Michelangelo’s Sistine Chapel: The Exhibition has officially opened at the Garden State Plaza in Paramus, New Jersey. This immersive showcase features life-size, high-definition replicas of all 34 frescoes from the Vatican’s famous ceiling and altar, including the iconic "The Creation of Adam" and "The Last Judgment."
LeMoyne Arts in Tallahassee has unveiled "The Nature of Kinship and Its Artful Connections," a major group exhibition running from April 9 to May 9, 2026. The show features the work of four acclaimed painters—Mifflin Hollyday, Lilian Garcia Roig, Alexa Kleinbard, and Mark Messersmith—whose works explore the symphonic and interconnected relationships within the natural world. A unique aspect of the exhibition is its community-driven origin, organized by a group of nearly 30 local art supporters to celebrate the return of Hollyday’s work to the public eye.
The Salem Area Chamber of Commerce Gallery of Art is hosting its fifth annual exhibition featuring over 60 works by approximately 55 local student artists. The show includes a diverse range of media, such as watercolor paintings, colored pencil drawings, ceramics, and gouache works, representing talent from six different regional school districts including United Local, Leetonia, and Wellsville.
99CENT art exhibition
President Donald Trump has officially endorsed former Fox News host Steve Hilton for the California governorship. Hilton, who previously served as an advisor to UK Prime Minister David Cameron, is campaigning on a platform of repairing the state's relationship with the federal government and has adopted the "Make California Great Again" slogan. This endorsement positions Hilton as a primary front-runner among Republican voters, potentially consolidating the GOP base in a crowded field that includes Riverside County Sheriff Chad Bianco and several prominent Democrats.
The Alliance for the Arts has launched its 40th Annual All Florida Exhibition, featuring 43 artworks selected from over 450 submissions across the state. Juried by Tim Jaeger, the director and chief curator of galleries at Ringling College, the exhibition showcases a diverse range of media including hyper-realist paintings, abstract works, and free-standing sculptures. The selected pieces by 39 different artists explore cohesive themes of identity, history, and place.
Kyoto-based painter Masako Yasuki will serve as the Clifford Iwao Arinaga Visiting Artist at the University of Hawaiʻi at Mānoa, featuring an exhibition at The Commons Gallery from March 3 to 10, 2026. The showcase highlights Yasuki’s unique technical approach, which blends traditional East Asian mineral pigments and gold leaf with Western oil and tempera paints, alongside her use of frottage to document urban and natural landscapes.
Three museums in the Philadelphia area—the Woodmere Museum, the Maguire Museum at St. Joseph’s University, and the Berman Museum of Art at Ursinus College—have jointly organized a major retrospective of sculptor Syd Carpenter's five-decade career. The exhibition, titled "Syd Carpenter: Planting in Place, Time and Memory," is split across the three venues, each focusing on different aspects of her artistic evolution, from early pottery to recent organic, plant-inspired sculptures.
The Joel and Lila Harnett Museum of Art at the University of Richmond has opened its spring season with three new exhibitions centered on themes of lineage, place, and blackness. The shows include a newly commissioned, full-gallery installation by sculptor Abigail DeVille, an exhibition titled 'Black Work: Absence/Absorption' exploring the material and perceptual qualities of blackness, and 'Politics of Place,' a film-focused exhibition examining geography's influence on identity and power.
Multiple venues in Athens, Georgia, are hosting spring exhibitions featuring works by youth, student, and emerging artists. Shows include the Athens Academy Community Art Show, ATHICA's "Bird's Eye View" by Lybi Cucurullo, OCAF's "Youth Art Month" and "Tiny Worlds," Dodd Galleries' student works, Lyndon House Arts Center's exhibitions by Kate Kaiser and Sebastian Granados, the 51st Annual Juried Exhibition, "Creative Tracks" from the Athens-Clarke County Jail, the "Green Life Student Art Exhibition," Taylor-Grady House's "Home & Family" printmaking exhibit, and Winterville Cultural Center's K-5 student show and Sherre Watwood's solo exhibition.
Perkins Center for the Arts in Collingswood, New Jersey, opens its winter gallery season with a joint artists' reception on January 10, 2026, featuring two exhibitions. In the Main Gallery, 'Room For My Lens' surveys the first 20 years of photographer Liz Wuillermin's career, pairing images with personal stories. Upstairs in the Loft Gallery, 'The Untitled Art Exhibition' presents oil, acrylic, and mixed-media works by Anthony Charles Christopher Johnson and special guest artist Jamil Ameer Cobb, exploring freedom of expression, transformation, and truth through layered surfaces and reimagined found objects. Both shows run from January 5 through February 27, 2026.
