Art Basel has announced the launch of Art Basel Qatar, a new international art fair set to debut in Doha. The fair will be held under the patronage of Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, chairperson of Qatar Museums, and is expected to bring together leading galleries from around the world. The announcement marks a significant expansion of the Art Basel brand into the Middle East, following its existing fairs in Basel, Miami Beach, Hong Kong, and Paris.
On the second day of the Art Basel VIP preview, sales continued at a slower pace. White Cube sold Michael Armitage's 2015 painting *In the garden* for $3.2 million, while Gagosian placed a large lobster sculpture by Jeff Koons for a seven-figure sum. Pace Gallery reported that a Pablo Picasso painting *Homme à la pipe assis et amour* (1969), priced at $30 million, remains on reserve, though it did sell a 1964 bronze by Louise Nevelson for $850,000. Berlin's Galeria Plan B sold an untitled 2025 Adrian Ghenie painting for €1 million, and Hauser & Wirth sold Frank Bowling's *Iceni* (1975) for $1.8 million, with Felix Gonzalez-Torres's *"Untitled" (Go-Go Dancing Platform)* (1991), priced at $16 million, placed on serious hold for an institution.
Christie’s has announced its London Summer Season, running from June to August 2025, with the Post-War to Present sales as a central highlight. The season includes live and online auctions, selling exhibitions such as 75 Years of New Contemporaries and Modern British Art: A Selling Exhibition, and cultural partnerships. Key auction highlights include Lynette Yiadom-Boakye's '8pm Zaragoza' (estimate £500,000–700,000), Victor Man's 'The Chandler' (estimate £300,000–500,000), and works by David Hockney, Cecily Brown, KAWS, and Georg Baselitz. The live sale takes place on 26 June, with online bidding from 17 June to 1 July.
This article highlights the best museum shows to see alongside Art Basel in Basel 2025, covering exhibitions at Fondation Beyeler, Schaulager, Kunsthalle Basel, Kunsthaus Baselland, and Kunstmuseum Basel. Featured artists include Vija Celmins, Jordan Wolfson, Steve McQueen, Ser Serpas, Dala Nasser, and Medardo Rosso, with works ranging from VR installations and immersive light-and-sound pieces to textile art and historical retrospectives.
Phillips has appointed Robert Manley as chairman of modern and contemporary art and Miety Heiden as chairman of private sales, following the departure of Cheyenne Westphal and Jean-Paul Engelen. Manley, who joined Phillips in 2016, has secured major consignments including the collection of Francesco Pellizzi and the Pop Art trove of Miles and Shirley Fiterman, while Heiden has driven a 46 percent growth in annual private sales. The appointments come after Phillips' $51.9 million Modern and Contemporary Evening Sale, which reinforced the auction house's strength in the contemporary segment.
Plastic surgeon Charles Boyd, based in Michigan and deeply involved in the Detroit art scene, discusses his art collection and passion for visual art in an interview with The Art Newspaper. Boyd chairs the board at the Museum of Contemporary Art Detroit, serves on the board of the Detroit Institute of Arts, and is on the acquisitions committee of the Studio Museum in Harlem. His collection, which began in earnest in 2004 after inheriting art from his father, includes works by prominent Black American artists such as Ming Smith, Kerry James Marshall, Titus Kaphar, Deborah Roberts, and Sanford Biggers. He shares stories about his first purchase (a sculptural work from Côte d'Ivoire), his most recent acquisition (by the late Cuban artist Belkis Ayón), and a regret over not buying a Norman Lewis painting when he was a resident.
A major new exhibition, “The First Homosexuals: The Birth of a New Identity, 1869–1939,” has opened at Chicago’s Wrightwood 659, featuring over 300 queer artworks from 125 artists across 40 countries. Curated by Jonathan D. Katz and Johnny Willis, the show includes early photographs of drag, a painting of a late-1700s trans pioneer, and what is believed to be the first same-sex wedding depicted in art, alongside works by iconic figures like Gertrude Stein and James Baldwin. The exhibition, eight years in the making, draws loans from institutions such as the Tate and the Metropolitan Museum of Art, as well as private collections, and runs through July 26.
