The Nearly Sixty-Year Career of Legendary Gallerist Enzo Cannaviello: A Wide-Ranging Interview

I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo

Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.

Tracking the Biggest Market Players at the Venice Biennale

The 61st Venice Biennale is underway, and while it is officially a non-commercial exhibition, market forces are increasingly influential behind the scenes. Artnet News host Margaret Carrigan reports on auction houses actively participating in opening week, and highlights Sotheby’s upcoming single-owner sale in London featuring works from billionaire Joe Lewis’s collection, expected to exceed $200 million. Meanwhile, Whitechapel Gallery has created a new economist-in-residence position to address ongoing financial strain in museums.

A Radical Post-Impressionist Movement Returns to Paris

Waddington Custot gallery has opened a new Paris location in Saint-Germain-des-Prés with the inaugural exhibition "The Nabi Shock." The show presents works by key figures of the late-19th-century Nabis movement, including Émile Bernard, Pierre Bonnard, and Edouard Vuillard, alongside contemporary artists like Fabienne Verdier and Pierre Knop to illustrate the movement's ongoing influence.

At the Every Woman Biennial, Joy Becomes a Form of Resistance

The sixth edition of the Every Woman Biennial opened at New York's Pen + Brush gallery, featuring hundreds of works by women and nonbinary artists in a densely hung, salon-style exhibition. The event, which began as a one-night pop-up in 2014, has grown into a major intergenerational showcase, mixing emerging artists with established names like Swoon and Mickalene Thomas, and includes performances and installations.

At Palm Beach’s Hottest Fair, Blue-Chip Meets Emerging Art

The ninth edition of the Palm Beach Modern and Contemporary (PBM+C) art fair opened with a VIP preview benefiting the Ann Norton Sculpture Gardens. The fair, presented by Art Miami, features 55 international galleries showcasing a mix of blue-chip modern works, contemporary art, and emerging talent, with highlights including special exhibitions dedicated to Russell Young's Marilyn Monroe centennial works and a satellite exhibition at the sculpture garden.

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Northern California's di Rosa Center for Contemporary Art has listed its 217-acre Napa campus for sale at $10.9 million after years of financial struggles. The museum, which houses a renowned collection of Postwar Northern California art, plans to use the proceeds to stabilize its finances and ensure the long-term care of its collection. Executive director Kate Eilertsen, who took over in 2020, has introduced alternative revenue streams like event rentals and a summer camp, and opened outposts in downtown Napa and San Francisco. The museum will remain open during the sale, and talks are underway with the Napa Land Trust and Open Space District to sell only part of the property for a public hiking trail, while keeping the sculpture park intact.

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California College of the Arts (CCA), the Bay Area's last private art and design school, will close after the 2026–27 academic year, ending 116 years of operation. Vanderbilt University will acquire CCA's San Francisco campus and open a West Coast outpost in 2027, continuing some art and design programs. The closure follows years of financial struggles, including a $20 million deficit, declining enrollment from 1,800 to 1,295 students, and emergency fundraising that raised nearly $45 million—including a $22.5 million matching gift from the Jen-Hsun and Lori Huang Foundation and a $20 million state grant—but proved insufficient to ensure long-term independence.

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Laura Footes, a British artist living with chronic illness, opened her solo exhibition “Anamnesis” at Shrine NYC in early December 2024. Her paintings feature translucent, ethereal bodies in hallucinogenic landscapes, exploring themes of entrapment, escape, and the porous, temporal nature of the body. Footes, who has Crohn’s disease, draws on her hospital experiences and was discovered by Tracey Emin in 2022 after Emin saw her work on social media. Emin later mentored Footes at TKE Studios in Margate and curated her solo show “A Healing Dream” at Carl Freedman Gallery in late 2024.

