Venice Biennale curatorial team reveal how they are bringing the late Koyo Kouoh's vision to life

The curatorial team for the 61st Venice Biennale has unveiled the details for the 2026 exhibition, titled "In Minor Keys." The project follows the vision of the late Koyo Kouoh, the first African woman appointed to curate the Biennale, who passed away in May 2024. The exhibition will feature 111 artists and collectives, with a significant focus on the Global South and themes such as Shrines, Schools, and the Creole Garden. The team emphasized that the show is designed as a "collective score" rather than a traditional commentary on world events, prioritizing spiritual rest and radical social connection.

A selective history of the moving image comes to downtown Los Angeles

The Julia Stoschek Foundation has launched its first major U.S. exhibition at the historic Variety Arts Theater in downtown Los Angeles. Curated by Udo Kittelmann, the show features over 40 time-based works ranging from early cinematic pioneers like Georges Méliès and Alice Guy-Blaché to contemporary icons such as Arthur Jafa and Doug Aitken. The exhibition utilizes the labyrinthine spaces of the 1924 Italianate theater to create a dialogue between the history of Hollywood and the evolution of media art.

MUNCH presents Kim Hankyul’s Shore, a new SOLO OSLO exhibition

South Korean artist Kim Hankyul has unveiled a major immersive installation titled 'Shore' at MUNCH in Oslo. The exhibition, which serves as the fifth edition of the museum’s SOLO OSLO series, features a subaquatic landscape constructed from motorized sculptures, holograms, and Foley-inspired soundscapes. Hankyul’s work draws on the personal testimonies of North Korean defectors, female free divers, and rescue teams to explore the ocean as a site of both survival and memory for those marginalized by land-based social structures.

New documentary provides an inside look at the Harlem Renaissance

A new documentary, *Once Upon a Time in Harlem*, is screening at the Sundance Film Festival in Utah, offering an intimate look at the Harlem Renaissance. The film is assembled from 28 hours of 16mm footage shot in 1972 by the late filmmaker William Greaves at Duke Ellington's home in Harlem, capturing a gathering of key figures from the movement. Greaves's son David, who was one of the original cameramen, completed the film after his father's death. The footage includes interviews and reflections from artists, writers, musicians, and activists such as Romare Bearden, Aaron Douglas, James Van Der Zee, Eubie Blake, and Arna Bontemps.

Amoako Boafo solo exhibition to open in Venice during 2026 Biennale

Ghanaian artist Amoako Boafo will open his first solo exhibition in Italy at the Museo di Palazzo Grimani in Venice this spring, timed to coincide with the 61st Venice Biennale (9 May–22 November 2026). The show, co-organized by Gagosian Gallery, will feature new and recent works inspired by the Renaissance atmosphere of the palazzo and the Venetian portrait tradition. Boafo is creating a series of new pieces specifically for the exhibition, directly referencing the historical context and unique architecture of the museum.

Kochi Biennale co-founder Bose Krishnamachari steps down as president

Bose Krishnamachari, co-founder of the Kochi-Muziris Biennale in India, has stepped down as president of the Kochi Biennale Foundation and as a board trustee after 14 years, citing pressing family reasons. His departure will not affect the ongoing sixth edition, titled "For the Time Being," which opened last month and runs until March 31. Krishnamachari founded the biennial in 2012 in Fort Kochi, Kerala, alongside fellow artist Riyas Komu, who left in 2018 amid sexual harassment allegations.

Model masterpieces by Eduardo Paolozzi to be auctioned this week

Several works by Scottish-Italian artist Eduardo Paolozzi, gifted to his longtime collaborator and model maker Ray Hardinge Campbell Watson, are being auctioned at Lyon & Turnbull in Edinburgh. The collection includes a bronze statue titled *Hermes/Mondrian Head – 1996* (estimate £10,000–£15,000), along with plaster sculptures, prints, and folio sets, many bearing personal inscriptions. The sale reflects a creative partnership that spanned over thirty years, during which Paolozzi and Watson collaborated on major projects such as the Tottenham Court Road murals for London Underground and a Pizza Express mural in the late 1960s.

