Jeffrey Deitch is reviving his celebrated Art Parade for a special Los Angeles edition on June 20, 2026, to mark the grand opening of the David Geffen Galleries at LACMA. Originally held in New York’s SoHo from 2005 to 2008, the large-scale public procession invites artists, performers, and students to create floats and spectacles that will transform Museum Row into a living gallery.
Humid Traces, curated by Federico Pérez Villoro, is an exhibition at an unnamed New York venue that examines how bodies of water are weaponized as borders amid climate change and extreme weather. The show features international artists—including Dele Adeyemo, Natalia Lassalle-Morillo, Zishaan A Latif, Caio Reisewitz, Susan Schuppli, Marisa Srijunpleang, Studio Folder, and Leonel Vásquez—whose works in installation, sound, photography, video, and data visualization reveal the violent effects of migration-control technologies and water's material memory.
Cannupa Hanska Luger's exhibition 'Dripping Earth' at the Joslyn Art Museum in Omaha, Nebraska, runs until March 8, 2026. The show explores Indigenous futurity through material and conceptual responses to 19th-century watercolors by Swiss artist Karl Bodmer, who documented Luger's ancestral Mandan, Hidatsa, Arikara, and Lakota communities during an 1832-1834 expedition. Luger's works include speculative lithographs, a giant buffalo-shaped abacus, and hand-woven bison regalia, addressing colonization's violent legacy and the unreliability of colonial archives.
Volume Gallery is relocating to a larger space at 1700 West Hubbard Street in Chicago, opening in February with a group exhibition titled 'The Heresy of Legacy.' The Museum of Contemporary Photography announced a solo exhibition by MacArthur Fellow Tonika Lewis Johnson for fall 2027. Elise Seigenthaler Gallery will open in West Town on January 9, while Christina Vassallo is leaving Cincinnati's Contemporary Arts Center to join the Pew Center for Arts & Heritage. Additionally, Novak Construction is set to buy the southern portion of Lincoln Yards, and a River North office building will be converted into apartments.
Conduit Gallery, a contemporary art gallery in Dallas, announced it will move to a new location at 1845 East Levee Street in the Dallas Design District in January 2026, after 25 years at its current space on Hi Line Drive. The gallery will share a building with Cris Worley Fine Art, in the former home of Holly Johnson Gallery, which closed earlier this year. The move comes as the gallery celebrates its 40th anniversary, having been founded in 1984 with a focus on emerging and nationally recognized artists, particularly those working in Texas.
Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.
The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.
A new exhibition titled "Criminal: The Untold History of Homelessness" opens at the Museum of Homelessness in London, exploring the origins of homelessness in the UK and how it has been criminalized. The exhibition challenges the typical focus on the 19th-century Vagrancy Act, instead tracing the "Homelessness Big Bang" to the early 1600s, when land enclosures, economic shifts, and colonial expansion began penalizing unhoused people. Staged in a meadow at Finsbury Park, the show features artists and activists including the anonymous graffiti artist 10 Foot, designer Matt Bonner, and poet Gemma Lees, with works such as 10 Foot's first sculpture "Fairie Newbuild"—a skip-shaped object made from palisade fencing containing a hawthorn tree.
The Palm Springs Art Museum in California has released a three-page statement claiming that an investigation into a whistleblower complaint alleging mismanagement, fraud, and theft found no wrongdoing. The complaint included allegations of improper reclassification of endowment funds, a $3 million discrepancy in investment accounts, and the forced departure of a former director. The museum hired law firm Barnes & Thornburg and forensic accounting firm RSM US to conduct a six-month review, but declined to release the resulting report to ARTnews or the public. The museum acknowledged that proceeds from deaccessioned artworks were used for operating expenses, calling it a long-standing board-approved practice with an internal loan being repaid by 2030.
The British Museum has revealed its plans for displaying the nearly 1,000-year-old Bayeux Tapestry when it arrives on loan from France later this year. For the first time in recent history, the 230-foot-long embroidered narrative of the Norman Conquest will be laid flat in a bespoke case, allowing visitors to view all 58 scenes in a single unbroken display. The exhibition, supported by a £5 million pledge from WorldQuant CEO Igor Tulchinsky, will also feature loans including the Junius II manuscript from Oxford's Bodleian Libraries and silver coins from the Chew Valley Hoard. Tickets for the ten-month show, opening September 10, cost £25–£33.
