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The Crocker Art Museum’s CEO Wants the World — and People of Sacramento — to Love His Newly Adopted City

Agustín Arteaga, the new Mort and Marcy Friedman director and CEO of the Crocker Art Museum in Sacramento, discusses his first months on the job, including extensive meetings with staff, board members, and community stakeholders. Arteaga, who previously led the Dallas Museum of Art, the Museo Nacional de Arte in Mexico City, and the Museo de Arte de Ponce in Puerto Rico, emphasizes the need to balance fundraising, donor relations, educational programming, and political transparency while maintaining the museum's relevance as the oldest art museum in the American West.

‘The Hay Wain’ to go on show in Constable's home county for the first time

John Constable's iconic painting *The Hay Wain* (1821) will be exhibited in Suffolk, the artist's home county, for the first time in 2026 as part of the 250th anniversary of his birth. The work, on loan from the National Gallery in London, will be shown at Christchurch Mansion in Ipswich from 11 July to 4 October 2026, within the exhibition *Constable: Walking the Landscape*. It will be reunited with preparatory sketches from the Ipswich collection and accompanied by loans from the Tate, the Victoria and Albert Museum, the Royal Academy of Arts, and the National Galleries of Scotland. Two additional exhibitions at Christchurch Mansion—*Constable: A Cast of Characters* and *Constable to Contemporary*—also form part of the broader Constable 250 project, which is funded by the National Lottery Heritage Fund and supported by the Weston Loan Programme.

Ackland's new exhibit displays modern art from Robertson Scholarship founder's collection

Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition, "Color Triumphant," featuring 54 modern artworks from the collection of Julian and Josie Robertson. Julian Robertson, a UNC alumnus and founder of the Robertson Scholars Leadership Program, died in 2022. The exhibition traces the evolution of modern art from the late 19th century to the present, displaying works by 33 artists including Pablo Picasso, Oscar-Claude Monet, and Frank Stella. It includes paintings, sculptures, and works on paper, and is part of a traveling exhibition that will also visit Salisbury, North Carolina; San Antonio, Texas; and Austin, Texas.

‘A love letter to drawing’

Harvard Art Museums has opened a fall exhibition titled “Sketch, Shade, Smudge: Drawing from Gray to Black,” featuring around 120 works from the 19th to 21st centuries by artists including Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat. The show focuses on drawings in chalk, charcoal, graphite, and crayon, curated by conservator Penley Knipe and curator Miriam Stewart, who spent over a year selecting rarely seen pieces from the museum’s collection. Highlights include a fragile Degas charcoal drawing, “After the Bath, Woman Drying Herself,” which underwent conservation treatment, and a display of materials such as a box of vine charcoal owned by Sargent. The exhibition also features videos of the curators experimenting with historical techniques, like erasing with bread, and includes a hands-on drawing area styled after a 19th-century academic studio.

Arts Playlist: Delaware Art Museum's 'Imprinted: Illustrating Race'

The Delaware Art Museum has opened 'Imprinted: Illustrating Race,' an exhibition co-curated by University of Delaware professor Robyn Phillips-Pendleton that examines how race and identity have been depicted in popular illustration over more than a century. The show, which previously ran at the Norman Rockwell Museum, features works from books, magazines, advertising, trade cards, posters, and even a cookie jar, tracing the evolution of racial representation in American visual culture. It includes a notable shift by Norman Rockwell, who after decades of depicting predominantly white family scenes for the Saturday Evening Post, turned to socially relevant topics like civil rights in the 1950s.

Amoako Boafo serves up a community tennis court in Ghana

Ghanaian artist Amoako Boafo has opened Backyard Community Club, a tennis training facility in Osu, Accra, featuring the country's first regulation clay court. Designed by Accra-based architecture firm DeRoche Projects, the court is enclosed by precast rammed-earth panels—also a first in Ghana—and includes shaded seating, changing rooms, and edible plants. The project offers free tennis lessons to local children, drawing on Boafo's own background as a ball boy and tennis player before his rise as a global art star.

