Un Degas pour Londres
The National Gallery in London has acquired a pastel by Edgar Degas through the UK's 'acceptance in lieu' scheme, which allows heirs to settle inheritance taxes by transferring important works of art to public collections. The artwork depicts ballet dancers not in performance, but in a state of exhaustion and idleness backstage, capturing a raw, unglamorous moment.
Christie's is holding its 20/21 auction week in New York from May 9–22, 2026, featuring seven live auctions and two online sales at its Rockefeller Center galleries. Highlights include the dedicated sale "MASTERPIECES: The Private Collection of S.I. Newhouse" (led by Constantin Brancusi's *Danaïde* and Jackson Pollock's *Number 7A, 1948*), the Impressionist and Modern Art Day Sale, and "Defined Space: The Collection of Henry S. McNeil, Jr.," which focuses on Minimalist works by Donald Judd and Dan Flavin. Other consignors include prominent collectors Agnes Gund, Marian Goodman, and Joanna Carson. The public can view works for free from May 9–21.
Poly Auction Hong Kong has announced its Spring 2026 auction series, scheduled to take place from April 6 to April 8 at the Shun Tak Centre. The sales feature a diverse array of categories including Modern and Contemporary Art, Chinese Ceramics, Chinese Paintings, and High Jewelry and Watches. Highlighting the contemporary selection is Liu Wei’s 1995 masterpiece "You Like Pork?", a rare work previously exhibited at the Venice Biennale, alongside a significant 1960s "White period" abstract canvas by Zao Wou-Ki.
Max Liebermann's painting *Two Riders on a Beach* (1901), recently restituted to the Rosenburg family from the Cornelius Gurlitt hoard, will be auctioned at Sotheby's in London on June 24, with an estimated price of up to £500,000 ($850,000). The work is one of the first two artworks returned from the trove discovered in Gurlitt's Munich apartment in 2012; the other, Henri Matisse's *Woman with a Fan* (1932), was also handed back to the Rosenburg family last week.
The article critiques the current art market frenzy in New York, where fairs and auctions dominate the scene, and argues that the relationship between art and money is being misrepresented in mainstream media. It cites recent op-eds by David Brooks, Tyler Cowen, and Matthew Yglesias, who suggest that wealth inequality benefits artists by boosting the financial returns of fine art. The author counters that these commentators conflate the art market with artists' livelihoods, ignoring the precarious reality most artists face.
Telfair Museums will present "Impressionism and Modernity: French and American Painting" at the Jepson Center for the Arts from May 15 through August 16, 2026. Organized for the museum's 140th anniversary, the exhibition brings together Telfair's collection of American Impressionist works with key French Impressionist paintings from the National Gallery of Art, Washington, D.C., featuring artists such as Edgar Degas, Alfred Sisley, and Vincent van Gogh. The show explores Impressionism's origins in France, its transatlantic influence, and its impact on American art and identity, with works addressing themes of modern life, leisure, the city, and nostalgia for nature.
The third edition of the Napoli Gallery Weekend is scheduled for May 22–24, 2026, spanning the Chiaia district and the historic center of Naples. This year’s key development is the formation of an association of organizing galleries—Acappella, Alfonso Artiaco, Andrea Ingenito Contemporary Art, Galleria Fonti, Gallerie Riunite, Galleria Tiziana Di Caro, Studio Trisorio, and Umberto Di Marino—aiming to coordinate openings, exhibitions, and special visits while strengthening the city’s contemporary art scene. Highlights include shows by Valentina Artone, Adam Pendleton and Antoni Tàpies, David Bowes, Edoardo Aruta, Martin Kippenberger at Galerie Gisela Capitain’s Naples space, Salvatore Emblema and Luisa Lambri, and a geopolitical group exhibition titled "Global Folklore."
