Jasper Johns Keeps Looking

Jasper Johns’s latest exhibition at Gagosian, 'Between the Clock and the Bed,' serves as a profound meditation on the artist's career-long investigation into the 'things the mind already knows.' By revisiting his signature motifs—including flags, targets, and crosshatch patterns—the show highlights Johns’s rejection of Abstract Expressionist spontaneity in favor of a deliberate, analytical process using encaustic and collage. The works document a transformation where familiar symbols are rendered into a complex visual language that bridges the gap between memory and physical presence.

Joseph Grigely's 'Otherhow' Primary Information on Disability Arts and Being Deaf

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Artist and writer Joseph Grigely has published a new essay collection, 'Otherhow: Essays and Documents on Art and Disability 1985–2024.' The book compiles decades of his work, blending art, autobiography, and advocacy through ephemera like postcards, emails, and legal documents to chronicle his experiences navigating the art world as a deaf man.

10 Art Books for Your Spring Reading List

Hyperallergic has published a curated list of ten art books recommended for spring reading. The selection emphasizes historical retellings through an artistic lens, featuring works such as a memoir by activist-artist Susan Simensky Bietila, a chronicle of the Jewish Bund by Molly Crabapple, and the first major catalog on artist Theresa Hak Kyung Cha in 25 years. The list also includes exhibition catalogs like "Chicano Camera Culture" and a monograph on painter Ewa Juszkiewicz.

Dean Sameshima review – did the neighbours really not know? The extreme LA sex clubs hidden in plain sight

A new exhibition at Soft Opening in London presents Dean Sameshima's "Wonderland" series, photographs taken in the mid-1990s that document the exteriors of queer sex clubs and bathhouses in Los Angeles's Silver Lake neighborhood. The images, shot in a stark, formal style during daylight, capture the unremarkable facades of these clandestine spaces, with only descriptive titles hinting at the activities within.

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Joseph Beuys remains one of the most polarizing figures in 20th-century art, a former Nazi soldier who reinvented himself as a shamanic healer and a founding member of the Green Party. A new monographic study by art historian Daniel Spaulding, 'Joseph Beuys and History', re-evaluates the artist's legacy by confronting his refusal to apologize for his wartime past and his use of ambiguous materials like fat and felt. Spaulding argues that Beuys’s work should be read through the lens of 'bad faith,' where his utopian slogans masked a deep, unresolved engagement with the horrors of the Holocaust.

future of the art world andras szanto review 1234757915

András Szántó has published the third volume of his trilogy on the future of museums and the art world, titled "The Future of the Art World." The book compiles 38 interviews conducted between April 2024 and June 2025 with a wide range of art-world stakeholders, including artists, curators, collectors, dealers, auctioneers, art fair directors, sociologists, philosophers, and policymakers. Unlike his previous books, which focused on museum directors and architects, this volume gives significant voice to artists, who offer provocative critiques and predictions about the future of museums, art education, and digital art.

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David Hammons has released a "post-exhibition catalogue" through Hauser & Wirth Publishers, six years after his 2019 survey at the gallery's Downtown Los Angeles location. The 12-by-12-inch, nearly 7-pound volume contains hundreds of images—installation shots, artwork reproductions, and ephemera—but no text whatsoever: no table of contents, essays, titles, dates, or page numbers. The book functions more as an artist's book than a traditional exhibition catalog, presenting Hammons's work in a raw, unapologetic sequence that resists scholarly interpretation.

Devin Troy Strother at ArtCenter

The article is a table of contents for Issue 42 of Contemporary Art Review LA, which includes a review of an exhibition by artist Devin Troy Strother at ArtCenter. The review, written by Janelle Zara, is listed among other reviews, interviews, and features in the publication's November 2025 issue.

Notes from New York: Rotting Meat

Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'

Marie Zolamian’s Paintings Remain Little Mysteries

A retrospective of Tracey Emin's work at Tate Modern reveals how her art, frequently interpreted as raw personal confession, is deeply intertwined with the broader cultural and social forces of her time. The review argues that her oeuvre serves as a witness to a specific era, moving beyond purely autobiographical readings to reflect wider societal currents.

Joachim Trier on the Art of Calculated Chaos

A major retrospective of Tracey Emin's work has opened at Tate Modern in London. The exhibition presents a comprehensive overview of the artist's career, featuring her confessional and often provocative works that have defined her public persona.

