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Taft Museum of Art Celebrates Artist Ayana Ross in Milestone Year

The Taft Museum of Art has named Cincinnati-based painter Ayana Ross as the 2026 Robert S. Duncanson Artist-in-Residence, marking the 40th anniversary of the prestigious program. Ross, known for her figurative realism and traditional oil painting techniques, will be featured in a solo exhibition titled "Beyond the Picturesque: The American Landscape as a Site of Memory, Identity and Continuity." The showcase includes seven paintings integrated into the Taft’s historic house and Sinton Gallery, with a specific installation placed alongside the museum's famous 19th-century murals by Robert S. Duncanson.

Showcasing lasting art

The University of Wisconsin-Whitewater's Crossman Gallery recently hosted the BA & BSE Senior Show, a showcase of diverse artworks created by graduating students. The exhibition featured a wide range of mediums, including photography, painting, sculpture, and print design, highlighting the creative versatility of the senior class. The event served as a professional milestone for students, allowing them to navigate the gallery submission process and network with faculty and the community.

‘Southeast Exchange’: New La Jolla mural showcases findings at Texas discount store

Artist Lizzie Zelter has installed a new large-scale mural titled "Southeast Exchange" in La Jolla, California, as part of the Murals of La Jolla public art initiative. The composition is based on the artist's observations of a discount store in Brownsville, Texas, featuring a dense array of consumer goods and reflective surfaces that explore themes of domestic arrangement and cultural artifacts. The work is designed to be read from right to left, mimicking the flow of pedestrian traffic and challenging traditional visual perspectives.

Artist brings expressive realism to Truro Public Library exhibition

Artist Sean Benton is currently showcasing a solo exhibition at the Truro Public Library in Nova Scotia, running through April 24. The collection features a diverse range of subjects, including portraits, landscapes, and architectural studies, all unified by Benton’s commitment to expressive realism and observational painting. The exhibition was organized following an open call from the Colchester-East Hants Public Library system, reflecting the artist's ongoing effort to engage with new audiences outside of traditional gallery spaces.

Art exhibitions explore Appalachian identity and newcomer experiences

The Virginia Tech Carilion School of Medicine is launching a dual exhibition featuring "From These Hills" and "Making it in America," opening April 14 in Roanoke. "From These Hills," on loan from the William King Museum of Art and curated by Kathy Foley, showcases contemporary Appalachian art across various media that explore regional identity and memory. Complementing this, photojournalist Heather Rousseau’s "Making it in America" documents the lived experiences of immigrants and refugees in Southwest Virginia, capturing the resilience of Afghan, Ukrainian, and Latino newcomers through five years of visual storytelling.

‘Drew Wickman: Getting Here’: ICA’s first solo art retrospective in years

The Inyo Council for the Arts (ICA) is launching a major solo retrospective titled “Drew Wickman: Getting Here,” featuring over 40 works by the local artist. Opening with a public reception on April 11, the exhibition spans more than five decades of Wickman’s creative output and will remain on view through May 26.

The Bascom Opens Photography Resident Exhibition April 18 with Free Artist Talk

The Bascom: A Center for the Visual Arts is set to debut a new exhibition by photography resident Dean Kessmann titled "realism succumbing to abstraction or is it the other way around" on April 18, 2026. The show features medium-format digital photographs captured during Kessmann’s sabbatical residency, focusing on the overlooked textures of urban landscapes such as sidewalks, graffiti, and signage. The exhibition includes unique physical presentations, with some works mounted on oriented strand board to mirror the industrial surfaces depicted in the images.

‘The art gallery became a form of protest’: Students in Curatorial Practices prepare for the art world beyond Emerson

Students at Emerson College recently completed a comprehensive curatorial project titled "Gather," an exhibition that served as the capstone for their Curatorial Practices course. Tasked with managing every facet of the show—from registrarial duties and marketing to the physical installation of artworks—the students juried a regional open call that resulted in a final selection of 14 artists. The project was designed to provide a holistic understanding of the industry, moving beyond the siloed experience of traditional museum internships to prepare students for a volatile professional landscape.