The Art Gallery of South Australia is set to launch a new exhibition titled 'MONET TO MATISSE: DEFYING TRADITION,' which will feature works by iconic modern artists such as Claude Monet and Henri Matisse. The show aims to highlight how these artists broke away from conventional artistic norms to pioneer new movements in art history.
London gallery owner Patrick Matthiesen consigned a Gustave Courbet painting, *Mother and Child on a Hammock* (1844), to the Nicholas Hall Gallery in New York for Tefaf Maastricht 2023, listed at $650,000. After it failed to sell, Matthiesen was contacted by a man calling himself Thomas Doyle (also A.J. Doyle), who claimed to be a former US Air Force pilot, government contractor, and art dealer with family ties to Doyle Auctions. Despite Doyle having 11 prior fraud convictions—including stealing a bronze Degas statue in 2007—Matthiesen was convinced by artworks Doyle sent for inspection, including works attributed to El Greco, Rubens, and a Michelangelo drawing. In 2024, Doyle borrowed the Courbet to show a potential buyer and never returned it. Doyle has now been arrested for the theft.
Carol Jacobi, curator of a new exhibition at Tate Britain in London, aims to reframe the legacy of James McNeill Whistler (1834-1903), an artist often reduced in public memory to his 1877 libel lawsuit against critic John Ruskin. The show, the UK's first full Whistler survey since 1994, highlights his prolific output, evolving style, and belief that art should seek "a more fundamental beauty" beyond mere impression. It brings together many of his celebrated nocturnes and, for the first time, his sketchbooks, though the infamous Nocturne in Black and Gold: The Falling Rocket (1875) could not be loaned.
The Musée d'Orsay in Paris has opened a permanent gallery dedicated to artworks believed to have been looted by the Nazis from Jewish owners during World War II, but whose rightful owners have not been identified. The exhibition, titled "Who owns these works?", features a rotating selection of 225 such pieces held by the museum, with twelve paintings and one sculpture currently on display. Works by Renoir, Degas, Rodin, and Alfred Stevens are included, alongside provenance research detailing their murky histories—such as a Degas ballroom scene acquired by a Jewish collector later murdered at Auschwitz.
The article traces the history of the Van Gogh Museum in Amsterdam, from its origins in the efforts of Johanna van Gogh-Bonger—who preserved Vincent van Gogh's works after his death—to its official opening in 1973 by Queen Juliana. It describes the museum's location on Museum Square, its two-part building designed by Gerrit Rietveld and Kisho Kurokawa, and its role as a major tourist attraction that drew nearly two million visitors in 2024.
The Sainsbury Centre in Norwich, one of England's greatest art galleries, has received a £91.2 million donation from the Gatsby Charitable Foundation, created by David Sainsbury. The funds will finance a major refurbishment of the Grade II-listed building, originally designed by Norman Foster in 1978, including structural repairs, energy efficiency upgrades, and enhanced visitor amenities. The centre houses a renowned collection featuring works by Picasso, Degas, Bacon, Moore, and Lalique.
Christie’s New York kicked off its 20th and 21st Century Art sales week on 18 May 2026 with a record-shattering evening, generating over $1.12 billion across two sales: Masterpieces: The Private Collection of S.I. Newhouse and the 20th Century Evening Sale. The top lot was Jackson Pollock’s *Number 7A, 1948*, which sold for $181.2 million, setting a new auction record for the artist. Other artist records were set for Constantin Brancusi, Joan Miró, Alice Neel, and Mark Rothko. The S.I. Newhouse collection alone achieved $631 million, selling 100% of lots, and its cumulative total across four Christie’s sales reached $1.05 billion, making it the second-highest collection ever sold at auction after Paul Allen’s.