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Sotheby's will hold its second auction in Saudi Arabia on January 31, 2026, following a successful inaugural sale in Diriyah in February 2024 that netted $17.3 million. The upcoming sale, titled "Origins," features over 70 works by established Saudi Arabian and Middle Eastern artists alongside international names, with top lots including a Pablo Picasso painting estimated at $2–3 million and works by Jean Dubuffet, Roy Lichtenstein, and Andy Warhol. The auction aims to build on lessons from the first sale, which revealed strong demand across price points and generational diversity among buyers.

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British artist Michaela Yearwood-Dan has opened her first solo exhibition in China, titled “RECESS,” at the Longlati Foundation in Shanghai. The show features paintings and ceramics that explore themes of play, fluidity, and cultural identity, drawing on influences from Chinese calligraphy and tai chi. In an interview, Yearwood-Dan discusses her childlike approach to making the work and her desire for viewers to feel a personal connection. A concurrent exhibition, “Georgia Gardner Gray: Metal Madonna,” is also on view at the foundation.

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Galerie de l'Institut, a family-run Parisian gallery specializing in prints since 1954, is currently staging "Picasso. Dessin. 1903–1972," a major exhibition showcasing Pablo Picasso's prints and works on paper spanning nearly seven decades. The gallery, led by siblings Marc Lebouc and Anne-Gaëlle Lebouc (the second generation), with the third generation (Louis Lebouc) now involved, has expanded its focus from prints to include unique works and strengthened its online presence through platforms like Artnet. The exhibition marks both Picasso's 144th anniversary and the opening of the gallery's third space.

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Frank Frazetta's iconic painting *Conan the Berserker* (1967) is being auctioned at Heritage Auctions with an opening bid of $10 million. The work, originally created for the cover of the 1967 paperback *Conan the Conqueror*, has become one of the definitive images of the fantasy hero. This year alone, five Frazetta paintings have sold for over $1 million, including *Man Ape* (1966) which fetched $13.5 million in September. The artist's total sales volume was just $674,640 in 2018, according to the Artnet Price Database.

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The Studio Museum in Harlem reopened its newly rebuilt, seven-story space on 125th Street after nearly eight years without a permanent home. A press preview on November 6, 2025, showcased the $300 million, 82,000-square-foot building designed by Adjaye Associates with Cooper Robertson, which more than doubles the museum's exhibition space. The public reopening is set for November 15 with a free community celebration. Inaugural exhibitions include "From Now: A Collection in Context," works by over 100 alumni of the artist-in-residence program, and a solo show of Tom Lloyd, whose work was featured in the museum's first exhibition in 1968. The building features a grand staircase, a cantilevered auditorium called the "Stoop," a roof terrace, and prominent works by David Hammons and Glenn Ligon.

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Pantone has announced 11-4201 Cloud Dancer, a soft shade of bright white, as its 2026 Color of the Year. This marks the first time the company has chosen a white hue since launching the initiative in 1999, following last year's Mocha Mousse. The decision, announced by Pantone Color Institute vice president Laurie Pressman, is framed as a symbol of calm and a desire for a fresh start in a frenetic society, drawing comparisons to Kazimir Malevich's Suprematist compositions and Robert Ryman's white paintings. The announcement has sparked debate over its cultural and political implications, with critics noting the choice's potential elitism and its resonance amid ongoing racial tensions.

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The Julia Stoschek Foundation, one of the world's largest collections of video art, will present its first major U.S. exhibition at the Variety Arts Theater in downtown Los Angeles. Titled "What a Wonderful World: An Audiovisual Poem" and curated by Udo Kittelmann, the show opens February 6, 2026, pairing contemporary video works by artists such as Marina Abramović, Dara Birnbaum, Cyprien Gaillard, Arthur Jafa, Jesper Just, and Lu Yang with historic films by Luis Buñuel, Walt Disney, Alice Guy-Blaché, Winsor McCay, and Georges Méliès. The exhibition spans 120 years of filmmaking and will occupy a historic 1920s Venetian-style landmark that once housed L.A.'s first women's clubhouse and a vaudeville theater.

