The sixth edition of the Studio Museum in Harlem’s landmark group survey exhibition has returned, taking a deeply personal and introspective approach to exploring Blackness. The show is described as political yet inwardly focused, operating at a quieter metabolism than previous iterations, emphasizing individual perspectives over broad declarations.
The article reports on the opening of the Museum of Cacao & Chocolate in Mexico City, which combines a colonial-era house with a contemporary architectural addition. The museum is built on a site that was once an Aztec monument, adding layers of historical significance to the institution dedicated to the history and culture of cacao.
Academic museums at Princeton, Yale, Cornell, and Skidmore have organized several standout exhibitions worth visiting beyond TEFAF New York. These shows highlight the rich programming happening on campuses outside the city, offering diverse artistic perspectives and scholarly depth.
Art House Productions in Jersey City, NJ, presents "Playing Favorites," a solo exhibition by artist Bryant Small, curated by Andrea McKenna. The show runs from May 2 to May 31, 2026, at the Art House Gallery, featuring a selection of Small's most cherished works, many never publicly exhibited before. The exhibition includes an opening reception on May 2 and an artist talk on April 17, with all artwork available for purchase in person and online.
A March survey by the US Government Accountability Office (GAO) found that 85% of all US museums need repairs, with 77% having at least one structural issue endangering their collections. Federal funding does not cover construction-related expenses, and 73% of the roughly 11,900 museums surveyed reported building system or facility problems posing health or safety risks. The American Alliance of Museums noted the data aligns with years of reports from museums struggling with aging infrastructure and unpredictable funding.
Deux nouveaux tableaux italiens pour la Collection Bemberg à Toulouse
The Collection Bemberg in Toulouse has acquired two new Italian paintings, including a still life by Bernardo Strozzi (1581-1644) purchased at the Maastricht art fair from Galerie Canesso. The work, a vibrant depiction of peonies and fruit, was previously sold at Sotheby's London in July 2013 and first published in 1985. The acquisition continues the museum's decade-long strategy of enriching its holdings with major works sourced from the art market, guided by its scientific council.
An outdoor exhibition titled 'Pop Goes Brum!' will be held in Birmingham's Snow Hill Square from 9 to 30 June 2025, celebrating the life and work of Peter Phillips, a pioneering British pop artist who died in June 2025. Curated by art historian Ruth Millington and developed in partnership with Birmingham School of Art, the free exhibition aims to showcase Phillips' 'pioneering achievements' and his deep connection to Birmingham, where he was born in 1939 and trained at Moseley School of Art and Birmingham School of Art. Phillips, who ranked alongside David Hockney, Pauline Boty, Peter Blake, Andy Warhol, and Roy Lichtenstein, was a key figure in the international pop art movement and helped launch British pop art with a 1961 exhibition.
Two Illinois high school seniors, Dashiell Speir and Hazel Anderson, received substantial art-school scholarship offers after participating in the Illinois High School Art Exhibition's northern regional show. Speir, a student at Downers Grove North High School, was offered $524,000 in scholarships, while Anderson, from Central High School in Burlington, received $372,000 in offers. Speir plans to attend the College of DuPage before transferring to a four-year school, and Anderson intends to enroll at the School of the Art Institute of Chicago.
Stockholms Auktionsverk is holding two live auctions, The Modern Art Sale and The Contemporary Art Sale, on May 20 and 21, 2026, at Nybrogatan 32 in Stockholm. The sales feature a curated selection of Swedish and international artists from the early 20th century to the present day, including works by Andy Warhol, Jasper Johns, Tony Cragg, Lena Cronqvist, and a newly discovered painting by Gösta Adrian-Nilsson. The Modern Art Sale highlights modernist masterpieces by Otte Sköld, Sigrid Hjertén, and Ragnar Sandberg, while The Contemporary Art Sale pays tribute to Ola Billgren and includes works by David LaChapelle, Cindy Sherman, and Britta Marakatt-Labba.