The 2026 Met Gala, held at the Metropolitan Museum of Art under the theme 'Costume Art,' featured Black celebrities and socialites interpreting the human form as art on the red carpet. Notable attendees included Beyoncé in a skeletal silver gown by Olivier Rousteing, Colman Domingo inspired by Jean-Michel Basquiat, Rihanna in a custom Maison Margiela 'living sculpture' by Glenn Martens, and Venus Williams co-chairing the event while wearing a look referencing her own portrait by Robert Pruitt. Others like SZA, Tschabalala Self, and Cardi B offered surreal or literal nods to art history and body imagery.
The Birmingham Museum of Art (BMA) has opened its presentation of the traveling exhibition "Monet to Matisse: French Moderns, 1850–1950," which features over 100 masterworks from the Brooklyn Museum. Uniquely, the BMA version includes more than 40 additional works from its own collection, among them paintings by two Black American artists—Henry Ossawa Tanner and Charles Ethan Porter—who lived and worked in France during the period. Curator Dr. Maggie Crosland emphasized the importance of including these artists to highlight the contributions of Black Americans to French modernism, especially given the political climate that drove many to Paris between 1850 and 1950.
The Musée d’Orsay in Paris has opened a new gallery dedicated exclusively to artworks suspected of being looted or forcibly sold during the Nazi occupation of France. Among the 13 works on display is Edgar Degas's *Dinner at the Ball* (1919), originally owned by Jewish collector Fernand Ochsé, who was deported to Auschwitz with his wife in 1941. The painting passed through multiple hands before being identified as one of over 100,000 artworks plundered by the Nazis. The museum has assembled a team of six provenance researchers to spend three years tracing the original owners of these works, which are part of the "MNR" (Musées nationaux récupération) collection—some 2,200 pieces deemed too important to sell but whose owners remain unknown.
TIME magazine has named the Princeton University Art Museum to its 2026 list of World's Greatest Places, specifically in the 'Places to Visit' category. The museum, which opened in October 2025 on the Princeton University campus, features a new 146,000-square-foot building with 32 galleries designed by Adjaye Associates. Its collection spans over 5,000 years of global art, including works by Rodin, Manet, Monet, Degas, Kandinsky, and Andy Warhol, alongside contemporary commissions by artists such as Diana Al-Hadid and a monumental Nick Cave mosaic at the entrance.
The Metropolitan Museum of Art's Costume Institute will open its latest fashion exhibition, "Costume Art," in a new gallery space adjacent to the Great Hall, formerly the museum's gift shop. Curated by Andrew Bolton, the show features 400 objects from the permanent collection, organized thematically around the dressed body—exploring the naked, classical, anatomical, and mortal body—rather than chronologically. The exhibition aims to connect artistic representations of the body with fashion as an embodied art form.
Between 1874 and 1886, a group of avant-garde artists in Paris—including Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Berthe Morisot—organized eight independent exhibitions as a rebellion against the government-sponsored Salon. Rejected by the Salon's conservative jury, which favored academic standards, these artists pooled resources to stage their own shows, initially held at photographer Nadar's atelier on the boulevard des Capucines. The exhibitions had fluctuating lineups and varied titles, and the term "Impressionist" was only applied retrospectively by art historians in the 20th century.
Frederik Meijer Gardens & Sculpture Park will host a major exhibition of Dale Chihuly's work from May 2 to November 1. The expansive show, titled 'CHIHULY at Meijer Gardens,' will feature large-scale installations across 12 outdoor locations on the 158-acre campus, complemented by indoor gallery displays, making it the largest Chihuly exhibition in the institution's history.
The Metropolitan Museum of Art in New York will open a major exhibition titled "Musical Bodies" on June 7, 2026. The free exhibition will feature over 130 objects, including musical instruments, paintings, sculptures, and drawings, to explore the 4,000-year relationship between musical instruments and the human body. It will be organized into six thematic sections and includes items from ancient Egyptian rattles to a guitar owned by Prince.
