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Straight-line storytelling: how will the British Museum display the Bayeux Tapestry?

The British Museum (BM) is planning to display the Bayeux Tapestry from September 2026 to July 2027, following a loan agreement with the French government. The tapestry, owned by the French state, will return to England for the first time in nearly a thousand years after its dedicated museum in Bayeux closed for renovations. The BM's Sainsbury Exhibitions Gallery is long enough to accommodate the 70-meter embroidered strip in a single straight line, a key factor in securing the loan over other contenders like the Victoria and Albert Museum. Conservators will display the tapestry at a 60-degree angle with low lighting to minimize fading, and visitors will likely follow an audio-guided tour with 25 minutes to view the 58 scenes.

Louvre and Grand Palais among French museums closed due to nationwide strikes

On Thursday, September 18, several major French museums and cultural venues closed due to a one-day strike against budget austerity. Affected institutions include the Musée du Louvre, Château de Versailles, Grand Palais, Musée d’Orsay (where visitors were allowed in freely), Arc de Triomphe, Eiffel Tower, Panthéon, and Musée Picasso. The strike, supported by the CGT union, also led to closures at dozens of other monuments and institutions across the country, with demonstrators protesting outside the office of Culture Minister Rachida Dati. Separately, the Musée de la Tapisserie de Bayeux is closed for two years for renovations, and the planned loan of the Bayeux Tapestry to the British Museum has been postponed due to the strikes, raising concerns about the embroidery's fragility.

Tens of thousands sign petition to stop loan of ‘extremely fragile’ Bayeux Tapestry to UK

Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry to the British Museum, citing warnings from textile restorers that moving the 1,000-year-old embroidered linen could cause irreparable damage. The petition, launched by art historian Didier Rykner, opposes the planned exhibition in London from September 2026 to July 2027, which coincides with the closure of the Bayeux Tapestry Museum in Normandy for renovations. The loan was announced in July by French President Emmanuel Macron and British Prime Minister Keir Starmer. Prominent French cultural figures, including former museum director Isabelle Attard, have voiced strong concerns, and Rykner hopes to ally with British opponents of the exchange, which would also send Anglo-Saxon and Medieval treasures from the British Museum to France.

After a £27m makeover, Norwich Castle reopens with a new gallery, royal rooms—and medieval toilets

Norwich Castle has reopened after a five-year, £27.5m renovation that reinstates long-lost royal rooms within its medieval keep. The Royal Palace Reborn project added a bedroom, chapel, kitchen, banqueting hall, and medieval toilets, recreating the spaces as they would have appeared when King Henry I stayed in 1121. Visitors can explore the rooms with period-appropriate furniture, textiles, and painted decorations, plus new animations projected onto the keep's walls. A new Gallery of Medieval Life, developed with the British Museum, displays over 900 medieval objects, including 50 on long-term loan from the British Museum.

Bayeux Tapestry to return to UK for first time in almost 1,000 years

The Bayeux Tapestry will be loaned to the British Museum in London for display from September 2026 to July 2027, marking its first return to the UK in nearly 1,000 years. The agreement was announced by UK Prime Minister Keir Starmer and French President Emmanuel Macron during a state visit, as part of a broader cultural partnership that also includes the loan of Sutton Hoo treasures and the Lewis chessmen to French institutions.

Future Fair updates portraiture for 2025

Future Fair returns for its fifth anniversary from May 7-10 at Chelsea Industrial in Manhattan, featuring 67 exhibitors. The fair is impacted by President Donald Trump’s tariffs, with one Bologna-based gallery, Magazzeno Art Gaze, displaying a sign that its shipment is stuck at JFK customs, showing only works brought in luggage. Montreal’s Wishbone Gallery narrowly avoided a similar fate after its artist consulted a psychic, and the works arrived just in time. Despite trade disruptions, the fair continues its focus on portraiture, showcasing artists such as Saki Sonoda (depicting Bushwick club House of Yes), Émile Brunet (Dutch Golden Age-inspired portraits), Izere Antoine (impastoed Black women), Matthew Rosenquist (wooden reliefs of Americana), Katie Commodore (digital textile tapestries), and Catie Cook (animal stand-ins for Southern womanhood).

