Choreographer Michael Clark's 2003 work *Satie Studs* was revived as part of the live event programme for Peter Doig's exhibition *House of Music* at London's Serpentine Galleries. Dancer Jules Cunningham performed the minimalist solo, set to Erik Satie's piano preludes, showcasing controlled, precise movements that distilled ballet and yoga poses into a stark, deliberate sequence.
The David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) will open to the public on Sunday, May 3, after 20 years of development. Designed by architect Peter Zumthor, the 900-foot-long horizontal glass and concrete structure overlooks the La Brea Tar Pits and stretches over Wilshire Boulevard. The main floor, elevated 30 feet above street level, offers 110,000 square feet of gallery space for LACMA’s permanent collection. The inaugural exhibition is inspired by four major bodies of water—the Pacific, Indian, and Atlantic oceans, and the Mediterranean Sea—and features works by artists including Todd Gray, Do Ho Suh, Lauren Halsey, Tavares Strachan, Jeff Koons, and Diego Rivera. The building also includes open plazas, an outdoor public space, and an Erewhon Cafe, with a larger restaurant and wine bar planned for fall 2026.
Austrian artist Valie Export, a pioneering feminist performance and media artist, died on May 14, three days before her 86th birthday. Her death was confirmed by Thaddaeus Ropac Gallery. Export, born Waltraud Lehner in 1940, rejected traditional domestic roles and adopted her iconic all-uppercase name from a cigarette brand. She created guerrilla-style performances and films that directly confronted the male gaze and patriarchal society, often using her own body as a medium. Key works include “Genital Panic” (1968), in which she walked through a Munich cinema in crotchless pants, and “Tapp und Tastkino (Tap and Touch Cinema)” (1968), where she invited strangers to touch her bare breasts through a stage strapped to her chest.
Performa, the New York City-based nonprofit dedicated to performance art, is hosting a one-night-only variety show fundraiser on June 10 at Midtown's Town Hall theater. The cabaret-style event will feature 12 acts blending comedy, dance, music, and acrobatics, with participants including visual artists Barbara Kruger, Laurie Simmons, and Marcel Dzama, performance artist Anne Imhof, dancer Yvonne Rainer, actor Julio Torres, and musicians Slauson Malone, Precious Renee Tucker, and Lonnie Holley. The fundraiser supports Performa's biennial, which takes place every other November.
Cultured magazine surveyed 30 New York-based artists to find out where they hang out in 2026, as affordable and easy gathering places have become scarce. The responses range from iconic spots like the Rose Reading Room at the New York Public Library and the Metropolitan Museum of Art to more offbeat locales such as a karaoke bar on Bowery, a Cantonese noodle house in Chinatown, and a church hosting vogue sessions. Artists including Coco Klockner, Jamian Juliano-Villani, Tiffany Sia, Amanda Ba, Lucy Bull, and others share their personal favorites, highlighting a diverse mix of libraries, restaurants, bars, and community spaces.
Cultured magazine pairs three artists with three independent fashion designers to mark the reopening of the New Museum on March 21, 2026, following a 60,000-square-foot expansion by OMA. In this installment, Serbian sculptor Ivana Bašić, whose work *Blossoming Being #2* appears in the inaugural exhibition “New Humans: Memories of the Future,” meets designer Claire Sullivan of Miss Claire Sullivan. Their conversation covers their New York origin stories, the city’s affordability crisis, and the challenges of making a creative life in the city.
Carlos Soto, a set and costume designer known for his emotionally charged and essentialist approach to theater, is profiled in a feature that traces his career from a childhood encounter with Robert Wilson to collaborations with Solange, Marina Abramović, and Philip Glass. Soto discusses his recent production of Robin Hood at Zurich's Schauspielhaus, where he fused Japanese Noh theater masks with animal memes to create costumes that blur the line between human and beast. The article highlights his uncompromising vision, his early apprenticeship under Frida Parmeggiani at the Met, and his decision to drop out of Pratt Institute to pursue hands-on learning.
