Museum Sculptures in Park Sanssouci Return Restored

Musen-Skulpturen im Park Sanssouci kehren restauriert zurück

Eight 18th-century marble sculptures depicting Greek muses have been reinstalled in the western pleasure garden of Park Sanssouci in Potsdam following a six-month restoration project. The works, created by Berlin sculptor Friedrich Christian Glume, represent figures like Melpomene (Tragedy), Klio (History), and Thalia (Comedy) and have been cleaned, repaired, and given a protective coating.

State Secretary Dismissed in Dispute Over Funding

Staatssekretär im Streit um Fördermittel entlassen

Berlin's culture administration has dismissed State Secretary Oliver Friederici, who was responsible for distributing funds for projects combating antisemitism. The move follows a prolonged controversy over the allocation of millions of euros in grants, with allegations of unclear criteria and potential political influence from the CDU party.

La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.

La loi-cadre sur les restitutions définitivement adoptée par le Parlement

The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.

Explore the projects of the 2024 and 2025 graduating classes of Ésad

Explorez les projets des promotions 2024 et 2025 de l’Ésad

The Ésad Saint-Étienne is presenting "recto verso," an exhibition running from April 29 to October 4, 2026, featuring projects by 84 young artists and designers who earned their DNSEP in June 2024 and June 2025. The show is designed as a non-linear, interactive space where objects, performances, and activations encourage visitors to explore both finished works and the preparatory stages behind them, including sketches, models, and archival materials. The exhibition is curated by the collective ppdesigner and Éric Jourdan, with production by the Cité du design.

Les États-Unis restituent près de 300 biens culturels à l’Italie

Italy presented 337 cultural artifacts repatriated from the United States at the Caserma "La Marmora" in Rome, following operations between December 2025 and April 2026. The objects span from the 5th century BCE to the 3rd century CE, including Roman sculptures, bronze works, pottery, jewelry, coins, and architectural fragments. Among the notable pieces is a marble head attributed to Alexander the Great, stolen from a Roman museum in 1960, and a bronze sculpture looted from Herculaneum. The recovery involved the Manhattan District Attorney's office, the FBI, Homeland Security Investigations, and Christie's New York, with 221 items seized through the DA's collaboration and 116 returned in April.

The Rapprochement Between Artnet and Artsy Takes Shape

Le rapprochement entre Artnet et Artsy prend corps

Artnet and Artsy, two major online art market platforms, have announced a strategic merger under the common ownership of British investment fund Beowolff Capital. The companies will retain their distinct brands and websites but will be led by a unified management team, with Artsy's CEO Jeffrey Yin taking the helm. The consolidation has already resulted in dozens of job cuts, particularly at Artnet News, and follows a period of economic strain for Artnet, which reported a 12% revenue drop in the first half of 2025.

La tour Perret, premier gratte-ciel en béton armé d’Europe, renaît à Grenoble après 60 ans de fermeture

The Tour Perret in Grenoble, Europe's first reinforced concrete skyscraper, will reopen to the public on July 11, 2026, after being closed since the 1960s. Designed by Auguste Perret in 1925 for the International Exhibition of White Coal and Tourism, the 95-meter tower has undergone a complex restoration led by heritage architect François Botton, addressing water infiltration and corrosion while preserving its original character.

337 œuvres et objets volés récupérés : la vaste opération italienne de lutte contre le trafic de biens culturels aux États-Unis

On April 29, Italy's carabinieri dedicated to cultural heritage protection announced the recovery of 337 looted or stolen artworks and objects repatriated from the United States between December 2025 and April 2026. The haul includes archaeological artifacts, archival documents, and other artworks, such as a marble head of Alexander the Great from the 1st century AD, a bronze sculpture stolen from Herculaneum, and two Egyptian basalt sculptures. The objects were dispersed through international markets using forged provenance documents, and their return involved U.S. agencies including the FBI.

Janusz Jurek Embraces the Weirdness of Everyday Life in Captivating Street Photographs

Polish photographer Janusz Jurek, who works as a graphic designer and commercial photographer, creates candid street photographs that capture humor, happenstance, and the bizarre. He focuses on authentic moments outside the mainstream, often turning away from main attractions to observe people's reactions, small gestures, and strange coincidences. Jurek is preparing a photo collection titled "Look, Before It’s Gone," compiling five years of his street photography.

Tania Yakunova’s Expressive Figures Entwine with Plant Life in Digital and Graphite Illustrations

Kyiv-born illustrator Tania Yakunova creates lush digital and graphite illustrations characterized by grainy textures, gestural lines, bold shapes, and vibrant colors. Her work, which often features expressive human figures entwined with plant life, conveys brand narratives and personal emotions, such as homesickness following her 2023 move from Ukraine to London.

New Currents: Jungeun Park

Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.

Hyeree Ro: What Bears

Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.

Even More Drawings for Versailles

Encore d'autres dessins pour Versailles

The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.

Urban Reflections, Daniel Melim on the City as Studio, Archive and Collective Space

Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.

