‘A true champion of artists’: Victoria Miro's artists celebrate gallery's 40th anniversary

Victoria Miro opened her eponymous gallery on Cork Street in London in December 1985, at a time when the punk collective The Grey Organisation was protesting the conservative art establishment. To mark the gallery's 40th anniversary, Miro is hosting an exhibition of works by all her artists at her 17,000 sq. ft space in Hoxton, with 23 of them creating new works specifically for the show, including Njideka Akunyili Crosby, Flora Yukhnovich, Elmgreen & Dragset, Chris Ofili, Chantal Joffe, Grayson Perry, and Celia Paul. The article features heartfelt tributes from artists like Isaac Julien, who calls Miro 'a true champion of artists,' and Joffe, who describes the gallery as family.

Contemporary art auction of Greek and international artworks

Kapopoulos Auction House will hold a live auction of over 80 works by Greek and international artists at Kapopoulos Fine Arts gallery in Nicosia, Cyprus, on Wednesday, May 28 at 19:00. The auction features works by artists such as Alecos Fassianos, Angelos Panayiotou, Opy Zouni, Mr. Brainwash, Costas Andreou, and Spyros Vassiliou, with starting prices set at unusually low levels. Preview days run from May 26 to May 28, and written offers are also accepted.

Why the inaugural Art Week Riyadh was a fair in everything but name

The inaugural Art Week Riyadh (AWR), organized by Saudi Arabia's Visual Arts Commission, took place from April 6-13 in the Jax district of Diriyah. Though officially billed as a non-commercial curated exhibition, the event functioned much like an art fair, with 32 galleries displaying available works, price lists visible on stands, and sales conducted throughout the week. The main exhibition, titled "At The Edge," was curated by Vittoria Matarrese with associate curators Basma Harasani and Victoria Gandit Lelandais, featuring galleries from Saudi Arabia and the wider region. Standout presentations included works by Ayesha Sultana, Mohamed Bourouissa, Mohammed Al Resayes, and Miramar Al Nayyar, alongside a moving image section and a satellite program of open studios and gallery shows.

A UVU student’s artwork was rejected from a school exhibition. Here’s how she made sure her work was seen.

Utah Valley University art student Jaya Betts responded to her artwork's rejection from UVU's 2025 Student Art Exhibition by creating a zine titled "Unchosen but Unstoppable: A Manifesto for Artists Who Refuse to Shrink" and distributing 75 copies throughout the Lakemount Museum on the exhibition's opening night. Betts, who had submitted a layered plaster mold called "Crimson Blossoms on a Golden Limb," documented her guerrilla art drop on social media, framing it as a protest against gatekeeping and unequal opportunity in student exhibitions.

Activist glues herself to museum display case

Aktivistin klebt sich an Museumsvitrine

A protester from the activist group Neue Generation glued herself to a display case in the Coin Cabinet of the Bode-Museum on Berlin's Museum Island. Dressed as Federal Minister for Economic Affairs Katherina Reiche, the activist targeted the museum to protest the minister's perceived lack of independence from corporate interests. Police were called to the scene to remove the woman, and the Prussian Cultural Heritage Foundation confirmed that while the glass case was targeted, no historical artifacts were damaged.

In love with trees, sculptor Lélia Demoisy elevates nature through hybridization

Amoureuse des arbres, la sculptrice Lélia Demoisy sublime la nature par l’hybridation

Lélia Demoisy, a French sculptor born in 1991, creates hybrid works that blend wood with animal elements, such as a yew wood sculpture covered in fox fur or a suspended skeleton made from naturally curved thuya branches. She lives in a small village in the Yvelines region, where she works with wood and metal herself, often sourcing materials locally, and recently participated in the Maif pour le vivant committee as the only artist on the jury.

According to an AI, El Greco would actually be the sole author of the 'Baptism of Christ' in Toledo, long considered a workshop work

Selon une IA, Greco serait en réalité l’unique auteur du « Baptême du Christ » de Tolède, longtemps considéré comme une œuvre d’atelier

A new study published in Science Advances uses an AI tool called Patch to analyze the monumental painting "Le Baptême du Christ" (1608–1614) by El Greco, long believed to be a workshop piece completed by his son Jorge Manuel Theotocópuli. By mapping the 3D microtopography of the brushstrokes and comparing them with El Greco's authenticated "Christ on the Cross" at the Cleveland Museum of Art, the AI found consistent painterly gestures across the entire work, suggesting the master himself painted it despite tremors from neurological disorders in his old age.