Mexican artist Paulina Carretero's exhibition "Reminiscence and Furor" is moving from the Laredo Center for the Arts to La Posada Hotel starting May 8. The show, which opened in March for International Women's Month, features paintings that pay tribute to seven historical women artists: Artemisia Gentileschi, Berthe Morisot, Georgia O'Keeffe, Tamara de Lempicka, María Izquierdo, Remedios Varo, and Yayoi Kusama. Carretero created two works for each artist—one capturing their spirit and another reflecting her personal vision. The exhibition also includes a large-format painting titled "El Juego de la Consciencia (The Game of Consciousness)" that incorporates magical realism. Carretero will mark the closing at the Laredo Center for the Arts on May 1.
The Utah Museum of Fine Arts (UMFA) is hosting "Storywork: The Prints of Marie Watt from the Collections of Jordan D. Schnitzer and His Family Foundation," an exhibition running through June 21. It features over 60 works by Marie Watt, an enrolled member of the Seneca Nation's Turtle Clan, including prints, monumental blanket stacks, hanging textiles, and small-scale sculptures. The show is drawn from the collections of Jordan D. Schnitzer, a top 200 collector recognized by ARTNews, whose foundation has supported more than 180 exhibitions and loaned works to over 130 museums at no cost.
The 1-54 Contemporary African Art Fair will return to New York's Starrett-Lehigh Building from May 13 to May 17, 2026, for its 12th edition. Featuring over 20 exhibitors from 12 countries, the fair introduces a curated section titled "1-54 Presents: Brazil Beyond Brazil," led by Brazilian curator and professor Igor Simões, marking the fair's first focus on Afro-Brazilian art and the cultural connections between Africa and Latin America. New participants include Adegbola Gallery (Lagos), Aura (São Paulo), and Black Pony Gallery (Bermuda), alongside returning exhibitors such as 193 Gallery and Galerie Myrtis.
È morto il grande artista Remo Salvadori. Aveva 79 anni
Italian artist Remo Salvadori has died at age 79. Known for his rigorous, independent practice, Salvadori explored matter, energy, science, philosophy, and spirituality through sculpture, installations, and site-specific works. Born in Cerreto Guidi, he studied at the Accademia delle Belle Arti di Firenze and moved to Milan in the early 1970s, where he participated in the experimental scene without joining any movement. His career included solo shows in Milan galleries from 1971, appearances at the Venice Biennale (1982, 1986, 1993) and Documenta in Kassel (1982, 1992), and works held in major museums worldwide. In 2019 he received the Premio Presidente della Repubblica for sculpture. A major retrospective in 2025 at Palazzo Reale, Museo del Novecento, and San Gottardo in Corte in Milan showcased over 50 works from 1969 to 2025.
L’industria creativa del Kazakhstan accelera. Spunta una nuova fondazione che sostiene la scena artistica
A new private foundation called TOVA Foundation, based in Geneva, has been established to promote contemporary art from Central Asia, specifically focusing on Kazakhstan's art scene. The foundation debuted at the Venice Biennale with an exhibition titled "Trading Treasures" featuring Kazakh artists Saule Suleimenova and Sayan Baigaliyev at Casa dei Tre Oci. The initiative is backed by Togzhan Wertheimer, a Kazakh-born entrepreneur and philanthropist connected to the fashion industry through her husband David Wertheimer, and includes a board with figures like Tatiana de Pahlen and art consultant Jean-Olivier Despres. The foundation's curator is Vladislav Sludskiy, who previously worked at Ethan Cohen Gallery and co-founded the ARTBAT FEST and Eurasian Cultural Alliance.
Lista dei piccoli musei d’Italia dedicati alla scrittura. Tra diari, macchine da scrivere e memorie
The article highlights the phenomenon of cultural overbooking, where major museums like the Louvre, Vatican Museums, and British Museum attract millions of visitors, turning art appreciation into a physical endurance test. It then pivots to a series of small, specialized museums across Italy dedicated to writing, diaries, and memory, offering a quieter, more intimate alternative. Featured institutions include the Piccolo Museo del Diario in Pieve Santo Stefano, which houses over 10,000 personal diaries and letters, and the Museo della Lettera d’Amore in Torrevecchia Teatina, with 25,000 love letters. Other stops include the Parco Poesia Pascoli in San Mauro Pascoli, dedicated to the poet Giovanni Pascoli.
