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Without Childhood Photos, A Haitian American Artist Spends A Decade Imagining Her Family Archive

Artist Widline Cadet, who was separated from her mother for six years as a child during her family's emigration from Haiti to New York, has spent nearly a decade creating a multi-generational "living archive" of photographs, video, sound, and sculpture. The archive fills the gaps left by scarce family photographs and fading memories, exploring the diasporic experience and the elusiveness of memory. The largest presentation of this work is currently on view at the Milwaukee Art Museum in the exhibition "Currents 40: Widline Cadet."

Rollstone Bank commits $100K to Fitchburg Art Museum

Rollstone Bank & Trust has committed $100,000 to sponsor free admission at the Fitchburg Art Museum (FAM) through 2029, the final year of the museum's Centennial celebration. The gift eliminates all admission fees, replacing previous categorical free programs with universal access, and is expected to significantly increase the museum's annual attendance of 14,000 visitors.

The Collective Takeover

A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.

Sacramental Value: “The Holy Sepulcher” at the Kimbell Art Museum, Fort Worth

The Kimbell Art Museum in Fort Worth is hosting "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," a rare exhibition of sacred objects from the Church of the Holy Sepulcher. Curated by Xavier F. Salomon, the show features ornate metalwork, textiles, and vestments dating from the 16th to 18th centuries, drawn from the Terra Sancta Museum's collection and traveling to only two U.S. venues. The exhibition includes pieces such as a gilt silver reliquary from 1628-29 and a gold crucifix from 1756, displayed in low lighting to evoke a candlelit church atmosphere.

Syracuse-born artist Peter McGough hand-painted Anne Hathaway’s Met Gala dress

Syracuse-born artist Peter McGough hand-painted a custom Michael Kors gown worn by Anne Hathaway to the 2026 Met Gala. The dress, a strapless black Mikado silk ball gown with a plunging neckline and high-leg slit, features intricate Grecian patterns inspired by the Met's urns and statues, including a goddess with a dove on the back. McGough, a former classmate of Michael Kors at the Fashion Institute of Technology, painted directly on the silk and wool gown over a week using three layers of fabric paint. The design aligns with the gala's 'Fashion Is Art' dress code and references John Keats' poem 'Ode on a Grecian Urn,' also tying into Hathaway's upcoming film 'The Odyssey.'

Unsung modernist artist's work back in Christchurch after 45 years

A major exhibition of works by pioneering New Zealand modernist painter Edith Collier has opened at Christchurch Art Gallery Te Puna o Waiwhetū, marking the first time in 45 years that Christchurch audiences can see a wide range of her work. The show, titled 'Edith Collier: Early New Zealand Modernist,' features over 60 pieces including studies, sketches, watercolours, prints, and archival material, drawn from the permanent collection of Te Whare o Rehua Sarjeant Gallery in Whanganui. Collier, born in 1885, developed a bold post-impressionist style during a nine-year stay in London alongside artist Frances Hodgkins, but faced harsh criticism upon returning to conservative New Zealand, leading her father to destroy some of her paintings.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.

Marina Abramovic on bringing audiences inside art

Performance art pioneer Marina Abramović, now 80, has opened a major exhibition titled "Transforming Energy" at the Gallerie dell'Accademia in Venice, making her the first living woman to receive such a show at the institution. The exhibition, running until October, features interactive "transitory objects" like crystal structures and minerals, alongside re-enactments of her iconic works including a performance with her late partner Ulay. In an interview with Reuters, Abramović discusses her shift from being the subject of her work to focusing on audience participation, a realization she had after her landmark 2010 performance "The Artist Is Present" at MoMA.

Currents of the 61st Biennale: Inside Venice’s Flow of Art and Power

The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.

2 Cincinnati museums to feature Charley and Edie Harper's works this fall

Two Cincinnati museums will present simultaneous exhibitions dedicated to artists Charley and Edie Harper this fall. The Taft Museum of Art will host the first solo museum exhibition of Edie Harper's work, featuring over 100 pieces spanning her entire career. Meanwhile, the Cincinnati Art Museum will mount the first full-scale retrospective of Charley Harper's paintings, with about 150 works on display, covering his career from early pieces to near his death. Both exhibitions open in October 2026, with the Taft's running through January and the Cincinnati Art Museum's through March.