Christie's and Sotheby's held their spring marquee auctions in Hong Kong and Shanghai, timed to coincide with Art Basel Hong Kong for the first time. Christie's evening sale of 20th and 21st century art in Hong Kong achieved HKD 560 million (USD 72 million) with a 95% sell-through rate, led by Jean-Michel Basquiat's *Sabado por la Noche (Saturday Night)* (1984) at HKD 112.6 million. Other highlights included a new artist record for Zhang Enli's *Intimacy* (2002) at HKD 23.4 million, and strong sales for works by Yayoi Kusama, Zao Wou-Ki, and Adrian Ghenie, though most lots sold near their low estimates.
A new auction record has been set, with a significant artwork selling for a high price at a major auction house. The sale took place recently, drawing attention from collectors and the art market.
Somalia's first-ever national pavilion at the 61st Venice Biennale has sparked controversy, with local cultural organizations accusing organizers of excluding Somalia-based artists. The pavilion, titled SADDEXLEEY, features only diaspora artists—Somali-Swedish painter Ayan Farfah, Somali-Danish poet Asmaa Jama, and Somali-British poet Warsan Shire—while the Somalia Arts Foundation (SAF) and queer collective Warbixinta Cidda have denounced the appointment of Italian co-curator Fabio Scrivanti, citing colonial tensions. SAF founder Sagal Ali and others allege that artists in Somalia were not meaningfully consulted, and that organizers used intimidation tactics against critics. The pavilion's organizers claim it includes Mogadishu-based painter 4C and will host accompanying events, but details remain unconfirmed.
Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.
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Thousands marched in Buenos Aires on March 9 for a 24-hour women's strike, with one group staging a symbolic artwork by wrapping a continuous blindfold across their faces to protest patriarchal control. This followed a UN report urging Argentina's government to address gender-based violence. Separately, a *Guardian* investigation revealed UK museums hold over 260,000 human remains, many taken from former colonies, which MPs have condemned as a barbaric legacy of imperialism.
Carly Murphy, Christie’s head of client strategy for the Americas, is leaving the auction house to join Art Basel as global head of collector and institutional relations, a newly created position. She will report to Vincenzo de Bellis, the fair’s chief artistic officer and global director of fairs, and begins later this month. The move comes as the art market faces slowing sales, with global art and antiques sales falling 12% in 2024 to $57.5 billion, according to the latest Art Basel and UBS Art Market Report.
Private dealer Nikolaus Leskovar, through Leskovar Fine Art, has amassed a significant collection of works by Pop art pioneer Roy Lichtenstein (1923–1997), including pieces such as *I Love Liberty* (1982), *Modern Print* (1971), and *Still Life with Red Jar* (1994). The article highlights Leskovar's admiration for Lichtenstein's ability to blend comic strip aesthetics with high art, and notes that the gallery offers both iconic and lesser-known compositions for collectors. Market data from the Artnet Price Database shows that Lichtenstein print sales rose 16% in 2024 to $11.6 million, with average sale prices increasing 17% to $44,000, partly driven by strong demand for his 1994 nude series—exemplified by *Roommates* selling for $1.2 million at Sotheby's in November 2024.
Lu Yang's solo exhibition "Electromagnetic Brainology" opened at Kunsthalle zu Kiel, running from January 30 to March 15, 2026. Curated by Muriel Meyer, the show features a new body of work from the Shanghai-based multimedia artist, known for immersive installations blending digital avatars, neuroscience, and pop culture iconography.
Sylvie Retailleau, former French Minister of Higher Education and current president of Universcience since January 2026, details the tense negotiations between the Grand Palais and the Palais de la découverte. She reveals that the Palais de la découverte nearly disappeared during the Grand Palais renovation, but will reopen in March 2027. Universcience ceded a 1,200 m² gallery to the Grand Palais as a financial contribution (worth about €30 million over ten years) and is lending another 350 m² gallery until June 2030 for Centre Pompidou exhibitions during its renovation. In exchange, Universcience gains full control over the programming of the Palais des enfants.
MoMA PS1 kicked off its 50th anniversary year with an intimate cocktail event at the Tribeca townhome of board member Michi Jigarjian, hosted by the museum's patron group the Greater New Yorkers. Over 100 guests—including artists, collectors, dealers, and curators—gathered for remarks from Director Connie Butler, Chief Curator Ruba Katrib, and co-chairs Leslie Fritz, Ed Tang, and Amitha Raman, followed by a performance by experimental cellist Dorothy Carlos. Attendees received a first look at the upcoming quinquennial exhibition "Greater New York 2026," which will feature over 50 New York-based artists, with a partial list including Farah Al Qasimi, Fields Harrington, Hardy Hill, Sofia Sinibaldi, and Julia Wachtel.
