Moffat Takadiwa’s Scrounged Sculptures Confront Africa’s ‘Colonial Hangover’

Zimbabwean artist Moffat Takadiwa transforms discarded consumer waste—including computer keys, toothbrush heads, and plastic combs—into intricate, tapestry-like sculptures. His latest solo exhibition, "The Crown!" at Semiose in Paris, features large-scale works foraged from landfills in Harare’s Mbare neighborhood. These meticulously sorted and woven objects create organic patterns that mask their industrial origins, forcing a confrontation with the physical reality of global overconsumption.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.

Racheal Crowther review – unnerving installation attacks your mind … and your nostrils!

London-based artist Racheal Crowther has transformed the Chisenhale Gallery into a sensory-heavy, paranoid environment for her first institutional solo exhibition. The installation centers on a decommissioned U.S. military mobile health unit, once used during the 2018 Novichok decontamination efforts, set against walls painted in "drunk tank pink." The experience is defined by an aggressive olfactory component—a chemical cocktail of powdered milk scents and hexadecanal, a molecule found on infants' heads known to manipulate human aggression.

Artist Offers Haunting Meditation on the 2025 L.A. Fires for the Whitney Biennial

Artist Kelly Akashi has created a major installation for the 2026 Whitney Biennial titled 'Monument (Altadena)', a 13-foot-tall chimney and walkway made of clear glass bricks. The work is a direct response to the 2025 Los Angeles wildfires, which destroyed her home and studio, leaving only the original brick chimney standing. She collaborated with mason Christian Inga to meticulously reconstruct this remnant in a new, spectral form.

Aki Sasamoto Serves It Hot From the Griddle

Artist Aki Sasamoto has opened a new solo exhibition at Studio Voltaire in London. The show features her signature blend of performance and sculptural objects, with the central motif emerging from a beach-house grill, grounding the work in personal narrative and physical process.

Polygon Gallery exhibition features 'one of the most important artists working in Canada'

The Polygon Gallery in North Vancouver has launched "Photolithics," a major exhibition by Secwépemc and Scottish-settler artist Tania Willard. The show features a decade of Willard’s work, including monumental recreations of historical postcards on sandpaper and photographs viewed through ulexite crystals. The exhibition utilizes innovative installation techniques, such as a traditional kekuli structure, to recontextualize archival imagery and explore the intersection of geological time and Indigenous history.

Pinakothek in Munich Returns Nazi-Looted Painting by Lesser Ury to Jewish Heirs

The Pinakothek museums in Munich have restituted a painting by German-Jewish Impressionist Lesser Ury to the heirs of its original owner, Berlin banker Curt Goldschmidt. The work, 'Interior with Children (The Siblings),' was sold at a forced auction in the 1930s after the Goldschmidt family bank collapsed under Nazi economic policies.

LEONORA CARRINGTON THE VITRUVIAN WOMAN IN LUXEMBOURG

The Musée du Luxembourg in Paris has opened the first major exhibition in France dedicated solely to the work of surrealist artist Leonora Carrington. Titled 'The Vitruvian Woman,' the show presents 126 works and frames Carrington as a model of innovation and harmony, a deliberate counterpoint to Leonardo da Vinci's 'Vitruvian Man.' It explores her artistic journey from her Celtic origins and discovery of Italian Renaissance art to her pivotal involvement with Surrealism in France and her final years in Mexico.

The Sistine Chapel Is Coming to a Mall in Suburban New Jersey

A traveling exhibition featuring high-definition, full-scale replicas of Michelangelo's Sistine Chapel frescoes is opening for an indefinite run at the Westfield Garden State Plaza mall in Paramus, New Jersey. The show, "Michelangelo's Sistine Chapel: The Exhibition," presents all 34 ceiling and altar masterpieces using advanced printing techniques, allowing visitors to view the works up close without the crowds and time constraints of the Vatican.

5 exhibitions in Provence for the 100th anniversary of Fragonard, the historic perfume house

5 mostre in Provenza per i 100 anni di Fragonard, la storica maison di profumi

The historic French perfume house Fragonard is preparing to celebrate its centenary in 2026 with a series of five exhibitions in Provence. Founded in 1926 by Eugène Fuchs and named in honor of the Rococo painter Jean-Honoré Fragonard, the maison has evolved into a significant cultural patron under the leadership of the Costa family. The upcoming celebrations highlight the family's extensive private collections, which span ancient perfume artifacts, traditional Provençal costumes, and fine art, housed across several free public museums in Grasse, Paris, and Arles.