The first UK museum presentation of Aleksandra Kasuba’s work: her exhibition Shelters for Senses open at Tate St Ives

Tate St Ives has opened 'Shelters for the Senses', the first UK museum presentation of Lithuanian-American artist Aleksandra Kasuba (1923–2019). Curated by Tate St Ives Director Anne Barlow in collaboration with LNMA curator Elona Lubytė, the exhibition spans seven decades of Kasuba's work, including early paintings, mosaics, public artworks, architectural designs, and spatial environments. A reconstruction of her 'Live-In Environment' (1971) is featured, alongside works donated to Lithuania and kept by the LNMA. The show runs until 4 October.

HistoryMiami rebrands as Museum of Miami, a ‘museum without walls’

HistoryMiami, the historical museum of South Florida, has rebranded as the Museum of Miami, adopting a 'museum without walls' concept. The change reflects a shift away from a traditional brick-and-mortar institution toward a more flexible, community-engaged model that will operate across various locations and digital platforms throughout Miami.

Sara Shamma brings Syria’s cultural renewal to Venice Biennale

Sara Shamma, the first female artist to lead Syria's national pavilion at the Venice Biennale, presents her immersive installation *The Tower Tomb of Palmyra* at Iuav University of Venice's Cotonificio campus. The full-scale, nine-sided chamber features paintings, light, sound, and scent inspired by Palmyra's ancient funerary towers, which Shamma first encountered as a student at the National Museum of Damascus. The project, originally planned for Cambridge before the pandemic, gained new significance after the fall of the Assad government in December 2024, as Shamma returned to Damascus and was approached by Syria's Ministry of Culture to represent the country's cultural renewal on the world stage.

Six environmental artists win this year’s Rewilding Art Prize

Six Canadian artists have been awarded the 2026 Rewilding Arts Prize, established in 2023 by the David Suzuki Foundation and Rewilding Magazine. The winners include Nicole McDonald-Fournier, whose project EmballeToi! repurposes old winter coats as plant-growing pots, and the Montreal/Toronto duo Masumi Rodriguez and Elena Kirby, who run community papermaking workshops using invasive plant species. The prize awards $2,000 to each artist and plans to feature their work in a future exhibition, following the inaugural winners' show at the Canadian Museum of Nature in Ottawa.

N.Y.'s Met museum to add Japanese designer Tamae Hirokawa to collection

The Metropolitan Museum of Art in New York will add garments by Japanese designer Tamae Hirokawa to its permanent collection. Seven bodysuits from her signature "Skin Series" line, which explores the concept of seamless knitwear as a "second skin," will be displayed in the spring 2026 Costume Art exhibition. Hirokawa joins fellow Japanese designers Issey Miyake, Rei Kawakubo, and Hanae Mori in the museum's Costume Institute collection. The exhibition, held in new galleries adjacent to the Great Hall, pairs garments with artworks to highlight the relationship between clothing and the body.

Healing From the Burns: How The Getty Recovered From the LA Fires

On January 7, 2025, a wildfire driven by extreme winds reached the Getty Villa in Los Angeles. Thanks to years of preparation, staff efforts, and firefighter support, the museum buildings and art collection survived undamaged, though the landscape suffered severe damage. The Villa closed for about six months, during which staff removed 1,400 burned trees, cleaned soot and ash, restored water service, and installed a new exhibition. It reopened in late June 2025, welcoming visitors back to the galleries and gardens.

Margot Robbie Returns to Met Gala 2026 in Stunning Gold Chanel Couture After 3-Year Break

Margot Robbie made a return to the Met Gala 2026 after a three-year absence, wearing a custom gold Chanel couture gown designed by new creative director Matthieu Blazy. The dress featured nearly 1,100 pieces of embroidery, required 761 hours of craftsmanship, and aligned with the evening's theme 'Fashion Is Art.' The event, held at the Metropolitan Museum of Art, also previewed the museum's spring 2026 exhibition 'Costume Art,' curated by Andrew Bolton.