CULTURED magazine and fashion brand MZ Wallace celebrated the 10-year anniversary of their Young Artists List with an event at (SUB)MERCER in SoHo, where they announced Iraqi-born, Los Angeles-based artist Ali Eyal as the winner of the 2025 Young Artist Prize. Eyal received an unrestricted $30,000 grant, selected by a jury of curators from the Met, the Hammer, and MoMA, for his multidisciplinary practice reflecting on violence endured during his upbringing in Baghdad.
A new book titled "Walter Otero: un galerista tropical" is being published this March. It features an interview by curator Omar-Pascual Castillo with Puerto Rican gallerist Walter Otero, chronicling his journey from personal assistant to painter Arnaldo Roche Rabell to founding his influential San Juan gallery, Walter Otero Contemporary Art (WOCA). The book details the gallery's history, its roster of artists, and Otero's adaptation to the digital age and crises like Hurricane Maria.
Tutta la complessità di Cézanne in mostra alla mitica Fondation Beyeler di Basilea
The Fondation Beyeler in Basel has opened a major exhibition dedicated to Paul Cézanne, marking the 120th anniversary of his death. Curated by senior curator Ulf Küster, the show features 80 works—58 paintings and 21 watercolors—drawn from public and private collections across Switzerland, Germany, France, the UK, the Netherlands, Spain, Denmark, and the United States. Highlights include nine versions of Mont Sainte-Victoire, rare comparisons of two watercolor versions of "Boy in a Red Waistcoat," and two versions of "The Card Players" from the Courtauld Gallery and the Musée d'Orsay. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Hatje Cantz Verlag.
Nella mostra di Marina Abramović a Venezia c’è davvero una trasformazione di energia?
At the Gallerie dell'Accademia in Venice, Marina Abramović's exhibition "Transforming Energy" opens to the public from May 9 to September 30, 2026, as part of the 2026 Venice Biennale. The show is designed as an experiential device that moves beyond traditional exhibition formats, inviting viewers to determine their own presence through a sequence of rooms built around relationships between body, materials, and time. Crystals and locks of hair function not as decoration but as presences to be inhabited, demanding radical attention rather than spectacular participation. During the press conference, Abramović and curator Shai Baitel insisted that the materials, especially the crystals, possess real energy capable of directly affecting the viewer's body and perception, not merely as metaphor but as an active condition.
Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune
The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.
Paolo Masi, the Florentine artist known for his lifelong exploration of poor materials and their transformation, died in Florence on Wednesday, May 6, just days before his 93rd birthday. His career spanned from informal experiments in the 1950s through a rigorous investigation of materials in the 1960s, including his first solo show at the Strozzina in 1960. He joined the aesthetic research group Centro F/Uno alongside Baldi, Lecci, and Nannucci, and later co-founded the collective spaces Zona (1974) and Base (1998) with Mario Mariotti and Maurizio Nannucci. Masi participated in the Venice Biennale (1978) and the Rome Quadriennale (1986), and his works are held by major museums and foundations internationally. His later years saw significant retrospectives at the Museo MAGA in Gallarate (2018) and at Le Murate in Florence (2018), as well as a 2023 solo show at Florence's Galleria Frittelli, which remembered him as an extraordinary artist and dear friend.
I 90 anni del mitico artista italiano Giorgio Griffa. Tutte le mostre per celebrare il compleanno del maestro
Giorgio Griffa, the Italian painter known for his radical and minimalist approach, turned 90 on March 29, 2026. A comprehensive program of celebrations includes the exhibition "Summer 69" at the Fondazione Giorgio Griffa in Turin (through July 2, 2026), which revisits his breakthrough summer of 1969 with photographs by Paolo Mussat Sartor alongside his early and recent works. The Castello di Rivoli Museo d’Arte Contemporanea has opened a monographic room with works from its permanent collection, and the Galleria Civica d’Arte Moderna e Contemporanea di Torino will dedicate a similar space in May. The MAXXI – Museo Nazionale delle Arti del XXI secolo has acquired six monumental works spanning over thirty years of Griffa's career, from the 1970s to the early 2000s.