'a little theater of life': JR weaves monumental tapestry of community care in venice

French artist JR has unveiled a monumental tapestry titled 'Il Gesto' in Venice, a contemporary interpretation of Veronese's 'The Wedding at Cana'. The large-scale work is suspended above the Grand Canal as a kinetic installation, transforming the city's waterways into a choreography of silk, light, and movement. The piece is part of the broader programming surrounding the 61st Venice Art Biennale.

Seeing Silence: The Paintings of Helene Schjerfbeck

This article introduces the work of Finnish modernist painter Helene Schjerfbeck (1862–1946), whose career spanned eight decades and evolved from naturalism to near abstraction. Born in Helsinki, she studied in Paris under French naturalist painters and initially gained recognition for history paintings celebrating Finnish heritage. Later, retreating to Hyvinkää to care for her mother, she abandoned naturalism, paring down her figure paintings and still lifes to simplified, materially intense compositions. The exhibition features key works such as 'View of St Ives' (1887) and 'Clothes Drying' (1883), highlighting her shift toward ethereal, boundary-testing imagery that early Finnish critics dismissed.

Aichi Triennale confronts war, memory and environmental collapse

The sixth edition of the Aichi Triennale, titled "A Time Between Ashes and Roses," opened in Japan in September and runs until 30 November. Curated by Hoor Al Qasimi, the first non-Japanese artistic director of the triennial, the exhibition confronts themes of war, displacement, memory, and environmental collapse. Works include Kubo Hiroko's tapestry marking the 80th anniversary of the Hiroshima atomic bombing and a video installation by Palestinian duo Basel Abbas and Ruanne Abou-Rahme. Al Qasimi explicitly linked the triennial to the situation in Gaza, stating, "Free Palestine," during a press conference. Controversy erupted over the Aichi-Israel Matching Program, a separate prefectural initiative pairing Israeli startups with local companies, leading to protests and the resignation of vice chairman Hideyuki Tomita from the organizing committee.

‘From Gaza to the World’: A Devastating Art Show Arrives in Brooklyn

A devastating exhibition titled 'From Gaza to the World' has opened at Recess, a nonprofit art venue in Brooklyn, as the first North American pavilion of the Gaza Biennale. Organized by the Forbidden Museum of Jabal Al Risan and launched in 2024, the show features 25 Palestinian artists, many still in Gaza or displaced. Due to the ongoing Israel-Gaza War, most works are documentation—printouts, facsimiles, and video—rather than original objects. Highlights include Malaka Abu Owda's 'When the Body Became a Message' (2024), Firas Thabet's tapestry 'Gaznica' (2025) adapting Picasso's Guernica, and Emad Badwan's docudrama 'Live Broadcast' (2024). The exhibition bears witness to life under bombardment, famine, and displacement, with wall labels including heartbreaking artist quotes.

New Sandton art space celebrates African creativity

Standard Bank has launched The Standard Bank Art Lab, a new visual arts space at Nelson Mandela Square in Sandton City, South Africa, on June 5. The inaugural exhibition, titled "Follow the Blue Thread: It’s Woven Into Who We Are," features works by artists including Penny Siopis, Judith Mason, Sam Nhlengethwa, William Kentridge, and Miriam Ndebele, focusing on tapestry and African creativity.

Une souscription pour la Maison-atelier Lurçat

The Académie des beaux-arts has launched a subscription campaign to acquire a monumental tapestry by Jean Lurçat, recently rediscovered by Christie's. The tapestry, titled *Bestiaire* (1930), measures 3 by 6.45 meters and was originally created for the artist's home-studio in Paris's 14th arrondissement. It will be publicly unveiled at Christie's Paris on May 6–7, 2025, before a private sale between the Académie and the auction house for €110,000. Donations are being collected online or by check to fund the purchase.