Silverman Gallery showcases “Jean Childs Buzgo: Dreamscapes & Discoveries”

The Silverman Gallery of Bucks County Impressionist Art is hosting a solo exhibition titled “Jean Childs Buzgo: Dreamscapes & Discoveries,” running from April 11 through May 3. The showcase features a diverse collection of the artist's newest paintings, including large-scale florals, local Bucks County landscapes, and works inspired by her travels to Scotland and Ireland. Many of the pieces originated during the pandemic in 2020 and have been recently revisited and resolved using a mix of oil, acrylic, wax crayon, and collage.

Thompsons to exhibit together at Stover Mill Gallery

Artists Emily and George Thompson are set to debut a joint exhibition titled “Double Feature: A Two-Person Show” at the historic Stover Mill Gallery in Erwinna, Pennsylvania. The exhibition juxtaposes Emily’s contemporary urban landscapes and architectural forms with George’s traditional landscape paintings, showcasing the creative dialogue between the couple who share a studio.

The Hands That Feed: New Art Exhibit at Museum Highlights Farm Workers - The Source Weekly

The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). Featuring large-scale murals, hand-painted animations, and a ten-foot-tall cutout figure surrounded by actual soil, the installation explores the daily lives and human stories of farm workers in the American West. Almeida, a first-generation Mexican American artist based in Boise, draws from his own family history of agricultural labor to create vibrant, contemporary works influenced by skateboarding culture and Mexican folk traditions.

Rooms to Roam in Chicago

The inaugural Neighbors Art Fair has launched in Chicago, situated within a historic residence in the city's Gold Coast neighborhood. Founded by Mirka Serrato and curated by Jonny Tanna, the fair rejects the traditional high-spectacle trade show model in favor of a "micro-fair" format. By utilizing a domestic setting and an invitation-based entry system, the event prioritizes architectural intimacy, timed entry, and deliberate engagement between galleries and visitors.

See What’s on View in NOLA This March

New Orleans is set to host several major art exhibitions this March, highlighting the city's diverse cultural landscape. Key openings include Alexis McGrigg’s "In the Beloved" at the Ogden Museum, which explores Blackness and spirituality through fluid abstraction, and an augmented reality exhibition on the American Revolution at The Historic New Orleans Collection. Additionally, the New Orleans Museum of Art will debut a significant collection of 18th-century French Sèvres porcelain.

A Homegrown Guide to India Art Fair 2026: What to See, Experience & Explore

The 2026 India Art Fair, the 17th edition of South Asia's leading contemporary art event, is taking place from February 5 to 8 at the NSIC Exhibition Grounds in New Delhi. It features 135 exhibitors presenting modern and contemporary art, performance, film, craft, design, and outdoor installations, alongside a program of talks, workshops, and citywide collaborations.

Buena Vista Artist Family Prominently Featured in Denver-Area Art Exhibition

Buena Vista area artists Bob Gray and his daughter Jamie Gray have been selected for the upcoming exhibition "Family Ties: Continuing the Creative Legacy" at the Arvada Center Galleries in metro Denver, running from January 15 to March 26, 2026. They are one of two local families featured, alongside the Strawn family (Ben, Daniel, and their late parents Bernice and Mel). The show includes twenty creative families, highlighting how artistic identity is shaped within family contexts. Both Grays work with wood: Bob creates turned-aspen vessels inspired by local landscapes, while Jamie produces abstract wall sculptures using beeswax, pigment, and hand-carved lines.

The unstoppable creativity of ceramicist Pippin Drysdale

At 82, ceramicist Pippin Drysdale is the subject of a major retrospective, "Infinite Terrain," which opened in December at the Art Gallery of Western Australia (AGWA). The exhibition, curated by Isobel Wise, spans Drysdale's prolific 40-year career and was sparked by a chance, spirited encounter with AGWA director Colin Walker. Drysdale, who began ceramics in 1981 after earlier ventures in herbs and paper flowers, studied at Perth Tech, Anderson Ranch in Colorado, and Curtin University, and her work has been deeply influenced by travels to Italy, Siberia, and Russia.

