One Fine Show: “Alex Da Corte, The Whale” at the Modern Art Museum of Fort Worth

The Modern Art Museum of Fort Worth has opened “Alex Da Corte, The Whale,” a solo exhibition dedicated to the painting practice of artist Alex Da Corte (b. 1980). Featuring more than forty paintings, the show highlights Da Corte’s lesser-known work in two dimensions, as he is more widely recognized for his installations and video pieces. The exhibition includes works such as *Siren (After E K Charter)* (2015) and *Electronic Renaissance* (2021), and places Da Corte’s paintings alongside those of Robert Mapplethorpe and Vija Celmins to explore themes of self-representation and perception.

Renewed Bern Kunsthalle works to reframe Switzerland's history

The Kunsthalle Bern has reopened after a year-long transformation led by director iLiana Fokianaki, marked by a new entrance designed by ALIAS architects and a trio of exhibitions by Black artists. The reopening follows a symbolic intervention by Ghanaian artist Ibrahim Mahama, who wrapped the building in jute sacks referencing the colonial history of Swiss cocoa extraction in Ghana, echoing Christo and Jeanne-Claude's 1968 wrapping of the same building. The inaugural shows feature solo exhibitions by Melvin Edwards, Tuli Mekondjo, and Tschabalala Self, with Edwards's retrospective traveling from the Fridericianum in Kassel to the Palais de Tokyo in Paris.

Ahead of new fair in 2026, Qatar takes centre stage at Art Basel

Qatar is making a major push at Art Basel this week, highlighted by the announcement of Art Basel Qatar, a new fair launching in February 2026. Models of upcoming cultural venues, including the Herzog & de Meuron-designed Lusail Museum, are on display in the Collectors Lounge, while Qatar Airways has announced a global partnership with Art Basel. Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani made a rare public appearance, speaking on a panel about the country's cultural ambitions and the role of art in addressing post-colonial identity and conflict.

Landmark Exhibition at the National Museum of Women in the Arts Reframes an Iconic Historical Era

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Women Artists from Antwerp to Amsterdam, 1600–1750" from September 26, 2025, to January 11, 2026. This landmark exhibition features nearly 150 artworks by 40 Dutch and Flemish women artists, including Judith Leyster, Rachel Ruysch, and Clara Peeters, alongside works by unnamed textile makers. Co-curated by Virginia Treanor and Frederica van Dam, the show includes loans from over 50 institutions such as the Rijksmuseum, the Metropolitan Museum of Art, and the Prado Museum. It will travel to the Museum of Fine Arts in Ghent, Belgium, from March to May 2026.

In pictures: the best of the Liste art fair in Basel

Liste Art Fair Basel is celebrating its 30th anniversary, showcasing works by artists under 40 from international galleries. Highlights include Nahum B. Zenil's self-portrait exploring LGBT and Indigenous identity, Magdalena Petroni's taxidermy rat sculptures, Al Freeman's internet-age art comparisons, Inuuteq Storch's Greenlandic love story, Javier Barrios's orchid revenge narrative, and Jonathan Sanchez Noa's Afro-Cuban spiritual installation.

The PHLCVB, the PMA, and Meg Saligman Announce Major Art Installations for 2026

The Philadelphia Convention and Visitors Bureau, the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, and the Middleton family have announced major art installations for 2026 to celebrate America's 250th anniversary. A dual-venue exhibition titled "A Nation of Artists" will open in April 2026 at the PMA and PAFA, featuring over 1,000 works of American art, including pieces from the private collection of Phillies majority owner John S. Middleton. Additionally, renowned muralist Meg Saligman will launch "Ministry of Awe," a six-story immersive art experience housed in a 19th-century bank.

A natural history of the studio

William Kentridge presents his first exhibition with Hauser & Wirth in New York, titled "A natural history of the studio." The show features his acclaimed episodic film series "Self-portrait as a coffee-pot" (completed in 2024) alongside over seventy works on paper and sculptures. Spanning two floors at 542 West 22nd Street and extending to the gallery's 18th Street location, the exhibition includes charcoal drawings used in the film's animation, Paper procession sculptures, and the animated video "Fugitive words" (2024). The installation, designed by longtime collaborator Sabine Theunissen, evokes Kentridge's Johannesburg studio environment.

