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‘Everyone's suffering right now’: New York and Los Angeles gallery Clearing will close

Clearing, the influential New York and Los Angeles gallery that launched the careers of many prominent artists, will close both locations. Founder Oliver Babin announced the closure on August 7, citing crushing overhead costs—rent, shipping, and art fair expenses—that outpaced declining revenue. The gallery opened in 2011 in Bushwick, later moved to the Bowery in Manhattan in 2023, and expanded to Brussels and Los Angeles. Babin described the decision as inevitable, noting that the gallery had been kept alive by hope but now faces no viable path forward. The closure follows a wave of US gallery shutdowns this summer, including Kasmin, Venus Over Manhattan, and Tim Blum’s spaces.

Robert Wilson, experimental playwright, director and artist, has died, aged 83

Robert Wilson, the visionary experimental playwright, director, and visual artist known for his highly stylized theatrical productions, has died at age 83. He passed away at his home in Water Mill, New York, on July 31 following a brief acute illness, according to a statement from the Watermill Center, the arts organization he founded. Wilson's most famous works include the silent opera *Deafman Glance* (1970) and the epic collaboration with composer Philip Glass, *Einstein on the Beach* (1976). He was also a prolific visual artist, creating drawings, sculptures, and video portraits, including a series featuring Lady Gaga, Pope.L, and Isabella Rossellini, and his work was exhibited at institutions such as SFMoMA, the Centre Pompidou, and the Louvre.

‘Slowing the process down’: how a bohemian Somerset art gallery is forging its own path

Close gallery, founded in 2009 by curator and art advisor Freeny Yianni in the grounds of her 17th-century home near Hatch Beauchamp, Somerset, is expanding its operations. Yianni, who previously worked at Lisson Gallery and helped Grenville Davey win the Turner Prize, recently hired sales director Richard Scarry, formerly of Coates and Scarry in Bristol. The gallery's current exhibition features previously unseen works by British abstract artist Jane Harris (1956–2022), shown both in Somerset and at a new London project space in Marylebone. Upcoming plans include presenting a monumental sculpture by Simon Hitchens at Frieze Sculpture in Regent's Park.

It's hard for green-themed art shows to garner credibility—the Helsinki Biennial deserves more than most

The Helsinki Biennial's third edition, titled "Shelter: Below and beyond, becoming and belonging," opens on Vallisaari Island, featuring 37 artists and collectives. Co-curated by Blanca de la Torre and Kati Kivinen, the biennial deliberately shifts focus away from humans, centering instead on flora, fauna, and the natural environment under the slogan "Non-humans first!" The event continues its founding commitment to carbon neutrality by 2030, employing measures like a carbon footprint calculator, promotion of slow travel, and rejection of artificial lighting to protect local bat populations.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

Artist Amy Sherald has canceled her upcoming show at the Smithsonian

Artist Amy Sherald has canceled her upcoming solo exhibition at the Smithsonian's National Portrait Gallery, scheduled to open September 19. The cancellation stems from a dispute over her painting *Trans Forming Liberty* (2024), which depicts a trans woman with pink hair and a blue gown holding a torch. Sherald stated that the museum expressed concerns about including the portrait, leading to discussions about removing it. She claims the Smithsonian planned to replace the painting with a video of people reacting to it, which she opposed as it would debate the value of trans visibility. The Smithsonian denies the painting was to be replaced, saying the video was meant to provide context. Sherald's exhibition, *Amy Sherald: American Sublime*, was organized by SFMOMA and is currently on view at the Whitney Museum.

National Museum of African Art

The article is a visitor's guide to the Smithsonian's National Museum of African Art in Washington, D.C., describing its hidden, underground location behind the Smithsonian Castle and its extensive collection of ancient and modern African art. It highlights specific works on display, including a mixed media piece by Mary Sibande titled *Sophie-Merica* (2009), a sculpture by Ghada Amer titled *The Blue Bra Girls* (2012), and *Untitled* (2009) by El Anatsui, along with numerous masks, textiles, and photography exhibits by artists such as Lalla Essaydi.

‘Fearless exploration’: visionary Australian artist Janet Dawson gets her first retrospective aged 90

The Art Gallery of New South Wales (AGNSW) has opened 'Janet Dawson: Far Away, So Close,' the first-ever retrospective for Australian artist Janet Dawson, now aged 90. The exhibition spans over six decades of her career, from her teenage years at the National Gallery of Victoria Art School—where she was the only child student accepted by realist painter H. Septimus Power—through her abstract period in Europe, her defiant practice in conservative 1960s Melbourne, and her later retreat to rural NSW. The show includes major works, photos, and ephemera, arranged chronologically across four rooms, highlighting Dawson's evolution from tonal realism to abstraction and her 1973 Archibald Prize win for a portrait of her husband, theatre director Michael Boddy.

