The Dittmar Memorial Gallery in Evanston is hosting 'I Was Here,' a community-driven exhibition running from April 9 to May 3, 2026. Curated by Jasmine Ametovski and Clare Kirwan, the show features 24 local artists utilizing diverse mediums such as sound, video, and beeswax to document their daily lives. The project prioritizes lived experience and personal encounters over traditional, academic studio practices.
The Riverside Artists Group is celebrating its 40th anniversary with a major retrospective titled "PULL FOCUS" at the Riverside Studios in Hammersmith. The exhibition features 48 artworks across various media—including oil paintings, sculptures, and digital prints—by 33 artists, alongside a 30-minute documentary film and an extensive archive of the group's history. Founded in 1986 following an open submission call that drew over 1,000 entrants, the collective has grown from a local community initiative into an international presence.
Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.
The Dixon Gallery and Gardens has concluded the third and final installment of its ambitious "Black Artists in America" exhibition series. This concluding chapter focused on the late 20th century, showcasing how African American artists navigated the Civil Rights Movement and the subsequent shift toward contemporary abstraction and conceptualism while maintaining a dialogue with social justice.
The Krannert Art Museum has opened "Memorias de la Mujer Lotina: Arpilleras, Women, and Coal in Chile," an exhibition featuring 23 arpilleras created by women from the coal-mining community of Lota. These colorful, hand-stitched textiles, which rose to prominence as a form of resistance during the Pinochet dictatorship, document the daily lives, heritage, and struggles of marginalized communities. The show features a centerpiece 16-foot-long collective textile created by 52 women ranging in age from 14 to 92, depicting scenes of labor, domestic life, and social activism.
The Working Arts Club (WAC), a London-based organization supporting art professionals from lower socio-economic backgrounds, is expanding to northern England. Its new chapter will launch in Manchester on March 24, with plans for regional programming and online events. Founder Meg Molloy emphasizes that class barriers in the art world are systemic, not confined to London.
Greenlander artist Inuuteq Storch, who gained international recognition for his takeover of the Danish pavilion at the 2024 Venice Biennale, discusses the impact of Donald Trump's renewed claims about taking over Greenland. Storch, whose work focuses on everyday life in Greenland, expresses concern that the political rhetoric could disrupt the quiet, preserved way of life in his community. He is currently showing a new iteration of his Venice exhibition at the Hasselblad Center in Gothenburg, Sweden, and has a major show at MoMA PS1. Storch's practice includes archiving historical images, such as those by Greenland's first photographer John Møller, and using his art to address colonial legacies and resistance.
Topkapı Palace in Istanbul has opened a new Tile Art Gallery in its Mabeyn section, featuring a restored historic passage that connects the Mabeyn area with the Harem-i Hümayun. The gallery, called the Mabeyn Yolu (Route) Tile Art Gallery, showcases the stylistic and technical evolution of Ottoman tile art from Iznik to Kütahya, displaying tiles that were previously kept in storage. National Palaces President Professor Yasin Yıldız announced that the project took nearly three years and includes tiles bearing the names of Ottoman sultans from Osman Gazi to Sultan Selim II, as well as couplets from the 11th-century poem "Qasida al-Munfarija."
A new museum called Pole Bitvy (Battlefield) has opened in the Russian-occupied Ukrainian city of Mariupol, glorifying Russia's full-scale invasion and linking it to the Soviet Union's victory in World War II. Russian officials, including senator Vladimir Yakushev and project head Sergei Ladochkin, presented the museum as a symbol of liberation from 'neo-Nazis,' while Ukrainian officials condemn it as an 'entertainment pavilion on bones' in a city where tens of thousands died during the 2022 siege.
Red Deer's First Fridays gallery openings for December 2025 feature multiple exhibitions across the city. The Red Deer Arts Council and Red Deer Public Library present “The Canadian Landscape Abstract Paintings” by John Bladek at Kiwanis Gallery (Dec. 2–Feb. 8, 2026), showcasing abstract interpretations of iconic Canadian scenes. The Red Deer Arts Council Community Gallery hosts the Mini Masters Year-End Fundraiser pop-up (Nov. 17–Jan. 5, 2026), selling small artworks to support local arts. At the Red Deer Museum + Art Gallery (MAG), Tim Smith's photography exhibition “In the world, but not of it. Hutterite” (Dec. 6–March 7, 2026) documents Hutterite communal life, while Bailey Horton's “UNHAMPERED” (Dec. 5–March 15, 2026) addresses food security through collaborative art. Curiosity Art & Framing presents “Winter's Gift” featuring works by Brenda Garrett, Larry Reese, and others.
