The article reports that 'Art to the Avenue' is transforming downtown Greenwich into a gallery space starting Thursday. The event will feature artworks displayed in storefronts and public spaces, turning the commercial district into an open-air art exhibition for a limited time.
The Venice Biennale, the world's largest contemporary art exhibition, opened to the press amid turmoil over Russia's return for the first time since the Ukraine war began. The event features artists from several conflict-affected nations, including Ukraine, Israel, and the US, while Iran has canceled its participation. Resignations, boycotts, and threats to cut funding have marked the lead-up to the opening.
The Watauga Arts Council (WAC) has opened a new exhibition titled "The Art of Jazz" in its main gallery in Boone, North Carolina, running through June 30. The show features works by local and regional artists who interpret jazz music's energy, improvisation, and cultural roots through 2D mediums, translating sound into color, movement, and form. A special reception will be held at the Appalachian Theatre on June 11, where pieces will be transported for the event, offering a cash bar and opportunities to meet the artists. The exhibition coincides with the 5th annual High Country Jazz Festival, providing a visual counterpart to the music events in downtown Boone.
The article explores the growing role of artificial intelligence in the art market, examining whether AI tools can effectively assist with tasks such as authentication, valuation, and trend prediction. It discusses the potential benefits of AI in streamlining operations and reducing human bias, while also acknowledging skepticism from traditionalists who question AI's ability to understand artistic nuance and cultural context.
The New Hampshire Art Association (NHAA) is presenting the Sue Werner Thoresen Juried Exhibition at its Robert Lincoln Levy Gallery in Portsmouth, opening May 1, 2026. The show features 73 artists whose works explore the experiences of women, girls, and gender-diverse people, inspired by the New Hampshire Women’s Foundation’s Status of Women in New Hampshire report. Themes include education, healthcare, economic opportunity, caregiving, safety, representation, and societal expectations, with attention to intersections of race, class, ability, sexuality, geography, and access to resources. The exhibition is held in memory of Sue Werner Thoresen (1944–2024), a longtime advocate for community well-being and gender equity, and includes awards in her honor.
The Ships of the Sea Maritime Museum in Savannah, Georgia, has opened a new exhibition titled "Drawn to the Sea: Maritime Stories of Savannah." The show features work by four sequential artists who use comic book style art to interpret historic ships at the museum, including the Anne, SS Savannah, Pulaski, and Wanderer. The exhibition opened on May 2, 2026, with a free opening night celebration and will run through January 31, 2027.
The Pulitzer Arts Foundation in St. Louis is hosting its monthly First Fridays event on May 1, 2026, from 5:00 PM to 9:00 PM. During this time, museums and galleries in the Grand Center Arts District offer free admission and extended hours, with the Pulitzer featuring its current exhibition "Dialogues & Conversations" and a cash bar on the Mezzanine. The event is free and open to the public, with accommodations available upon request.
Twenty-six Nepali abstract artists are exhibiting together for the first time at Taragaon Next in Kathmandu in a group show titled 'Forms of Abstraction'. The exhibition, curated by Roshan Mishra, features works by artists including Kiran Manandhar, Sangee Shrestha, Sushma Rajbhandari, Bidhata KC, NB Gurung, Jeevan Rajopadhyay, Laya Mainali, and Nabendra Limbu, among others. Supported by the Saraf Foundation for Himalayan Traditions and Culture, the show explores themes of motion, emotion, nature, architecture, geometry, and culture, emphasizing how Nepali abstraction transforms rather than abandons tradition.
A free touring art exhibition showcasing the creative talents of Sizewell C workers is now on display at the Live Well Hub in Leiston, Suffolk. Organized by Sizewell Creative, the exhibition features work from 18 artists, including 15 from the Sizewell C workforce and three local community artists, spanning photography, watercolor, and abstract designs. It launched in Barnby last year and opened in Leiston with a private viewing event, with plans to continue touring Suffolk.
The Broadway Theater in Rock Springs, Wyoming, has launched a new rotating art exhibit in its lobby, featuring local and regional artists. The program will display new artwork every 60 days, with all pieces available for purchase. The inaugural artist is Debora Soule, a longtime Rock Springs resident and former director of the Community Fine Arts Center, known for nature-inspired works reflecting the Western landscape. An opening reception with Soule is scheduled for May 12, and the theater is seeking additional artists for future exhibits.
The Hôtel de la Marine in Paris will host "Animalia," an exhibition drawn from the Al Thani Collection, from July 1, 2026 to January 10, 2027. Featuring over 120 sculptures, paintings, and decorative works, the show explores how animals have inspired artists across centuries and cultures, from ancient Greece to modern times and from China to the Ivory Coast.