Crown's New Art Project

Crown Equipment has announced the construction of the Modern Aboriginal Art Museum in New Bremen, Ohio, a 23,700-square-foot facility scheduled to open in late 2026. The museum will house one of North America’s largest collections of contemporary Australian Aboriginal art, featuring over 100 paintings and sculptures. The project stems from the company’s 60-year business history in Australia and follows the philanthropic model of Crown’s previous local cultural investments.

Review: “Boris Lurie: Nothing To Do But To Try” at the Holocaust Museum Houston

The Holocaust Museum Houston is currently hosting "Boris Lurie: Nothing To Do But To Try," an exhibition focusing on the early works of the Holocaust survivor and NO!art movement founder. Organized by the Museum of Jewish Heritage, the show highlights Lurie’s "War Series," featuring paintings, drawings, and never-before-seen ephemera created as a means of processing the trauma of his imprisonment in camps like Buchenwald. The works, ranging from the immediate post-war period to decades later, serve as a visceral record of memory and loss, including tributes to his family members murdered in the Rumbula Forest massacre.

'Epic in scale': APY Lands exhibition opens at NGA after three-year delay

The National Gallery of Australia has officially opened 'Ngura Puḻka — Epic Country,' a landmark exhibition featuring 30 large-scale paintings by 49 First Nations artists from the APY Lands. The show, which features works predominantly measuring three-by-three meters, highlights the Tjukurpa (lore and ceremony) of the Aṉangu Pitjantjatjara Yankunytjatjara regions. The opening follows a significant three-year delay caused by an independent investigation into allegations of improper interference by non-Indigenous staff.

Ward Nichols Opening at Wilkes Art Gallery is April 17

The Wilkes Art Gallery in North Wilkesboro, North Carolina, is hosting a career-spanning exhibition titled “From Reality to Realism, A Lifetime Perspective,” featuring the works of veteran artist Ward Nichols. The opening reception on April 17 will include a jazz performance and an indoor/outdoor celebration that involves the closure of Ward Nichols Way, a street recently renamed in the artist's honor.

Painting from Elmhurst U. Collection Tours Prestigious Museums

Elmhurst University’s painting "Tree at Aledo" by Gertrude Abercrombie is currently on a national tour as part of the retrospective exhibition "Gertrude Abercrombie: The Whole World Is a Mystery." The work is presently on display at the Milwaukee Art Museum following stops at the Carnegie Museum of Art and the Colby College Museum of Art, with a final scheduled stop at the Norton Museum of Art through early 2027.

Master metalsmith David Secrest featured in new exhibit

The Wanda Hollensteiner Art Gallery in Kalispell is hosting a new exhibition titled "David Secrest: The Unprejudiced Silence of Things that Are," running through May 23. The show features the work of the Somers-based master metalsmith, whose four-decade career spans forged iron, fabricated steel, bronze, and woodworking. Secrest, who was named a "Master Metalsmith" by the Metal Museum in 2017, is recognized for a visual language that blends natural forms with rigorous material manipulation.

A Paris exhibition spotlights Estonian women artists

The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.

UK Museum hosts first solo exhibition by Bangladeshi artist Soma Surovi Janat, supported by the British Council

The Ashmolean Museum in Oxford has launched "Climate Culture Care," the first solo exhibition by a Bangladesh-based artist in a UK museum, featuring the work of Soma Surovi Jannat. Developed during her residency at the institution, the show includes approximately 40 works, ranging from intricate drawings on paper to a 30-foot-long scroll and an ephemeral site-specific wall drawing. The exhibition is part of the Ashmolean NOW series, which tasks contemporary artists with creating new interventions inspired by the museum’s historical and archaeological collections.

