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Comment | Tate Britain’s Turner and Constable show got me thinking about Marxist art history

The author recounts traveling from Scotland to London to see Tate Britain's exhibition "Turner and Constable: Rivals and Originals," despite costly and slow train travel. The article also covers the Old Master sales at Sotheby's, Christie's, and Bonhams, noting mixed results: a Flemish triptych sold for £5.7m, a Hans Eworth portrait set a record at £3.2m, and a Gerrit Dou fetched £3.8m, while a Panini capriccio lost value since 2005.

Drawn to home: how landscape and locals inspired Alberto Giacometti

A new exhibition at Hauser & Wirth in St. Moritz, titled "Alberto Giacometti: Faces and Landscapes of Home," explores the Swiss artist's deep connection to his birthplace, the Alpine village of Stampa. Curated by Tobia Bezzola, the show features around 20 paintings, sculptures, and drawings from 1918 through the 1960s, including portraits of Giacometti's family and depictions of the local landscape. It highlights how Giacometti, after initially escaping to Paris in 1922, returned increasingly to the Engadine valley from the 1950s onward, working in his father's studio and producing works distinct from his Parisian output.

Amoako Boafo Brings Accra to LA in ‘I Bring Home with Me’

Amoako Boafo's third solo exhibition with Roberts Projects, titled 'I Bring Home with Me,' opens January 17 in Los Angeles. The show recreates the artist's Accra, Ghana studio within the gallery through an architectural collaboration with designer Glenn DeRoche, featuring vibrant wallpaper, grid windows, and light-filled passages. Boafo presents new portraits using his signature fingertip painting technique, integrated into the studio structure and a folding wooden sculpture inspired by the Adinkra symbol nkyinkyim.

Self-portraits, Surrealism and sanitary pads: what to expect from Tate Modern's Frida Kahlo show

Tate Modern has announced details for its upcoming blockbuster exhibition "Frida: the Making of an Icon" (25 June–3 January 2027), featuring more than 30 works by Frida Kahlo alongside photographs and personal artefacts. Co-curator Tobias Ostrander revealed that the show highlights Kahlo's impact on women artists across Mexico, the Americas, and Europe from 1970 to today, including highly personal works reflecting her suffering after a miscarriage and her complex relationship with the United States. The exhibition includes paintings such as "My Dress Hangs There" (1933-38), "Self-Portrait with Thorn Necklace and Hummingbird" (1940), and "The Frame" (1938), and examines Kahlo's links to Surrealism following her 1939 Paris exhibition. The show also features portraits of contemporary artists who have imitated Kahlo, such as Tracey Emin and Yasumasa Morimura, and a final section on "Fridamania" exploring how her image dominates popular culture on toys, dolls, and even branded sanitary pads by Saba.

Amoako Boafo solo exhibition to open in Venice during 2026 Biennale

Ghanaian artist Amoako Boafo will open his first solo exhibition in Italy at the Museo di Palazzo Grimani in Venice this spring, timed to coincide with the 61st Venice Biennale (9 May–22 November 2026). The show, co-organized by Gagosian Gallery, will feature new and recent works inspired by the Renaissance atmosphere of the palazzo and the Venetian portrait tradition. Boafo is creating a series of new pieces specifically for the exhibition, directly referencing the historical context and unique architecture of the museum.

Why this rarely seen Van Gogh self-portrait deserves more attention

A blog post examines Van Gogh's lesser-known self-portrait, *Self-portrait with bandaged Ear and Pipe* (January 1889), held in a private collection and rarely exhibited—last lent outside Switzerland in 1990. The painting shows the artist clean-shaven, smoking a pipe, with a striking orange-red background, painted just weeks after he mutilated his ear following a row with Paul Gauguin. The post contrasts it with the more famous version in London's Courtauld Gallery, analyzing compositional details and the artist's psychological state.

5* Art Openings in London this week.

