The Historical Museum at Fort Missoula is launching "Treasure Trove," a special exhibition commemorating the institution's 50th anniversary. The show features local artists, including narrative painter April Werle, who were invited to select historical artifacts from the museum's "Everyday Treasures" gallery and reimagine them through their own contemporary artistic lenses.
Kyoto-based painter Masako Yasuki will serve as the Clifford Iwao Arinaga Visiting Artist at the University of Hawaiʻi at Mānoa, featuring an exhibition at The Commons Gallery from March 3 to 10, 2026. The showcase highlights Yasuki’s unique technical approach, which blends traditional East Asian mineral pigments and gold leaf with Western oil and tempera paints, alongside her use of frottage to document urban and natural landscapes.
A new contemporary art gallery, Casa Batlló Contemporary, has opened on the previously closed second floor of Antoni Gaudí's iconic Casa Batlló building in Barcelona. The inaugural exhibition, "Beyond the Facade," is by the London-based art practice United Visual Artists, founded by Matt Clark, and runs until May 17.
The Colorado South Asian Artists Group, founded by artist Bala Thiagarajan, is celebrating its first anniversary with its second exhibition, "Grounded," on view at the Center for the Arts Evergreen. The collective, which began with six members, has grown to nearly 50 artists of Indian, Pakistani, Nepali, and Indo-Caribbean descent, aiming to increase the visibility and community of South Asian artists in a region where they have felt excluded.
Maria May, an established artist from Ballaghaderreen, has opened her debut solo exhibition, 'Sruthanna Comhcheangailte – The Fluidity of Interconnection,' at the Ballinglen Art Gallery in Ireland. The exhibition, which runs until 15 March 2026, features abstract interpretations of the Major Arcana Tarot cards through mixed media, stitching, poetry, and collage, exploring themes of belonging, reconnection, and healing.
Gallery 50 in downtown Waynesboro, Pennsylvania, will host an opening reception for its new exhibition “Faces and Places” on Friday, February 6, 2026, from 5:30 to 8 p.m. The event features free refreshments and live music from Reckless Mo & the Backseat Drivers. Ten local artists—Joan Carroll, Jonathan Frazier, Paul Gallo, Katrina Hoopes, Eric Hyne, Penny Knobel-Besa, Melissa Libertini, Laurie McKelvie, Paula Saneaux, and Steve Wetzel—contribute works in oil, colored pencil, acrylic, pastel, and photography, depicting people, animals, and landscapes. The gallery, operated by the Arts Alliance of Greater Waynesboro, also offers fine art and crafts such as pottery, wood carvings, jewelry, and stained glass. The exhibition runs through April 18, 2026, and will be available for online purchase.
Weswal Gallery in Tamworth, Australia, has opened a major exhibition titled "Saddle & Song," featuring works entirely by local artists. Timed to coincide with the Tamworth Country Music Festival, the show draws on rural life, music, and place, with pieces ranging from paintings of galahs and horses to screen prints exploring environmental themes. Gallery owner Robin King emphasizes the focus on authentic regional stories, and several works have already sold to festival visitors eager to take home art reflecting the landscape and culture.
The Visual Arts Studio Association (VASA) in St. Albert is presenting 'Urban Sketching,' an exhibition featuring over 60 sketches by local artists including Lily Jeong, Julie Daly, Luise Mendler-Johnston, Elena Vlassova, Sandra Soucy, Angie Sotiropoulos, and Otto Mestinsek. The show focuses on landscapes and buildings rendered in basic, primitive styles, highlighting the artists' experimentation with simple tools like watercolours, pen and ink, and acrylic on wood. Works range from Vlassova's unfinished campus scene to Jeong's urban landscapes of Edmonton landmarks and Mendler-Johnston's mini sketches of everyday life.
Award-winning local artist Brent Erickson, based in Alexandria, VA, has spent over 30 years building a personal collection of representational art, sparked by a single landscape purchase from emerging painter T. Allen Lawson. Erickson, an oil painter himself, curates his collection—now over 100 paintings and bronzes—around realism and personal passion, displaying works in his Mount Vernon home alongside his own new paintings. He recently hosted a celebration of autumn to unveil both his collection and his latest creations.
Artist Isabelle Brourman, known for courtroom sketches of high-profile figures like Donald Trump and Johnny Depp, has unveiled a new painting titled "No Rest for the Wicked" (2025). The work synthesizes her observations from documenting the Trump administration's immigration crackdown in courtrooms across the country, incorporating imagery from the Everglades and the detention facility nicknamed Alligator Alcatraz in southwest Florida. The painting is featured in the exhibition "The Body is the Body," curated by Simon Brewer and Nathalie Martin at the Rice Hotel, a renovated former hotel in downtown Miami now used as an art studio and exhibition space.