Inside the Jewish Museum’s $14.5m renovation in New York City

The Jewish Museum in New York City reopened its third and fourth floors on October 24 after a $14.5 million renovation led by United Network Studio and New Affiliates Architecture. The redesigned 20,000-square-foot space features thematic galleries displaying centuries-old artifacts alongside works by Mark Rothko, Robert Motherwell, and contemporary artists, as well as a new Robert and Tracey Pruzan Center for Learning with art studios and a children's archaeological dig. A highlight is the display of 139 Hanukkah lamps from the museum's collection, arranged geographically in a 50-foot vitrine.

A rare jewellery box identified in Vermeer paintings sheds new light on the artist’s connections

New research by curator Alexandra van Dongen of Rotterdam’s Boijmans Van Beuningen Museum reveals that a rare Indo-Portuguese jewellery casket depicted in two Johannes Vermeer paintings—Mistress and Maid and A Lady Writing (both 1664-67)—is a real, surviving object. Van Dongen tracked down the sole known example in the Távora Sequeira Pinto collection in Porto, with help from Amsterdam dealer Dickie Zebregs. Her findings, published in the book De tastbare wereld van Johannes Vermeer, suggest the casket likely belonged to Vermeer’s patron Maria de Knuijt, a wealthy Dutch East India Company shareholder who may have asked the artist to include it in her paintings.

Catch of the day: Winslow Homer’s delicate watercolours get very rare outing in Boston

The Museum of Fine Arts (MFA) in Boston is presenting "Of Light and Air: Winslow Homer in Watercolour," a rare exhibition of the American painter's delicate watercolors, running from November 2, 2025, to January 19, 2026. The show brings together a rich selection of Homer's work, including childhood drawings, his final unfinished painting, and dozens of watercolors that are seldom exhibited due to their fragility and light sensitivity. Highlights include "Leaping Trout" (1889), the first Homer watercolor acquired by any museum, and works that depict the rugged New England coast and English seaside. The MFA, an early supporter of Homer's career, holds one of the largest collections of his work, and this is the first time many of these watercolors have been shown together in nearly 50 years.

With the help of exhibitions, Jeanne Lanvin's eponymous fashion house is keeping her legacy alive

Jeanne Lanvin, a trailblazer in 20th-century French fashion and interiors, is being honored through exhibitions that explore her legacy. The article features a conversation between Peter Copping, Lanvin's current artistic director, and Olivier Gabet, director of the Department of Objets d'Art at the Musée du Louvre. Gabet curated the exhibition "Louvre Couture" featuring 99 looks from 45 fashion houses, while Copping has drawn inspiration from the Lanvin archive and the preserved rooms of Jeanne Lanvin's apartment now on permanent display at the Musée des Arts Décoratifs.

Plains Art Exhibition Highlights Women Artists, Addresses Imbalance

Plains Art Museum in Fargo, North Dakota, is launching a major exhibition titled “Women Artists: Four Centuries of Creativity,” running from November 1, 2025, to March 1, 2026. The show features 77 works, including 40 from the museum's own collection—20 of which are being displayed for the first time—and 37 loans from the Reading Public Museum in Pennsylvania. The exhibition was prompted by an internal assessment revealing that only 10.5% of the museum's 6,000-object permanent collection is by women artists. It will also host the first North Dakota appearance by the Guerrilla Girls, who will give a presentation and lead workshops. Student-authored texts from Minnesota State University Moorhead complement the show.

The opening of the Princeton University Art Museum, explained

The Princeton University Art Museum (PUAM) is set to reopen with a new building featuring nine main pavilions, including a European Art Pavilion and an Ancient Mediterranean Art Pavilion, along with study spaces, lecture halls, and a restaurant called Mosaic Restaurant. In an advance tour, Director for Collections and Exhibitions Chris Newth and spokesperson Stephen Kim answered community questions about dining options, study areas, and the museum's rotating exhibitions, which will display only about four percent of the collection at a time. Notable returning works include Antioch mosaics, a Guanyin sculpture, Andy Warhol's "Blue Marilyn," and Charles Willson Peale's "Washington at Princeton." The museum will host a 24-hour opening event for students.

Camille Pissarro, a Man Behind Impressionism, Gains Favor in Denver

The New York Times reports that Camille Pissarro, a pivotal but often overshadowed figure of Impressionism, is gaining renewed attention in Denver. The article highlights a growing appreciation for Pissarro's work, particularly through exhibitions and institutional focus in the city, positioning him as a key influence behind the Impressionist movement rather than merely a supporting player.

