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The government of Belgium's Flanders region has reversed its controversial plan to close the M HKA contemporary art museum in Antwerp and transfer its collection to the SMAK museum in Ghent. Under a new plan called "M HKA 2.0," the museum will retain its collection, its museum status, and continue its programming, while SMAK will be operated by the regional government.
The Victoria and Albert Museum (V&A) in London has admitted to removing maps and images from two exhibition catalogs following censorship demands from a Chinese printing firm. Documents revealed that C&C Offset Printing flagged content in the catalogs for the exhibitions "Music Is Black" and "Fabergé: Romance to Revolution" as violating Chinese law. The censored items included a 1930s map of British trade routes and a photograph of Vladimir Lenin, which the printer claimed could not be produced under Beijing’s strict regulations.
The Smithsonian Institution faces a deadline to submit internal communications and exhibition materials to the White House as part of President Donald Trump's review aimed at eliminating so-called 'woke' ideology. Smithsonian Secretary Lonnie G. Bunch III has begun turning over documents from several galleries on a rolling basis, and the National Portrait Gallery has already complied by replacing Trump's portrait with a new photograph and removing mentions of his two impeachment trials from the wall text. The review, launched in August 2025, targets eight museums including the National Museum of African American History and Culture and the Hirshhorn Museum, following an April executive order titled 'Restoring Truth and Sanity to American History.'
A group of arts professionals, including art historian Konstantin Akinsha and Francesca Thyssen Bornemisza, has published an open letter in Le Monde calling for the International Council of Museums (ICOM) to expel Russia for violating its code of ethics. The group threatens to take ICOM to court in France if it fails to act, citing Russia's systematic erasure of Ukraine's cultural identity since the 2022 invasion, including looting of museum collections and destruction of cultural sites documented by UNESCO. Signatories demand the exclusion of ICOM Russia and Russian museum staff involved in looting, and seek either negotiation or legal proceedings in a French court.
More than 200 international scholars and cultural heritage professionals have signed a joint statement condemning the United States and Israel for inflicting "irreversible damage" on Iran’s cultural heritage. The group, which includes academics from leading global institutions, alleges that recent military strikes have damaged over 130 UNESCO-registered monuments and museums, including the Senate Palace in Tehran and sites in Isfahan. They argue these actions violate the 1954 Hague Convention and criticize international bodies like UNESCO for failing to issue a sufficiently forceful response.
Two letter writers to The Guardian criticize the UK government's arts funding imbalance, highlighting that London receives disproportionate investment compared to northern England. Christine Baranski points out that £135m was spent on the V&A East in London while the Tate in Liverpool has been closed for over two years and the Albert Docks cultural area appears neglected. Sharon Maher notes that Arts Council spending is roughly £57 per Londoner versus £28 per person in the north, and argues that future national museum outposts should be located in the north.
The Pritzker Architecture Prize has issued a formal statement defending its selection process following the release of legal documents detailing past ties between foundation director Tom Pritzker and Jeffrey Epstein. The Hyatt Foundation, which sponsors the prestigious award, emphasized that its jury operates with complete independence and remains focused on architectural excellence despite the controversy surrounding Pritzker’s previous association with the disgraced financier.
The Trump administration has threatened to withhold funding from the Smithsonian Institution, accusing it of failing to comply with a content review demanded by the White House. In an email obtained by the Washington Post, budget director Russell Vought and Domestic Policy Council director Vince Haley alleged that the Smithsonian had not turned over all requested documents and exhibition materials, citing a prior executive order in which President Trump claimed the institution promoted “corrosive ideology” by portraying the U.S. as inherently racist. Smithsonian secretary Lonnie G. Bunch III defended the network’s independence, stating it remains committed to sharing information but that a government shutdown had slowed efforts. The administration set a January 13 deadline for full compliance, specifically targeting programming for America’s 250th anniversary.
The White House has launched a comprehensive internal review of the Smithsonian Institution, targeting eight of its museums including the National Museum of American History, National Museum of African American History and Culture, and the Hirshhorn Museum. A letter signed by senior White House officials Lindsey Halligan, Vince Haley, and Russ Vought demands extensive documentation, curatorial materials, and exhibition schedules within 30-, 75-, and 120-day deadlines, with the stated goal of aligning programming with President Donald Trump's directive to "celebrate American exceptionalism" and remove "divisive or partisan narratives." The review follows Trump's March executive order reshaping the Smithsonian, which had already led to the resignation of National Portrait Gallery director Kim Sajet and the cancellation of artist Amy Sherald's traveling exhibition after the museum allegedly sought to remove her painting of a non-binary transgender person.