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Pablo Picasso's former ceramics studio, the Madoura Pottery workshop in Vallauris, France, is set to reopen to the public in 2027 after a €7 million ($8.2 million) renovation. The studio, opened in 1938 by ceramicist Suzanne Ramié and her husband Georges, was a creative hub for Picasso, Matisse, and Marc Chagall before closing in 1997. Mayor Kevin Luciano has led the project, which includes structural repairs, asbestos removal, a new 3,000-square-foot extension for a museum entrance, and a 20,000-square-foot public garden. The first construction phase is complete, with the second starting this fall.

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Chinese artist and activist Ai Weiwei will debut a major new installation in Kyiv, Ukraine, this fall at Pavilion 13, a Soviet-era glass exposition hall that recently reopened as a cultural venue after renovation by architectural firm Forma. The work, titled *Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White* (2025), features metal spheres inspired by Leonardo da Vinci's mathematical illustrations, encased in camouflage fabric thinly painted white, exploring themes of concealment, reality, and war. Commissioned by the nonprofit Ribbon International, the installation will be on view from September 14 to November 30, 2025, alongside a site-responsive intervention by Berlin-based artist Sam Lewitt.

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Artist Heidi Hahn discusses her recent exhibition "Not Your Woman" and the emotional journey behind the paintings in an interview with Thalia Stefaniuk. Originally scheduled to open at Mitchell-Innes & Nash's Chelsea gallery, the show was cancelled when the gallery suddenly closed, leaving Hahn feeling discarded and forcing her to rethink the work. The resulting large-scale canvases feature abstract, monumental female bodies rendered in muted oranges, reds, and blues—figures that are faceless, exaggerated, and more like totems or memories than recognizable women. The conversation explores themes of disappointment, failure, and the tension between wanting to be seen and wanting to disappear.

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Alexandra Metcalf, a rising artist based in Berlin, is gaining attention for her multidisciplinary work that blends Victorian and psychedelic aesthetics with the dark history of women's psychiatric facilities. Her upcoming Art Basel debut with London's Ginny on Frederick features an installation titled "Assembly," consisting of four reclaimed grandfather clocks transformed into psychologically charged dioramas, which has been nominated for the Baloise Art Prize 2025. Metcalf also recently opened a solo exhibition "Gaaaaaaasp" at The Perimeter in London, an immersive installation evoking a 1960s doctor's waiting room and surgical theater, further exploring themes of madness, gendered labor, and Freudian psychology.

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Bode Galerie in Nuremberg has opened a new group exhibition titled “The Woman in Art – Muse and Creator,” running through July 5, 2025. The show traces the representation of women across the 20th and 21st centuries, featuring works by artists such as Henri Matisse, Ida Kerkovius, Alain Clément, and Elvira Bach. It begins with early 1900s works where women were primarily muses for male artists, then moves through decades of reclamation by women artists, culminating in contemporary autonomous depictions of the female form.

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Artnet Auctions is offering five works by Venezuelan kinetic and Op art pioneer Jesús Rafael Soto (1923–2005) in its Contemporary Editions sale, open for bidding through May 29, 2025. The lots include *Multiple #4 (from Jai Alai)* (1969, est. $8,000–$12,000), *Permutación (from Serie Sintesis)* (1979, est. $6,000–$8,000), and *Tes Azules y Negras (from Serie Sintesis)* (1979, est. $7,000–$10,000), each exemplifying Soto's signature blend of optical illusion, physical layering, and kinetic elements.

The Venice Biennale has long been a sales platform—now no one is pretending otherwise

The Venice Biennale, traditionally a government-subsidized non-commercial institution where sales were downplayed, is experiencing an unprecedented open embrace of commerce. For the first time, Christie's is hosting an invitation-only selling exhibition in Venice, offering works ranging from Old Masters like Lucas Cranach to Modern and contemporary giants such as Andy Warhol, Louise Bourgeois, and Mark Bradford, with prices from $500,000 to over $35 million. Dealers, auction houses, and private foundations are openly pricing and selling works to collectors, spurred partly by Italy's reduced 5% VAT rate on art imports, now Europe's lowest.