"In Minor Keys" Hits All the Right Notes

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," opened with a somber curatorial press conference, as artistic director Koyo Kouoh, who died in May 2024 at age 57, was not physically present. The exhibition features 110 invited participants across the Arsenale and Giardini, including works by Buhlebezwe Siwani, Johannes Phokela, Wangechi Mutu, Ebony G. Patterson, and Kambui Olujimi. Protests marked the opening, with gatherings at the temporary Israeli pavilion and Pussy Riot's presence at the Russian pavilion, while the exhibition itself asks viewers to look closer at overlooked forms of representation and consider innovative models of measuring the world.

A Whole Lot of Nothing at the US Pavilion

The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.

The Unnameable Artists of the Canton Trade System

Art historian Winnie Wong’s new book, *The Many Names of Anonymity: Portraitists of the Canton Trade*, investigates the lives and legacies of 18th and 19th-century Chinese artists who produced works for Western traders under the Canton system. These artists, often dismissed by history as mere copyists or left anonymous in museum "tombstone" labels, created complex works that blended European techniques with Chinese traditions. Wong challenges the reductive category of "Asian export art," proposing instead the term "Canton trade painting" to better reflect the unique atmosphere of cultural exchange in Guangzhou.

Los Angeles’s Getty Center will close for renovations ahead of the 2028 Olympics.

The Getty Center in Los Angeles has announced a temporary closure beginning March 15, 2027, to undergo its most extensive renovation since opening in 1997. The modernization project aims to enhance the visitor experience across the campus through a series of facility upgrades and reimagined spaces.

Rocky statue moved inside the Philadelphia Museum of Art for new show.

The iconic bronze statue of Rocky Balboa has been relocated from its outdoor spot at the base of the Philadelphia Museum of Art's steps into the museum building itself. This move is in preparation for a major new exhibition titled 'Rising Up: Rocky and the Making of Monuments,' which opens in late April.

A Delightful Short Film Highlights the Remarkable Self-Taught Art of George Voronovsky

Ukrainian-born artist Jonko “George” Voronovsky transformed his modest retirement room at Miami’s Colony Hotel into a dense, vibrant sanctuary of over 5,000 artworks. After surviving the horrors of the Russian Revolution, Nazi labor camps, and permanent separation from his family, Voronovsky immigrated to the U.S. and spent his final years creating "memoryscapes." These works, crafted from found materials like pizza boxes and soda cans, depicted idyllic, colorful scenes of his youth in Ukraine, contrasting sharply with the trauma of his past.

Abi Castillo’s Ceramic Beings Contrast Delicacy With the Natural World

Galician artist Abi Castillo has unveiled a new series of ceramic self-portraits that explore the intersection of femininity, mysticism, and the natural world. Her latest sculptures feature signature wide-eyed figures adorned with organic elements like coral, insects, and flora, which act as a form of delicate armor for the emotive personas. This new body of work was produced in Castillo’s recently acquired larger studio space, which has allowed for expanded creative freedom and scale.

“So Fun! An Exploration of Maximalism” opens at Vision Gallery

“So Fun! An Exploration of Maximalism” opens at Vision Gallery in Chandler, Arizona, from August 23 to November 2, 2025. The group exhibition features five artists—including Lex Gjurasic, Sarah Hurwitz, and Sofie Ramos—who use plush emoji bean bags, flowers, Perler beads, and other media to create sculptures, drawings, paintings, and site-specific installations that celebrate the aesthetic of excess. Curated by Hanley Ange, the show counters Minimalist traditions and embraces color, pattern, and repetition to foster storytelling, self-expression, and empowerment.

Where to go for the next scandal?

Wo bitte geht's zum nächsten Skandal?