EJ Hill's new endurance performance, "Yearning for an Absolute" (2025), is on view at 52 Walker in Tribeca through September 13, 2025. For the duration of the exhibition, the 40-year-old Black queer artist kneels every day, all day, within a red velvet enclosure, referencing Catholic devotional practices, saintly mortifications, and his own history of durational works like "Excellentia, Mollitia, Victoria" (2018) at the Hammer Museum's "Made in LA" biennial. The installation also includes red leather kneelers for sale, framed kneeler pad paintings marked with the artist's indentations, and a neon rectangle reminiscent of Dan Flavin's church installation.
On Tuesday, Gucci, CULTURED magazine, and Anna Freedman hosted a cocktail party at the Gucci Aspen boutique to celebrate the Anderson Ranch Summer Series, curated by CULTURED Editor-in-Chief Sarah Harrelson for the second consecutive year. The event honored artist Kelly Akashi and MoMA PS1 Chief Curator Ruba Katrib, who will lead upcoming conversations in the series. The boutique was transformed into an intimate salon, with guests including collectors, museum curators, and patrons mingling over champagne and hors d'oeuvres, while a violin performance set the tone for the evening.
Dans l’atelier d’Abdelkader Benchamma, cartographe des mondes invisibles
French-Moroccan artist Abdelkader Benchamma is preparing for his upcoming solo exhibition, "Signs and Wonders," at Galerie Templon in Paris. Working from his sun-drenched studio in Montpellier, Benchamma has transitioned from his signature black-and-white ink drawings to large-scale canvases that incorporate celestial blues and earthy mineral tones. The new body of work draws inspiration from 15th and 16th-century manuscripts, specifically the Kitab al-Bulhan and the Book of Miracles, creating a "giant book" of visual narratives that blur the lines between abstraction and figuration.
The National Gallery of Victoria (NGV) has secured its position as Australia’s most visited art museum, ranking 25th globally in The Art Newspaper’s 2025 attendance report. The institution welcomed over 3 million visitors across its two Melbourne locations, bolstered significantly by a record-breaking Yayoi Kusama retrospective that drew 570,537 attendees. This blockbuster exhibition became the most popular ticketed show in the gallery's history, attracting international celebrities and a high percentage of overseas tourists.
Sotheby’s kicked off the spring auction season in London with a Modern and Contemporary Evening Sale that generated £131 million ($177.4 million) including fees. The auction saw a high 98 percent sell-through rate, bolstered by the sale of four significant works from the collection of financier Joe Lewis. The top lot was Francis Bacon’s 1972 "Self-Portrait," which fetched £16.03 million, while a new auction record was established for Leon Kossoff.
Sotheby’s Modern and contemporary evening sale in London signaled a resilient recovery for the UK art market, totaling £131 million with fees and achieving a 98% sell-through rate. Despite geopolitical tensions and post-Brexit economic concerns, the auction room was notably crowded, driven by high-profile works from the collection of billionaire Joe Lewis. The evening's top lot was a 1972 Francis Bacon self-portrait, which sold for £16 million, while a major painting by Leon Kossoff shattered the artist's previous auction record.
ART SG, Southeast Asia's leading contemporary art fair, returns to the Sands Expo and Convention Centre at Marina Bay Sands from 23–25 January 2026, with previews on 22 January. The fair features three core sectors—Galleries, Focus, and Futures—and for the first time co-presents S.E.A. Focus, curated by John Z.W. Tung with artistic consultation by Emi Eu, themed 'The Humane Agency'. Highlights include Melati Suryodarmo's performance 'I Love You' (2007) from the UBS Art Collection, presented in the UBS Art Studio, with a re-performance and artist talk. Singapore Art Week runs concurrently from 22–31 January 2026, offering exhibitions, installations, and performances across the city, including a collaboration between Rockbund Art Museum and ART SG at The Warehouse Hotel.