Una mostra a Milano fa dialogare visionari paesaggi contemporanei con un acquerello del grande Turner. Recensione e intervista
The exhibition "Continuum" at Robilant+Voena in Milan marks the first solo show in the city for American artist Maria Kreyn. It presents a selection of her contemporary landscapes—charged with pathos, abstract geometries, and references to art history—alongside a rare watercolor by J.M.W. Turner, *The Splügen Pass* (1842–43). Kreyn’s seascapes, influenced by her background in mathematics and philosophy, feature turbulent waves, ovoid and parabolic forms, and a sense of latent tension, creating a visual dialogue with Turner’s Romantic vision of nature.
Leana Hoadley has opened Hoadley Gallery West in downtown Edmonds, Washington, a boutique gallery specializing in handmade ceramics, jewelry, glass, and sculptural objects. The gallery builds on the legacy of the original Hoadley Gallery in Lenox, Massachusetts, founded over 40 years ago by her aunt and uncle, Stephanie and Thomas Hoadley. After a winding career that included studying at the School of the Museum of Fine Arts in Boston and working as a creative director for an AI company, a 2023 layoff prompted Hoadley to reassess her path and pursue opening her own gallery. The space features works including porcelain vessels by Thomas Hoadley made using the ancient Japanese Nerikomi technique, which are held in collections such as the Smithsonian American Art Museum's Renwick Gallery and the Museum of Fine Arts, Boston.
En Seine-Saint-Denis, les logements futés pour les migrants de l’architecte Patrick Rubin
Architect Patrick Rubin of the firm Canal has transformed the former National Road Information Center, known as Bison Futé, in Rosny-sous-Bois (Seine-Saint-Denis) into a housing complex for 169 migrants. The project, commissioned by social landlord Batigere Habitats Solidaires, preserves the original 1986 half-moon building by Ludwik Peretz and Gilbert Delecourt, adding a new floor and a rear half-crown structure. Rubin used 79 prefabricated modules (17–25 m² each), built in workshops near Lyon, each equipped with a bed, kitchenette, bathroom, and window. Inspired by ship cabin manufacturing in Dunkirk and traditions of tiny houses and capsule hotels by Charlotte Perriand, Herman Hertzberger, and Shigeru Ban, the modules were craned into place. The project faced delays due to differing tolerances between concrete and wood construction, pushing delivery from early 2026 to late 2026.
Veteran Korean artist Lee Jong-gu, a key figure in the 1980s minjung art movement, has opened a solo exhibition titled "Pensive" at Hakgojae Gallery in Seoul. The show features 38 paintings that mark a shift from his decades-long focus on social realism toward a more contemplative approach, centering on the bangasayusang (contemplative bodhisattva figures) from the National Museum of Korea. Lee blends these sacred images with nude bodies, flames, and crowd scenes, drawing on the Buddhist concept of non-duality to explore themes of life, death, and the sacred versus the profane. The exhibition runs through June 20.
A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.
Perth-raised street artist Stormie Mills will present his first-ever solo exhibition at an Australian state gallery, titled *All the secrets are buried between the oceans and the mountains*, at the Art Gallery of Western Australia (AGWA) from August 1 to November 8, 2026. The show features works from his four-decade career, including two monumental 12-metre-long paintings inspired by the sea and mountains, exploring themes of connection, isolation, and human vulnerability.