The article reports on the 2024 Venice Biennale preview days, where the atmosphere is dominated by political protests, media stunts, and social-media pressure rather than the art itself. Incidents include a solidarity drone choir for Gaza, a Pussy Riot and FEMEN protest at the Russian Pavilion, and a planned demonstration near the Israeli Pavilion, all amplified by PR agencies and WhatsApp alerts. A journalist describes being pressured by editors to cover scandals and political controversies instead of art reviews, which they say no longer attract clicks.

The Biennale of Quiet Tones

Die Biennale der leisen Töne

The 61st Venice Biennale's main exhibition, titled "Gardens, Processions, Art as Expression of Lived Realities," places humanity at its center. Curators revealed minimal biographical details for the 111 participating artists, only noting the oldest (Marcel Duchamp, born 1887) and youngest (Mohammed Z Rahman, born 1997), signaling a deliberate shift away from individual fame toward collective experience.

Queer Saints, Big Egos

Queere Heilige, große Egos

Andrew Durbin's new biography examines the intertwined lives of artists Peter Hujar and Paul Thek, focusing on their art, desire, and self-staging. The review notes that while the book covers their creative circles—including figures like David Wojnarowicz, Divine, John Waters, and Susan Sontag—it loses sight of the urgent political and social context that animated their work, particularly the AIDS crisis and Reagan-era repression.

99 Variations of a Volcano

99 Variationen eines Vulkans

Julian Charrière has released a new artist's book titled "After the Smoke Cradle," documenting a series of 99 lithographs originally exhibited at the Verein für Originalgraphik in Zurich. The project features 33 variations of three different volcanoes, created using a unique process where the artist transformed collected lava, ash, obsidian, and sulfur into printing pigments. This material-focused approach ensures that the physical essence of the volcanic sites is literally embedded into the photographic imagery.

Li Yi-Fan: Error and Effigy

Taiwanese artist Li Yi-Fan, born in 1989 and based between Taipei and Amsterdam, creates unsettling digital marionettes using modified game engines and digital puppetry. His pale, chalky figures with uncanny proportions discuss voyeurism, sexual fantasies, philosophy, memes, and computer programming, often resembling the artist himself. Li works a nine-to-five schedule, spends hours on computer games as research, and describes himself as 'probably the most boring artist.' His practice relies on free or subscription software and purchased digital assets, staging what it feels like to make digital art within platform systems and corporate infrastructure.

Yosra Mojtahedi, Iranian artist who moved from painting to astonishing living sculptures

Yosra Mojtahedi, artiste iranienne passée de la peinture à de stupéfiantes sculptures vivantes

Yosra Mojtahedi, an Iranian artist born in 1986, has transitioned from painting to creating stunning living sculptures. Her work, characterized by black and white contrasts, features sculptures that breathe, have hair, and incorporate torn tights and synthetic locks, evoking themes of identity, censorship, and bodily autonomy. She recently presented a spectacular installation titled "Isthme noir" at the Espace Monte-Cristo in Paris and an exhibition at the Abbaye de Maubuisson, where her spiritual universe unfolds across multiple rooms. Mojtahedi's practice includes sound elements in Persian or Kurdish, and she views her sculptures as "bodies" that are both intimate and political.

« No art washing ! » : à la Biennale de Venise, près de 3 000 manifestants réunis pour dénoncer la présence du pavillon israélien

On May 8, 2026, nearly 3,000 protesters gathered in Venice to demonstrate against the presence of the Israeli pavilion at the Venice Biennale. Led by the collective Art Not Genocide Alliance (Anga), the crowd included artists, curators, and cultural workers who chanted slogans such as "Stop al Padiglione genocidio" and called for a strike on the closing day of the professional previews. Dozens of national pavilions, including those of France, Belgium, Poland, Spain, the United Kingdom, Lebanon, and Ukraine, closed in solidarity. The protest followed a letter sent by Anga in March demanding Israel's exclusion, which went unanswered, and the self-dissolution of the awards jury on April 30 over the presence of both Israel and Russia.

« Le monde entier semble s’être mis en mouvement, animé par une soif d’expériences culturelles »

The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.

