London Gallery Weekend, Brazil’s National Museum, Jane Austen at the Morgan—podcast

The latest episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories: the fifth edition of London Gallery Weekend, which opens amid a sluggish global art market; the National Museum of Brazil's planned partial reopening after a devastating 2018 fire; and the Morgan Library & Museum's new exhibition 'A Lively Mind: Jane Austen at 250', featuring a miniature portrait of the author. Host Ben Luke speaks with gallerists Ananya Mukhopadhyay and Jeremy Epstein about the weekend's potential market impact, interviews museum director Alexander Kellner on the recovery efforts, and discusses the Austen portrait with curator Juliette Wells.

NEXT in the Gallery: June art brings John Lennon, the Fiberart International and a moral compass

NEXTpittsburgh's June gallery guide highlights a packed month of art events across Pittsburgh, including the Dollar Bank Three Rivers Arts Festival (June 5-8) with 191 artists, a Juried Visual Arts Exhibition at SPACE Gallery, and a rare photography exhibit by May Pang documenting John Lennon's "lost weekend" at Atithi Studios. Other openings include ceramicist Philip Soucy's solo show, painter Caroline Heckman's portraits at Revel, Stephanie Gonzalez's cosmic "Nebulas" at BoxHeart Gallery, the Fiberart International 2025 triennial at Contemporary Craft and Brew House Arts, and Natalie Westbrook's "Corners of My Mind" at ZYNKA Gallery.

Quatre Moreau le Jeune pour Versailles

The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.

Two Hubert Robert paintings from Madame Geoffrin offered to the museum by the Friends of the Louvre

Deux Hubert Robert de Madame Geoffrin offerts au musée par les Amis du Louvre

Two paintings by Hubert Robert, once owned by Madame Geoffrin, were acquired by the Musée du Louvre through a preemptive purchase at Christie’s Paris on March 25. The works sold for €1,950,000 hammer (€2,439,000 with fees) and are being donated to the museum by the Société des Amis du Louvre. The paintings, described as 18th-century snapshots, were part of the historic Veil-Picard collection and will undergo restoration before being displayed.

The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

Two Sales at Christie's

Deux ventes chez Christie's

Christie's in Paris is hosting two significant sales featuring masterpieces from the legendary Veil-Picard collection, which had been largely inaccessible to the public and scholars for decades. Highlights include a perfect Watteau drawing unseen on the market since 1900 and two major Hubert Robert paintings commissioned by the famed salonnière Madame Geoffrin, offering a rare glimpse into 18th-century Parisian interiors.

Derrick Adams: Glimpses of Black Leisure

The Institute of Contemporary Art, Boston, is hosting 'Derrick Adams: View Master,' the first mid-career survey dedicated to the multidisciplinary artist. Featuring over 100 works spanning two decades, the exhibition includes painting, collage, sculpture, video, and performance that highlight Adams's unique visual language of pattern and color.

Post-Mortemism: An Autopsy of “Nigerian Modernism: Art and Independence” at Tate Modern.

A critical essay by Ayọ̀ Akínwándé performs a forensic 'autopsy' of the Tate Modern exhibition 'Nigerian Modernism: Art and Independence.' The review dissects the show's structure, arguing it fails in its curatorial framework by isolating Nigerian artists within a regional category, using ethnographic display methods, relying on incomplete research, and excluding key artists and historical context.

After Whistleblower Complaint, Palm Springs Art Museum Declines to Release Report on Allegations of Fraud and Theft, Claims They Are ‘Not Substantiated’

The Palm Springs Art Museum in California has released a three-page statement claiming that an investigation into a whistleblower complaint alleging mismanagement, fraud, and theft found no wrongdoing. The complaint included allegations of improper reclassification of endowment funds, a $3 million discrepancy in investment accounts, and the forced departure of a former director. The museum hired law firm Barnes & Thornburg and forensic accounting firm RSM US to conduct a six-month review, but declined to release the resulting report to ARTnews or the public. The museum acknowledged that proceeds from deaccessioned artworks were used for operating expenses, calling it a long-standing board-approved practice with an internal loan being repaid by 2030.

The Best Booths at NADA New York, From Quietly Ominous Ceramics to Ecstatic Jazz Paintings

The New Art Dealers Alliance opened the 12th edition of NADA New York on May 14, 2026, at Chelsea’s Starrett-Lehigh building, coinciding with Frieze and 1-54 fairs nearby. The fair featured 110 exhibitors, including 51 first-time galleries from New York to Shanghai, with standout presentations by Andrae Green and Cyle Warner at Forgotten Lands, Ruth Owens at Voltz Clarke, and Keiko Narahashi at Tappeto Volante Gallery. This year’s edition emphasized ceramics and fiber art, marking a shift from recent years’ focus on figurative painting.