An art exhibition titled “Temporal: Deception” is being held at BRICK Studio in Yangon, Myanmar, from December 25 to 29, 2025. The show features works by two artists, Win Myint Oo and Sithu, who explore the concept of time through different perspectives, beliefs, and experiences. Win Myint Oo presents three collage pieces—'Time Consumes Time', 'Time Consumes Man', and a third untitled work—that examine themes of impermanence, the cycle of Samsara, and the relationship between body, machinery, and soul, accompanied by poetry from Nwe Oo Hlaing.
Sharon Stone, the actress turned artist, has created a new series of paintings titled "Rogues Gallery" that she claims were inspired by channeling spirits from different historical eras. The works include a portrait called "Him" (2025), which she says depicts an enslaved person who drowned in the East China Sea on a slave ship. Stone describes her process as communicating with these spirits while painting, evoking the spiritualist approach of artists like Hilma af Klint. She plans to exhibit the works in intimate, phone-free settings to enhance the ethereal experience.
Lindsay Adams has opened a new exhibition titled 'Ceremony' that merges art, jazz, and history. The show explores the intersections of visual art and musical improvisation, drawing on historical narratives to create a multi-sensory experience for viewers.
Heffel Fine Art Auction House held its marquee autumn sales in Toronto on November 19, featuring four auctions that included works from the collection of the Hudson's Bay Company, North America's oldest company, which declared bankruptcy earlier this year. The marathon series of sales also included a single-owner auction of the late collector Lillian Mayland McKimm's holdings and two multi-owner sales of Canadian, Impressionist, modern, post-war, and contemporary art. Over 16 artists' secondary market records were broken, with total sales reaching C$31 million ($22.1 million). Notable highlights included E.J. Hughes' 'Entrance to Howe Sound' selling for C$4.8 million, more than doubling his previous record, and Winston Churchill's painting 'Marrakech' fetching C$1.5 million.
Mona (Museum of Old and New Art) in Hobart, Tasmania, has accumulated $408 million in losses since opening in 2011, with $63 million lost in 2023-24 alone. Founder David Walsh, who is completing a $100 million expansion, stated he is "completely happy with the finances" and never intended the museum to be profitable. Walsh outlined potential cost-saving measures like raising ticket prices and scaling back festivals, but said he won't implement them himself, leaving that to future leadership.
Artists from Market Street Artists will hold their winter exhibition at Mary Griffin Arts in Lichfield from 14th to 22nd November. The show features paintings and drawings in oils, acrylics, watercolours, pastels, and ink, created by students of artist Mary Griffin RBSA. The exhibition runs daily from 10:30am to 4pm, transforming the studio into a colorful space with affordable original art for sale.
Milwaukee's Real Tinsel Gallery is hosting "Gig's Up: 50 Years of Punk Poster Art," a show collecting five decades of punk poster art from the local music scene. Curated by Dave Luhrssen, Clancy Carroll, Paul Host, and Tim Noble, the exhibition draws from Carroll's personal collection and contributions from other collectors and artists, featuring works by Eric Von Munz and others. The show includes a hardcover catalog and runs through December, with panel discussions and performances tied to it.
The city of Lawrence, Kansas, is seeking applications from local artists to create a mural in the Vermont Street parking garage, located at 725 Vermont Street next to the Lawrence Public Library. The mural will be painted on the ground-level west-facing wall opposite the stairs, and artists are asked to submit a written idea or sketch, work samples, a bio, and a resume by November 16, 2025. A review committee will select up to three finalists, each receiving $300 to develop a formal proposal, and one will be awarded a $5,500 commission to complete the artwork. The project is part of the city's ongoing public art initiatives, which have included other garage murals and the Unmistakable Public Art Exhibition.
A Blueprint of Resonance: Building Detroit’s Artistic Future is a multimedia exhibition presented by DETROIT SALON, running from October 18 to November 9, 2025. Curated by Juana Williams, the show highlights 18 Detroit-based artists who build on the city's legacy of collaboration and community care, drawing from historic institutions like Pewabic Pottery and the Scarab Club as well as artist-led movements such as the Cass Corridor and Gallery 7. The exhibition marks DETROIT SALON's official launch in Paris and the start of its global roadshows, ahead of its flagship event in Detroit in 2028.
Pepperdine University administrators directed the Frederick R. Weisman Museum of Art to shut down a video installation by artist Elana Mann due to its political content, sparking a censorship controversy. After the censorship, over 20 artists in the exhibition "Hold My Hand in Yours" requested their works be removed in protest, leading the university to close the entire exhibition, which had been scheduled to run until March 29.