Emerging painter shows what it means to be a Maine artist | Column - Portland Press Herald

Dean McCrillis, an emerging painter from Rumford, Maine, is the subject of a solo exhibition titled "Dog Years" at Cove Street Arts in Portland, running through January 17. The show features oil paintings that depict distinctly Maine activities—hunting, fishing, camping—while employing layered, translucent brushstrokes to evoke the ephemerality of time and experience. McCrillis, who also works as a framer at Greenhut Galleries, uses a bright, saturated palette and techniques that make his images appear to simultaneously emerge and dissolve, capturing fleeting moments in the state's rugged landscape.

Art Galleries Emanate a Warm Glow in Winter

Winter on Cape Cod presents a challenge for local artists and galleries, as off-season landscapes often go unsold. However, several gallery owners are embracing the season with experimental programming: Liz Carney of Four Eleven Gallery in Provincetown is hosting a group show titled "Long Blue Shadow" and planning artist residencies and a "Knitney Biennial." Gary Marotta Fine Art and Schoolhouse Gallery remain open on weekends, while Susie Nielsen's Farm Projects in Wellfleet features a group exhibition of works on paper. These gallerists find that winter visitors are more engaged, fostering richer conversations and a stronger sense of community.

“Water’s Edge: The Art of Truman Lowe” Opens Nov. 25 at the National Museum of the American Indian

The Smithsonian’s National Museum of the American Indian in Washington, D.C., will open “Water’s Edge: The Art of Truman Lowe” on November 25, 2025, running through January 2027. This is the first major retrospective of Hoocąk (Ho-Chunk) artist Truman Lowe (1944–2019), featuring nearly 50 sculptures, drawings, and paintings from public and private collections, including 28 from the museum’s own holdings. The exhibition is organized around four themes—Moving Water, The Land Holds Memory, Woodland Structures, and Memory and Shared Knowledge—highlighting Lowe’s use of natural materials like willow branches and feathers to evoke the waterways and woodlands of his Wisconsin upbringing.

Historic opening: Studio Museum in Harlem welcomes the public to its new architectural landmark

The Studio Museum in Harlem has opened its long-awaited new building, a seven-story, 82,000-square-foot structure on West 125th Street, designed by Adjaye Associates with Cooper Robertson. A Community Day on November 15th marked the public debut, featuring inaugural exhibitions including a major show on Tom Lloyd, whose work launched the museum's first exhibition in 1968, as well as "From Now: A Collection in Context" and a survey of works by over 100 residency alumni. The building expands exhibition space by over 50% and public areas by nearly 60%, with dedicated education spaces and artist-in-residence studios.

California nonprofits keep losing funding in what new study calls ‘the shadow of the pandemic cliff’

A new Otis College Report on the Creative Economy, titled "In the Shadow of the Pandemic Cliff," was presented at the Getty Center in Los Angeles. The report, prepared by Westwood Economics and Planning Associates, analyzes financial data from 2011 to 2023 for nonprofit cultural organizations in Los Angeles County, including museums, art schools, and performing-arts groups. It reveals that while revenues for these nonprofits surged by 47% during the early pandemic years due to special relief funding, that support has since faded. By 2023, 60% of surveyed organizations reported less public funding and 51% saw declines in private donations, a trend the report calls the "Covid cliff."

‘Shifting Grounds’ Opens at EOU’s Nightingale Gallery; Artist Talk Nov. 5

Eastern Oregon University’s Nightingale Gallery presents “Shifting Grounds,” a solo exhibition by Spokane-based artist and architect Andrew Parker. The show explores how place shapes identity through abstract mixed-media works that blend collage, India ink, colored pencil, and repurposed materials like personal photographs, grocery bags, and maps. An opening reception takes place November 7, and the artist will give a public talk on November 5. The exhibition runs through December 4.

