uncompromising approach to portraiture. The exhibition features over 200 works, including early ink drawings like "Rejects" (1994-ongoing), political pieces such as "Osama" (2010), and the "Magdalenas" series from the 1995 Venice Biennale. Dumas, a South African painter based in Amsterdam, explores themes of identity, politics, and the female body through her fluid, often dark palette and responses to mass media images.

female muses klimt schiele kokoschka

An exhibition titled “The Women of Klimt, Schiele and Kokoschka” has opened at the Belvedere Palace & Museum in Vienna, running from October 22, 2015 to February 28, 2016. The show examines how Gustav Klimt, Egon Schiele, and Oskar Kokoschka depicted women, highlighting the artists' obsessive focus on female subjects against the backdrop of Vienna's changing society and the early 20th-century revolution in gender politics and sexuality.

klaus biesenbach american art scene political correctness

Curator Klaus Biesenbach, now director of the Neue Nationalgalerie in Berlin, gave a lengthy interview to Der Spiegel in which he explained his decision to leave the American art scene, citing what he described as an oppressive climate of "political correctness." He claimed that DEI (diversity, equity, inclusion) initiatives in U.S. museums had become "unbearable" quota requirements, and recounted a story about mandatory Zoom meetings after George Floyd's murder where he felt pressured to share personal experiences of discrimination. He also referenced the resignation of SFMOMA curator Gary Garrels over "reverse discrimination" comments and acknowledged his own controversial tenure at MOCA Los Angeles, which saw two high-profile resignations and a leadership restructuring.

v a c foundation ex director teresa mavica interview

Teresa Iarocci Mavica, former director of the Moscow-based V-A-C Foundation, which she co-founded with Russian billionaire Leonid Mikhelson, has resurfaced after three years of silence. She resigned from V-A-C in November 2021, just before the opening of GES-2 House of Culture, Russia's largest contemporary art museum, and left Russia shortly after the full-scale invasion of Ukraine. Now based in Naples, she has curated "The Sun to Come" at Made in Cloister, launching her biennial program "REBIRTH." The exhibition includes three Russian artists, reflecting her continued commitment to cultural dialogue between Russia and Europe despite the war.

theophile alexandre steinlen tournee du chat noir

The article explores the life and work of Théophile Alexandre Steinlen (1859–1923), the Swiss-born artist who created the iconic 1896 poster *Tournée du Chat Noir* for Rodolphe Salis’s legendary Parisian cabaret Le Chat Noir. It details how Steinlen, a resident of Montmartre, was introduced to the cabaret’s circle by fellow artist Adolphe Willette and went on to produce numerous commercial works featuring cats, including advertisements, exhibition announcements, and the artists' book *Des chats, dessins sans paroles*. The piece also highlights Steinlen’s involvement in leftist politics and his broader artistic output, which included landscapes, still lifes, and nudes shown at the Salon des Indépendants.

sistine chapel reopen after conclave selects new pope

The Sistine Chapel, a cornerstone of the Vatican Museums, will reopen after being closed to the public since April 28 for the papal conclave that elected Robert Francis Prevost as the first American pope. The closure, which lasted just over a week, allowed 133 cardinals to gather beneath Michelangelo's frescoes, including *The Last Judgment*, to select the new pontiff. The Vatican Museums, which attracted 6.8 million visitors in 2024, have not yet announced an official reopening date but have been posting related artworks on Instagram.

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.

ArtReview April & May 2026 Issue Out Now

ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

Valie Export, Avant-Garde Icon and Feminist Trailblazer, Dies at 85

Valie Export, the Austrian avant-garde artist known for her radical feminist performances, films, and sculptures, has died at age 85. Her gallery, Thaddaeus Ropac, announced her death, noting her groundbreaking work in the 1960s and 1970s introduced a new form of embodied feminism to Europe. Export, born Waltraud Lehner in Linz, Austria, changed her name in 1967 and became known for provocative works such as "Aktionshose: Genitalpanik" (1969) and "Tap and Touch Cinema" (1968–1971), which challenged voyeurism and the sexualization of women's bodies. She also co-founded the Austrian Filmmakers Cooperative in 1968 and was commissioned by the Austrian Broadcast Corporation for her film "Facing the Family" (1971).