A new European Union law, Regulation 2019/880, aimed at preventing the sale of looted antiquities, is set to go into effect on June 28. The law imposes heightened due diligence requirements on anyone importing cultural goods from outside the EU, including fine arts, antiquities, and decorative arts. It categorizes cultural goods into three groups, with the strictest rules for archaeological items over 250 years old, which require an import license and proof of legal export. Non-compliance could lead to seizures or criminal consequences for art dealers, collectors, and professionals. While there is a partial exemption for temporary exhibitions, it primarily benefits museums outside the EU, leaving private collectors without the same protections.
The Trump administration has launched a campaign targeting Smithsonian museums, accusing them of promoting an "anti-American agenda" through exhibits that focus on oppression rather than national achievements. A White House document, obtained by the Guardian, lists problematic exhibits at seven museums, including a Benjamin Franklin display linking his scientific work to slave ownership and a film about George Floyd's murder. The administration has demanded content corrections and threatened to remove what it calls "woke" ideology from the institution.
A major corporate sponsor, PwC, has withdrawn from the 25th Sydney Biennale following a police complaint alleging antisemitic hate speech by a participating DJ. The NSW Jewish Board of Deputies filed the complaint against US electronic music producer Zubeyda Muzeyyen (DJ Haram) over comments made during the opening night party, which the Board claims incited hatred against Jewish Australians.
The European Union's Regulation 2019/880, aimed at combating illicit trafficking and terrorism, will take effect on June 28, imposing stricter import controls on antiquities and artworks over 200 years old and valued above €18,000 ($19,500). The regulation requires importers to provide evidence that an object was lawfully exported from its country of origin, even for items exported decades ago when such documentation was not required. This reverses the presumption of innocence, placing the burden of proof on importers. Dealers and experts express concern that the rules are not based on market realities, as importers must be registered within the E.U., forcing non-E.U. dealers to rely on third-party agents or shippers. The regulation also poses challenges for ancient objects, where borders and export controls may be historically ambiguous.
Was darf die Kunst?
German Minister of State for Culture Wolfram Weimer has sparked a heated debate over artistic freedom after excluding three bookstores from the German Bookstore Prize due to undisclosed intelligence reports. The controversy has escalated into a broader confrontation with cultural institutions, highlighted by the Berlin Volksbühne's public criticism and Weimer's subsequent refusal to participate in a scheduled panel discussion. This incident follows a string of high-profile disputes regarding political expression in the arts, particularly concerning the Berlinale and documenta fifteen.
Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.
A new survey from the American Alliance of Museums (AAM) reveals that one-third of American museums have lost government grants and contracts since President Donald Trump took office. Based on responses from 511 museum directors, the report documents funding cuts from federal agencies including the Institute of Museum and Library Services (IMLS), the National Endowment for the Humanities (NEH), and the National Endowment for the Arts (NEA). These losses have forced museums to defer infrastructure improvements, cancel programming for underserved communities, and lay off staff. Some institutions have taken legal action, and a court ruling in May halted further dismantling of the IMLS. The Mellon Foundation has offered emergency grants, but two-thirds of surveyed museums have been unable to replace lost funding, with a median grant loss of $30,000.
Tate Liverpool has received a £12m grant from the UK government's Public Bodies Infrastructure Fund, bringing the Department of Culture, Media and Sport's total contribution to the gallery's redevelopment to £18.6m. The funding, combined with additional philanthropic donations from the Garfield Weston Foundation (£3m), the Wolfson Foundation (£1.25m), and the Ross Warburton Charitable Trust, plus a £10m award from the Ministry of Housing, Communities and Local Government, has raised a minimum of £32.85m toward the project, now costed at £35m. The gallery, closed since October 2023, had postponed its planned 2025 reopening to 2027 due to fundraising difficulties.
Italian Culture Minister Alessandro Giuli has launched an official inspection of the Russian Pavilion at the 61st Venice Biennale, just days before the exhibition opens. An inspector has been sent to Venice to review all documentation related to Russia's participation, focusing on potential irregularities such as visa issues for Russian artists and delegation members. The investigation follows the Biennale's international jury decision to exclude Russia and Israel from awards due to accusations of crimes against humanity. The Russian Pavilion will be open only during the pre-opening vernissage, after which it will close, with digital documentation displayed in its windows.
Plans to convert Belgrade's historic Generalštab complex, a former Yugoslav military headquarters and landmark of postwar Modernism, into a Trump International Hotel have collapsed. The developer, Affinity Global Development, withdrew from the deal after Serbia's culture minister and three senior heritage officials were indicted on charges of abuse of office and falsifying documents related to the project.
President Donald Trump issued an executive order directing the Smithsonian Institution to be purged of "divisive, race-centered ideology." The order tasks Vice President J.D. Vance and Secretary of the Interior Doug Burgum with overseeing the review of the Smithsonian's 21 museums, the National Zoo, and other sites. However, the article focuses on Lindsey Halligan, a former property lawyer from Fort Lauderdale, who is named twice in the order as the only individual specifically charged with co-piloting the initiative alongside Vance. Halligan, a former Trump legal team member involved in the Mar-a-Lago classified documents case and a defamation lawsuit against CNN, has a background in property law and little public record on cultural or historical matters.