Hans Holbein Painted the Human

A new book, 'Holbein: Renaissance Master' by Elizabeth Goldring, published by Yale University Press and the Paul Mellon Centre, offers a comprehensive scholarly examination of the 16th-century German painter Hans Holbein the Younger. The review focuses on Holbein's masterful portraiture, particularly his depictions of opposing Tudor-era figures like Sir Thomas More and Thomas Cromwell, which are highlighted as embodying the era's complex political and religious tensions through their visual presentation at the Frick Collection in New York.

mierle laderman ukeles maintenance artist documentary review 1234746471

A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival. The film chronicles the career of Mierle Laderman Ukeles, who coined the term "Maintenance Art" in a 1969 manifesto to elevate everyday domestic and civic labor into art. It follows her decades-long collaborations with New York City agencies, including her seminal "Touch Sanitation Performance" (1979–80) with the NYC Department of Sanitation, and her ongoing struggle to realize the installation "Landing: Cantilevered Overlook" (2008) at Freshkills Park. The documentary weaves together archival footage, interviews, and analysis of second-wave feminism, conceptual art, and urban bureaucracy.

Theresa Hak Kyung Cha Made Human Again

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.

Chobi Mela XI Review: Can We Start Over?

The 11th edition of the Chobi Mela photography festival has opened in Dhaka, Bangladesh, under the curatorial direction of artists Munem Wasif and Sarker Protick. With the theme 'Re,' the festival presents work from 58 artists across nine exhibitions, aiming to explore renewal and tenacity in lens-based storytelling following the disruptions of the COVID-19 pandemic and the July 2024 uprising.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

The Mysterious Life of Fluxus Dame Alison Knowles

A new book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by art historian Nicole L. Woods, is the first major study of the late Fluxus artist Alison Knowles, who died last fall at age 92. The book focuses on the first two decades of her career (1958–1975), analyzing key works such as her 1962 performance "Proposition #2: Make a Salad" at London's Institute of Contemporary Arts, and her shift from painting to experimental, ephemeral art after being exiled to a basement by Josef Albers at Syracuse University.

The Fantasy of the Femme Fatale

Le fantasme de la femme fatale

A documentary titled "Le fantasme de la femme fatale" (The Fantasy of the Femme Fatale), directed by Susanne Brand, is available on Arte.tv. The film traces the visual history of the femme fatale, a seductive and dangerous figure prevalent in centuries of figurative painting by male artists like Gustave Moreau and Franz Von Stuck, often depicted as Salome or languid nymphs.

All and Nothing review – inspiring tale of the Chinese artist who cultivated a grassroots scene in Cumbria

A new documentary film, 'All and Nothing,' profiles the life and legacy of Chinese artist Li Yuan-chia, who founded the influential LYC Museum and Art Gallery in rural Cumbria, England, in 1972. The film, directed by Liao I-ling and Chu Po-ying, uses his abstract art and archival materials to trace his journey from China and Taiwan to Italy and London, before he settled in Brampton.

Manet Under the Magnifying Glass

Manet à la loupe

A new documentary film titled 'Le Monde dans un tableau : les lampes de Manet' offers a detailed investigation into Édouard Manet's final major painting, 'Un bar aux Folies Bergère'. The film features an eclectic mix of interviewees, from a Folies Bergère lighting technician to a Shintō monk and a Tokyo print editor, weaving together art history and broader historical context around the iconic work.

A Drama of Two Masters

A new documentary film titled "Turner & Constable" attempts to dramatize the artistic rivalry between the two iconic British landscape painters, J.M.W. Turner and John Constable. The film is based on a recent exhibition of the same name at Tate Britain in London.

Holbein biography interrogates the artist's life and work from a different angle

Elizabeth Goldring’s new biography of Hans Holbein the Younger takes a documentary-focused approach, prioritizing archival evidence over visual analysis. The book examines Holbein’s life (1497/8–1543) through chronological chapters, using inventories, correspondence, and other records to correct long-held assumptions and propose new theories about his work. Goldring’s detective work includes identifying the green curtain in Holbein’s portrait of Sir Thomas More as a reference to the sitter’s role as chancellor of the Duchy of Lancaster, and suggesting that a lost painting of the More family was given to Erasmus as a gift.

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.

‘Jimmy & the Demons’ Review

A new documentary film by Cindy Meehl, titled 'Jimmy & the Demons,' profiles the life and work of artist James Grashow. The film explores his whimsical yet profound sculptural practice and delves into the dynamics of his long-lasting marriage, offering an intimate portrait of the artist's personal and creative world.

A Palestinian-American Photographer’s Intimate Gaze

Photographer Dean Majd presents his solo debut exhibition, "Hard Feelings," at BAXTER ST at the Camera Club of New York. The show compiles a decade of intimate photographs documenting his inner circle of skateboarders and graffiti writers in Queens, a community he joined after the death of his childhood friend James. The work captures communal joys, rites of passage, and the dangers of their lifestyle, while also serving as a dedication to his friend Suba, who died from an accidental overdose in 2020.