The Collectible design fair returns to New York for its second edition, taking place from September 4-7 at the WSA building in the Financial District during Armory Week. Founded in Brussels in 2018 by Clélie Debehault and Liv Vaisberg, the fair brings together international galleries, designers, and architects for a curated showcase of 21st-century design. This year's edition occupies the 39th floor, spanning over 30,000 square feet, and features six curated sections including a buzzy section titled "In Praise of Folly" curated by Architectural Digest's Hannah Martin. Around 60% of exhibitors are from the United States, with the rest from Europe and beyond, including Australia, Brazil, Colombia, Mexico, South Korea, and Turkey.
The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.
Tanya Augoustinos has opened A Gallery as a pop-up on Edgartown's Main Street, in the former location of a women's boutique. The gallery features works by Martha's Vineyard artists, including the late Rez Williams and Richard Lee, as well as Kara Taylor, Carol Brown Goldberg, Kate Feiffer, and others. Augoustinos is running the space with artist Chandler Biggs, and the gallery will operate through September while property owner Sarah Levine seeks a permanent tenant.
A miniature art exhibit called The Tiny Art Show, created by BYU alumna McKay Lenker Bayer in 2018, has found a permanent home in downtown Provo, Utah. The interactive exhibit is housed in a former stairwell between the Black Sheep Cafe and Rockwell Ice Cream on University Avenue, and is open every Saturday from 5-8 p.m. Visitors crawl inside to view tiny artworks, with the current installation featuring detailed insect paintings by local artist Nicole Parish, who uses specimens from her personal collection as reference. The gallery rotates exhibits monthly and offers tiny booklets explaining each piece.
The Manchester International Festival (MIF) returns with a new edition featuring three standout art exhibitions. At Aviva Studios, "Football City, Art United" pairs top footballers like Vivianne Miedema and Ella Toone with artists such as Suzanne Lacy and the collective Keiken to create 11 co-produced works exploring gender, ritual, and identity. At the Whitworth gallery, the first international solo show of Indigenous Uitoto artist Santiago Yahuarcani presents over 30 works on bark canvas, addressing ancestral cosmology and the legacy of colonial violence during the rubber boom.
Billionaire hedge fund founder Ken Griffin purchased two rare historic documents signed by President Abraham Lincoln for a total of $18.1 million at a Sotheby's auction in New York on June 26. The lots included a congressional copy of the Thirteenth Amendment (abolishing slavery in 1865) for $13.7 million and a copy of the Emancipation Proclamation (1863) for $4.4 million. Only 15 known versions of the Thirteenth Amendment signed by Lincoln exist, with just four in private hands. Griffin, a top Republican donor and prolific collector, previously bought a first-edition copy of the U.S. Constitution for a record $43.2 million in 2021.
Three artworks by Eric Gill, a sculptor and artist who sexually abused his daughters, have been withdrawn from the exhibition 'It Takes A Village' at the Ditchling Museum of Art and Craft in the UK, opening on 5 July. The works—two depicting his daughter Petra naked in a bath and one of a nude Elizabeth—were removed after the museum consulted with the Methodist Survivors Advisory Group, a group of abuse survivors. The survivors found the pieces offensive and potentially upsetting to visitors. The exhibition will still include Gill's watercolor 'Annunciation' in a separate room, and the museum's director, Stephanie Fuller, emphasized that the decision was led by the survivors' input.
The article covers the MFA exhibition at VCUarts, showcasing the work of graduate students in the visual arts program. It highlights the pressure on emerging artists to imbue their work with meaning and the diverse approaches taken by the exhibitors.
The Community Arts Stabilization Trust (CAST) has partnered with the San Francisco Port Commission to transform Pier 29, a long-vacant warehouse on the city's waterfront, into a major cultural hub. The 47,000-square-foot indoor space and 23,000-square-foot outdoor area will house exhibitions, residencies, performances, and a new residency program called Art + Water, led by author Dave Eggers and San Francisco Arts Commission member JD Beltran, providing affordable studio space for emerging and underserved local artists. CAST is investing $300,000 and the Port $500,000, with a two-year lease and an option to extend, aiming to open in January 2026.
Alt Space Chicago (alt_ Chicago), an artist-led nonprofit, celebrated the grand opening of its new arts hub in the historic Austin Bank building at 5645 W. Corcoran Pl. on Chicago's West Side. Over 500 people attended the event, which featured an open house, art exhibition, sustainability panel, artist market, and Sunday worship. The space will house mixed-use areas for events, exhibitions, retail, teaching, workshops, and a cafe. The building was purchased with grant money and nonprofit funds. The House Collective, a group of five nonprofits and 10 artists-in-residence, will share resources to offer classes, workshops, and exhibitions, with 10% of its income going back into the community to support elders and single-parent households.