On View in the RSM Art Gallery: The Gleanings by Joetta Maue

RSM Gallery is presenting "The Gleanings," a solo exhibition by multidisciplinary artist Joetta Maue featuring photography, installation, and embroidery. The show runs from October 16 to November 25, 2025, with an artist talk and opening reception on October 16 and a Reading Room Event on November 4 where visitors are invited to share books and excerpts. Maue's work explores the sublime within everyday life, focusing on overlooked fragments, ephemeral light, and the traces of the body across space and time, with embroideries that transcribe her research notations and a large wall installation titled "Sojourn" mapping geographies of artist residencies.

October at the Torch Theatre gallery: Local artist Sam Farmer’s first exhibition

Local artist Sam Farmer, a former primary school teacher from Pembrokeshire, will hold her first-ever art exhibition at the Joanna Field Gallery inside the Torch Theatre in Milford Haven this October. Titled "Under Pembrokeshire Skies: Seascapes and Stones," the show features paintings inspired by the Welsh landscape and the concept of Cynefin—a sense of rootedness and belonging. Many of the works also appear in her recently published children's book, "Little Puffin’s Pembrokeshire Home." The exhibition runs from October 4 through the end of the month.

UM Museum Announces Fall 2025 Exhibitions

The University of Montana's Montana Museum of Art and Culture (MMAC) will present three solo exhibitions by Montana artists this fall: Sara Mast's "Standing in the River" (opening Oct. 16), Manette Rene Bradford's "Unsettled Lands" (opening Nov. 13), and a posthumous show for Rand Robbin (opening Dec. 4). The exhibitions span painting, glass sculpture, collage, drawing, and printmaking, with each artist offering a distinct perspective on landscape, nature, and Montana's artistic traditions.

Alberta Foundation for the Arts opens first gallery in Calgary

The Alberta Foundation for the Arts (AFA) opened its first-ever gallery in Calgary on September 10, 2025, called the AFA art house, located on the second floor of the Edison building. The space, previously used as a temporary gallery by the Glenbow Museum during its renovation, will host rotating exhibitions from the AFA’s 10,000-piece collection, including the opening show "New Views" featuring 50 works purchased in the last decade. The gallery also allows Alberta artists to display and sell their art, and will feature a solo exhibition by Samantha Williams-Chapelsky, the 2024-25 AFA Alberta Artist in Residence, beginning in October.

Delhi exhibition highlights India's controversial slum redevelopments

Artist Paribartana Mohanty's solo exhibition "I Rescued Speed Altogether" at Delhi's Shrine Empire gallery presents 12 paintings and three moving-image works created over eight years of documenting the demolition of the Kathputli art colony, a historic slum cluster in west Delhi known for its street performers. The works, mounted on found objects like glue cans and plastic, focus on the objects and landscapes left behind after demolitions, with human figures absent from the canvases. Mohanty's title comes from his three-year-old son's triumphant statement after learning to pedal a bicycle, which the artist sees as an absurd phrase fitting for what he calls the "absurd acts" of demolition.

Sara Stern '17 Opens Latest Solo Exhibition, 'STALL,' at Turley Gallery

Sara Stern, a 2017 alumna of the Visual and Environmental Studies program at Harvard, has opened her fifth solo exhibition, 'STALL,' at Turley Gallery in Hudson, New York. The installation transforms the gallery's interstitial space, The Light Well, into a horse stall featuring a toy theater that plays a video of horseshoe crabs spawning. The exhibition runs from July 19 to September 7, 2025, and includes elements such as straw, a velvet curtain, and an adorned horseshoe crab shell, creating a mise en abyme effect.

Fibre Arts Australia touring exhibit highlights 39 artists

Fibre Arts Australia's third International Art Textile Biennale is now touring Australia, featuring 39 textile artists from 10 countries. The exhibition will visit nine galleries across the country through September 2026. At its debut at East Gippsland Art Gallery, three Australian artists received biennale awards: Sue Coppock won the Major Award (AU$2,000) for her embroidered fencing mask 'Are You Wearing a Mask Right Now?', Claudia Mazzotta won the Australian Excellence Award for 'Untouched Terrains', and Nicola Oliver won the Glenys Mann Award for 'Shadows Where Life Once Was'.

Historic 16-Venue Art Exhibit Spotlights Local Women Artists

The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.