An Important Urbino Maiolica Basin for the Clark

Un important bassin en majolique d'Urbino pour le Clark

The Clark Art Institute in Williamstown has acquired a significant 16th-century Urbino maiolica basin from the gallery Camille Leprince following its display at TEFAF. Attributed to the workshop of Orazio or Flaminio Fontana, the trilobed basin features intricate historiated scenes from the life of Joseph and elaborate grotesque decorations. The piece was a highlight of the fair and is accompanied by extensive research regarding its complex provenance.

Heirs to the Bic Empire Say They’ve Been Robbed of a Renaissance Masterwork

The heirs to the Bic pen fortune, Gonzalve, Charles, and Guillaume Bich, have filed a lawsuit alleging a 15th-century masterpiece by Fra Angelico was stolen from their family. They claim the painting, 'Saint Sixtus,' was taken by their father's chauffeur in 2006 and sold to art dealer Richard Feigen, who later sold it to Chilean collector Alvaro Saieh in 2018. The heirs are now suing Saieh to reclaim the artwork and seeking the return of sale proceeds from Feigen's estate.

Two Exhibits, Four Artists and a Lot to Think About

The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.

Chrome, Canvas, Cultura: Art On Main’s Chicano Exhibition Redefines East Dallas Experience

Art on Main in East Dallas is hosting "Chicano," a massive group exhibition featuring 79 works by 58 artists from the Dallas-Fort Worth area and beyond. Curated by Junanne Peck and Ariel Esquivel, the show spans painting, photography, metal sculpture, and printmaking to explore themes of identity, resilience, and the lived experiences of the Mexican-American community. Highlights include Rodrigo Paredes’ tribute to street vendors and Lisa Batchelder’s surrealist explorations of her Oak Cliff upbringing.

Stephan Balkenhol New Bronze Sculptures 2026 - Man in a White

German sculptor Stephan Balkenhol has unveiled two new hand-painted bronze editions, "Man in a White Shirt and Black Pants 2026" and "Venus 2026." Released in editions of 30 and standing 68 cm tall, the works are being showcased and sold through Frank Fluegel Galerie across its Nuremberg and Kitzbühel locations. The release coincides with the artist's participation in the Art Cologne Palma de Mallorca Fair and precedes his 70th birthday in 2027.

The portrait

López de la Serna CAC has launched a collective exhibition exploring the evolution of portraiture through the works of four major contemporary artists: Francesco Clemente, Alex Katz, David Salle, and Henry Taylor. The exhibition moves beyond traditional representation to examine how identity is constructed in the postmodern era, utilizing diverse approaches ranging from Clemente’s mystical pastels and Katz’s flat, vibrant aesthetics to Salle’s fragmented collages and Taylor’s socially conscious figuration.

A New Roubiliac Enters the Louvre

Un nouveau Roubiliac entre au Louvre

The Musée du Louvre has acquired a bronze bust of the poet Alexander Pope by the 18th-century sculptor Louis François Roubiliac. The work was purchased via private treaty through Sotheby’s after failing to find a buyer during the Manny Davidson collection sale, despite an estimate of €60,000 to €80,000. This acquisition strengthens the museum’s modest but significant collection of non-French European sculpture and is expected to go on public display in the coming weeks.

Two Bouchers for the Prado

Deux Boucher pour le Prado

The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.

'I’m interested in breaking binaries, barriers and boundaries': Sarah Rosalena on her new LACMA commission

Artist Sarah Rosalena has completed a monumental 27-foot tapestry titled "Threading the Boundless: Omnidirectional Terrain" (2025), commissioned for the Los Angeles County Museum of Art’s (LACMA) new David Geffen Galleries. The work utilizes an industrial-scale jacquard-rapier loom to weave complex patterns that distort NASA satellite imagery of Earth and Mars. By blending her Wixárika maternal weaving traditions with computational craft, Rosalena transforms scientific data into a tactile, atmospheric landscape that challenges traditional methods of planetary mapping.

Dresden museum wins Tefaf award for Rubens restoration

The Gemäldegalerie Alte Meister in Dresden has received the Tefaf Museum Restoration Fund award for its ongoing restoration of Peter Paul Rubens's 17th-century painting 'The Boar Hunt'. The project involves removing discolored 19th-century varnish and undoing damaging 19th-century stabilization attempts that caused cracks in the wooden panel, aiming to reveal the work's original dynamism and palette.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.