Five Independent Souls: The Signers from New Jersey

Morven Museum & Garden in Princeton, New Jersey, is presenting "Five Independent Souls: The Signers from New Jersey," an exhibition opening May 3, 2026, through January 17, 2027. The show examines the lives of five lesser-known signers of the Declaration of Independence—Abraham Clark, John Hart, Francis Hopkinson, Richard Stockton, and John Witherspoon—through over 100 historic artifacts including manuscripts, paintings, furniture, and personal objects. It confronts the paradox that these men fought for liberty while enslaving people, and also addresses the impact of American independence on New Jersey's indigenous population. Highlights include the painting "Congress Voting Independence" (1796-1817), the first known American depiction of the vote for Independence.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

Lee ShinJa's Handwoven Portals

Hyperallergic profiles the work of South Korean textile artist Lee ShinJa, whose handwoven artworks are described as 'portals' that bridge traditional craft and contemporary abstraction. The article highlights her use of traditional Korean weaving techniques to create layered, ethereal pieces that evoke both physical and metaphysical spaces.

Parallax(e): Perspectives on the Canada–US Border

The exhibition "Parallax(e): Perspectives on the Canada–US Border" at The Reach Gallery Museum in Abbotsford, British Columbia, brings together archival materials from the Northwest Boundary Survey (1857–62) with new works by five Indigenous artists. The show features photographs, maps, and watercolors from British and American surveyors alongside commissions by Dr. Shawn Brigman, Dr. Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and Dr. T’uy’t’tanat Cease Wyss, who respond to the legacy of the border's creation through canoe culture, transboundary identity, and place-based knowledge.

Dance Your Way to the Museum

Curator Naz Cuguoğlu argues in an opinion essay that museums should embrace the ethos of rave culture to become more welcoming and inclusive spaces, suggesting they can foster new forms of belonging. The article also covers several other art stories, including the discovery of pre-Hispanic rock art in Mexico that led to the rerouting of a train line, an exhibition of Genesis P-Orridge's mail art in Toronto, and artist Jean Shin's memorial project at Green-Wood Cemetery.

Turkey Notches Another Successful Restitution After Denver Art Museum Returns 1500-Year-Old Marble Head

The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.

New York Mayor Zohran Mamdani to Skip Met Gala, Sources Say

New York City Mayor Zohran Mamdani and his wife Rama Duwaji will reportedly skip the 2025 Met Gala, breaking a long-standing tradition of mayoral attendance at the Metropolitan Museum of Art’s premier fundraiser. Sources suggest the decision stems from a conflict between Mamdani’s socialist political platform and the event's association with billionaire sponsors, specifically Jeff Bezos and Lauren Sánchez-Bezos.

Louvre Museum Jewel Heist Inspires Latest ‘Law & Order’ Episode

The long-running television series Law & Order has adapted the recent high-profile Louvre Museum jewel heist into a new episode titled "Beyond Measure." Filmed at the Brooklyn Museum—serving as the fictional Atlas Museum of Art—the plot follows detectives investigating the theft of the bejeweled Crown of Popoyan, a fictionalized version of the real-world $102 million heist involving a cherry picker escape. The episode weaves in a complex subplot regarding the repatriation of Indigenous Colombian artifacts held by the Vatican.

Large Roman Villa Uncovered in the U.K. During Wind Farm Survey

Archaeologists conducting surveys for an offshore wind farm project in Norfolk, England, have discovered a significant Roman villa dating back to the 1st through 3rd centuries C.E. The expansive estate, which measures over 100 feet in length, featured a bathhouse, a covered porch, and ancillary buildings for crop processing. Excavations also yielded high-status artifacts including an ornate bronze door handle, a lion-headed furniture foot, and imported pottery, alongside evidence of a Roman road and two lost medieval villages.

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Lithuania's pavilion at the 2019 Venice Biennale presents "Sun & Sea (Marina)," an opera about a day at the beach that serves as a subtle, chilling commentary on climate change. Viewers observe performers lounging on a sandy tableau from a balcony, as they sing about mundane inconveniences and environmental apathy. The work, created by theater director Rugilė Barzdžiukaitė, playwright Vaiva Grainytė, and composer Lina Lapelytė, was adapted into English for the biennale and organized by Lucia Pietroiusti of London's Serpentine Galleries.

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A late 18th- or early 19th-century Quran from Ottoman Syria, held by the New York Public Library's Schomburg Center for Research in Black Culture, was used to swear in Zohran Mamdani as New York City's first mayor to take the oath on the Muslim holy book. The ceremony took place just after midnight on New Year's Day 2026 at the decommissioned City Hall station, administered by New York Attorney General Letitia James. The Quran is now on display at the library's main branch in an exhibition titled "The People's Quran: Making History at City Hall."