Opportunities in May 2026

Hyperallergic's May 2026 Opportunities Listings compile residencies, fellowships, grants, and open calls for artists, writers, and art workers. Featured opportunities include the Center for Craft's Craft Archive Fellowship, the Oak Spring Garden Foundation's Fellowship for Distinction in Fine Crafts and Design, the Provincetown Art Association and Museum's Robert Motherwell & Renate Ponsold Fellowship, the Bennett Prize for women figurative realist painters, the Pine Meadow Ranch Center for Arts & Agriculture residency, the Wassaic Project's Haunted Barn Open Call, the Jonathan and Barbara Silver Foundation's Grant for Writing on Sculpture, the Academy of American Poets' James Laughlin Award, and VIA Art Fund's Artistic Production Grants.

Can the V&A’s New Museum Fulfill Its Democratic Promise?

The Victoria and Albert Museum (V&A) has opened its new V&A East museum and V&A East Storehouse in Stratford, East London. This expansion, part of a £660 million redevelopment, presents the museum's collection with a focus on community co-design, social justice themes, and local artists, aiming to be more accessible and democratic than its imposing South Kensington flagship.

A Blockbuster Take on Ovid’s “Metamorphosis”

The Rijksmuseum in Amsterdam has opened a major exhibition titled 'Metamorphoses,' inspired by Ovid's poem. The show brings together Renaissance masterpieces, antiquities, and contemporary works, grouping them by the myths they depict to explore themes of transformation, desire, and gender through striking visual juxtapositions.

Taking a Seat at Robert Therrien’s Table

The Broad museum in Los Angeles has opened a major retrospective, "Robert Therrien: This is a Story," dedicated to the late artist Robert Therrien. The exhibition, featuring over 120 works from five decades, aims to move beyond Therrien's most famous piece—the monumental "Under the Table" sculpture—to present the full scope of his obsessively iterative practice, which transformed personal memories into universal forms.

Frida-Mania Hits MoMA

The Museum of Modern Art (MoMA) has opened the exhibition 'Frida and Diego: The Last Dream,' a collaboration with the Metropolitan Opera tied to its upcoming production of the opera 'El Último Sueño de Frida y Diego.' The show, designed by stage and costume designer Jon Bausor, transplants theatrical elements like a tree-of-life set model and blue tarp drapes into the gallery, alongside a reshuffling of key Kahlo and Rivera works from MoMA's collection.

Despite Uncertainty, Gulf Art World Projects Normalcy

Galleries and museums in Gulf states like the UAE, Qatar, and Saudi Arabia are reopening and projecting normalcy despite the ongoing US-Israel war on Iran, which has entered its fourth week. Major events like Art Dubai have been postponed, and institutions like the Sharjah Art Foundation have delayed gatherings, but many cultural venues are operating with adjusted formats or by appointment.

The artist Fabien Verschaere, creator of joyful shambles, has passed away at age 50

L’artiste Fabien Verschaere, auteur de joyeux capharnaüms, s’est éteint à l’âge de 50 ans

The French contemporary artist Fabien Verschaere has passed away suddenly at the age of 50. Known for his dense, colorful, and highly personal visual language, Verschaere was scheduled to receive the Chevalier des Arts et des Lettres distinction just days after his death. His work, which drew heavily from childhood imagery and his own experiences with chronic illness, created a bridge between dreams and nightmares through a cast of recurring characters like ghosts, superheroes, and hybrid creatures.

Museums and Art Galleries to Visit in Tokyo

This article provides a guide to notable museums and art galleries in Tokyo, including the Mori Art Museum, Museum of Contemporary Art Tokyo, The National Art Center Tokyo, Yayoi Kusama Museum, teamLab Planets Tokyo, Creative Museum Tokyo, and Tokyo Metropolitan Teien Art Museum. Each entry includes details on opening hours, addresses, and highlights such as immersive installations, contemporary art collections, and unique architectural settings.