UC Santa Barbara’s Art, Design & Architecture Museum presents the MFA Thesis Exhibition titled "it’s about time," featuring works by four graduating artists: Lucy Bell, Austin McCormick, Autumn Nicole, and Rose Schlossberg. The show runs from May 17 to June 1 and includes video, sculpture, painting, and immersive installation that examine the relationships between time, memory, and materiality. Curatorial text by doctoral student Kristin Yinger frames the exhibition as a parenthetical pause that contains the artists' experiences during the MFA program.
A new report commissioned by the grant-giving body Anonymous Was A Woman and authored by journalists Charlotte Burns and Julia Halperin reveals that museums and galleries are failing women artists, particularly those over 65. Based on a survey of 1,263 female artists (91% based in the US), the report finds that 63% cite a lack of museum backing and 59% cite a lack of gallery support as hindering their careers. As a result, 55% of all respondents are selling work independently, with women over 65 leading the way—59% have sold directly to collectors in the past five years. The report also highlights that female artists work 49 hours per week but spend only 38% of that time making art, with the rest consumed by administrative tasks and other paid work, and that art sales provide only 16-18% of household income.
京都芸術センター展覧会シリーズ「FOCUS」第6回 澤田華個展「まめによそ見する足」@ 京都芸術センター
The Kyoto Art Center has announced the sixth installment of its "FOCUS" exhibition series, featuring a solo exhibition by Kyoto-based artist Hana Sawada titled "Attentive Sideways Glances." Running from April to May 2026, the show highlights Sawada’s practice of deconstructing everyday actions through photography, video, and installation. Key works include a new entry in her "Floating Video" series, where she filmed the center’s grounds using only the light of a projector playing a zombie movie, and a new installation that translates visual observations into linguistic records.
Visual artist Aly Roshdy will open his solo exhibition "Inside Out" at Sofia Green Gallery in Sofia, Bulgaria, with a vernissage on May 7. The show runs through May 21 and features a series of paintings and collages inspired by the artist's travels, each depicting a specific place seen through a window. Roshdy describes the window as both a literal frame for observing different cultures and a symbolic lens for documenting his journeys, capturing moments of silence and contemplation.
The Korea Craft and Design Foundation (KCDF) announced the launch of its "2026 KCDF Craft and Design Open Call Exhibition" on April 27, selecting 10 emerging artists, 6 mid-career artists, and 3 groups through a professional review. The program opens with a solo exhibition by mid-career artist Seo Junghwa, titled "Ambiguity," featuring metal furniture that blurs boundaries between natural and artificial objects, running from April 29 to May 10 at KCDF Gallery. Additional window gallery shows include Jeon Young Eun's "Showcase of Extinction" (April 15–May 10) and Lee Hyungchan's "Supporting [ ]s" (May 13–June 7). Since 2018, the Foundation has supported 154 exhibitions through this initiative.
La MansA lance son magazine
La MansA – Maison des mondes africains has launched MansA Magazine, a bilingual (French/English) semiannual cultural publication. The magazine, available at newsstands, bookstores, and online, features essays, interviews, and portfolios focused on African and Afro-diasporic art scenes, adopting a critical and documentary approach. The cover of the inaugural issue features Guillaume Diop, the first Black male principal dancer at the Paris Opera.
Photographer David Bird has unveiled a new exhibition titled "Cold Water Swimmers" at the Royal Bournemouth Hospital’s Art Space gallery. The series features before-and-after portraits of local swimming groups, such as Beyond the Blue in Poole, capturing the physical and emotional transformation of participants who brave the sea at sunrise without wetsuits. The project was developed during Bird's recent MA in Photography at Arts University Bournemouth, marking a return to academia after a 30-year career in commercial and press photography.
The School of the Museum of Fine Arts at Tufts University (SMFA at Tufts) presents "Passages," the 2026 MFA Thesis Exhibition, on view from May 5 to 17 at Tufts University Art Galleries in Medford, Massachusetts. The show features thesis work by nineteen MFA candidates, exploring themes of journey, transition, and exploration across media including painting, sculpture, assemblage, and artists' books. Works incorporate found visa documents, portraiture, clay cities, and symbolic animals such as goldfish, black birds, and a dog-headed cynocephalus.
Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.