No Need to Shed a Tear for the Jury

"Man muss der Jury keine Träne nachweinen"

The entire jury of the Venice Biennale resigned shortly before the opening, prompting criticism of Biennale President Pietrangelo Buttafuoco. Italian Culture Minister Alessandro Giuli accused Buttafuoco of pursuing a misguided "pacificist fantasy" by readmitting Russia to the six-month exhibition, calling it failed "side foreign policy." Commentators in German media, including Niklas Maak (FAZ) and Marcus Woeller (Die Welt), see the resignation as a symptom of a crisis in the art world, with the jury having acted as a "political tribunal" by pre-judging artists based on nationality, particularly regarding Israel. The Biennale leadership defended inclusion, but the standoff has caused significant "image damage." Separately, Dirk Knipphals (wochentaz) delivers a scathing review of Wolfram Weimer's first year as cultural policy commissioner, accusing him of empty rhetoric and failing to counter right-wing cultural politics. Juliane von Mittelstaedt (Der Spiegel) reports on Saudi Arabia's use of a spectacular new art museum in Riyadh as a stability narrative amid regional conflict.

12 exciting fashion and jewelry exhibitions that will make you travel this summer

12 expos de mode et de bijoux passionnantes qui vous feront voyager cet été

Beaux Arts Magazine presents a curated selection of twelve fashion and jewelry exhibitions across France, Paris, and Vienna, running through summer 2026. Highlights include a retrospective of Mossi Traoré at the Mucem in Marseille, a showcase of Thai haute couture at the Musée des Arts Décoratifs in Paris, and "Africa Fashion" at the Musée du quai Branly, celebrating African design from the independence era. Other featured exhibitions cover Christian Dior, Gianni Versace, Daniel Brush, Provençal costumes, and anniversaries of glittering fashion houses.

The Angel of History Is Stuck in Jerusalem

The Jewish Museum in New York's exhibition 'Paul Klee: Other Possible Worlds' is missing its central artwork, Paul Klee's 'Angelus Novus' (1920). The original, owned by Walter Benjamin and normally housed at the Israel Museum in Jerusalem, is absent due to "current conditions affecting international transport," a likely reference to the Israel-Hamas war. A reproduction stands in its place, alongside Benjamin's famous 'Angel of History' text, which interprets the angel as a figure witnessing the catastrophic pile-up of history.

billionaire art collector ken griffin us eroding brand

Billionaire art collector and Citadel CEO Ken Griffin stated that the United States is “eroding” its brand due to economic policy changes during President Donald Trump’s first 100 days. Speaking at Semafor’s World Economy Summit on April 23, Griffin warned that the reputation and creditworthiness of US Treasuries are at risk, citing recent tariff-driven sell-offs of government bonds. He expressed concern about policy volatility undermining the goal of reshoring manufacturing and noted that investors using the euro as a reference have lost 20% of their value in four weeks. Griffin also voiced support for DOGE, the Department of Government Efficiency led by Elon Musk, which has recommended cuts to the National Endowment for the Humanities.

art getty center black photography

The Getty Center presents "Photography and the Black Arts Movement, 1955–1985," a traveling exhibition from the National Gallery of Art featuring 150 images by Black midcentury photographers. The show, on view from February 24 through June 14, includes works by Gordon Parks, Ming Smith, Carrie Mae Weems, Adger Cowans, Doris A. Derby, Harry Adams, Leonard Freed, John Simmons, and others, capturing moments of protest, daily life, and community resistance.

art criticism contemporary art crisis trump gaza

The article, written by an art critic for Cultured, opens by describing recent U.S. government actions under Executive Order 14253, including the National Park Service's restoration of a monument to Confederate General Albert Pike and a White House letter to Smithsonian Secretary Lonnie G. Bunch III ordering a review of Smithsonian programming to align with a directive to "celebrate American exceptionalism." The critic notes Bunch's balancing act of cooperating while asserting the Smithsonian's independent authority. The piece then pivots to the state of art criticism, referencing Domenick Ammirati's essay on the perpetual "crisis in criticism," and highlights Marco Brambilla's exhibition "Limit of Control" at bitforms gallery as the year's most under-appreciated show, praising its use of AI to explore political violence and protest.

jill magid solo show esther kim varet congress

Conceptual artist Jill Magid has turned her dealer Esther Kim Varet's campaign for U.S. Congress into the subject of her latest solo exhibition, "Heart of a Citizen," at Various Small Fires in Los Angeles. The show features a replica of the White House Briefing Room platform, which Magid offered for Varet's political use, leading to complex negotiations around campaign finance law. The campaign plans to host a political debate on the platform in July, and a collector purchased the sculpture to donate to Varet's campaign, intertwining art, law, and politics.

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

How Will the Venice Biennale Impact Alma Allen’s Market?