Five major art openings are taking place in London this week, headlined by museum-scale gallery shows featuring Joseph Beuys, Nan Goldin, and Richard Avedon. Thaddaeus Ropac presents 'Bathtub for a Heroine,' the first UK exhibition focusing on Beuys' monumental sculpture, while Gagosian shows all 126 photographs from Goldin's 'The Ballad of Sexual Dependency' and Avedon's 'In the American West' series. The weekend culminates with Condo London, a city-wide collaborative exhibition linking 50 galleries across 23 spaces.

10 Must-See Exhibitions in the US This Year (2026)

A preview of ten major art exhibitions opening across the United States in 2026, curated by art historian Emily Snow. Highlights include 'Frida: The Making of an Icon' at the Museum of Fine Art in Houston, a Mary Cassatt centenary show at the National Gallery of Art, a focused presentation of Matisse's 'Jazz' at the Art Institute of Chicago, the 82nd Whitney Biennial, and the first comprehensive Raphael exhibition ever staged in the U.S. at the Metropolitan Museum of Art. Other featured shows include 'America 250: Common Threads' at Crystal Bridges Museum and 'Manet & Morisot' at the Cleveland Museum of Art.

The Year Ahead 2026: the big exhibitions and the key museum openings—podcast

In the first episode of 2026, Ben Luke, Jane Morris, and Gareth Harris preview the year's major art events, including museum openings, biennials, and exhibitions. Highlights include the Guggenheim Abu Dhabi, V&A East, and the Lucas Museum of Narrative Art, along with the Venice Biennale, Whitney Biennial, and shows dedicated to artists like Gainsborough, Raphael, Zurbarán, and Matisse.

The Big Review | Jacques-Louis David at the Musée du Louvre, Paris ★★★★★

The Musée du Louvre in Paris has opened a major retrospective of Jacques-Louis David (1748-1825), the greatest Neoclassical artist, marking his biggest survey in nearly four decades. The exhibition, mounted for the 200th anniversary of his death, comprises just over 100 works, including strategic loans from France and eight other countries, and complements the Louvre's own holdings. The show aims to redefine David beyond the Neoclassical label, presenting him instead as both a "realist" and an "idealist," and is compared to blockbusters like the Rijksmuseum's Vermeer show.

Trump administration puts renewed pressure on Smithsonian to turn over materials for review

The Trump administration has given the Smithsonian Institution a deadline of January 13 to turn over materials related to a review of programming at eight of its museums, as outlined in a December 18 letter from White House officials Vince Haley and Russell Vought. The review stems from a March 2025 executive order titled "Restoring Truth and Sanity to American History," which accused the Smithsonian of promoting a "divisive, race-centered ideology." Smithsonian Secretary Lonnie Bunch noted that some requested materials are not readily available and will require significant effort to compile, while the American Alliance of Museums and the Association of Art Museum Directors have expressed confidence in the Smithsonian's commitment to professional standards.

Cincinnati Art Museum Exhibit Explores the Artistry of Iconic Satire Publication MAD Magazine

The Cincinnati Art Museum (CAM) has opened "What, Me Worry? The Art and Humor of MAD Magazine," an exhibition exploring the seven-decade history and artistic impact of the iconic satirical publication. Originating from the Norman Rockwell Museum in Stockbridge, Massachusetts, the show features over 150 pieces, including original artwork from MAD artists, process drawings, and a spoof of Norman Rockwell's "Triple Self-Portrait" by Richard Williams placed alongside the original. The exhibition, curated by Stephanie Haboush Plunkett and Steve Brodner, runs through March 1 and was brought to CAM after director Cameron Kitchin visited the Rockwell Museum. Emily Agricola Holtrop, CAM's director of learning & interpretation, served as onsite curator.

In a ‘K-shaped’ economy, the art market's recovery could rely on the super-rich

Sotheby's and Christie's held a series of high-profile auctions in New York in late 2025, generating a combined $2.2 billion from major collections including the Leonard A. Lauder collection, the Cindy and Jay Pritzker collection, and the Robert F. and Patricia G. Ross Weis collection. Star lots included Gustav Klimt's portrait of Elisabeth Lederer ($236.4m), a Vincent van Gogh still life ($62.7m), a Frida Kahlo self-portrait ($54.7m), and a Mark Rothko abstract ($62.2m). Despite these strong results, the total was still 30% below the equivalent sales in 2022, and the article notes a growing number of contemporary gallery closures in 2025.