A traveling photojournalist, Ryan Vizzions, has halted his cross-country project to become the archivist and caretaker of a sprawling memorial for Renee Good, a poet and mother killed by federal immigration agents in Minneapolis. Vizzions is photographing, digitizing, and preserving hundreds of objects left at the site, storing fragile items in a secret location, and protecting the memorial from vandalism and the elements.
Pete Hegseth Goes to War With Press Photographers
Defense Secretary Pete Hegseth has banned press photographers from Pentagon briefings on the U.S.-Israeli military conflict with Iran. The reported reason for the ban is Hegseth's displeasure over "unflattering" photographs taken during a recent press address, with the Pentagon stating it will now release official photos online instead.
The Cedarburg Art Museum in Wisconsin has announced its summer exhibition lineup, running from April 30 through October 4. Featured shows include "Deeply Rooted: Small Family Farms," a photography exhibition by Cedarburg native Leslie Witte documenting life on her family’s farm; "This is Cedarburg," a display of landscape and plein air works from the museum’s permanent collection; the annual juried exhibition "America: A Wisconsin Perspective," showcasing artists from across the state; and outdoor sculptures by local artist Dan Grunst on the museum grounds.
The Mykolaiv Regional Art Museum in Ukraine has adapted to wartime conditions by evacuating part of its collection and packing remaining exhibits with available materials. A research tour offered a behind-the-scenes look at these efforts, as reported by NikVesti. The MyART platform is creating a digital collection of Mykolaiv's cultural heritage, involving the art museum, local history museum, naval museum, central library, observatory, and shipyard museum. The museum, founded in 1914 by Prince Mykola Hedroits, now operates from a building on Velyka Morska Street built in 1904, and staff continue to research its founder's history.
An exhibition titled '20 Years of Art Refuge 2006-2026' opens May 13th in London, celebrating two decades of the UK-registered charity Art Refuge. The show features photographs, maps, films, and objects documenting the charity's work with displaced people in Nepal, France, the UK, and elsewhere, including recent projects '24X24 DUNKERQUE' and 'MADE TOGETHER'. Visitors can also participate in pop-up versions of The Community Table, a creative psychosocial support initiative.
The article is about Reginald Sylvester II's exhibition titled "Until Then." The text is heavily corrupted and unreadable, but the title and source indicate it covers a show by this artist.
The University's art gallery at 41 Park Row hosted its Annual Art Student Exhibition from April 10 to April 25, 2026, featuring 75 student artists. Notable works include Kaitlin Espinal's painting "La Casa de Tia Lelia," inspired by her great aunt's house in the Dominican Republic; Jet Coyan's digital photography piece "Trauma Imposter" exploring depersonalization and anxiety; and Deilene Rodriguez's "Vino," which celebrates her Hispanic heritage through a wine-inspired composition. Students credited their professors, classmates, and the University's art classes for supporting their creative development.
A newly discovered 1931 newspaper article reveals that the renowned Korean artist Park Soo-keun (1914–1965) received early public recognition as a teenager in the Chosun Ilbo, which described him as the "only painter in Yanggu." The article traces his artistic journey from his first selection at the Chosun Art Exhibition in 1932 with his watercolor *Spring Arrives* to his later success in the 1950s and 1960s, including winning awards at the National Art Exhibition and being appointed a judge. It also notes that his painting *The Laundry Place* recently sold for 4.7 billion won, setting a record at a domestic art auction.
Acme Art Studios, a historic artist complex located at 711 N. Fifth Avenue in downtown Wilmington, North Carolina, has been listed for sale at $4.4 million. The article features a gallery of photographs documenting the studios over the years, showing artists such as Pam Toll, Michael Van Hout, Dumay Gorham, and Dick Roberts at work in their spaces, as well as scenes from events like the No Boundaries art exhibition and the Le Petit Atelier du Monde residency.
Belgian artist Jamz Jamezon presents 'Before Common Era' at Espaço JALI in Silves, Portugal, running until May 24. The exhibition features canvas paintings, wooden sculptures from salvaged materials, and reclaimed cardboard works, alongside a film documenting his murals. Jamezon, who began his career in graffiti in Ghent, now creates large-scale public murals in hospitals, schools, and care centers, aiming to bring calm and fantasy to intense environments. The venue, a former cork factory transformed by Marion Buz into a cultural center, also hosts a cork oak tree mural painted by the artist in its garden.
Akira Crosby, an artist from Cut Off, Louisiana, had her painting removed from a Houma art gallery in 2024 because it depicted menstrual blood as part of her feminist exhibit “Pieces of Me.” Months later, Kotex featured the same artwork in a documentary, bringing unexpected national attention to her work.