‘Hippopotame Bar’ Shatters Design Auction Records, Sells for $31.4 Million

François-Xavier Lalanne's 1976 'Hippopotame Bar,' a whimsical copper, steel, and wood cabinet shaped like a hippopotamus with hidden compartments, sold for $31.4 million at a Sotheby's auction on December 10, 2025. Originally commissioned by the late oil heiress and philanthropist Anne Schlumberger, the piece sparked a 26-minute bidding war that far exceeded its $7–10 million estimate, making it the most valuable design object ever sold at auction and shattering Lalanne's previous auction record.

Philadelphia Art Museum Announces 2026 Exhibitions

The Philadelphia Art Museum has announced its slate of exhibitions for 2026, prominently featuring Marcel Duchamp's iconic mixed-media work "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . ), 1946-1966." The announcement includes details about the work's complex media assemblage and its acquisition history as a gift from the Cassandra Foundation in 1969.

Comrades in art: meet the artists who fought against fascism

Andy Friend's book "Comrades in Art" chronicles the founding and first decade of the Artists International Association (AIA), a radical union of artists established in London in the 1930s. The AIA, born from a belief in art's power to revolutionize society, grew from a small group of mostly underemployed communist-affiliated commercial artists into a popular front against fascism and war, eventually including over 1,000 members such as Henry Moore and Paul Nash. The book focuses on lesser-known figures like Felicia Browne, the first British female combatant killed in the Spanish Civil War.

What’s new this season at Stanford art museums

Stanford University's Cantor Arts Center and the Anderson Collection are opening a diverse slate of exhibitions for fall and winter. Highlights include "Shahzia Sikander: Collective Behavior," the first major solo show of the museum's Asian American Art Initiative, featuring 44 works spanning the Pakistani-American artist's 30-year career, including mosaics, paintings, sculptures, and a digital animation. The Anderson Collection presents Alteronce Gumby's first West Coast museum exhibition, showcasing nine mixed-media works that use paint, glass, and semi-precious stones to create cosmic perspectives. Other shows include "Edmonia Lewis: Indelible Impressions" and "Cunning Folk: Witchcraft, Magic and Occult Knowledge."

Ruin and beauty loom 30 feet over museum visitors at new St. Louis Art Museum exhibition

The St. Louis Art Museum has opened "Anselm Kiefer: Becoming the Sea," the first American survey of the German-born artist's work in 20 years. The exhibition features five monumental 30-foot-tall paintings, including the 2024 work "Lumpeguin, Cigwe, Animiki," inspired by Kiefer's 1991 visit to St. Louis and his memories of the Mississippi River. Museum Director Min Jung Kim curated the show, which explores Kiefer's signature use of texture, sculpture techniques, and themes of ruin and resurrection.

We All Know Grandma Moses, Right? But Not Fully, It Seems

A New York Times article reexamines the life and legacy of the beloved American folk artist Grandma Moses (Anna Mary Robertson Moses), suggesting that the public's understanding of her is incomplete. It delves into lesser-known aspects of her biography and artistic practice, challenging the simplistic, sentimental image often associated with her work.

We All Know Grandma Moses, Right? But Not Fully, It Seems

A New York Times article reexamines the life and legacy of the beloved American folk artist Grandma Moses, revealing lesser-known aspects of her career and personal history. It highlights how her work, often dismissed as quaint or simplistic, was shaped by a complex relationship with the art market and her own strategic self-presentation.