How Gertrude Abercrombie and her Magic Realist cohorts shifted the dial on American Regionalism

A new exhibition at the Milwaukee Art Museum, 'Gertrude and Friends: The Wisconsin Magic Realists,' highlights a group of artists active in the Midwest from the early 1940s who challenged the dominant American Regionalism aesthetic. The show features 17 works by artists including John Wilde, Karl Priebe, Sylvia Fein, Marshall Glasier, and Dudley Huppler, who were friends and correspondents of the eccentric painter Gertrude Abercrombie (1909-77). The exhibition is designed as a companion to a major Abercrombie retrospective that is currently touring the United States, having originated at Pittsburgh's Carnegie Museum of Art and now on view at the Colby College Museum of Art.

Local arts council executive director Tania Blanich reflects on 2025

Tania Blanich, executive director of The Arts Partnership in Fargo, Moorhead, and West Fargo, reflects on her favorite arts experiences from 2025. Highlights include a jazz concert by The Kicks Band featuring Ted Nash's "Portrait in Seven Shades," the Fargo-Moorhead Symphony Orchestra's "Music from Within" concert, the Plains Art Museum's exhibition "Women Artists: Four Centuries of Creativity," local downtown art galleries, youth theater groups Trollwood and Gooseberry, the F-M Visual Artists annual Studio Crawl, and Theatre B's "Fridays in September" series.

19 New Exhibits Coming to the Smithsonian Museums in 2026

The Smithsonian Institution has announced 19 new exhibitions opening across its museums in 2026, including shows at the African American History and Culture Museum, African Art Museum, Air and Space Museum, American Art Museum, American History Museum, and Asian Art Museum. Highlights include Nick Cave's immersive installation "Mammoth" at the American Art Museum, a photography survey of the U.S. Bicentennial, and a major reopening of the Air and Space Museum's final seven galleries after eight years of renovations. Several exhibitions tie into the nation's 250th anniversary, while others explore LGBTQ+ African art, HBCU collections, salsa music history, and contemporary water-themed paintings by Hiroshi Senju and Bingyi.

And God Created Artists: Brigitte Bardot caught on canvas

Brigitte Bardot, the iconic French actress and animal rights activist, has died at age 91. The article highlights her enduring influence as an artists' muse, noting that a 1963 painting of Bardot by Gerald Laing sold for £902,500 at Christie's in 2014, and that Andy Warhol created a series of screenprints of her in 1974. Other artists who portrayed Bardot include Kees van Dongen and Peter Engels, while Pablo Picasso is said to have met her but never painted her.

3 Art Exhibitions to Enjoy this Winter at the Petit Palais

The Petit Palais in Paris is hosting three winter exhibitions: a retrospective of 18th-century portraitist Jean-Baptiste Greuze (until January 25), a tribute to Finnish landscape painter Pekka Halonen (until February 22), and a solo show of contemporary artist Bilal Hamdad (until February 8). The Greuze exhibition is the first full retrospective dedicated to the artist, featuring around 100 works on loan from major collections. The Halonen show, the first major tribute to the Finnish painter in France, highlights his modernist snowy landscapes. Hamdad’s exhibition presents 20 large-scale paintings exploring urban solitude, drawing inspiration from Old Masters like Rubens and Manet.

Paris exhibition provides a new canon-busting vision of Minimalism

The Bourse de Commerce in Paris hosts "Minimal," a groundbreaking exhibition curated by Jessica Morgan, director of the Dia Art Foundation. The show centers on five large-scale natural-material works by 81-year-old US artist Meg Webster, while featuring over 100 works by more than 50 artists to challenge the traditional narrative that 1960s-70s Minimalism was exclusively a white, male, American movement. It includes thematic sections on light, balance, and monochrome, a gallery devoted to Japan's Mono-ha movement, and retrospectives of Agnes Martin and Lygia Pape, drawing largely from the Pinault Collection with international loans.