Exhibition | Yelena Popova, 'Moments of Grace' at Osnova gallery, Valencia, Spain

Yelena Popova's solo exhibition 'Moments of Grace' opens at Osnova gallery's new space in Valencia, Spain, marking a decade of collaboration between the artist and the gallery. The show brings together works from several of Popova's major series, including 'Painting Installations' (2012-2017), 'Evaporating Paintings', 'Post-Petrochemical Paintings', and three jacquard-woven tapestries, tracing her practice over the past fifteen years. Popova approaches each project as part of an interconnected body of work, comparing her logic to garden cultivation—a layered, cyclical process. Her cross-disciplinary research focuses on the material conditions of painting, exploring temporal transformations like evaporation, oxidation, and decay, as well as the dynamics between image, surface, and space.

Local talent shines: Rust-en-Vrede Portrait Awards exhibition at KZNSA Gallery

Two KwaZulu-Natal artists, Senzelw’umusa Mathe and Gary McIver, are among the top 40 finalists in the Rust-en-Vrede Portrait Awards, a biennial South African competition. Their works, along with those of other finalists and winner Malik Mani, will be exhibited at the KZNSA Gallery in Durban from February 11 to March 1, 2026, as part of a national tour. Mathe's entry, "Bazali Bami," is a tapestry crochet portrait of her parents, while McIver's "At the Louvre" is an oil painting inspired by his students' reenactment of a neoclassical artwork.

'Through the Veil' exhibition at Sarasota Art Museum an immersive labyrinth of mixed media hanging assemblages

Nassau-born, Atlanta-based artist Lillian Blades presents 'Through the Veil,' her first solo museum exhibition, at the Sarasota Art Museum. The show features suspended mixed-media assemblages called 'veils,' made from Plexiglas, wood, family photographs, and found objects, stitched together with a metallic knotting technique. Inspired by her mother, who was a quilter and died in childbirth, Blades creates immersive, tapestry-like works that envelop viewers and cast intricate shadows on the museum's walls and floors. The exhibition also includes earlier wall assemblages encrusted with three-dimensional materials like antique mirrors and empty picture frames.

US billionaire Howard Buffett and Ukrainian Railways team up to create ‘art train’ exploring war-time resilience

Ukrainian Railways (Ukrzaliznytsia) has partnered with the Howard G. Buffett Foundation to launch an 'art train' — three train cars converted into a traveling gallery — that is currently crossing Ukraine. The exhibition, titled *Courage of a Nation*, features photographs taken by billionaire Howard Buffett during his 19 trips to Ukraine between April 2022 and February 2025, documenting the country's resilience after Russia's full-scale invasion. Curated by Pulitzer Prize-winning National Geographic photographer Muhammed Muheisen, the show will make 63 stops over four months, starting in Odesa. Due to security risks, the exact timetable is not publicly announced. A book of the same name, with a foreword by Ukraine's first lady Olena Zelenska, has also been published.

Peeps-inspired art takes center stage at Racine museum

The Racine Art Museum has announced the winners of its 2026 RAM PEEPS Brand Art Exhibition, a popular annual competition featuring dioramas and sculptures made from marshmallow Peeps. Top honors in the adult division went to Julie Palmer for "Happy Birthday, PEEP Jr.," while Charlotte Barnes took first place in the youth category for "Peep Scouts Go Camping." The exhibition showcases a wide range of creative interpretations, including references to art history like "Peep Haring" and the "Peepeux Tapestry."

Kazakh art exhibition opens in Baku

An exhibition of Kazakh art has opened in Baku, organized by the culture ministries of Kazakhstan and Azerbaijan. Featuring 30 paintings from the Abylkhan Kasteyev National Museum of Art, the show includes works by masters such as Abylkhan Kasteyev, Moldakhmet Kenbayev, and Kanafiya Telzhanov, as well as contemporary artists exploring tradition, spirituality, and national identity. The exhibition will run for four months at an unspecified venue in Baku.

"For me, art is less about the finished piece and more about the journey"

Rotherham-born, Sheffield-based textile artist Jodie Cooper, who specializes in free-motion embroidery, discusses her journey from completing a degree in Fine and Applied Arts at University Centre Rotherham to becoming a full-time artist. She was commissioned by ArtWorks Together International and East Midlands Railway to create a tactile tapestry installation at Sheffield Train Station, running until 15 June, which explores themes of travel anxiety, neurodiversity, and accessibility. Cooper also shares her work through ArtWorks Together International Festival at Millennium Gallery and local art markets.