The Metropolitan Museum of Art in New York is set to launch 'Musical Bodies' on June 7, an ambitious exhibition featuring over 130 objects that explore the historical and aesthetic links between musical instruments and the human form. The show integrates a diverse array of items, including Antonio Stradivari’s 1693 ‘Gould’ violin, ancient Egyptian rattles, and contemporary artifacts like one of Prince’s guitars, alongside masterworks by Titian and Degas.
The article explores the perennial struggle artists face in determining when a work is complete, a process often fraught with the risk of overworking or 'wrecking' a piece. Drawing on insights from Howard Hodgkin and David Sylvester, it examines how artists like Degas, Matisse, and Cézanne navigated the boundary between a finished object and a work-in-progress, sometimes intentionally leaving canvases 'open' or 'fragmentarily complete' to preserve their emotional and visual immediacy.
The Birmingham Museum of Art (BMA) opens "Monet to Matisse: French Moderns, 1850–1950" on January 30, featuring over 100 masterworks from iconic artists including Monet, Matisse, Cézanne, Cassatt, Degas, Renoir, and Pissarro. The traveling exhibition, curated by the Brooklyn Museum, has been significantly expanded by BMA with over 40 works from its own collection, making it a unique venue on the tour. The show runs through May 24 and coincides with the museum's 75th anniversary, with thematic sections on Landscape, Still Life, Portraits and Models, and The Nude.
Two winter exhibitions at the Los Angeles County Museum of Art (LACMA) will highlight the institution's Impressionist and Postimpressionist holdings. Opening December 21, 2025, "Collecting Impressionism at LACMA" traces the evolution of the museum's collection through early donations of California and American Impressionist works, strategic acquisitions, and recent gifts including Claude Monet's *The Artist’s Garden, Vétheuil* (1881) and Vincent van Gogh's *Tarascon Stagecoach* (1888). A second exhibition, "Village Square: Gifts of Modern Art from the Pearlman Collection to the Brooklyn Museum, LACMA, and MoMA," opens February 22, 2026, featuring nearly 50 works by artists such as Paul Cézanne, Edgar Degas, and Édouard Manet from the Henry and Rose Pearlman Collection. After LACMA, the Pearlman works will travel to the Brooklyn Museum and later to the Museum of Modern Art.
The Denver Art Museum has opened a new exhibition titled “The Honest Eye: Camille Pissarro’s Impressionism,” organized in collaboration with the Museum Barberini in Potsdam, Germany. The show brings together over 100 paintings and objects from nearly 50 international museums and private collections, highlighting Pissarro’s role as a foundational Impressionist. The exhibition’s title comes from a letter in which Pissarro described his artistic approach as “honest,” emphasizing a realistic, detail-oriented style that contrasted with the more radical tendencies of his peers. Works on view include “Lordship Lane Station, East Dulwich” (1871) and “The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise” (1876), which showcase his nuanced use of color and texture, as well as his engagement with social and political themes.
Myles Connor, an experienced career criminal, stole Rembrandt's "Portrait of Elsbeth van Rijn" from the Museum of Fine Arts, Boston on April 14, 1975, using the painting as leverage in another crime. In his new book "The Rembrandt Heist," Anthony Amore—director of security at the Isabella Stewart Gardner Museum—analyzes Connor's motivations and methods, presenting five key takeaways from the heist.
Harvard Art Museums has opened a fall exhibition titled “Sketch, Shade, Smudge: Drawing from Gray to Black,” featuring around 120 works from the 19th to 21st centuries by artists including Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat. The show focuses on drawings in chalk, charcoal, graphite, and crayon, curated by conservator Penley Knipe and curator Miriam Stewart, who spent over a year selecting rarely seen pieces from the museum’s collection. Highlights include a fragile Degas charcoal drawing, “After the Bath, Woman Drying Herself,” which underwent conservation treatment, and a display of materials such as a box of vine charcoal owned by Sargent. The exhibition also features videos of the curators experimenting with historical techniques, like erasing with bread, and includes a hands-on drawing area styled after a 19th-century academic studio.
The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.