American Legacy Fine Arts in Pasadena is launching a new exhibition titled 'Mastering the Mood: Atmospheric Emotion,' running from April 24 to June 6. The show features approximately 45 works by 25 contemporary-traditional artists, focusing on how light, color, and atmosphere in representational painting can evoke emotional responses in viewers.
The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.
Dr. Kurt A. Gitter, a pioneering retinal surgeon and world-renowned collector of Japanese art, has passed away at the age of 89 in New Orleans. Born in Vienna and having escaped the Holocaust as an infant, Gitter discovered his passion for Japanese culture while serving as a U.S. Air Force flight surgeon in the 1960s. Over several decades, he and his wife Alice Yelen Gitter amassed one of the most significant private collections of Edo-period paintings and self-taught American art in the Western world.
Recent US-Israeli strikes in the Iranian city of Isfahan have caused significant damage to several UNESCO World Heritage sites and historic landmarks. Reports indicate that the 17th-century Chehel Sotoun Palace suffered shattered windows, broken doors, and a large crack in a major fresco depicting Shah Tahmasp and the Mughal Emperor Humayun. Nearby, in the historic Naqsh-e-Jahan Square, the Ali Qapu Palace and the Jame Abbasi Mosque also sustained damage, including the destruction of iconic turquoise tiles and intricate fretwork.
Chicago-based artist Jan Tichy has created a new exhibition titled 'Darkness' at Michigan State University's Eli and Edythe Broad Art Museum. The project is the result of a nearly nine-month collaboration with four MSU labs, most prominently the Department of Entomology, where Tichy worked with researchers and students to incorporate insects and scientific methods like blacklight sampling into the artwork.
A late 15th-century Netherlandish triptych, *The Five Miracles of Christ*, sold for £5.7 million at Sotheby’s London Old Master auction. The work, kept for centuries at St. John’s Almshouse in Sherborne, Dorset, had never before appeared on the market. The charity sold it to fund affordable housing, and the buyer—an unnamed Christian charitable foundation—plans to keep the painting publicly viewable in the town. Other highlights included a Rembrandt reattribution, *Saint John on Patmos*, which sold for £6.8 million, and a record £3.2 million for a Hans Eworth portrait of the 4th Duke of Norfolk.
Ludwigsburg Palace in Germany, often called the 'Versailles of Swabia', is undertaking a major restoration of four prized rooms in the apartments of King Friedrich I of Baden-Württemberg, including a rare drapery bedchamber. The bedchamber, completed in 1811, features original turquoise silk textiles, trimmings, and over 6,000 tassels, inspired by Egyptian styles after Napoleon's campaign. Conservators face challenges cleaning the fragile, faded fabrics, which have been damaged by sunlight, dust, and improper mending. The project, part of a larger revamp of 35 rooms funded by the State of Baden-Württemberg, involves tracking down original furnishings from inventory books and repositioning them to restore the rooms to their historical layout.
A 30-year-old domestic tourist identified only by his surname Sun broke into the Terracotta Army Museum in Xi'an, China, on Friday, May 30. He scaled a fence and protective net surrounding an 18-foot pit, then pushed and pulled two of the ancient clay warriors, damaging them to varying degrees before being detained by security. Officials later stated that the man suffers from mental illness, and the incident is under investigation. The museum remains open to the public.
The British Council has selected artist Lubaina Himid to represent Great Britain at the 2026 Venice Biennale. Her exhibition, titled "Predicting History: Testing Translation," will transform the British Pavilion into a large-scale installation exploring belonging, displacement, and the recreation of home in new contexts. Created in collaboration with artist Magda Stawarska, the show features multi-panel paintings and a surreal soundscape that engages with the neoclassical architecture of the pavilion. Himid, a Turner Prize winner and pioneer of the Black British Art Movement, focuses on cultural memory and identity, challenging Eurocentric narratives and highlighting overlooked Black figures in Western history.
Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì
A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.
Amato dal pubblico, ma non dai critici d’arte. Jack Vettriano in mostra a Roma (intervista alla curatrice)
A major retrospective exhibition of Scottish painter Jack Vettriano has opened at Palazzo Velli in Rome. The show, which originated in Bologna at Palazzo Pallavicini, was transformed into a posthumous retrospective following the artist's death in March 2025. It features both original oil paintings and high-quality, limited-edition reproductions on museum paper, a curatorial choice made by Vettriano himself to make his work more accessible.
L’Università Bocconi ha aperto una galleria d’arte nella sua nuova sede a Roma: la prima mostra parla di sacro
Bocconi University has inaugurated a new art gallery at its Rome campus, Villa Morgagni, launching the Bocconi Art Gallery (BAG) program in the capital. The debut exhibition features the work of Brazilian artist and Franciscan friar Sidival Fila, who is known for transforming discarded ecclesiastical textiles and liturgical objects into contemporary art. His practice involves stitching, cutting, and remodeling ancient fabrics to explore themes of transcendence, immanence, and human history.