‘Research powerhouse’: Abu Dhabi's Zayed National Museum confirms 2025 opening

Abu Dhabi's Zayed National Museum, designed by Foster + Partners on Saadiyat Island, will open in December 2025. The museum will feature star exhibits including the world's oldest natural pearl (the 8,000-year-old Abu Dhabi Pearl) and an 1,100-year-old Blue Qur'an. Centered on the life of Sheikh Zayed bin Sultan Al Nahyan, the first president of the UAE, its galleries explore his values such as religious tolerance and trace the country's history from ancient times to the present. The museum aims to become a research powerhouse, supported by a dedicated research fund and collaborations with institutions like the British Museum.

At the Amon Carter Museum, two exhibitions explore the American West

Two concurrent exhibitions at the Amon Carter Museum of American Art in Fort Worth explore the American West from distinct perspectives. "Richard Avedon at the Carter" marks the 40th anniversary of Avedon's landmark 1985 series "In the American West," featuring 124 unflinching portraits of working-class subjects like oilfield workers and ranchers, alongside archival photographs by Laura Wilson that show the project's human side. Across the hall, "East of the Pacific: Making Histories of Asian American Art" presents 48 works from the Cantor Arts Center at Stanford University, spanning from the 1849 gold rush to the present, highlighting Asian American artists including Bernice Bing, Roger Shimomura, Chiura Obata, and Toshiko Takaezu.

Once upon a time in New Mexico: 12th Site Santa Fe International focuses on the art of visual storytelling

The 12th Site Santa Fe International, titled "Once Within a Time," has opened at Site Santa Fe in New Mexico, running until January 12, 2026. Guest curated by Cecilia Alemani, director of New York's High Line, the biennial centers on visual storytelling, featuring over 70 artists and 27 historical figures. Highlights include Helen Cordero's Cochiti-inspired storyteller figurines, a film by Lebanese artist Ali Cherri at the New Mexico Military Museum, and works by literary figures D.H. Lawrence and Vladimir Nabokov. The exhibition extends beyond the main building to a dozen locations across Santa Fe, including museums, a former foundry, and storefronts.

8 Must-See Solo Gallery Shows in July

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for July, highlighting exhibitions from New York to California. Featured artists include Nancy Dwyer, whose word-based paintings and sculptures are on view at Ortuzar in New York; Marcel Dzama, showing storytelling drawings and a surreal film at David Zwirner in Los Angeles; Francis Picabia, with a focus on his Art Informal period at Hauser & Wirth in New York; and Igshaan Adams, presenting tapestries and textile works at Casey Kaplan in New York, among others.

Nudes by Tamara de Lempicka and Jenny Saville lead quiet Sotheby’s Modern and contemporary sale

Sotheby’s June Modern and contemporary art evening sale in London netted £50.8m (£62.5m with fees) from 48 lots, with an 87% sell-through rate, falling below the pre-sale estimate of £55.2m to £81.1m and marking a 25% decrease from last year’s equivalent sale. The top lot was Tamara de Lempicka’s *La Belle Rafaëla* (1927), which sold for £6.1m (£7.4m with fees), while a Jenny Saville drawing *Mirror* (2011-12) achieved an auction record for the artist at £1.7m (£2.1m with fees). Several high-profile works were passed, including Egon Schiele’s *Portrait Study (Head of a Girl, Hilde Ziegler)* and Barbara Hepworth’s *Vertical Forms*, reflecting cautious bidding in a bearish market.

$10 million Tamara de Lempicka leads sales at Sotheby’s London modern and contemporary evening auction.

Sotheby’s modern and contemporary evening sale in London on June 25, 2025, achieved £62.43 million ($83.97 million), led by Tamara de Lempicka’s *La Belle Rafaëla* (1927) which sold for £7.47 million ($10.05 million). Other top lots included works by Pablo Picasso, Jean-Michel Basquiat, Claude Monet, Jenny Saville, and Elizabeth Peyton, with Saville setting a new auction record for a drawing. Eight lots failed to sell, including pieces by Egon Schiele and Pierre-Auguste Renoir.

Julian Charrière: ‘The deep sea is a phantasmagorical space’

French Swiss artist Julian Charrière presents 'Midnight Zone' at Museum Tinguely in Basel, an exhibition that plunges viewers into the oceanic abyss through four new commissions and earlier works. The show features video installations, sculptural works, and acoustic pieces that explore deep-sea ecologies, including a film set in the Clarion-Clipperton Zone targeted for deep-sea mining, and a rotating Fresnel lens installation that translates low-frequency noise pollution into vibration. Charrière’s multidisciplinary approach draws on fieldwork in extreme geographies like the Arctic and deep ocean.