High Wire: Calder’s Circus at 100

The Whitney Museum of American Art in New York is presenting "High Wire: Calder’s Circus at 100," a centennial exhibition celebrating Alexander Calder's iconic work "Calder’s Circus" (1926-31). The show brings together the miniature circus figures, wire sculptures, drawings, archival materials, and early abstract works, exploring how the circus inspired Calder's lifelong exploration of balance and movement, leading to his invention of the mobile. The exhibition runs from October 18, 2025, to March 9, 2026, and is co-curated by Jennie Goldstein and Roxanne Smith.

The greatest Cypriot show in Florida: Ringling Museum opens its first permanent ancient-art gallery

The John and Mable Ringling Museum of Art in Sarasota, Florida, is opening its first permanent ancient-art gallery nearly a century after John Ringling acquired around 3,300 pieces of ancient Mediterranean art from the Metropolitan Museum of Art in 1928. The collection, which includes Cypriot limestone statues, silver jewelry, and other artifacts dating back to the Early Bronze Age, had largely remained in storage due to the 1929 stock-market crash and Ringling's death in 1936. Guest curator Joanna S. Smith and chief curator Sarah Cartwright spent a decade on conservation and research, recontextualizing the objects and tracing their origins, including the controversial excavations by Luigi Palma di Cesnola, the Met's first director.

Extravagant Munich museum dedicated to Symbolist Franz von Stuck to reopen after €13.5m renovation

Munich's Museum Villa Stuck, the former home of Symbolist artist Franz von Stuck, reopens on 18 October after a €13.5m renovation. The project upgraded infrastructure, restored the facade, and renewed historical rooms, including music and reception salons with restored Pompeii-inspired wall paintings and new silk curtains. The museum's display of Stuck's paintings has been reconfigured, with fresh exhibits such as a recently donated work, and the total number of Stuck paintings on view has increased. The reopening coincides with a contemporary art exhibition, 'A Song of Ascents,' featuring Manchester-based artist Louise Giovanelli.

‘We are in a very special situation as collectors’: Petr Pudil on opening the Kunsthalle Praha in Prague, and the art he collects

Petr Pudil, a Czech businessman and co-founder of BPD partners, discusses his journey as an art collector and the opening of Kunsthalle Praha in Prague with his wife Pavlína. The museum, housed in a former 1930s electricity substation, opened in 2022 and features temporary thematic exhibitions from their collection of over 2,000 works, including pieces by Max Ernst, Alicja Kwade, and William Kentridge. Pudil reflects on his acquisition strategy, regrets, and favorite London spots during Frieze week.

Detroit Institute of Arts' new African American galleries open Saturday

The Detroit Institute of Arts opens its new African American art galleries, titled “Reimagine African American Art,” to the public on Saturday. The installation features 50 works displayed across four galleries in a central location adjacent to Rivera Court, organized by the museum’s Center for African American Art. The galleries present a chronological narrative of African American history from 1840 to 1986, covering key periods and themes such as the Harlem Renaissance, Social Realism, the Civil Rights era, and the Black Arts Movement.

Portland Art Museum celebrates opening of major expansion with four days of free admission

The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.

Moss & Freud review: film exploring unlikely friendship ultimately fails to scratch the surface

The film *Moss & Freud*, directed by James Lucas, explores the unlikely friendship between supermodel Kate Moss (played by Ellie Bamber) and painter Lucian Freud (Derek Jacobi) in 2001 London. The story centers on Moss's desire to sit for the reclusive portraitist, culminating in Freud's unflattering *Naked Portrait 2002*. However, the film glosses over Freud's darker reputation—his punishingly long sittings, cruelty, and violent tendencies—portraying him instead as a benign, eccentric old man. It also fails to deeply investigate Moss's character or the exploitation within the fashion industry, relying on weak scripting and forced parallels between Moss and Freud's ex-wife Lady Caroline Blackwood.

Comment | Frieze galleries have committed to climate donations—now it's time for the art world to pack in its private jets

A new initiative called 10% Of launches at Frieze London and Frieze Masters, inviting galleries to donate 10% of the sale price of designated works to the Gallery Climate Coalition (GCC), an international art world environmental charity. Nearly thirty galleries have signed up, including Gagosian, White Cube, David Zwirner, and Lisson, with works priced from £3,000 to £150,000. The scheme aims to reframe a standard art market gesture into collective climate action, with participating galleries displaying their GCC membership status on booth signs.