On 15 May, Inquilinos Boricuas en Acción (IBA), a Latino-founded nonprofit community development corporation, will open La Casa, a $33 million, 26,000-square-foot cultural center in Boston's South End. The largest Latino cultural center in New England, La Casa is designed by local firms Studio Enée and Annum Architects and features a terracotta-colored facade, energy-efficient design, and flexible spaces for civic engagement, education, and artistic expression. Initial programming includes artist residencies, workshops, and a mural by local artist Alvin “Acóma” Colon honoring Boston’s Puerto Rican residents. The building incorporates salvaged elements from the original turn-of-the-century Lutheran church that IBA repurposed in the 1960s.
Hyperallergic profiles the work of South Korean textile artist Lee ShinJa, whose handwoven artworks are described as 'portals' that bridge traditional craft and contemporary abstraction. The article highlights her use of traditional Korean weaving techniques to create layered, ethereal pieces that evoke both physical and metaphysical spaces.
Two letter writers to The Guardian criticize the UK government's arts funding imbalance, highlighting that London receives disproportionate investment compared to northern England. Christine Baranski points out that £135m was spent on the V&A East in London while the Tate in Liverpool has been closed for over two years and the Albert Docks cultural area appears neglected. Sharon Maher notes that Arts Council spending is roughly £57 per Londoner versus £28 per person in the north, and argues that future national museum outposts should be located in the north.
The Barjeel Art Foundation has officially broken ground on its first permanent museum in Sharjah, United Arab Emirates, with a scheduled opening for January 2028. Founded by Sultan Sooud Al Qassemi, the 38,750-square-foot facility will be designed by Abdelmoneam Essa of Architecture Corner Consultants, featuring a design inspired by the traditional architecture of the Al Rigga neighborhood.
Michelle Ogundehin, the former editor-in-chief of Elle Decoration and current head judge on BBC’s Interior Design Masters, shares her personal shopping philosophy and favorite sources for design and art supplies. The interview highlights her preference for tactile, high-quality essentials over mass consumerism, citing her love for artist-grade watercolor paper from L. Cornelissen & Son, vintage tapestries from Larusi, and curated items from Japan House London.
The Portland Museum of Art (PMA) has finalized a $14 million acquisition of a downtown building and two adjacent parking lots from MaineHealth. Located on Free Street next to the museum's current campus, the facility will house administrative offices, allowing the museum to convert existing office space into new public galleries.
Hyperallergic's newsletter provides a comprehensive overview of a packed week in New York's art scene. Key events include the reopening of the New Museum after its OMA-designed expansion, the concurrent runs of the Affordable Art Fair and Outsider Art Fair, and the city-wide Asia Art Week. The publication also offers a critical assessment of the 2026 Whitney Biennial and a guide to upcoming spring art fairs.
The Bank of England has decided to replace historical figures, including painter J.M.W. Turner, with depictions of native UK wildlife on its next generation of banknotes. This follows a public consultation where 'Nature' was the most popular theme, selected by 60% of respondents. A panel of six wildlife experts will now create a shortlist of species for a further public vote this summer.
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The New Art Dealers Alliance (NADA) has launched a new initiative called NADA Collects, a series of salons and educational events designed to demystify the art-buying process. Through gallery walks, dinners, and informal Q&A sessions, the program addresses the intimidation factor that often prevents potential buyers from entering the contemporary art market. By fostering a space where "no question is too dumb," NADA aims to bridge the gap between galleries and a new generation of collectors who may feel alienated by the perceived elitism of the art world.
The University of North Texas (UNT) abruptly canceled and removed artist Victor "Marka27" Quiñonez's traveling solo exhibition "Ni de Aquí, Ni de Alla" from its CVAD Gallery, locking the gallery doors and drawing blinds over the windows. The university terminated the loan agreement with Boston University Art Galleries, which originated the show, and scrubbed all mentions of the exhibition from its website and social media without providing a reason to the artist.
Plans for a Centre Pompidou satellite museum in Jersey City have been officially canceled. The project, first announced in 2021, would have been the Paris museum's only North American outpost, but faced years of political opposition and funding disputes, culminating in the newly elected mayor declaring the project dead.