INSIDE THE 2026 MET EXHIBITION ON FASHION AS ART

The Metropolitan Museum of Art's 2026 exhibition 'Costume Art' explores how standards of form, modesty, and exposure have evolved across history and cultures. The show is organized into sections examining the classical body, distorted bodies through corsets and bustles, and reclaimed bodies by designers like Rei Kawakubo, Duran Lantink, and Michaela Stark. Another section focuses on the 'Anatomical' and 'Mortal' bodies, highlighting universal experiences such as aging and mortality. Mannequins represent diverse body types—pregnant, plus-size, disabled, and non-conforming—modeled after real people including Sinéad Burke, Aariana Rose Philip, Aimee Mullins, and Yseult, with reflective steel faces designed by artist Samar Hejazi.

Missoula Art Museum opens new exhibit with acclaimed artist

The Missoula Art Museum has opened a new exhibition featuring acclaimed artist Sara Siestreem. Her latest body of work includes large, multi-panel paintings, basket weaving, ceramics, and sculpture, all unified by geometric designs inspired by traditional weaving patterns. A reception was held on opening night, with a second artist talk scheduled for Saturday morning.

Ellen Noël Art Museum Looks Toward Future Following Renovation & Reopening

The Ellen Noël Art Museum of the Permian Basin in Odessa, Texas, reopened in December 2025 after a decade-long, $20 million renovation. The project added 8,000 square feet, a new silver oval exterior, a two-story lobby, renovated galleries, and a state-of-the-art lighting system. The museum is currently in transition, with interim director Steve Patton overseeing operations while a search for a permanent executive director is underway. Recent exhibitions include "Home, Love, and Loss" and "Shifting Subjects: The Heroes of the West."

Painting LACMA's David Geffen Galleries with Light, Shadow, and Color

LACMA's new David Geffen Galleries, designed by architect Peter Zumthor, feature custom-tinted concrete walls that break from traditional museum aesthetics. The walls are coated with a transparent, nano-scale mineral glaze developed by Zumthor and Swiss craftsman Marius Fontana, manufactured by German company Keim. The palette—dusky red, vibrant blue, and nuanced black—was inspired by ancient Indigenous American pigments prepared by artist Porfirio Gutiérrez for the museum's exhibition "We Live in Painting: The Nature of Color in Mesoamerican Art." Diana Magaloni, LACMA's Senior Deputy Director for Conservation, Curatorial and Exhibitions, led the conceptualization and application of the glazes, which are designed to enhance the building's interplay of light and shadow without obscuring its raw concrete surfaces.

Prokofiev Studio: new gallery devoted to the abstract art of Oleg Prokofiev son of the composer & father of composer Gabriel Prokofiev

Composer Gabriel Prokofiev has opened Prokofiev Studio in Hackney, London, a new gallery dedicated to the abstract art of his father, Oleg Prokofiev (1928-1998). Oleg, son of the famed composer Sergei Prokofiev, created abstract works in the 1950s that defied the Soviet Union’s strict socialist realism doctrine. His career was shaped by his relationship with British art historian Camilla Gray, whom he married in 1969 after hiding his art for a decade; she died two years later. Oleg moved to the UK but believed his abstract works lost until a 1994 return to Moscow revealed they had been preserved. The gallery houses Oleg’s archive, including 1950s abstract artworks, letters, sketchbooks, and sculptures, with an inaugural exhibition titled "Bending Time" reconstructing his 1990s studio in Hackney Wick.

Sidle House Gallery Presents: “Anne Hebebrand: A World That Is”

Sidle House Gallery in Freeport, Maine, opens its 2026 season with a solo exhibition titled “Anne Hebebrand: A World That Is,” on view from May 1 through June 13. The show features cold-wax and oil paintings created over the past seven years, described by the artist as intuitive maps of memory. Related events include an opening reception, an artist talk, a cold wax and oil workshop, and a violin performance by Katherine Liccardo.

May First Friday: 8 shows to see this month around Missoula

Missoula artist Julia LaTray presents a solo exhibition titled "Animal Pleasures" at Bob's Your Uncle gallery in May, featuring paintings of animals on glitchy, digitized backgrounds alongside lighting and other works. The gallery is only open to the public on dedicated nights, so the exhibition is paired with performances, comedy, and readings on May 1, 8, 15, and 29. Separately, Hanis Coos artist Sara Siestreem brings her major exhibition "Acts of Love, Refusal and Resistance" to the Missoula Art Museum, filling the museum's main galleries with large-scale mixed-media paintings and sculpture, including handmade baskets and ceramic molded versions with gilded flourishes. The museum hosts a First Friday reception on May 1 and a "Coffee and Conversation" with the artist on May 2.