Germany's culture minister Monika Grütters has released a 130-page code of conduct for museums, titled "Guide to Dealing With Collection Goods From Colonial Contexts," which outlines methods for identifying and confronting colonial-era artifacts in German collections. The guidelines, published by the German Association of Museums, include best practices for provenance research, a list of former and current colonies, and alternatives to full restitution such as long-term loans and joint custody agreements. The release coincides with the Prussian Cultural Heritage Foundation's official ceremony returning nine artifacts to Indigenous Alaskan communities, and follows increased pressure from public outcry over the Humboldt Forum and similar restitution efforts by French president Emmanuel Macron.
Wiltshire Council has launched a public consultation on a new planning document aimed at protecting Stonehenge from future development, less than a year after the controversial A303 tunnel project was canceled. The draft supplementary planning document, created with input from Historic England, the National Trust, and the English Heritage Trust, will guide decisions regarding the Stonehenge and Avebury World Heritage Site, with a public comment deadline of June 17 and potential adoption in October 2025.
A new European Union regulation, Regulation (EU) 2019/880, will take effect on June 28, requiring thorough provenance documentation for cultural objects over 200 years old (or 250 for archaeological items) imported into the EU. Importers must provide material evidence proving lawful acquisition from the country of origin, including the object's origin, export date, and chain of ownership, or face potential seizure. The rule builds on a 2019 anti-trafficking law and has sparked concern among EU-based dealers, who warn it could stifle the market for antiquities and non-European art.
The Bangkok Art and Culture Center (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese Embassy in Thailand. Works by artists from Hong Kong, Tibet, and the Uyghur diaspora were blacked out or removed to avoid 'diplomatic tensions between Thailand and China.' The curators fled the country after Chinese officials and Thai police visited the museum. Affected artists include Doc Tenzin, Mukaddas Mijit, Clara Cheung, and Gun Cheng Yee Man, whose names were blacked out, along with Tibetan and Uyghur flags and a graphic comparing China to Israel.
The University of Kentucky Art Museum has received a $38,000 Curatorial Research Fellowship Grant from the Andy Warhol Foundation for the Visual Arts. The grant will fund research on two African American photographers, Maurice W. Strider and William S. Dotson, who documented the Civil Rights Movement in Lexington during the mid-twentieth century. Curator Rachel Hooper will lead the research for a planned 2029 exhibition.
A collective of volunteers and historians, operating under the name Citizen Historians for the Smithsonian, has documented over 50,000 wall labels across the Smithsonian Institution's 21 museums. This grassroots effort was launched in response to the Trump administration's directives to review and remove what it deems "divisive narratives" or "improper ideology" from federal cultural institutions. The tension escalated at the National Portrait Gallery when a label for Donald Trump’s portrait was edited to remove references to his two impeachments, leading to a "guerrilla teaching" protest by Georgetown historian James Millward.
The University of Leicester has updated its guidance on trans-inclusivity for museums and galleries, despite facing litigation threats from the campaign group Freedom in the Arts (FITA). The 44-page document, originally published two years ago by the university’s Research Center for Museums and Galleries (RCMG), offers a framework for creating inclusive public spaces and workplaces, addressing legal and ethical questions about trans inclusion. FITA sent two letters threatening legal action, arguing the guidance is “misleading” and “unlawful,” particularly objecting to bathroom etiquette that states trans visitors should use the bathroom they feel most comfortable using. The university is reviewing the latest correspondence and declined further comment.
Iranian archaeologists Sepideh Maziar and Mehrnoush Soroush have launched an interactive online map to document and geolocate cultural heritage sites in Iran damaged by military strikes. The map, hosted by the University of Chicago's CAMEL Lab, currently lists 69 verified sites, including the historic Sa'dabad Palace complex in Tehran, and is updated as new information becomes available.
Following the UK Supreme Court's 16 April ruling that the terms "woman" and "sex" in the Equality Act refer only to biological sex, UK museums are publicly reaffirming their support for transgender communities. The Museum of Transology, which houses the world's largest collection of trans, non-binary, and intersex artefacts, had recently marked its tenth anniversary with the exhibition Transcestry at Central Saint Martins' Lethaby Gallery. Smaller institutions like London's Vagina Museum quickly posted statements of solidarity, while larger bodies such as Arts Council England await a revised code of practice from the Equality and Human Rights Commission.
The Working Arts Club (WAC), a London-based organization supporting art professionals from lower socio-economic backgrounds, is expanding to northern England. Its new chapter will launch in Manchester on March 24, with plans for regional programming and online events. Founder Meg Molloy emphasizes that class barriers in the art world are systemic, not confined to London.