In pictures: the best of the Liste art fair in Basel

Liste Art Fair Basel is celebrating its 30th anniversary, showcasing works by artists under 40 from international galleries. Highlights include Nahum B. Zenil's self-portrait exploring LGBT and Indigenous identity, Magdalena Petroni's taxidermy rat sculptures, Al Freeman's internet-age art comparisons, Inuuteq Storch's Greenlandic love story, Javier Barrios's orchid revenge narrative, and Jonathan Sanchez Noa's Afro-Cuban spiritual installation.

I have seen the light and it’s Tracey Emin’s Jesus – RA Summer Exhibition review | Royal Academy of Arts

The Royal Academy's Summer Exhibition in London features over 1,600 works, with Tracey Emin's painting "The Crucifixion" as the standout piece. The critic describes Emin's work as a sincere, shocking depiction of the crucifixion that reinvigorates religious art, alongside works by Georg Baselitz, Cornelia Parker, Tamara Kostianovsky, George Shaw, Frank Bowling, and Cindy Sherman.

Leader of Toronto’s Royal Ontario Museum to depart after a decade at the helm

Josh Basseches, director and CEO of the Royal Ontario Museum (ROM), announced on June 5 that he will step down at the end of 2025 after a decade in the role. Under his leadership, the museum underwent three renovations and one expansion, including the reopening of the Weston Entrance, the creation of the Willner Madge Gallery Dawn of Life, and the launch of the C$130m OpenROM renovation project. Notable exhibitions during his tenure included Christian Dior, Kent Monkman: Being Legendary, and Auschwitz. Not long ago. Not far away.

Which galleries are returning to Frieze London and Frieze Masters 2025—and which are not?

Frieze London and Frieze Masters have announced their 2025 exhibitor lists, with nearly 290 galleries set to participate in Regent's Park from October 15 to 19. Frieze London's 22nd edition will feature over 160 exhibitors, including blue-chip names like Gagosian, Pace, Goodman, and Sprüth Magers, alongside London staples The Approach and Corvi-Mora. Notable absentees from last year include Tanja Wagner, Magician Space, and Lia Rumma, while newcomers such as Carbon 12, Anat Ebgi, and Simões de Assis join the main section. The Focus section for emerging galleries debuts eight first-time participants, and a curated section organized by Jareh Das will highlight artists from Brazil, Africa, and their diasporas. Across the park, Frieze Masters, under new director Emanuela Tarizzo, will host around 120 galleries, with first-timers including Champ Lacombe and Vito Schnabel Gallery, and the Studio section curated by Sheena Wagstaff.

Review: Guadalupe Rosales crafts an analog Wayback Machine for a vibrant show at Palm Springs Art Museum

Guadalupe Rosales presents a solo exhibition titled "Tzahualli: Mi memoria en tu reflejo" at the Palm Springs Art Museum, centered on a checkerboard dance floor with a makeshift DJ booth, motorized blue spotlights, and mirrored disco fixtures. The show gathers ephemera from the 1990s—magazines, snapshots, lowrider bicycle parts, bandannas, street signs, and more—used in assemblage sculptures and display cases. Four thematic sections include a dance room, an entryway, a nighttime space, and a car culture gallery, with imagery referencing Chicana culture, Los Angeles' Eastside, and historic clubs like Arena and Circus.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

Artist couple open north London not-for-profit in former Zabludowicz gallery

Artist couple Philip and Charlotte Colbert have opened a new not-for-profit art space called Camden Arts Projects (CAP) in north London, taking over the former Zabludowicz Collection gallery at 176 Prince of Wales Road. The venue, a former Methodist church, was bought by the Colberts last year and now operates under an umbrella company called Contemporary Culture Collective. The opening exhibition features works by Turner Prize-winning artist Martin Creed, including an immersive balloon installation and a neon piece, and is free to the public. Curator Hala Matar, formerly of The Little House in Los Angeles, is running the exhibition programme.

11 New Artist Auction Records Set in May 2025

During New York's spring auction week starting May 12, 2025, major houses Sotheby's, Christie's, Phillips, and Bonhams collectively brought in $1.27 billion, slightly above the estimated $1.25 billion but down 17% from the previous year. The top lot was Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) at $47.56 million, but the mood was tense as trophy works like Andy Warhol's *Big Electric Chair* (1967–68) were withdrawn and several top lots, including Alberto Giacometti's *Grande tête mince* (1955), failed to sell. Amid this volatility, 11 new artist auction records were set, five of which were for women artists, notably Marlene Dumas's *Miss January* (1999) selling for $13.65 million—the most expensive work by a living woman artist at auction.