The article provides a practical guide to documenting contemporary art exhibitions, outlining methods for creating useful, ethical, and durable records. It emphasizes the importance of shot lists, consistent file naming, descriptive metadata, and accessibility features like captions and transcripts to ensure archives remain searchable and meaningful over time.
David Sainsbury, the supermarket heir and philanthropist, has donated £90 million to fund the renewal of the Sainsbury Centre in Norwich. This gift is the latest in a series of substantial donations to UK museums, signaling a surge in mega-donations from wealthy individuals supporting cultural institutions.
Shoair Mavlian, director of The Photographers’ Gallery in London, is the subject of a profile that follows her through a typical morning, discussing her leadership strategies amid challenges facing the arts sector. The article explores how she navigates pressures from AI-generated imagery, government funding cuts, and cultural backlash against progressive initiatives, while maintaining the gallery's relevance and financial stability.
The article explores a feminist history of collage, highlighting how women artists have used the medium to challenge traditional representations of womanhood. It examines works where striking juxtapositions call attention to the tensions and conflicts inherent in female identity, from domestic life to societal expectations.
Taiwanese artist Wu Chia Yun discusses her work and the themes of home and homeland in an interview with the Financial Times. She reflects on how family and nation have become inescapable questions in her life, shaping her artistic practice.
The Wildenstein Plattner Institute (WPI) has released a new digital catalogue raisonné for French painter Eva Gonzalès, correcting long-standing misattributions and omissions from the 1990 printed edition. The project reattributes works like *Apples in Basket* (previously assigned to Belgian painter Isidore Verheyden) and adds newly discovered pieces, including a portrait of Madame Georges Haquette and Gonzalès’s sketchbooks now held by the National Gallery of Art in Washington, D.C. WPI executive director Elizabeth Gorayeb emphasizes that the digital format allows for iterative updates and brings overlooked figures in Gonzalès’s orbit to light.
British artist Alexander James presents *Dissecting the Square*, a new exhibition at Phillips Gallery in Hong Kong, running until 31 May 2026. The show features a series of paintings, sculptures, and installations that explore the square as a geometric form, inspired by a moment when sunlight dissected an empty canvas in his studio. James divides canvases into quadrants, creating works that balance order and disruption. The exhibition also includes Josef Albers’ *Homage to the Square: In Time* (1967) and a sculpture by Sean Scully, placing James’s practice in dialogue with art historical precedents.
À la galerie Martel, Ugo Bienvenu dévoile ses dessins oniriques dans une expo gratuite
French artist Ugo Bienvenu presents his new exhibition "Futur antérieur" at Galerie Martel in Paris, featuring around twenty ink-on-paper drawings created during the marathon promotion of his debut animated feature film "Arco." The show offers an intimate glimpse into Bienvenu's creative process, where drawing serves as a necessary respite from the demands of filmmaking, blending childhood memories, mythology, and science fiction into dreamlike compositions.
Dolce Vita war gestern
Andrea Modica's new photobook "Italian Story" collects four decades of photographs taken in Italy, beginning with her first trip there in the late 1980s. Born in 1960 to a family with roots in Sicily and Naples, Modica received a Fulbright scholarship to travel to Sicily and photograph the origins of the Catholic imagery, gender roles, and family structures she experienced growing up in New York. The book, however, is not a documentary of her heritage; instead, it presents dreamlike, surreal images—motionless bodies in water, dead fish, figures behind mosquito nets, Madonna statues—that resist clear narrative or identity politics. Modica works with an 8x10 large-format analog camera and prints using the historic platinum-palladium process, giving the images a timeless, collaborative quality.
A multidisciplinary solo exhibition titled "Sanford Biggers: Drift" has opened at the Parrish Art Museum in Watermill. The exhibition was organized by Chief Curator Corinne Erni and Curator Scout Hutchinson, and was marked by a public conversation between artist Sanford Biggers and Erni. The discussion focused on Biggers' use of textiles, symbolism, and layered cultural references.
Hulda Guzmán's first institutional exhibition in Europe, "Please Awake – Asked Nature Kindly," is on view at Turner Contemporary in Margate, UK. The show features the Dominican artist's ultra-colorful, psychedelic jungle paintings that blend art historical references—from Japanese ukiyo-e prints to pointillism and symbolism—with personal mythology, demons, spirits, and lush tropical landscapes. The works are drawn from her life in the Dominican rainforest, where she lives and works in a studio built by her architect father.