Never Spoken Again Exhibition at the Weisman Challenges Museum Norms

The Weisman Art Museum is hosting "Never Spoken Again: Rogue Stories of Science and Collections," a traveling exhibition produced by Independent Curators International (ICI). Curated by David Ayala-Alfonso, the show features works by over a dozen artists that challenge traditional museum practices, such as the use of pre-Hispanic ceramics as speaker stands to give them a literal voice. The exhibition uses diverse media—from cinefoil sculptures to tapestries from Las Vegas casinos—to critique how institutions collect, classify, and display artifacts.

Schneider Museum creative arts staff explores ‘Pursuit of Happiness’

Southern Oregon University's Schneider Museum of Art is opening its first exhibition of 2026, titled "The Pursuit of Happiness," featuring works by fifteen SOU creative arts staff and educators. The show, running from January 29 to March 14, explores themes of American identity and happiness in the context of the nation's 250th anniversary of the Declaration of Independence. It includes nearly 50 works, notably a large hand-dyed quilt tapestry by educator Vanessa Jo Bahr, and marks the museum's first faculty and staff exhibition since 2019.

We’ve Been at the Tapestry Studio Since the 90s

An exhibition titled "We’ve Been at the Tapestry Studio Since the 90s" has opened at Salt Beyoğlu in Istanbul, exploring the unique pedagogical and artistic approach of the Tapestry Studio at Mimar Sinan Fine Arts University (MSGSÜ). Founded in 1976–77 by painter and academic Zekai Ormancı, the studio combined carpet weaving education with contemporary art, fostering a collaborative "learning together" model. In 1992, visual artist and academic Gülçin Aksoy joined as an assistant, transforming the space into a hub of creative dissent and interdisciplinary exchange that spilled into Istanbul's broader contemporary art scene during the 2000s.

We’ve Been at the Tapestry Studio Since the 90s

An exhibition at Salt Beyoğlu titled 'We’ve Been at the Tapestry Studio Since the 90s' explores the art education practices of the Tapestry Studio, part of the Painting Department at Mimar Sinan Fine Arts University (MSGSÜ). The show presents a collage of collective productions, individual works, archival materials, and personal testimonies from artists who have passed through the studio, tracing its physical and conceptual evolution since its founding in the early 1990s. It highlights the studio's unique pedagogical approach, which combines tapestry weaving with contemporary art, collaborative learning, and open programs that challenge academic hierarchies and gendered norms.

Colorado art exhibition showcases creative expressions of Long COVID, advocates for research and treatment

A new exhibition at the Artworks Center for Contemporary Art in Loveland, Colorado, titled "And Still It Remains," showcases 24 works by 15 artists living with or impacted by Long COVID. The show includes a collaborative tapestry project by artist Heather Schulte called "Stitching the Situation," which documents U.S. COVID-19 cases and deaths with blue and red stitches. The exhibition was organized by artist and nurse Sally Hartshorn, who aimed to provide a creative outlet for those affected by the condition.

2026 Downtown Spring Gallery Walk

The Iowa City Downtown District is hosting its annual Spring Gallery Walk, a self-guided tour featuring local art and special exhibitions across various downtown venues. Key participants include the Stanley Museum of Art, which is hosting a grand opening reception for two new exhibitions, and the UI Main Library Gallery, which is presenting a retrospective on conductor James Dixon. The event also features community-created works at the UI Museum of Natural History.

Karin Skiba’s 50-Year Retrospective at the Hi-Desert Artists Gallery holds opening reception tonight (5/17)

Karin Skiba's 50-year retrospective, titled "Tapestries, Paper, and Paint," opens May 17 at the Hi-Desert Artists Gallery in Yucca Valley during the Yucca Valley Artwalk. The exhibition runs through June 16 and features large-scale collages of Detroit's decaying architecture, fictional portraits of women, and works layered with beads and symbolic feathers. Skiba, who spent over 20 years teaching in the community college system and helped establish the gallery at Norco College, describes art-making as integral to her identity.