Fairfield University Art Museum will open a major loan exhibition titled "For Which It Stands…" on January 23, 2026, running through July 25, 2026, as part of the university's commemoration of the 250th anniversary of the United States. The exhibition features over 70 works by diverse artists from the early 20th century to the present day, all centered on depictions of the American flag, including pieces by Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, Julie Mehretu, Childe Hassam, and a new textile sculpture by Maria de Los Angeles commissioned for the show. Works are lent by private collectors, artists, galleries, and institutions such as the Delaware Art Museum, Yale University Art Gallery, and the Gordon Parks Foundation.
The Metropolitan Museum of Art's Costume Institute has announced the co-chairs for the 2026 Met Gala, scheduled for May 4, 2026. Pop superstar Beyoncé, actor Nicole Kidman, tennis legend Venus Williams, and Vogue editor-in-chief Anna Wintour will serve as co-chairs of the annual benefit. The host committee includes fashion designer Anthony Vaccarello, actor Zoë Kravitz, and a roster of celebrities and artists such as Sabrina Carpenter, Doja Cat, and artist Anna Weyant. The gala will support the Costume Institute's exhibition "Costume Art" (May 10, 2026–January 10, 2027), which will inaugurate the new Condé M. Nast Galleries. The exhibition pairs 200 artworks from the Met's collection with 200 garments, exploring the relationship between the dressed body and Western art. Lauren Sánchez Bezos and Jeff Bezos are sponsoring the event.
Artsy Editorial explores the complexities of collecting performance art, explaining that ownership typically involves acquiring documentation, scores, or rights to reactivate a performance rather than the live event itself. The article outlines how artists, dealers, and collectors navigate transactions for this ephemeral medium, addressing the challenges of preservation, display, and market value.
Artsy has highlighted five emerging and established artists to watch this April, selected based on recent gallery representation, exhibition success, and market data. The list features Peruvian painter Sylvia Fernández, known for her meticulous and majestic depictions of the natural world, alongside four other artists who have made significant impacts through recent art fairs and new bodies of work.
German artist Thomas Zipp, a prominent figure in the Berlin art scene known for his dark, immersive installations, has died at the age of 60. His longtime representative, Galerie Barbara Thumm, confirmed his passing on April 4th, noting that the artist died far too soon. Zipp gained international recognition for his multidisciplinary approach, blending painting, sculpture, and performance into theatrical environments that often felt like unsettling psychological experiments.
Sotheby's May 2025 evening auctions in New York generated $433.1 million, a 132.7% increase over the same sales last spring, despite offering fewer lots. The evening featured an 11-lot sale from the collection of the late banker-turned-dealer Robert Mnuchin, which alone brought in $166.3 million, led by Mark Rothko's "Brown and Blacks in Reds" (1957) selling for $85.8 million. The main contemporary art auction, including "The Now" sale, totaled $266.8 million, with over 80% of lots guaranteed. Four works went unsold and one was withdrawn, yielding a 91% sell-through rate.
Performa, New York's biennial for performance art, is staging a one-night variety show on Broadway at Manhattan's Town Hall on June 10. The inaugural Performa All-Star Variety Show will feature artists including Barbara Kruger, Julio Torres, Marcel Dzama, Laurie Simmons, and Anne Imhoff, hosted by comedian Casey Jost. The 90-minute, 12-act event draws inspiration from 19th-century vaudeville and Futurist cabarets, offering a public spectacle outside the biennial's usual three-week format.
The 2026 Venice Biennale, titled “In Minor Keys,” features numerous artworks that mourn and memorialize the destruction of Gaza, despite censorship pressures. The main exhibition opens with a poem by slain Palestinian poet Refaat Alareer, and includes works by artists such as Theo Eshetu, Mohammed Joha, Manuel Mathieu, and Avi Mograbi that directly or indirectly address the conflict. Outside the official Biennale, South African artist Gabrielle Goliath’s performance series “Elegy” was censored by her country’s culture minister after she proposed a version honoring murdered Palestinian poet Hiba Abu Nada, leading her to present the work independently at a church in Venice.