FAD News: Brooklyn Museum to Stage Art of Manga, the First Major Americas Survey of Manga as Fine Art

Brooklyn Museum will present 'Art of Manga' on October 3, 2026, the first large-scale exhibition in the Americas dedicated to manga as a fine art form. Organized by the Fine Arts Museums of San Francisco, the show features over 600 original hand-drawn manga artworks (genga) by influential Japanese artists including Araki Hirohiko, Oda Eiichiro, Takahashi Rumiko, and Tagame Gengoroh, spanning foundational figures to eight contemporary masters.

“Trading in the Unknown” : the exhibition marking the new edition of the Reiffers Initiatives Prize

The fifth edition of the Reiffers Initiatives Prize has opened in Paris with the exhibition "Trafiquer l'inconnu" ("Trading in the Unknown"), running until June 6, 2026, at the Reiffers Art Initiatives center. The group show features eight emerging artists based in France: Khaled Jarada, Louis Le Kim, Stanislava Kovalcikova, Arthur Marie, Eva Helene Pade, Ibrahim Meïté Sikely, Minh Lan Tran, and Manon Wertenbroek. Curated by Bernard Blistène, former director of the National Museum of Modern Art – Centre Pompidou, the exhibition presents works spanning painting, archival imagery, and explorations of the body. Stanislava Kovalcikova was named the winner of this edition, and Khaled Jarada received a new Special Mention from the jury.

뉴뮤지엄 DEMO2026 Art, Design, and Technology Festival(6/3-5) - Lounge

NEW INC, the New Museum's cultural incubator, has announced the full schedule for DEMO2026, a three-day art, design, and technology festival running from June 3–5 at the New Museum's newly expanded OMA-designed building on the Bowery. The festival features keynote speakers including multimedia artist Lawrence Lek, cultural historian Dr. Sarah Elizabeth Lewis, artist and Ojas sound system founder Devon Turnbull, NTS Radio founder Femi Adeyemi, and artist-engineer Xin Liu. Public programming includes demonstrations, performances, workshops, and talks showcasing projects by 39 current NEW INC members, with a Track Showcase on view through June 10. This marks the first edition of DEMO held in the New Museum's expanded space since its reopening.

Denver Art Museum Luncheon by Design, a fundraiser event for DIVA exhibition, opening fall 2026

The Denver Art Museum (DAM) held its annual Luncheon by Design fundraiser, celebrating the 60-year career of costume designer Bob Mackie as a prelude to the upcoming DIVA exhibition opening in fall 2026. The event featured a conversation between Joe McFate, Mackie's long-time design director, and Jill D'Alessandro, DAM's director and curator of the Avenir Institute of Textile Arts, sharing stories behind Mackie's iconic costumes worn by Cher, Tina Turner, and P!NK. Funds raised support the DIVA exhibition, which will run from October 4, 2026, to January 31, 2027, at the museum.

How LACMA Is Centering Curation Around Cross-Cultural Exchange

The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries on April 19, featuring a groundbreaking installation organized around four bodies of water—the Pacific, Atlantic, and Indian Oceans, and the Mediterranean Sea—rather than by country of origin or chronological sequence. Designed by architect Peter Zumthor, the 900-foot-long single-level space holds 2,500 to 3,000 objects, with 45 curators collaborating to arrange works from vastly different cultures and centuries together, allowing visitors to meander without prescribed pathways.

Ásta Fanney Sigurðardóttir: Pocket Universe

The Icelandic Art Center will present "Pocket Universe," a multidisciplinary exhibition by artist, poet, composer, and filmmaker Ásta Fanney Sigurðardóttir, representing Iceland at the 61st Venice Biennale. The exhibition, held at the Icelandic Pavilion's new location at Docks Cantieri Cucchini, explores shifting perspectives through hope, imagination, and belief, blending sound, performance, moving image, sculpture, and installation. It features a moving image work centered on a character called "Creature Zero" searching for the "original rock," and incorporates themes of luck, chance, and transformation through playful, game-like structures.