‘Ralph Steadman: And Another Thing’ showcases 60 years of the artist’s uncanny, unique perspective

The Bates College Museum of Art will open 'Ralph Steadman: And Another Thing' on June 6, a major exhibition spanning 60 years of the artist and illustrator's career. Featuring 149 objects, the show includes works from Steadman's collaborations with Hunter S. Thompson, political commentary, and literary illustrations, along with a life-size bronze sculpture 'Vintage Dr. Gonzo' by Jud Bergeron. Originally scheduled for 2020 but delayed by the pandemic, the exhibition runs through Oct. 11 and fills the entire museum.

The Brooklyn Museum to Present Monet and Venice, the First Major Exhibition in over a Century Dedicated to Claude Monet’s Venetian Cityscapes

The Brooklyn Museum will present "Monet and Venice" from October 11, 2025, to February 1, 2026, the first major exhibition in over a century dedicated to Claude Monet's Venetian cityscapes. The show reunites nineteen of Monet's Venetian paintings alongside more than one hundred artworks, books, and ephemera, placing them in context with works by Canaletto, John Singer Sargent, J. M. W. Turner, and Pierre-Auguste Renoir. It is cocurated by Lisa Small of the Brooklyn Museum and Melissa Buron of the Victoria & Albert Museum, and sponsored by Bank of America.

The Musée des Arts Décoratifs celebrates France’s ‘king of fashion’, who married haute couture to art

The Musée des Arts Décoratifs in Paris is presenting a new exhibition, *Paul Poiret: Fashion is a Feast*, dedicated to the early 20th-century French couturier who styled himself the “King of Fashion.” The show draws on the museum’s extensive Poiret collection, spanning from the Belle Époque through the 1920s, and features his garments alongside photographs, drawings, posters, and illustrations. It traces Poiret’s career from his start at the House of Worth to his independent house, his collaborations with artists such as Raoul Dufy and Maurice de Vlaminck, and his exotic inspirations from travels in Europe and North Africa.

Intuit Art Museum has its big reopening: ‘I don’t want this to be a traditional art museum’

The Intuit Art Museum in Chicago has reopened after a landmark $10 million renovation, marking a significant rebranding from its former name, "Intuit: The Center for Intuitive and Outsider Art," to simply "Intuit Art Museum" (IAM). The museum, which collects work by self-taught artists, replaced a traditional ribbon-cutting with a collaborative ribbon-tying ceremony, creating an interconnected artwork that will remain in its collection. The renovation tripled its gallery space and introduced new exhibitions, including a refurbished Henry Darger installation with LED screens and an immersive recreation of the artist's apartment, as well as a rotating permanent collection display featuring artists like Mr. Imagination, Lee Godie, and Wesley Willis. The second floor is dedicated to the special exhibition "Catalyst: Im/migration and Self-taught Art in Chicago," featuring works by artists such as Drossos Skyllas, Thomas Kong, Pooja Pittie, and Carlos Barberena.

Pallets, not plinths: the V&A opens its vast storehouse to the public

The Victoria and Albert Museum (V&A) in London will open its V&A East Storehouse on 31 May, a vast open-access working store at the 2012 Olympics site in Stratford. Designed by Diller Scofidio + Renfro, the 16,000 sq. m space holds over 250,000 objects and 1,000 archives, allowing visitors to browse collections without glass cases via a self-guided route and an 'Order an Object' booking service. Deputy director Tim Reeve compares the experience to shopping at Ikea, emphasizing flexibility and public access.

Just a number: drawing by 11-year-old Joseph Wright of Derby goes on view for the first time

A pencil drawing of the wreathed head of Silenus, created by Joseph Wright of Derby at age 11 in 1745, will go on public display for the first time at the Derby Museum and Art Gallery. The drawing, recently rediscovered in a private family collection, is the earliest known work by the artist and is inscribed “Jos Wright 11 Years”. It features in the exhibition *Life on Paper*, which focuses on Wright’s intimate drawings, letters, and sketches, including tender depictions of his baby daughter and a self-portrait acquired through a public appeal in 2022.

An Exhibition Celebrates the Self-Taught Immigrant Artists Shaping Chicago

The inaugural exhibition at the newly renovated Intuit Art Museum in Chicago, titled "Catalyst: Im/migration and Self-Taught Art in Chicago," brings together 75 works by 22 self-taught immigrant artists who have shaped the city's cultural landscape. Featured artists include Carlos Barberena, Drossos P. Skyllas, Charles Warner, Alfonso "Piloto" Nieves Ruiz, and others, with works spanning linocuts, hyperrealistic paintings, found-object sculpture, and mixed media. The show runs through January 11, 2026.