In pictures: p(art)y people at the Frieze London VIP preview

Celebrities and art world figures gathered at Regent’s Park in London for the VIP preview of Frieze London 2025. The event featured appearances by arts broadcaster Kate Bryan, artists Young In Hong, Kimsooja, David Shrigley, Thomas J Price, Elsa James, Larry Achiampong, Michael Landy, Gillian Wearing, and Ryan Gander, alongside curator Fatoş Üstek, curator Zoé Whitley, architect Kulapat Yantrasast, model Claudia Schiffer, and musician Neil Tennant. Photographs by David Owens captured the scene.

In pictures: p(art)y people at the Frieze London VIP preview

Celebrities and art world figures gathered at Regent’s Park in London for the VIP preview of Frieze London 2025. The event featured appearances by arts broadcaster Kate Bryan, artists Young In Hong, Kimsooja, David Shrigley, Thomas J Price, Elsa James, Larry Achiampong, Michael Landy, Gillian Wearing, and Ryan Gander, alongside curator Fatoş Üstek, curator Zoé Whitley, architect Kulapat Yantrasast, model Claudia Schiffer, and musician Neil Tennant. Photographs by David Owens captured the scene.

Glimpsing the future: William Kentridge opera has its New York premiere in Brooklyn

William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere this week at Powerhouse Arts in Brooklyn, as part of the inaugural Powerhouse: International arts festival. The opera, which won an Olivier Award in 2023, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and incorporates Kentridge's animated ink drawings, collages, text projections, and sculptures. Inspired by the Cumaean Sibyl of ancient legend, the work explores themes of fate and uncertainty, with paper leaves from texts like Dante's *Divine Comedy* symbolically blowing through the action. The production was originally commissioned by the Rome Opera as a companion piece to Alexander Calder's 1968 *Work in Progress*.

The New Entrance of the Louvre

La nouvelle entrée du Louvre

The article, titled "La nouvelle entrée du Louvre," reports on the upcoming redesign of the main entrance to the Louvre Museum in Paris. It also covers several other art-world stories: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, the troubled Musée des Tissus project, and Art Brussels adapting to contemporary trends.

In Venice, the Wagner Museum changes status

À Venise, le Musée Wagner change de statut

The Wagner Museum in Venice, currently a discreet institution housed within the Casino di Venezia in the Ca' Vendramin Calergi palace on the Grand Canal, is set to join the network of the Fondazione dei Musei Civici di Venezia (MUVE) by 2027. An agreement signed in March 2025, after thirty years of discussions, between MUVE, the Casino, and the Richard Wagner Association will make the museum the fourteenth institution under MUVE's management, alongside the Museo Correr, Ca' Pesaro, and the Museo Fortuny. The museum, established in 1995 in the rooms where Richard Wagner stayed and died in 1883, holds significant collections including the Josef Lienhart and Walter Just collections, making it one of the most important private Wagnerian collections outside Bayreuth, Germany.

Reopening of the Catacombs

Réouverture des Catacombes

The Catacombs of Paris have officially reopened to the public following a five-month renovation project. These extensive works were primarily focused on upgrading the site's infrastructure to enhance the overall visitor experience and improve the flow of traffic through the historic underground ossuary.

Vittoria Matarrese new director of the Magasin in Grenoble

Vittoria Matarrese nouvelle directrice du Magasin de Grenoble

Vittoria Matarrese has been appointed as the new director of the Magasin, the National Center for Contemporary Art in Grenoble. The Italian architect and curator, who previously held positions at the Villa Medici in Rome, the Palais de Tokyo in Paris, and the Bally Foundation in Lugano, and most recently led the first Art Week Riyadh, succeeds Céline Kopp. Her appointment comes as the institution seeks a new direction after a prolonged period of crisis.

Lauren Laz Appointed to the Works Department of the Beaux-Arts de Paris

Lauren Laz nommée au département des œuvres des Beaux-Arts de Paris

Lauren Laz, a 47-year-old art historian specializing in prints and director of the Musée Angladon in Avignon since 2015, has been appointed director of the collections department at the Beaux-Arts de Paris. She succeeds Kathy Alliou in overseeing the school's vast holdings of nearly 450,000 works and volumes, which carry the prestigious "Musée de France" designation.