The Philadelphia Museum of Art is reversing its controversial rebranding decision, abandoning the name "Philadelphia Art Museum" and the acronym "PhAM" after widespread backlash. The museum will retain its new griffin logo but restore the original name, Philadelphia Museum of Art, across all platforms. The rebrand, developed with Brooklyn design studio Gretel at a cost of $1 million, was rolled out less than four months ago but met with public mockery and internal turmoil. The reversal follows the firing of CEO Sasha Suda, who filed a lawsuit over her ouster, and the appointment of Daniel Weiss, former CEO of the Metropolitan Museum of Art, as her successor. Chief marketing officer Paul Dien also resigned amid the fallout. The board voted unanimously to undo the name change after a survey commissioned by an interdisciplinary task force.
The British Museum's proposal to redesign its forecourt with two permanent security pavilions and a Mediterranean-style garden has drawn opposition from conservation groups. The Georgian Group and the Victorian Society argue the additions would disrupt the historic symmetry and formal setting of Robert Smirke's 19th-century Greek Revival building, urging Camden Council to reject the plan.
Newly released documents from the Jeffrey Epstein case reveal the financier's intense personal interest in the Frick Collection, the museum located across from his Manhattan mansion. Epstein drafted letters opposing the museum's proposed expansion, criticizing plans as "brutish" and a "travesty," and claimed to have insider knowledge about the institution and its founder, Henry Clay Frick. He was joined in his opposition by other powerful neighbors, including billionaire Howard Lutnick.
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Federal immigration enforcement operations in Minneapolis, led by U.S. Customs and Border Protection and ICE under Operation Metro Surge, have resulted in the deaths of two American citizens, poet Renee Good and nurse Alex Pretti, near major art institutions. The violence and subsequent shelter-in-place orders have directly impacted the local arts community, forcing school closures, remote learning, and causing widespread fear.
Artist, designer, architect, and Olympian skateboarder Alexis Sablone has been inducted into the Skateboarding Hall of Fame as part of its Class of 2026, announced on January 15. The 18 inductees were selected for shaping skateboarding culture and global impact, with the ceremony set for May 15 at Vans Headquarters in Costa Mesa, California. Sablone is known to the art world for skateboarding down the Solomon R. Guggenheim Museum's spiral ramp in 2023 to promote her first sneaker design for Converse, and for creating skateable public art like 'Lady in the Square' in Sweden and 'Candy Courts' in New Jersey.
The Trump administration is considering West Potomac Park in Washington, D.C., as the site for its proposed “National Garden of American Heroes,” a sculpture garden featuring statues of American historical figures. According to anonymous sources cited by the Washington Post, the park—located near the Jefferson Memorial and memorials to Martin Luther King Jr. and Franklin D. Roosevelt—may require an exemption under the Commemorative Works Act if the southern tip is used. The project, first announced in January 2021, received $40 million in congressional funding through the One Big Beautiful Bill Act in July 2025, and the National Endowment for the Humanities launched a new grant program for statue design after canceling most of its existing grants.
The New-York Historical Society has announced a major gift from H.M. Agnes Hsu-Tang and Oscar L. Tang to fund its new Tang Wing for American Democracy, a $175 million expansion set to open in 2026. The 80,000-square-foot wing, designed by Robert A.M. Stern, will add exhibition and classroom space, and will house the American LGBTQ+ Museum on its top floor. Alongside the announcement, the institution is rebranding as the New York Historical, dropping both the hyphen and the word 'Society' to signal a more inclusive identity.
President Donald Trump issued an executive order titled “Restoring Truth and Sanity to American History,” targeting the Smithsonian Institution. The order tasks Vice President J.D. Vance with removing “improper ideology” from Smithsonian museums, supported by Secretary of the Interior Doug Burgum and advisor Lindsey Halligan. Critics, including historian Raymond Arsenault, have described the move as totalitarian. The Smithsonian, a public-private partnership founded in 1846 with 21 museums and the National Zoo, faces potential loss of federal funding if it does not comply, echoing pressure applied to other institutions like Columbia University.
Pantone has named "Cloud Dancer," a shade of white, as its 2026 Color of the Year, describing it as a symbol of serenity and calm in a frenetic society. The announcement has sparked criticism for being tone-deaf amid ongoing political debates about whiteness, white supremacy, and conservative turns in the US and Europe, with wars and censorship fears also looming. Critics, including fashion correspondent Vanessa Friedman, have noted the choice's less salubrious associations, while Pantone executives insist skin tones did not factor into the decision.