Echoes from the Margins: Guinea’s Debut Pavilion Resonates in Venice.

Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.

‘Between A Memory and Me’: Navigating Belonging

Photographer Rahim Fortune has opened a new exhibition titled 'Between A Memory and Me' at the Museum of Fine Arts, Houston. The show presents a series of photographs that map memory, land, and Black life across the American South, creating a lyrical cartography where landscape and personal lineage intertwine.

‘Apoi’ and Weaving What Remains

Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.

Tabula Rasa: The Geometry of the Collective.

Peterson Kamwathi's exhibition 'Tabula Rasa: The Geometry of the Collective' opened at the Nairobi Contemporary Art Institute. The show features his work exploring how individual bodies accumulate and dissolve into larger social and political formations, mapping the dynamics of crowds, protests, and collective identity.

From Minor Keys to Uproar: The Crisis of the Venice Biennale

DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA

The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.

Inside a gallery spotlighting experimental art in Fort Worth’s Near Southside

Giant Runt Gallery, an artist-run space in Fort Worth's Near Southside, was founded in September 2024 by Cosmo Jones and Max Marshall. The gallery showcases experimental, eclectic art that challenges the local norm of Western-themed work. Its latest exhibition, “Everyone is Someone’s Baby,” opens May 1 featuring artists Megan Solis and Glory West. The gallery recently held its first Juried Show, drawing over 400 applicants and awarding first prize to Jori Jori for her sculpture “The East Wind.” The space occupies a former gallery suite in the Dickson-Jenkins Lofts & Plaza, previously home to Bale Creek Allen’s gallery and Cufflink Art.

New gallery celebrating craftmanship and art opens

The historic Hopton Hall Estate has opened a new gallery in Ashbourne, England, called the Hopton Hall Gallery. The gallery, housed in an 18th-century building that previously served as a butcher's, clockmaker's, and draper's shop, is the creation of estate owners Chris and Andi Harvey. Its inaugural exhibition, 'Brushed Light: Atmospheric Watercolours,' features works by local artists, and the gallery will host a rotating program of exhibitions and events through at least May 2027.

design walter hood lincoln center plaza park

Walter Hood, an award-winning landscape designer known for transforming overlooked urban spaces into vibrant gathering areas, has been selected for his most high-profile project yet: the new $335 million park at Lincoln Center Plaza in Manhattan. In a brief interview for Cultured's 2026 CULT100 honorees, Hood discusses misconceptions about his personality, his inspirations, and the challenges he faces as a creative professional.

London artist Irum Rahat’s ‘Yeh Kab Ki Baat Hai’ is a house full of memories

London-based artist Irum Rahat presents her first solo exhibition in India, 'Yeh Kab Ki Baat Hai', at Pristine Contemporary in Delhi. The show features 16 new works that draw from her upbringing in a South Asian household, transforming mundane domestic scenes—making chai, sitting in rooms, family interactions—into a visual archive of memory and intimacy. Rahat's paintings, influenced by cinema and her own photography, use soft, hazy colors to evoke nostalgia and the ambiguity of time.

Will Higgins uncovers the Indy 500's wacky history in new exhibit

Former IndyStar reporter Will Higgins has opened a new exhibition titled "The Speedway's Attic" at the Contemporary Art Museum of Indianapolis (CAMi), running until August 16. The show presents nine quirky, true stories from the margins of the Indianapolis 500, featuring artifacts recreated by Higgins based on his own research. One highlighted tale involves a fake 1938 Mercedes Benz convertible linked to Adolf Hitler, which appeared at the 1949 Indy 500 with mannequins and alleged "Hitler's wife's underwear." Higgins, known for his gonzo journalism style, previously created exhibits like "The American Society of Presidential Urine Collectors" and "The Museum of Fabulosity."

Gallery famous for Fakes and Forgeries exhibition celebrates 20-year anniversary

The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.

Damola Adepoju Evokes Hope With ‘Light’, His Solo Exhibition

Nigerian artist Damola Adepoju has opened his third solo exhibition, titled 'Light', at Mydrim Gallery in Lagos. The show, curated by Idowu Bankole to commemorate Adepoju's 50th birthday, features 30 paintings and mixed-media works created between 2015 and the present, focusing on Lagos cityscapes and employing his signature technique of newspaper prints, acrylic, and soft gold on a grey palette.

Fort Smith museum unveils two new art exhibitions on May 15

The Fort Smith Museum of History will open two new exhibitions on May 15. 'The Art of the Brick' features large-scale sculptures by contemporary artist Nathan Sawaya, built entirely from LEGO bricks, while 'The Art of Native American Basketry' showcases a collection of woven baskets from regional tribes.

Photos show stars embracing art-inspired fashion at the 2026 Met Gala

The article reports on the 2026 Met Gala, where celebrities embraced art-inspired fashion on the red carpet. The event, known for its extravagant themed dress code, featured stars wearing outfits that referenced famous artworks, artistic movements, or museum collections.

‘A nuclear explosion of happiness’: Graphic artist Jim Phillips opens first solo gallery in Santa Cruz

Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.