Artist Alma Allen has been selected as America's representative at the Venice Biennale, sparking controversy due to the unusual selection process under President Trump. The pavilion is commissioned by the newly formed American Arts Conservancy, led by Jenni Parido, who previously ran a pet food lifestyle shop and entered Trump's orbit through Mar-a-Lago pet charity events. Following the announcement, Allen's galleries Olney Gleason and Mendes Wood DM dropped him, but he was quickly picked up by high-profile gallery Perrotin. The article examines how the Biennale and its attendant drama might affect Allen's market, noting his longtime collectors include Beth Rudin DeWoody, Peter Morton, Jack Pierson, and others, while his auction prices have remained modest.

art words of the year

Artnet News critic Ben Davis presents his annual "art words of the year" for 2025, a curated list of terms that capture prevailing moods and ideas in the art world. The list includes "antimemetics" (from writer Nadia Asparhouva and internet fiction), "cyniserity" (coined by art writer David Colman to describe Anne Imhoff's work), "delightmare" (a horror-adjacent feeling linked to overconsumption and AI art, exemplified by Beeple's Art Basel installation), "elite capture" (from philosopher Olúfẹ́mi O. Táíwò's book, now a tool for critiquing identity politics in art), and "K-shaped" (an economic term describing divergent recovery, applied to gallery closures versus record auction sales).

sam mckinniss jeffrey deitch review

Sam McKinniss's new exhibition "Law and Order" at Jeffrey Deitch in New York presents paintings of viral and iconic figures, including Jeremy Meeks, Luigi Mangione, Chuck Bass from Gossip Girl, and riderless horses running through urban streets. The show explores how social media blurs the lines between advertising, entertainment, and politics, capturing the experience of scrolling through online content. The article, part of ARTnews's Link Rot column by Shanti Escalante-De Mattei, examines McKinniss's attempt to illustrate the feeling of living in contemporary America through curated images of law enforcers and law breakers.

chen fei bad taste interview

Chinese artist Chen Fei discusses his first institutional solo exhibition in Europe, “Grand Lobby,” at the Consortium Museum in Dijon, France. The show features large-scale still-life paintings that blend Flemish floral traditions with contemporary Chinese symbols like VOSS water bottles and IKEA price tags, using gold leaf and red lacquer to critique class aspiration and visual culture. Chen’s studio, located outside Beijing, is where he creates detail-rich canvases inspired by film storyboarding, aiming for a cinematic, narrative-driven reading experience.

hunter biden art

The article discusses the controversy surrounding Hunter Biden's art career, focusing on his upcoming exhibition at Georges Bergès Gallery in October. Despite limited public exposure to his work, Bergès is pricing Biden's drawings at $75,000 and paintings at $500,000, placing him in the top tier of emerging artists. The White House issued ethics guidelines requiring buyer identities to remain secret from both Biden and the administration, raising concerns about potential conflicts of interest. The author questions the wisdom of selling the art given Biden's public struggles with addiction and his family's political prominence.

hito steyerl medium hot images heat verso

Artist Hito Steyerl has published a new book, *Medium Hot: Images in the Age of Heat*, through Verso, continuing her long-running exploration of how images, technology, and politics intersect. The article traces her intellectual evolution from earlier works like *The Wretched of the Screen* (2013) and *Duty Free Art* (2017), highlighting key essays and video works such as *How Not to Be Seen: A Fucking Didactic Educational .MOV File* (2013), which satirizes surveillance culture. It notes that Steyerl topped ArtReview’s 2017 Power List as the most influential person in the art world, and that her latest book addresses war and violent conflict in the context of Web3, with a more decisive tone.

ian hamilton finlay

David Nolan Gallery in New York is presenting “Ian Hamilton Finlay: Fragments,” an exhibition marking the centenary of the Scottish artist Ian Hamilton Finlay (1925–2006). On view through June 7, 2025, the show features works from the late 1970s through the late 1990s in mediums including porcelain, ceramic, stone, bronze, plaster, metal, and prints. It highlights Finlay’s multidisciplinary practice as an artist, poet, philosopher, and gardener, with notable pieces such as *Watering Can (Shenstone)* (1995) and references to his famous garden *Little Sparta* (1966). The exhibition coincides with a book of the same title containing 100 works and fragmentary texts by writers including Stephen Bann, Tom Lubbock, and Alec Finlay.

The Whitney Biennial Is for the Faint-Hearted

A critical review of the 2026 Whitney Biennial argues that the exhibition is timid and fails to directly confront the urgent political crises of the moment, including domestic authoritarianism, state violence, and immigration policies. The reviewer finds the show somber, fearful, and overly focused on mood and introspection, suggesting it represents a retreat from meaningful political engagement.

Whitney Biennial 2026

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, has received generally lukewarm responses from critics, a notable shift from the more intense takedowns and boycotts that characterized recent editions of the exhibition. Left-oriented critics have criticized the curatorial framework as indeterminate and evasive, particularly in light of the Whitney Museum's controversial board decisions, including the recent closure of the museum's Independent Study Program.