Counterpublic, a St. Louis-based non-profit that reimagines public art, is bringing its mission to New York ahead of its third triennial, titled "Coyote Time." The organization will kick off New York art week with a party celebrating the triennial's curators and artists, including Stefanie Hessler, Jordan Carter, and Wanda Nanibush. It has partnered with Frieze New York to present a new commission and performance by Oglála Lakȟóta artist Kite at The Shed, offering a preview of the triennial. The third edition, "Coyote Time," runs from September 12 to December 12 across five main sites in St. Louis, featuring nearly 50 artists, duos, and collectives. The title derives from artist Alice Bucknell's video game-inspired commission about suspended moments, and the exhibition will explore themes of migration, identity, climate, and technology through ambitious new works and historical reinterpretations.
At the 2024 Venice Biennale, the Russian pavilion returned with festive performances and prosecco deliveries, drawing sharp criticism from observers who saw it as a propaganda effort to distract from Russia's war in Ukraine. Meanwhile, Ukraine's Kramatorsk was bombed, and protests erupted, including a Pussy Riot intervention. Biennale president Pietrangelo Buttafuoco defended Russia's and Israel's participation, rejecting preemptive bans despite open letters and appeals. European Commission investigated potential sanctions breaches, and culture ministers from Ukraine, Poland, Estonia, and Baltic states boycotted or condemned the biennale's stance, accusing it of yielding to the aggressor.
Artnet News writers highlight six standout exhibitions at the 2026 Venice Biennale, which opens to the public on May 9. Among the picks are Ei Arakawa-Nash's interactive installation "Grass Babies, Moon Babies" at the Japan Pavilion, featuring baby dolls and diaper-changing stations; Florentina Holzinger's provocative performance "Seaworld Venice" at the Austria Pavilion, involving nude performers, jet skis, and recycled wastewater; and Dayanita Singh's photographic exhibition "Archivio" at the State Archives of Venice, presenting intimate black-and-white images arranged as freestanding columns.
Max Levai, former president of Marlborough Gallery, is opening a new 7,000-square-foot flagship gallery in Chelsea this fall at 529 West 20th Street. This marks his first permanent New York space after years of operating through pop-ups and international projects. He is sharing the building with the gallery 47 Canal, run by Oliver Newton, in an arrangement where two independent galleries will coexist under one roof, sharing costs but maintaining separate programs.
Sperone Westwater, a 50-year-old New York gallery, closed at the end of 2025 amid a legal dispute between its two co-principals, Gian Enzo Sperone and Angela Westwater. Newly filed court documents reveal governance failures, financial disputes, and allegations of unpaid artists. The petition, filed in New York Supreme Court, seeks judicial dissolution of the corporation and appointment of a receiver, citing irreconcilable divisions and a breakdown in communication between the partners. Financial records show gallery revenue fell from $20 million in 2021 to $3.6 million in 2025, with losses in five of the past seven years.
Franco Vaccari, an Italian conceptual artist known for his participatory photography works, has died at 89. His death was announced by his gallery, P420 in Bologna, just four months before a retrospective of his work was set to open at Museion in Bolzano, Italy, in March. Vaccari's most famous piece, Esposizione in tempo reale n. 4, featured a photobooth at the 1972 Venice Biennale where viewers were invited to take and leave their portraits. He continued to explore themes of public and private space, information, and technology throughout his career, including later works with QR codes.
Cultured profiles Jesús Hilario-Reyes, a 29-year-old New York-based artist who describes themself as “anti-disciplinary,” working across performance, sound, video, and sculpture. Inspired by queer rave culture, migration, Western carnivals, and Puerto Rico’s hurricane-worn mangrove forests, they have performed at Documenta, the Kitchen, Gladstone Gallery, and the Museum of Contemporary Art, Chicago. In the interview, Hilario-Reyes discusses key influences from graduate school teachers, the importance of spontaneity and presence in their practice, and their underrated studio tool—an electrical die grinder.