$70m Giacometti bombs at patchy Sotheby’s Modern art auction

Sotheby's Modern evening sale in New York on May 13 brought in $152 million ($186.4 million with fees), falling short of its presale estimate of $170 million to $248 million. Four lots were withdrawn before bidding began, including works by Winslow Homer, Wassily Kandinsky, Candido Portinari, and Pierre-Auguste Renoir. The sale's star lot, Alberto Giacometti's bronze bust 'Grande tête mince' (1954/55), estimated at over $70 million, failed to sell when bidding stalled around $64 million. Other notable results included strong sales for Jean Arp, František Kupka, and Robert Delaunay, but several high-profile works by Henri Matisse, Pablo Picasso, Edgar Degas, Pierre Soulages, and David Smith also failed to find buyers.

Five Big Lots to Watch as New York’s Spring Auctions Spring Into Action

New York's May auction season has begun, with Christie's, Sotheby's, and Phillips presenting major works by artists including Jean-Michel Basquiat, Robert Rauschenberg, Ed Ruscha, Cecily Brown, and Marlene Dumas. Highlights include Basquiat's 'Baby Boom' (estimate $20–$30 million) at Christie's, a Basquiat 'Untitled' (1981) at Sotheby's, and Marlene Dumas' 'Miss January' (1997), which could break the auction record for a living woman artist. Sotheby's will also feature works from the late dealer Barbara Gladstone's collection, while the San Francisco Museum of Modern Art is deaccessioning Frank Stella's 'Adelante' and other works to fund new acquisitions.

Behind the scenes of the Met’s revamped Rockefeller Wing with its acclaimed architect

Kulapat Yantrasast, the Bangkok-born architect behind Why Architecture, has completed a $70 million overhaul of the Metropolitan Museum of Art's Michael C. Rockefeller Wing, which houses the arts of Africa, Oceania, and the ancient Americas. Working with executive architect Beyer Blinder Belle, Yantrasast redesigned the 40,000-square-foot exhibition hall to address longstanding conservation issues caused by a 200-foot glass wall on Central Park that exposed fragile objects to heat and light. The wing reopens to the public on May 31 after four years of construction.

Comment | Muted grey, bloody red, or dark blue—here’s why the colour of museum walls matters more than you might think

The article explores the often-overlooked significance of color in museum spaces, prompted by a conversation with architect Annabelle Selldorf about her $220 million renovation of New York's Frick Collection. Selldorf describes the new auditorium's muted grey as creating a calm, meditative environment, contrasting sharply with Tate Modern's Starr Cinema, which architect Jacques Herzog painted shocking red to symbolize the space as the museum's "brain." The piece traces historical approaches to gallery wall colors, from Charles Eastlake's advocacy at the National Gallery in London—informed by Goethe's color theory—to the enduring orthodoxy of reds and greens, and a notable departure with deep Prussian blue for a Gainsborough exhibition at Tate Britain. It also recounts Henri Matisse's 1946 project in Paris, where he covered his room's grimy beige walls with cut-paper forms, creating the screens "Océanie, Le Ciel" and "Océanie, La Mer."

Man Ray: When Objects Dream

The Metropolitan Museum of Art in New York will present "Man Ray: When Objects Dream," an exhibition exploring the artist's pioneering rayographs—camera-less photographs created by placing objects on light-sensitive paper. Featuring approximately 60 rayographs and 100 additional works from the Met's collection and over 50 international lenders, the show is the first to situate this technique within Man Ray's broader practice of the 1910s and 1920s, including paintings, sculptures, prints, drawings, films, and photographs.

10 Must-See Gallery Shows to Catch in New York This May

This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.

Walk the auction: your guide to Christie’s 20th and 21st Century Art sales in NY this May

Christie’s is holding its spring 20th and 21st Century Art sales week in New York from 12–15 May 2025, featuring over 500 works across six live auctions. Highlights include the single-owner collection of Leonard and Louise Riggio, led by a rare Piet Mondrian and René Magritte’s *Les droits de l'homme*; the 20th Century Evening Sale headlined by a Claude Monet from his *Les Peupliers* series; and the 21st Century Evening Sale, where Jean-Michel Basquiat’s *Baby Boom* sold for $23.4 million. Other notable consignors include Anne and Sid Bass, Tiqui Atencio, and Ago Demirdjian. The free public exhibition runs from 3–15 May at Christie’s Rockefeller Center galleries.