Si avvicina un nuovo Romaeuropa Festival. Ecco come sarà l’edizione 2026 della rassegna
The 41st edition of the Romaeuropa Festival has announced its 2026 lineup, scheduled to run from September 8 to November 15 across various venues in Rome. Under the artistic direction of Fabrizio Grifasi, the multidisciplinary festival will feature a robust program of contemporary dance, theater, and music. Highlights include the Italian premiere of Sofia Nappi’s 'Chora', a world premiere of Romeo Castellucci’s 'Faust', and a special celebration of the Rome-Paris twinning anniversary featuring choreographer Benjamin Millepied.
In una villa storica a Prato una mostra che fa incontrare artificiale e naturale
Artist Andrea Marini presents "Anomale Intrusioni" (Anomalous Intrusions) at the historic Villa Rospigliosi in Prato, an exhibition organized by Associazione Chorasis. Curated by Riccardo Farinelli, the show features sculptural interventions that blend conceptual minimalism with the villa's centuries-old architecture and natural landscape. Marini’s works function as "programmed interferences," creating a dialogue between the organic and the artificial through metallic structures and zoomorphic forms that react to the surrounding environment and climate.
Tutt’Italia riscopre Bice Lazzari. Dopo la mostra a Brera, ecco la seconda tappa alla Galleria Nazionale di Roma
The major retrospective "Bice Lazzari: The Languages of Her Time" has arrived at the Galleria Nazionale d’Arte Moderna e Contemporanea (GNAMC) in Rome following its debut at Palazzo Citterio in Milan. Curated by Renato Miracco and featuring over 200 works, the exhibition traces the Venetian artist’s journey from her early collaborations with architects to her late-career mastery of abstract painting. The show highlights her constant experimentation across various media, including textiles and jewelry, before she fully dedicated herself to painting in her fifties.
La mostra della grande artista Lucy Orta in un palazzo storico recuperato a San Sepolcro
British artist Lucy Orta has unveiled a site-specific installation titled "Trame di Comunità" at CasermArcheologica in Sansepolcro, Tuscany, following an artist residency. The work features five tents constructed from hand-woven vintage linen and hemp, inspired by the protective imagery in Piero della Francesca’s "Polyptych of Mercy." These structures are embroidered with the faces of local residents and adorned with 99 terracotta amulets, incorporating oral testimonies and personal reflections gathered from the community during Orta's stay.
Il soft power dell’Italia in Cina grazie a due grandi mostre su Pompei e Palladio
The National Museum of China in Beijing is currently hosting two major exhibitions celebrating Italian cultural heritage: "Pompeii: An Eternal Discovery" and "Geometry, Harmony and Life: The Architecture of Andrea Palladio from Antiquity to Classicism." These exhibitions, marking the 55th anniversary of diplomatic relations between Italy and China, were inaugurated by Italian Culture Minister Alessandro Giuli. The Pompeii showcase traces 250 years of archaeological history using artifacts and multimedia, while the Palladio exhibition explores the Renaissance master’s influence on Western architecture and creates a cross-cultural dialogue with traditional Chinese building techniques.
"Wir mussten schwierige Entscheidungen treffen"
Investor Andrew E. Wolff has stepped down as CEO of Artnet after orchestrating a merger of the company's US operations with Artsy, another major art market platform he recently acquired. Jeffrey Yin, previously the interim head of Artsy, has been appointed as the permanent CEO of the combined entity. The restructuring involves significant layoffs, the closure of Artnet's Berlin office, and a consolidation of management teams, though both brands will continue to operate with distinct editorial voices.
Das sollten Sie auf der Art Düsseldorf nicht verpassen
The eighth edition of Art Düsseldorf is set to launch at the Areal Böhler with its most diverse lineup to date, featuring 119 galleries. This year's iteration marks a significant organizational shift with the appointment of Gilles Neiens as the fair's first Artistic Director, a role created to oversee the event's curatorial and programmatic direction. The fair continues to balance its strong regional roots in the Rhineland with an increasingly international selection of painting, sculpture, and experimental works.
Le Mexique face aux ventes d’art précolombien
The Mexican government is facing ongoing legal and diplomatic hurdles in its attempts to halt the sale of pre-Columbian artifacts in Paris. Despite formal protests from the Mexican embassy citing national heritage laws from 1827, auction houses like Millon continue to proceed with sales, generating millions in revenue. French authorities and legal experts maintain that Mexican national laws do not supersede French jurisdiction, which largely adheres to the 1970 UNESCO Convention regarding the illicit import and export of cultural property.