Philadelphia’s “Cardboard Genius” Takes Center Stage in a New Exhibition

A new exhibition titled "Cardboard Genius: The Architectural Marvels of Kambel Smith" has opened at Historic Germantown in Philadelphia, running through June 29. The show features large-scale, intricate replicas of architecturally significant buildings—such as Philadelphia's Police Administration Building and the Georgia State House—all constructed from salvaged cardboard by self-taught artist Kambel Smith, who is autistic. Smith's father, Lonnie, coined the term "Autisarians" to describe his sons' super-human abilities and has been a key supporter of Kambel's creative journey, which has included solo shows in New York, London, and Atlanta since 2019.

Ten essential works of art to see on the French Riviera

The article highlights ten essential artworks to see on the French Riviera, tracing the region's artistic heritage from the 19th century to the present. It features works by Paul Signac, Henri Matisse, Ludovico Brea, and others, housed in museums such as the Musée de l'Annonciade in Saint-Tropez and the Musée Matisse in Nice, with historical context on how artists like Renoir, Picasso, and Chagall were drawn to the area's light and atmosphere.

Chicago Is The Only City To Host 'The First Homosexuals,' An Extensive Collection Of Queer Art

The article reports that 'The First Homosexuals: The Birth of a New Identity, 1869-1939,' a major international exhibition of queer art, is currently on view at Wrightwood 659 in Chicago's Lincoln Park neighborhood. Curated by art historian Jonathan D. Katz, the show features around 350 works from over 100 lenders, including private collectors and major museums, and runs through July 26. Katz notes that no other institution in the world has agreed to host the exhibition, citing widespread refusals from venues in the United States, Europe, South America, and Asia.

Key member of Die Brücke art movement gets museum in hometown

A new museum dedicated to Karl Schmidt-Rottluff, a founding member of the German Expressionist group Die Brücke, has opened in his hometown of Rottluff, a village on the western edge of Chemnitz. The Karl Schmidt-Rottluff Haus, acquired by the city in 2023 and opened in April, displays works spanning the artist's entire career, including early pieces never before shown publicly. The museum also features works by fellow Brücke artists and a secretly painted 1944 self-portrait created in the same house during the Nazi era, when Schmidt-Rottluff was branded a degenerate artist and banned from painting.

Technology, art and sculptures of fog: LUMA Arles kicks off the 2025/26 season

LUMA Arles has launched its 2025/26 season with three exhibitions, including 'Sensing the Future: Experiments in Art and Technology (E.A.T.)', which explores the 1960s collaboration between artists and engineers from Bell Labs, featuring works by Andy Warhol, Jean Dupuy, and Forrest Myers. The season also includes 'Maria Lassnig: Living with art stops one wilting!', examining the Austrian artist's 'Body Awareness' concept and her connection to curator Hans Ulrich Obrist. The exhibitions are bookended by fog and cloud-themed works, including a fog sculpture by Fujiko Nakaya.

First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery

On May 10, London's National Gallery will unveil its first full rehang of the collection since the Sainsbury Wing opened in 1991. The wing has been closed for over two years to create a larger entrance foyer. Christine Riding, the director of collections and research, oversaw the rehang, which she calls a "once-in-a-lifetime" opportunity. Nearly 40% of the collection—1,045 paintings—will be displayed, including 919 from the collection and 126 on loan. The rehang is sponsored by Hong Kong-based property developer C C Land and is called "C C Land: The Wonder of Art." Works by female artists have been given greater prominence, and some paintings were conserved or reframed. The chronological arrangement from west to east remains similar, but many pictures have been repositioned to highlight artistic influences across generations.

Artist’s Choice: Arthur Jafa—Less Is Morbid

Arthur Jafa has curated a new exhibition at the Museum of Modern Art (MoMA) as part of the museum's ongoing Artist's Choice series. Titled "Less Is Morbid," the show runs through July 5 and features over 80 objects selected from MoMA's collection. Jafa, an artist and filmmaker known for his emotionally charged collages and installations, brings together works by figures such as Jean-Michel Basquiat, Cy Twombly, Lygia Clark, Roy DeCarava, Piet Mondrian, and Lutisha Pettway. The exhibition challenges binary oppositions like minimalist/maximalist and sparse/dense, and critiques the historical hierarchies that have governed art institutions.