Indigenous artists transform works at Metropolitan Museum in unsanctioned augmented reality project

On Indigenous Peoples’ Day (13 October), 17 Native artists staged an unsanctioned augmented reality intervention inside the Metropolitan Museum of Art’s American Wing. The project, titled ENCODED: Change the Story, Change the Future (through 31 December), digitally overlays cosmological figures, pow-wow dancers, and ivy onto 19th-century paintings and sculptures, challenging the museum’s narratives. Co-curated by filmmaker Tracy Renée Rector and an anonymous Indigenous co-curator in collaboration with the non-profit Amplifier, the intervention coincides with the American Wing’s centenary.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

The Disturbing Lessons of the 1937 ‘Degenerate Art’ Show

The article examines the historical context and enduring relevance of the 1937 Nazi-organized 'Degenerate Art Show' (Entartete Kunst) in Munich, which displayed hundreds of works by modern artists like George Grosz, Wassily Kandinsky, and Paul Klee as examples of moral and cultural corruption. It traces the concept's roots in 19th-century Social Darwinism, its adoption by Adolf Hitler and the Nazi Party to denigrate modern art, and the gradual escalation of cultural purification policies after Hitler seized power in 1933, including the firing of museum directors and the construction of the Haus der Deutschen Kunst.

Martin Parr steps out from behind the camera lens in informal autobiography

Martin Parr, the renowned British documentary photographer, has released an informal autobiography titled "Utterly Lazy and Inattentive: Martin Parr in Words and Pictures," written with author Wendy Jones. The book traces his career from early black-and-white work inspired by Garry Winogrand and Tony Ray-Jones to his signature vivid color series like "The Last Resort" (1983-85) and "Small World" (1987-94), which drew controversy for their satirical take on British leisure and global tourism. Parr, who was diagnosed with cancer in 2021, continues to be active, with his photographs of Bristol Pride currently on display at Bristol Museum and Art Gallery through March 2026.

NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Powerhouse Museum builds ‘tower to stars’ for $18 million opening show

The Powerhouse Museum in Parramatta is constructing a six-storey tower inside its largest exhibition hall for an $18 million opening show titled "Task Eternal," set for September 2026. The exhibition explores humanity's fascination with stars, flight, and space, featuring 290 loans from international institutions including the British Museum and NASA, as well as Australian astronaut Katherine Bennell-Pegg's spacesuit on public display for the first time. Designed by Beijing-based firm OPEN architecture, the show includes a steel tower inspired by Ted Chiang's novella "Tower of Babylon," with installations by Thai artist Torlarp Larpjaroensook and US artist James Turrell.

The first US solo exhibition of late Japanese artist Yoshida Chizuko comes to Portland Art Museum - Oregon Public Broadcasting

The Portland Art Museum has opened the first solo U.S. exhibition of late Japanese artist Yoshida Chizuko (1924-2017), featuring over 100 woodblock prints and paintings, many never before displayed publicly. The exhibition, curated by Asian art curator Jeannie Kenmotsu, highlights Yoshida's avant-garde work that pushed the boundaries of painting and printmaking within Japan's male-dominated postwar art world.

Marina Abramović to have historic solo exhibition at Venice’s Galleria dell’Accademia in 2026

Marina Abramović will have a historic solo exhibition at Venice’s Galleria dell’Accademia in May 2026, during the art biennale. Titled "Transforming Energy," the show first debuted at the Modern Art Museum (MAM) Shanghai in 2024 and is inspired by her 1988 walk across the Great Wall of China with former partner Ulay. Abramović becomes the first living female artist to exhibit solo at the Accademia in its 250-year history, following her 2023 milestone as the first woman with a solo show at London’s Royal Academy of Arts and her 1997 Golden Lion win at the Venice Biennale. Curated by MAM artistic director Shai Baitel in collaboration with the artist, the exhibition will feature historic performances such as Rhythm 0 (1974) and Imponderabilia (1997), alongside newer works incorporating precious stones and a photograph of Pietà (with Ulay) (1983) displayed alongside Titian’s Pietà.