Nobody Can Defeat Me: The Brazilian Pavilion in Venice Between Spirituality, History and Nature

NOBODY CAN DEFEAT ME THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY HISTORY AND NATURE

The Fundação Bienal de São Paulo has revealed the curatorial project for the Brazilian Pavilion at the 61st Venice Biennale in 2026. Titled 'Comigo ninguém pode' (Nobody Can Defeat Me), the exhibition is curated by Diane Lima and features a major two-person presentation of artists Rosana Paulino and Adriana Varejão, who will occupy the entire pavilion with an installation-based project designed by Daniela Thomas.

A JOURNEY THROUGH LATIN AMERICAN PHOTOGRAPHY AND A REFLECTION ON THE ROLE OF COLLECTING

The Miraflores Palace of Arts (PLAM) in Lima is hosting "A Collection Is a Desire," a major exhibition featuring over 100 works from the Jan Mulder Collection. This presentation is an expanded version of a landmark 2012 showcase at the Rencontres d'Arles, which was the first time a private Latin American photography collection was featured at the prestigious French festival. The exhibition includes works by iconic figures such as Martín Chambi, Graciela Iturbide, and Vik Muñiz, spanning various periods and geographical contexts.

THE WIND AS PROTAGONIST AT THE FINLAND PAVILION

Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.

GARAICOA AND IBARRA FEATURED IN CAAM S INAUGURAL GROUP SHOW

The Centro Atlántico de Arte Moderno (CAAM) in Gran Canaria has opened a new group exhibition titled 'Construyendo Colección. Últimas adquisiciones,' featuring five recently acquired works. The show highlights pieces by artists Carlos Garaicoa and Karlo Andrei Ibarra, as well as Canarian artists Esther Aldaz, Teresa Arozena, and Yapci Ramos, presenting a mix of photography, sculpture, and site-specific installation.

New art exhibition to open at town gallery

A new solo exhibition titled 'Make Light of It' by artist Anna Simmons opens at The Little Gallery in Marlborough. The show features oil paintings depicting bus stops and escalators, focusing on the interplay of light and darkness in everyday urban settings.

Enzo fair is fun and fee-free

The inaugural Enzo art fair has launched in Echo Park, Los Angeles, featuring nine galleries primarily from New York’s Chinatown and Lower East Side. Founded by collector R Parmar at Alabaster Projects, the fair operates on a unique fee-free model for exhibitors and visitors alike, removing the traditional financial barriers of booth fees and wall build-outs. The opening saw a vibrant atmosphere with works ranging from Peggy Chiang’s suspended sculptures to Radek Szlaga’s textile installations.

This art exhibition in Delhi evokes nostalgia around the houses we once lived in

An exhibition titled 'Houses I Almost Lived In' is currently on view at Latitude 28 gallery in Delhi's Defence Colony, running until May 25. The show brings together works by five artists—Shalina Vichitra, Pooja Iranna, Raj Jariwala, Samit Das, and Mahen Perera—who explore how architecture, memory, and belonging intertwine. Through layered cartographies, cement grids, stitched forms, and material fragments, the artists evoke nostalgia for the houses and spaces we once inhabited, examining how physical structures persist in personal and collective memory long after they vanish.

Maine Gallery Adds New Artists For 2026 Season

Maine Art Collective's (MAC) Gallery in Portland, Maine, has added five new artists to its roster for the 2026 season: Ann Tracy, Bill Elinoff, Sheri Oliva, donnersmith, and Tracy Hehmeyer. The gallery, which transitioned from a pop-up to a full-time space about a year ago, now features 17 artists total. Founder Susan Vittner, an artist herself, emphasizes the gallery's mission to support emerging artists through a cooperative model where artists retain most of their profits.