Redland Art Gallery in Cleveland, Australia, is launching three new exhibitions in late November 2025, each exploring themes of sea, light, and local creativity. The season features "Water Works" by acclaimed Queensland artist Joe Furlonger, whose expressive paintings and ceramics capture the beauty and danger of the sea; "Some Things Too Bright to See" by emerging Brisbane artist Holly Anderson, focusing on light across water; and "In Focus 2025 – Flourish," an annual community exhibition showcasing local artists. The exhibitions run through January 2026 and include artist talks, workshops, and a People's Choice Award.
Simon Silva, a renowned artist and author, delivered a passionate call for a return to creativity during the opening of his exhibition at the Imperial Valley College (IVC) gallery. The event showcased his vibrant works, which draw heavily on his Mexican-American heritage and the agricultural landscapes of the Imperial Valley, and drew a large crowd of students, faculty, and community members.
A single-owner sale of 95 lots from the collection of Prince Sadruddin Aga Khan at Christie's London achieved £45.8m ($61m), shattering the presale estimate of 'in excess of £8m' and setting a new all-time record for any South Asian art sale. The top lot, Basawan's miniature *A Family of Cheetahs in a Rocky Landscape* (circa 1575-80), sold for £10.2m ($13.6m), becoming the most expensive classical Indian or Islamic painting at auction. The sale also featured eight works from the Fraser Album, which together made £6.2m, and a portrait by Dust Muhammad that fetched £2.7m.
Southampton City Art Gallery will reopen on Saturday, March 7, 2026, following a successful refurbishment program. The reopening exhibition, 'Levitate Me: Desire, Ecstasy and The Sublime,' is a major solo show by acclaimed British artist Emma Richardson, featuring new oil paintings that explore desire, euphoria, and the natural world through a female lens. Richardson, who was born in Southampton and lived there for much of her life, has also selected works from the city's collection to display alongside her own. Other reopening displays include highlights from the internationally renowned collection (with public input on artwork selection), recently acquired works shown for the first time, rarely seen works on paper digitized during the closure, and photographs of the refurbishment by architectural photographer Joe Low. The project was supported by a £2.23 million grant from the Department for Culture, Media and Sport's Museum Estate and Development Fund (MEND), administered by Arts Council England.
The Asian Art Museum in San Francisco has opened a new exhibition titled "Rave into the Future: Art in Motion," which transforms the gallery into an immersive rave-like experience featuring a copper dance floor, live DJ sets, robot Roombas swirling glitter, and nine distinct "stages" representing the lifecycle of a rave. Curated by Naz Cuguoğlu, the show brings together queer and women artists of West Asian heritage from the Bay Area, New York, and Europe, and will run through January 16.
A monumental sculpture titled "Reflection" by French-born artist Prune Nourry has been installed at Ocean Terrace Park in Miami Beach, honoring the women of the U.S. Coast Guard Women’s Reserve (Spars) who served during World War II. The 21.3-foot sculpture features a half-face resting in water, completed by its reflection, with a mangrove tree sprouting from the side of the head. It was unveiled on October 30 and is Nourry’s first public art project in the U.S. The work uses the likeness of Yeoman Third Class Nellie Locust, a Cherokee woman who served in the Spars, with permission from her family. The sculpture was created in collaboration with landscape architect Raymond Jungles.
Saif Azzuz, an artist of Libyan and Yurok heritage, presents a new body of work that intertwines themes of water, fire, and family, drawing from his experiences in both the Louisiana Bayou and the San Francisco Bay. The article, published by The New York Times, explores how Azzuz's mixed Indigenous and North African background informs his artistic practice, blending personal history with environmental and cultural narratives.
Visiting artist Hao Wang presented paintings and sculptures at Vineridge Academy in Virgil, Ontario, on September 20, showcasing work created during a residency inspired by the landscapes of Niagara-on-the-Lake. The exhibition included large canvases of local scenery and abstract scenes, as well as charred wood sculptures made with a chainsaw. Wang, who is from China and does not speak English, communicated through student translator Cyrus Au-Yeung, expressing how the town's atmosphere and colors influenced his art. The residency program, launched last year by principal Michael Miao, houses international artists on campus and retains some works for the school's collection.
Ten youth curators aged 15 to 17 from Seattle's Fresh Perspectives program have organized a new art exhibition titled "You, Me, & Everything Between Us" at King Street Station. The show is presented by the Seattle Office of Arts & Culture in collaboration with Seattle Public Utilities' 1% Art program. The teen curators—Audrey Mae Lumaguip, Billie Atkins, Bowie Logan, Bryan Emmanuel, Bunny Heminger, Cam Koga, Giselle Kalei Balansay, Max Santiago, Sammy Tewelde, and Nico Charbonneau—were mentored by artist and project manager Janet Nechama Miller. Seattle Public Utilities has set aside a budget to acquire works from the exhibition for the city's Civic Art Collection.