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A previously unaccounted-for self-portrait by 18th-century French artist Adélaïde Labille-Guiard sold at Tajan auction house in Paris for €843,800 ($988,785), far exceeding its estimate of €300,000–€500,000. After the hammer fell, a representative of the Palace of Versailles invoked France's droit de préemption law to claim the 1782 pastel work for the national collection, preventing its private sale.

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The U.S. Senate has confirmed Mary Anne Carter as chair of the National Endowment for the Arts (NEA) by a 53–43 party-line vote, returning the same political operative to the post she held during Trump’s first term. Carter, who has no professional arts experience and previously worked for the Heritage Foundation (author of Project 2025), was nominated in May amid a tumultuous period when the Trump administration sought to defund the NEA, senior leaders left en masse, and hundreds of arts organizations had promised grants cut or delayed.

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The Victoria and Albert Museum in London has opened a major exhibition titled "Marie Antoinette Style," showcasing items from the French queen's life and death, including her final letter, a guillotine blade, and a plain linen chemise she wore in prison. The exhibition explores her legacy as a style icon and the public's enduring fascination with her execution during the French Revolution, featuring objects linked to her imprisonment and the macabre history of Madame Tussauds' Chamber of Horrors.

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Sasha Suda, the former director and CEO of the Philadelphia Museum of Art, has filed a lawsuit against the institution less than a week after her abrupt firing. The legal complaint alleges breaches of contract, bad faith, unfair treatment, and abuse. Suda, who served for three years, is seeking two years' severance and damages, represented by high-profile art world attorney Luke Nikas of Quinn Emanuel. Her ouster came shortly after the museum unveiled a controversial rebranding, changing its name from the Philadelphia Museum of Art to the acronym PhAM and introducing an unpopular griffin logo. The museum has stated the lawsuit is without merit. Louis Marchesano, deputy director of curatorial affairs and conservation, is currently serving as interim leader.

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The Philadelphia Museum of Art has accused its former director and CEO, Sasha Suda, of misappropriating funds and lying to cover up theft, according to a motion to compel arbitration filed by the museum. The motion denies Suda's claims of wrongful termination and alleges that she awarded herself unauthorized salary increases after the Compensation Committee denied her requests. Suda had filed a civil suit earlier this month alleging wrongful termination, unfair treatment, and abuse. Her lawyer, Luke Nikas, called the museum's allegations false and part of a pattern of misconduct.

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The American Numismatic Society (ANS), a 166-year-old organization dedicated to coin collecting and research, is relocating from Lower Manhattan to the Toledo Museum of Art in Ohio. The move, set for 2028, will see the ANS occupy a four-story Art Deco building on the museum's campus, where it will establish a new home featuring a library, auditorium, and education center. The partnership will integrate the ANS's collection of 800,000 coins, medals, and monetary objects into the museum's reinstallation of its collection galleries in 2027, with the ANS mounting its own exhibitions starting the following year.

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NADA Miami has announced its 23rd edition, taking place December 2–6, 2025, at Ice Palace Studios. The fair will feature 140 exhibitors from 30 countries and 65 cities, including 47 first-time participants such as Foundry Seoul, Post Times, and Brigitte Mulholland. The Curated Spotlight program, now in its sixth year and supported by TD Bank, will be organized by Vancouver-based curator Kate Wong, who selected seven galleries and artists—including Devin N. Morris, Ana Alenso, Alessandro Balteo-Yazbeck, Faith Icecold, Huey Lightbody, Mahari Chabwera, and Marissa Delano—to present works exploring power structures, identity, and collective histories. The fair will also host the ECOLOGIES public programming series.

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The ABC television series *High Potential* aired a midseason finale episode titled “The One that Got Away,” in which protagonist Morgan Gillory, a cleaning lady turned police consultant, investigates a museum heist involving a $20 million Rembrandt painting, *Young Girl Leaning on a Windowsill*. The fictional theft—executed via a skylight rope descent, laser security disabling, and smoke bomb—eerily mirrored a real-life Louvre heist that occurred just a week after the episode was written, where thieves used a cherry picker and angle grinder to break through a window. The episode also touches on Nazi-looted art and a possible serial art thief named John Baptist.

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Sasha Suda, former director and CEO of the Philadelphia Museum of Art, has filed a lawsuit against the institution after being dismissed last week. The suit alleges that board members accused her of misusing museum funds for personal gain, which she claims was part of a "sham" investigation. Reports indicate the investigation examined her salary—just under $729,000 in 2023, among the highest for museum leaders—and expenses that had already been cleared. Suda also alleges the "final straw" was a disagreement over board chair Ellen Caplan's attempt to bring lobbyist Melissa Heller onto the board, which Suda opposed. She says she was fired without valid basis while leading an event for international museum leaders.