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

Art Institute’s Frida Kahlo-Themed Exhibit Highlights Artist’s Paris Years

The Art Institute of Chicago has opened "Frida Kahlo’s Month in Paris: A Friendship With Mary Reynolds," its first dedicated exhibition to the Mexican artist. The show explores Kahlo’s 1939 stay in Paris, where she lived with American bookbinder Mary Reynolds and artist Marcel Duchamp after being hospitalized with a kidney infection. Featuring 100 objects—including seven self-portraits, letters, photographs, and book bindings—the exhibition draws on the Art Institute’s own Mary Reynolds Collection and loans from public and private collections across the U.S., Mexico, and Europe. Curated by Caitlin Haskell, Tamar Kharatishvili, and Alivé Piliado, the display reveals new details about Kahlo’s recovery and creative re-inspiration in the avant-garde hub of Reynolds and Duchamp’s home.

Rembrandt works called into question by experts in the Netherlands

Conservators at the Mauritshuis gallery in The Hague have called into question the attribution of three paintings long believed to be by Rembrandt van Rijn. Technical analysis revealed an underdrawing beneath *Portrait of Rembrandt with a Gorget* (c. 1629), proving it is a copy and that the original is in Nuremberg. *Tronie of an Old Man* (c. 1630) may be by a student or employee, and *Study of an Old Man* (c. 1655), though signed by Rembrandt, shows less accomplished brushwork and a date applied later in different paint, suggesting studio production. All three works remain on view in the exhibition *Rembrandt?* (17 April–13 July).

The story of the Met’s ‘missing’ Banksy

John Barelli, head of security at the Metropolitan Museum of Art from 2001 to 2016, revealed that Banksy illicitly installed a painting at the museum in 2005 with the help of three accomplices who distracted guards. The work, titled 'Last Breath' and depicting a woman in a gas mask, was affixed to a wall with a placard claiming it was a donation. Banksy later requested its return, but Barelli told The New Yorker that the museum had thrown it out—though he admitted to taking it himself upon retirement, saying he might sell it if he needs money.

Native artist Mary Sully gets her due at Minneapolis Institute of Art

The Minneapolis Institute of Art (Mia) has opened "Mary Sully: Native Modern," a solo exhibition featuring the intricate "personality prints" of Yankton Dakota artist Mary Sully (born Susan Mabel Deloria). The show includes 18 triptychs, drawings, memorabilia, and a film clip, highlighting her abstract vertical designs that blend Dakota heritage with 1920s–1940s celebrity culture. Sully, who died in obscurity over 60 years ago, was rediscovered by her great-nephew, Harvard professor Philip Deloria, after he found her work in a basement. Her art was previously included in the groundbreaking exhibition "Hearts of Our People" at Mia, and she also had a solo show at the Metropolitan Museum of Art in New York in 2024.

Day Trip From Chicago: Milwaukee Art Museum to Exhibit Significant Collection of 16th-17th Century Spanish Art

The Milwaukee Art Museum will debut a major exhibition titled "The Brilliance of the Spanish World: El Greco, Velázquez, Zurbarán" on May 2, 2025. Billed as the "most significant collection of Hispanic art outside of Spain," the show features masterpieces from 16th- and 17th-century Spanish painters including El Greco, Diego Velázquez, and Francisco de Zurbarán, spanning Renaissance and Baroque periods. The exhibition runs through July 27 and is included with general admission.

In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape

In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape

Sculptor Janny Baek is presenting her solo exhibition *Life Forms* at Chicago's Joy Machine gallery from March 20 to May 9, 2026. The exhibition features her speculative ceramic sculptures, which blend recognizable natural forms like blossoms and creatures with unexpected, abstract elements to create imagined landscapes and primordial organisms. Using techniques like hand-building and the Japanese *nerikomi* method of patterning colored clay, Baek's work captures beings in a state of playful mutation and transformation.

Mari Katayama: tree of life @ Yutaka Kikutake Gallery (Roppongi)

片山真理：tree of life @ Yutaka Kikutake Gallery（六本木）

Mari Katayama presents her latest solo exhibition, "tree of life," at Yutaka Kikutake Gallery in Roppongi, Tokyo. The exhibition, running from March 19 to May 16, 2026, features a new series of photographic works created in 2025 that continue her exploration of the body, prosthesis, and self-representation through meticulously staged compositions.

The Ten Best Shows in the UK and Ireland of 2025

Art critic Emile Rubino has selected seven must-see shows during Art Brussels 2025, highlighting Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive exhibition of Lutz Bacher at WIELS. The guide also includes other notable presentations across the city, offering a curated itinerary for fair-goers.