The Brandywine Museum offers a tiny peek into a Wyeth family Christmas

The Brandywine Museum in Chadds Ford, Pennsylvania, has opened its "Home for the Holidays" exhibition, featuring a custom-made dollhouse built by Ann Wyeth McCoy and her husband John McCoy from a repurposed tool shed. Two of the dollhouse's six modular rooms are on display, showcasing miniature furniture handcrafted by Ann's brother Nathaniel Wyeth and tiny paintings by Andrew Wyeth, Henriette Wyeth, and Jamie Wyeth. The dollhouse includes hidden family references, such as a miniature six-pack of Coca-Cola and a bottle labeled "Lucy Juice," a nod to benefactor Lucy Farnsworth.

Art market 2025 review: all eyes on the Gulf as Trump destabilises global order

The global art market continued to contract in 2025, with prominent galleries such as Blum, Clearing, Sperone Westwater, Tilton, Kasmin, TJ Boulting, Project Native Informant, Nir Altman, and Altman Siegel closing due to challenging macroeconomic conditions. However, a rebound emerged at the top end by autumn, driven by Sotheby's white-glove sale of the Pauline Karpidas collection, strong VVIP sales at Art Basel Paris, and New York's November auctions, where Klimt's *Portrait of Elisabeth Lederer* (1914-16) sold for $236.3 million and Frida Kahlo's *El Sueño (la cama)* (1940) for $54.7 million. Christie's and Sotheby's reported increased sales from 2024, with second-half auctions up 26% year-on-year, though recovery remains uneven and concentrated in classic secondary-market tastes.

A Calibrated Market: How 2025 Shaped the Landscape for Collectors in 2026

The article analyzes the art market in 2025, describing a year of divergence rather than a single trend. While aggregate sales remained below post-pandemic peaks, the year ended with a billion-dollar New York auction week, a record-setting Klimt portrait, and strong demand for exceptional works. Segments like Old Master auctions and the $1 million–$10 million band saw growth, while the ultra-contemporary segment struggled. Key events included the May marquee auctions in New York, the second edition of Art Basel Paris, and November sales at Christie’s and Sotheby’s, which demonstrated a split-level market with record highs at the top and discipline elsewhere.

MoMA explores how African studio portraits offered a new vision of freedom

The Museum of Modern Art in New York has opened a new exhibition, 'Ideas of Africa: Portraiture and Political Imagination,' surveying West and Central African studio portrait photography from the 1950s and 60s. The show features works by photographers including James Barnor, Seydou Keïta, Malick Sidibé, Jean Depara, Sanlé Sory, Kwame Brathwaite, Samuel Fosso, Silvia Rosi, and the collective Air Afrique, alongside a reading room exploring print culture. Curated by Oluremi C. Onabanjo, the exhibition presents these portraits not as documentary records but as imaginative acts of self-definition and political expression.

Review: Shows on view at Akron Art Museum reveal creative soul of a 200-year-old city

The Akron Art Museum is hosting a series of exhibitions that explore the identity and creative spirit of Akron, Ohio, as the city celebrates its 2025 bicentennial. The centerpiece is a large-scale retrospective of Alfred McMoore (1950-2009), a self-trained outsider artist from Akron who was diagnosed with schizophrenia and spent much of his life in psychiatric institutions. McMoore created massive pencil and crayon drawings focused on funerals and death rituals, and his work attracted a circle of supporters including the late antiques dealer Chuck Auerbach and journalist Jim Carney, whose sons Dan Auerbach and Patrick Carney later founded the Grammy-winning band The Black Keys, named after McMoore's cryptic phrase.