L’ultima intervista al grande artista Georg Baselitz in occasione della sua mostra a Firenze
Georg Baselitz, the German artist born in 1938, is the subject of a major retrospective titled "Avanti!" at the Museo Novecento in Florence, featuring 170 works including paintings, works on paper, and sculptures, with a strong focus on his graphic output. The exhibition, curated by Sergio Risaliti and Daniel Blau (Baselitz's son and an artist himself), spans three floors and traces the evolution of Baselitz's practice, culminating in a dialogue with the work of Italian artist Ottone Rosai. The show is accompanied by a prequel exhibition honoring the 120th anniversary of Villa Romana, where Baselitz once held a fellowship, and will be followed by another exhibition at the Fondazione Giorgio Cini in Venice in May, which together with the Florence show form the artist's testament. Artribune published Baselitz's last interview in its new bimonthly issue.
Secondo Brian Eno tutto è politica. E a Parma apre la sua prima mostra in Italia che parla anche della Palestina
Brian Eno, the internationally renowned British artist and musician, opens his first retrospective exhibition in Italy at the Complesso Monumentale di San Paolo in Parma, running from May 1 to August 2, 2026. The show features two complementary projects: SEED, a site-specific sound installation created with Turkish writer Ece Temelkuran in the garden, and My Light Years, a light-based work in the newly restored Ospedale Vecchio. Curated by Alessandro Albertini, the exhibition marks Eno's return to Italy after his Golden Lion for lifetime achievement at the 2023 Venice Biennale, and follows earlier interventions at Castello del Buonconsiglio, Palazzo Te, and Ara Pacis.
German painter Georg Baselitz, known for his expressionist works that confronted the horrors of Nazi Germany, died on April 30, 2026 at age 88. Born Hans-Georg Kern in 1938, he grew up amid World War II rubble and became a pioneering, anti-conformist figure of the post-war era, famously inverting his images to force viewers to reconstruct meaning. A major exhibition, 'GEORG BASELITZ – AVANTI!', had just opened on March 25 at the Museo Novecento in Florence, focusing on his graphic works and his ties to the city. Another show, 'Georg Baselitz. Eroi d’Oro', was set to open May 6 at the Fondazione Giorgio Cini in Venice during the 61st Venice Biennale, featuring large recent paintings and portraits of his wife Elke.
Oltre il prompt: quando il medium è l’AI generativa l’artista diventa regista sistemico
The article argues that as AI-generated images become more spectacular, the role of the artist is often misunderstood as merely writing prompts. Instead, the author contends that the most significant generative artworks are systems—predetermined rule-based environments where the artist designs the conditions for images to emerge. Works like Hans Haacke's "Condensation Cube" (1963-1965) and Refik Anadol's "Unsupervised" (2022) exemplify this shift from object to process, where the artwork is the behavior or architecture itself.
A Barcellona la Fondazione Joan Mirò festeggia 50 anni. Tutte le iniziative in programma
The Joan Miró Foundation in Barcelona is celebrating its 50th anniversary with an extensive program of exhibitions, concerts, performances, and public initiatives. The festivities begin on June 11 with the exhibition "Poetry Has Just Begun: 50 Years of the Miró," a retrospective tracing the foundation's history and its role in the international art system. Other highlights include "Miró and the United States" in autumn, exploring the artist's dialogue with post-war American avant-garde figures like Louise Bourgeois, Helen Frankenthaler, Jackson Pollock, and Mark Rothko, organized in collaboration with the Phillips Collection in Washington. In March 2026, the foundation will unveil a new permanent collection layout based on Miró's creative processes and open the Garden of the Cypresses, a previously inaccessible historic area on Montjuïc.
Residenze, mostre ed eventi. Ecco i programmi della nuova fondazione Società delle Api che ha aperto a Roma
The Società delle Api foundation, established by collector Silvia Fiorucci in 2018, has officially inaugurated its new permanent headquarters in Rome on Via Gregoriana. The move marks a strategic shift for the organization, which previously operated across a decentralized network of locations in Monaco, France, and Greece. The 2026-2027 program focuses on artistic production as a shared process, featuring residencies and exhibitions by artists such as Pol Taburet, Chiara Camoni, and Francis Offman, alongside multidisciplinary public programs covering poetry and architecture.