Prospect New Orleans, the contemporary-art triennial, will not hold its city-wide exhibition in 2027. Instead, the organization will publish a book titled "20 Years of Prospect" to mark its 20th anniversary, featuring essays, personal accounts, and archival images. Executive director Nick Stillman told Artnews that launching another large-scale exhibition is "not the focus right now," citing a need to pause, reflect on the triennial's legacy, and ensure its accomplishments are properly documented. Financial pressures and national political uncertainty, including concerns about federal arts funding under the Trump administration, also influenced the decision.
A new exhibition titled “A Whimsical Life—the art of Linda Catchlove” opens at the Museum of Economic Botany in Adelaide Botanic Garden, celebrating the late South Australian artist Linda Catchlove. The show runs from May 31 to September 14 and features her botanical watercolours, Disney animations, children’s book illustrations, and personal tools, blending meticulous botanical illustration with whimsical fantasy elements inspired by her early career at Disney Studios in Sydney.
Dr. David Clardy, a cardiologist at Sanford Health in Fargo, has his travel photography displayed above the baggage claim area at Hector International Airport. The exhibition, installed on June 17, 2025, pairs landscape and portrait images from his travels to Cambodia, Ethiopia, and Peru. Clardy, who began taking photography seriously in 1999 and resumed in 2016 after a break, participated in workshops with National Geographic photographers and now shares his work through the airport's ArtWORKS program, which places local art in public spaces.
Isle of Wight artist Elizabeth Smith will open her studio at Nightingales in Bonchurch from 17th to 25th May 2025 as part of the Isle of Wight Open Studios event. Her watercolour paintings and prints, including works from her Charting Ventnor series, capture the architecture and landscapes of the South Wight. Fellow artist and designer Sue Lowday, a former silversmith who now works in leather, will also exhibit at the same venue from 17th to 21st May, showcasing her handcrafted belts, bags, and other items.
Meow Wolf Grapevine's exhibition "The Real Unreal" has been named the 2025 Top Location-Based Experience in the world at the IAAPA Honors, held at Europa-Park in Germany. The award, from the International Association of Amusement Parks and Attractions, recognizes creativity and impact across the global attractions industry. Additionally, Meow Wolf Houston won Best Food & Beverage Building Renovation or New Build for its Cowboix Hevvven bar and grill, and took home two Webby Awards for its Radio Tave experience.
Joseph Cyr, a language teacher and avid trail runner, captured a rare crested saguaro cactus while running in Saguaro National Park near Tucson, Arizona. The photograph highlights a unique mutation found in only about 75 of the park's estimated two million saguaros, featuring a fan-like growth that gives the plant a distinct, human-like silhouette.
The Navajo Nation is currently navigating a complex struggle to preserve its cultural heritage against the lingering effects of colonial-era boarding schools and the modern pressures of social media and urbanization. While elders like Virginia Brown recount the trauma of forced assimilation and language suppression, a new generation is grappling with a decline in Navajo fluency, which UNESCO now classifies as a vulnerable language. Despite these hurdles, community members are utilizing local schools and traditional practices to reclaim their identity.
The article presents a collection of notable Australian cultural events and announcements from March 2026. It highlights the addition of the viral 'Succulent Chinese Meal' speech to the National Film and Sound Archive, a profile of 'Squid Game' composer Jung Jae-il, pianist Jayson Gillham's announced tour with a Palestinian-Jordanian musician ahead of a court case, and Kylie Minogue's scheduled performance at the AFL Grand Final.
Photographer Mark Linel Padecio captured his 10-year-old daughter, Xianthee, and her five-year-old cousin, Zack, playing joyfully in the mud of a riverbed on the family farm in Dapdap, Philippines. The moment occurred after a brief rainfall ended a severe drought, transforming a landscape of hardship into one of relief. Padecio, initially surprised by his usually serious city-dwelling daughter's abandon, was moved by the children's authentic happiness to document the scene with his phone instead of stopping them.
Photographer Elizabeth Sanjuan has released a new book titled 'Silent Snow,' featuring 40 monochrome images captured over four winters in Hokkaido, Japan. The work focuses on the island's snow-covered landscape, which remains white for half the year, and explores the visual and emotional qualities of this extreme environment.
The 2026 Australian Urban Design Awards have been announced, celebrating projects that prioritize pragmatic, community-focused design over sculptural spectacle. Winners include the Campbelltown station commuter car park in Sydney, praised for its civic dignity and greenery; the St Kilda pier redevelopment in Melbourne, which balances engineering with tourism and penguin habitat protection; and Balam Balam Place in Brunswick, a cultural landscape honoring Indigenous history.