Collection of 61 Matisse works—mostly portraying his daughter Marguerite—donated to Paris museum

Barbara Dauphin Duthuit, the wife of Henri Matisse’s late grandson Claude Duthuit, has donated 61 works by Matisse to the Musée d'Art Moderne de Paris. The donation includes seven paintings, one sculpture, 28 drawings, and eight etchings, most of which depict Matisse’s eldest daughter Marguerite. Many of the works were featured earlier this year in the museum’s exhibition *Matisse and Marguerite: Through Her Father’s Eyes*. The pieces span the first half of the 20th century, from early childhood portraits to moving works created in 1945 after Marguerite survived deportation for her role in the French Resistance.

Crocker’s new leader secures famous art for Sacramento: ‘Everyone’s looking for Frida’

Agustín Arteaga has become the new CEO of the Crocker Art Museum in Sacramento, taking over the role on July 1 after a global career leading museums in Mexico, Argentina, and Texas. In a major early achievement, he secured Frida Kahlo's 1947 painting "Self-Portrait with Loose Hair" for the museum's exhibition "Making Moves: A Collection of Feminisms"—the first time a Kahlo original has ever been displayed at the Crocker. The painting is on loan from a private collection through May 3, 2026, and has drawn record crowds to the museum.

Exhibition program 2026

The Weserburg Museum für moderne Kunst in Bremen has announced its 2026 exhibition program, featuring three major shows. The collection exhibition "The Way We Are" (February 21, 2026–January 30, 2028) presents an updated survey of contemporary art from the 1960s to the present, with new thematic areas exploring self-portraiture, power and empowerment, patriarchal structures, and representations of the body, featuring works by over 100 artists. A solo exhibition, "Anys Reimann: Mirrorball" (May 2–October 4, 2026), marks the first museum show dedicated to the Düsseldorf-born artist, known for her works addressing identity, Black womanhood, and postcolonial themes through collage-paintings, leather sculptures, and an immersive black garden installation. Additionally, "Edition S Press" (September 12, 2026–August 29, 2027) at the Centre for Artists’ Publications examines the experimental publisher's output of concrete poetry, Beat poetry, and acoustic art from 1970 to 2005, featuring works by over fifty artists including John Cage, Allen Ginsberg, and John Giorno.

The art world pays tribute to Martin Parr, an ‘extraordinary photographer of people and life in the UK’

Martin Parr, the renowned British photographer known for his vivid, satirical documentation of British life and class, has died at age 73 at his home in Bristol, as announced by the Martin Parr Foundation on 7 November. Tributes have poured in from across the art and photography worlds, including from the Victoria and Albert Museum, the National Portrait Gallery, and fellow artists such as Grayson Perry and Joel Meyerowitz. Parr's major projects include *The Last Resort* (1983-85) and *The Cost of Living* (1987-89), and an exhibition of his work, *Global Warning*, is scheduled to open at Jeu de Paume in Paris in January 2026.

Artist Opportunity: Open: Odyssey, a major new biennial open exhibition launching in 2026.

Hastings Contemporary and Sussex Contemporary have announced the judging panel for The Open: Odyssey, a major new biennial open exhibition launching in 2026. The panel includes Chris Packham, Elena Crippa, Eva Langret, Fiona Banner, Isabel Rock, Kathleen Soriano, and Zoe Lyons. Submissions are open to artists connected to Sussex, with works responding to the theme of Odyssey, exploring journeys shaped by tides, time, and transformation. The exhibition will run from 28 March to 31 May 2026 at Hastings Contemporary, featuring over 100 artists and all works available for purchase.

Did Qatar’s Courbet acquisition short-circuit French export licence process?

Qatar Museums has acquired Gustave Courbet's early self-portrait *Le Désespéré* (1843-45) from a French collector for €50 million, bypassing the standard French export licence process. The Musée d'Orsay revealed the purchase at a private event in October, announcing the painting will be lent to the museum for five years before moving to Qatar's future Art Mill Museum (opening by 2030). The sale was conducted without an export certificate, with the justification that the work will remain in France for most of the time, using temporary export licences for exhibitions in Doha. Critics, including heritage campaigner Julien Lacaze, argue this exemption is being misused, as it was intended for one-off exhibitions, not recurring rotations.