The Art Gallery of Burlington (AGB) opens its spring exhibition "A material called Earth, Volume 1: The life of corners" on May 16th, featuring the immersive textile art of Argentinian artist Celina Eceiza. The installation transforms the main gallery with hand-dyed, stitched, and embroidered works, including sculptures ranging from palm-sized to near-monumental, and incorporates ceramics from the AGB's collection. A public opening on May 16th includes a talk and tour with curator Sylvie Fortin and the artist, plus free programming by artist Camila Salcedo and refreshments from local vendors.
Sue Johnson, professor of art at St. Mary's College, is presenting her second solo exhibition at gallery neptune & brown in Washington, D.C., titled “Blueprint for Happiness.” The show runs from May 16 through June 20, with an opening reception on May 16. Johnson debuts a new series, “My Teenage Years,” which builds on her earlier “Symmetrical Bodies” work and examines the pressures on women to conform to ideals of happiness and perfection in body image and domestic spaces, drawing on 1960s-70s material and commercial culture.
AOY Art Center announced the award winners of its 14th Annual Juried Show, with David Orban taking first place for his oil on cradled wood panel, “Bi-plane and Blue Truck in Red.” Juror Amanda C. Burdan, senior curator at the Brandywine Museum, selected the piece for its surreal use of red. Second place went to Jean Burdick for “Silverton,” a silkscreen on vellum, and third place to Darlene Decker for “For the Monarchs,” an oil painting. The Frumi Cohen Memorial Award was presented to Cathy Hanville for her photograph “What’s for Dinner,” and honorable mentions were awarded to Scott Hoerl and Barbara Kaiser. The exhibition, featuring 135 works from over 425 entries by 150 local artists, is on view through May 3 at the AOY Art Center in Yardley, Pennsylvania, and online.
In a faculty meeting at Purchase College in New York, an administrator referred to students as "consumers," prompting the author to reflect on the pervasive corporatization and "administrification" of American higher education. The article argues that this language reflects a broader restructuring of universities as businesses, where students are customers, knowledge is a product, and faculty are service providers. It cites data showing that between 1976 and 2011, non-faculty professional positions grew by 369% while tenure-track faculty grew by only 23%, and at Purchase College, administrator salaries rose over 45% from 2016 to 2024 while assistant professor salaries rose just 14%, with inflation at 31%.
Conductor Art Fair made its debut at Powerhouse Arts in Gowanus, Brooklyn, with a VIP preview night on April 29, ahead of its public run from April 30 to May 3. Led by Powerhouse Arts President Eric Shiner and Fair Director Adriana Farietta, the event drew over 800 guests, featuring installations by Juan Jose Barboza-Gubo, House of Silence by Vuslat, and Sana Frini, along with 28 gallery exhibitors and 20 special projects. A performance by Grammy-nominated artist Lido Pimienta highlighted the evening, and the fair showcased works by numerous artists and gallerists.
This article highlights a series of art exhibitions and events taking place in Kenosha and Racine counties this week. The Anderson Arts Center in Kenosha is hosting a watercolor exhibition in collaboration with the Watercolor USA Honor Society through May 24. Additionally, the Kenosha Art Association is offering a Tatakizome (hammering plants) Flower Printing class with instructor Jill Montgomery. In Racine, an exhibition titled "Flying Kites in a Windless World" featuring works by Vanessa Filley continues.
Monica Rohan, a Brisbane-based artist, creates vibrant oil paintings in which domestic objects like patterned tablecloths and bentwood dining chairs appear in remote, natural landscapes. Her recent works, including those from her upcoming solo exhibition "Invitations" at Sophie Gannon Gallery in Melbourne this June, increasingly omit human figures, allowing the objects themselves to become stand-ins for people. The scenes are inspired by her hiking trip through Tasmania, featuring alpine summits, streams, and meadows.
The Bell Gallery at Brown University is presenting "Prisoners of Love: Until the Sun of Freedom," a new exhibition by internationally renowned sound, video, and installation artists Basel Abbas and Ruanne Abou-Rahme. The show is co-curated by Kate Kraczon, Director of Exhibitions and Chief Curator of the Brown Arts Institute (BAI) / The Bell, and Thea Quiray.
Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.