Alain Passard’s Art Recipe: An Island of Tastes Wrapped in the Style of Christo and Jeanne-Claude

La recette d’art d’Alain Passard : un îlot de goûts emballé façon Christo et Jeanne-Claude

Michelin-starred chef Alain Passard pays tribute to the monumental environmental installations of Christo and Jeanne-Claude through a culinary creation. The article highlights the duo's 1983 project 'Surrounded Islands,' where they encircled eleven islands in Miami's Biscayne Bay with 600,000 square meters of floating pink polypropylene fabric, a work that exemplified their commitment to self-funded, accessible, and ephemeral public art.

In Rodez, the haunting shadows of Sugimoto and Soulages meet in a cosmic exhibition

À Rodez, les ombres envoûtantes de Sugimoto et de Soulages se rencontrent dans une exposition cosmique

The Musée Soulages in Rodez is hosting a major exhibition titled "Hiroshi Sugimoto. Reprendre la mélodie," which creates a visual dialogue between the Japanese photographer and the late French master of black, Pierre Soulages. Curated and scenographed by Sugimoto himself, the show pairs iconic series such as "Theaters," "Seascapes," and the colorful "Opticks" with Soulages’ "Outrenoir" paintings. The exhibition highlights their shared fascination with the horizon, the origins of humanity, and the architectural presence of art within a space.

Extraterrestrial Art Created During Space Observatory Residencies on View in Mouans-Sartoux

À Mouans-Sartoux s’expose l’art extra-terrestre créé lors des résidences de l’Observatoire de l’espace

The Espace de l’art concret in Mouans-Sartoux is hosting a landmark exhibition featuring "extraterrestrial" artworks created through the Observatoire de l’espace’s residency program. Since 2006, this cultural laboratory of the French National Centre for Space Studies (CNES) has invited artists like Renaud Auguste-Dormeuil, Stéphane Thidet, and Victoire Thierrée to produce works in zero-gravity environments. These creations are born aboard parabolic flights on the Airbus A310 Zero G or via stratospheric balloons, where physical laws like gravity and atmospheric pressure are suspended.

FKA Twigs, Brian Eno and Dev Hynes to show in the Vatican Pavilion at the 2026 Venice Biennale.

The Vatican has unveiled the roster for its Pavilion of the Holy See at the 2026 Venice Biennale, featuring a high-profile multidisciplinary lineup. Curated by Hans Ulrich Obrist and Ben Vickers, the exhibition titled “The Ear is the Eye of the Soul” will showcase new works from 24 contributors, including FKA Twigs, Brian Eno, Devonté Hynes, Patti Smith, and Precious Okoyomon. The presentation aims to bridge the gap between contemporary art, music, and spirituality through a diverse array of creative mediums.

film nadav lapid yes israel palestine

Nadav Lapid's fifth feature film, *Yes*, follows an Israeli musician and his artist wife who adopt a hedonistic lifestyle of parties, orgies, and drug use alongside war ministers and Russian oligarchs in the wake of the October 7 attacks and the Gaza conflict. The film, which premiered out of competition at Cannes, faced production challenges including crew walkouts and actor dropouts, and struggled to find US distribution before being picked up by Kino Lorber for a March 27 release in New York and April 3 in Los Angeles.

art jota mombaca aspen air festival

Jota Mombaça, a Brazilian multidisciplinary artist known for fusing critical theory with drawing, poetry, installation, and performance, has created a new three-act opera titled "The Muted Saints" commissioned for the Aspen Art Museum's AIR Festival. The work will premiere on July 29 at the Hallam Lake Nature Preserve in Aspen, Colorado. Inspired by Mombaça's 2023 short story about a protagonist transitioning from human to geological form, the opera explores themes of planetary interconnectedness, environmental catastrophe, and the transformation of beings into rocks, ghosts, or wind. Mombaça discusses their creative process, the influence of the local Colorado environment, and the importance of site-responsive work in an interview with CULTURED.

ART CRITICISM: CLARITY OR MORAL AUTHORITARIANISM?

CRÍTICA DE ARTE: ¿CLARIDAD O AUTORITARISMO MORAL?

The article is a critical essay examining the state of contemporary art production in Mexico, arguing it has become a privatized field designed to please wealthy elites and foreign collectors. It contends that art has shifted from being partly publicly funded to being driven by the market and private initiative, leading to a culture of self-censorship, precarity, and a desperate ambition for visibility and sales.