Le Musée Nicéphore-Niépce fait du surplace
The Musée Nicéphore-Niépce in Chalon-sur-Saône remains in a state of stagnation as long-promised modernization plans continue to stall. Despite over twenty-five years of proposals for a new facility or a "Cité de l'image," the project has become a political "sea serpent," hampered by budget cuts, staff reductions, and shifting municipal priorities. Most recently, the city declined to renew the contract of Fannie Escoulen, a former Ministry of Culture official hired to steer the project, further signaling a lack of progress.
Navid Baraty's series "The Time Between" combines digital photographs of urban skylines like Manhattan and Chicago with dramatic natural landscapes such as desert dunes and snow-capped mountains. Using a double-exposure technique, the artist blends city lights and skyscraper outlines with geological features to explore contrasts between contemporary urban life and ancient, timeless terrains.
Frieze has announced the winners of its prize program at the 2026 Venice Biennale. The prizes recognize outstanding contributions by artists and curators participating in the Biennale, with awards given across multiple categories including emerging talent and innovative exhibition practices. The winners were selected by a jury of international art professionals and will receive financial support and visibility through Frieze's platforms.
The Smithsonian's National Museum of African Art has opened 'Here: Pride and Belonging in African Art,' an exhibition curated by Kevin D. Dumouchelle and Serubiri Moses. Developed through years of direct dialogue with LGBTQ+ artists across Africa and its diaspora, the show foregrounds self-representation and community, ensuring artists defined the terms of their inclusion. It features contemporary works alongside historical precedents, creating a continuum of queer presence in African art history.
A group exhibition titled 'Ephemeral Geographies: Where Land, Light and Time Shift' opens at Gallery Pradarshak in Mumbai on April 24, 2026. The show features ten emerging and mid-career Indian artists—Alistan Dias, Amol Pawar, Bhoomika Karbhari, Manthan Tambe, Meetul Agarwal, Pradip Suryawanshi, Rohan Bhavsar, Sharu Anjirbag, Siddhant Bansod, and Suresh Jangid—who present landscapes across mediums like painting and mixed media as evolving conditions shaped by perception, memory, and atmospheric change.
Bridge Street Studios, a cornerstone of the Dundalk arts community, is celebrating its 30th anniversary with a special group exhibition titled "The things that matter most are the things that can’t be seen." Hosted at the Basement Gallery in An Táin Arts Centre, the show features works from current studio members including Orlaith Cullinane, Rachel Tinneswood, and Sarah McKenna, among others.
Wei-Ling Gallery in Kuala Lumpur presents 'Trilogy: The Lightseeker', the debut solo exhibition of 25-year-old Sabah-born multidisciplinary artist Iwadh Mahadi. The show, running from Tuesday to November 1 at Wei-Ling Contemporary, is the latest output of the gallery's WLG Incubator programme, launched in 2020 to support emerging Malaysian artists through mentorship and dialogue. Iwadh, who works in bamboo mosaics, frottage, and printmaking under a self-described 'conceptual naturalism', developed the exhibition over seven months under the guidance of established artist Choy Chun Wei, with additional mentorship from British artist Adam Chodzko and gallery director Lim Wei-Ling.
Wei-Ling Gallery in Kuala Lumpur presents 'Trilogy: The Lightseeker', the debut solo exhibition of 25-year-old Sabah-born multidisciplinary artist Iwadh Mahadi. Developed through the gallery's WLG Incubator programme, the show runs from Tuesday to November 1 at Wei-Ling Contemporary. Iwadh, who works in bamboo mosaics, frottage, printmaking, and experimental processes, spent seven months under the mentorship of acclaimed Malaysian artist Choy Chun Wei, with additional guidance from guest mentor Adam Chodzko, gallery mentor Lim Wei-Ling, and programme coordinator Prissie Ong. The exhibition explores themes of faith, memory, and renewal through what the artist calls 'conceptual naturalism'.
The Arts & Science Center for Southeast Arkansas is hosting the exhibition 'Blaque' by University of Arkansas at Pine Bluff art instructor Jonathan Rashad Wright as a highlight of its 2026 Black History Month programming. The exhibition, on display through July 3, explores themes of identity, heritage, grief, and resilience within the African diaspora through Wright's innovative blend of traditional printmaking and modern technology, using black ink on black paper to create layered, introspective works.
The article reports on the upcoming 61st Venice Biennale in 2026, focusing on the Korean Pavilion's exhibition titled "Liberation Space: Fortress and Nest." The Korean Pavilion, built in 1995 as the 26th national pavilion in Giardini Castello Park, will present itself as a temporary monument exploring Korea's post-colonial history, specifically the liberation period (1945-1948) and the concept of sovereignty. Artistic director Choi Bit-na has curated the exhibition to address Korea's geopolitical context, viewing the pavilion's 1995 entry as a key moment of decolonization alongside the demolition of the Government-General building and the founding of the Gwangju Biennale.