Acclaimed Canadian abstract artist Julia Dault is shifting her focus from the international blue-chip art circuit toward community-based engagement. Following a period of personal reflection, Dault established Hot Pizza, a community art studio in Toronto dedicated to the motto "art for everyone," while simultaneously debuting her latest solo exhibition, "Primary Information," at Bradley Ertaskiran in Montreal.
Pittsburgh’s art scene is set for a diverse series of openings this March, ranging from historical sports photography to contemporary textile art. Highlights include Michael Zagaris’s 60-year retrospective of NFL photography at the Western Pennsylvania Sports Museum, the first U.S. solo exhibition for English photographer Ajamu X at Silver Eye Center for Photography, and solo shows by Nicole Renee Ryan and Abby Franzen-Sheehan. The month also features collaborative exhibitions like "What We Carry," which pairs Penny Mateer’s political quilts with Dante Campudoni’s psychological paintings.
Artsy's January 2026 edition of 'Artists on Our Radar' highlights five emerging visual artists: Elladj Lincy Deloumeaux, Xiaochi Dong, and Bobbye Fermie (with two others implied). Deloumeaux, born in Guadeloupe and based in Paris, paints solitary figures exploring identity and displacement; his work is featured in a group show at Loft Art Gallery in Marrakech and he has a solo show upcoming at Musée de la Parure de Marrakech. Xiaochi Dong, a Shanghai-born artist trained in classical Chinese painting, creates intimate works evoking gardens and ecosystems, currently in a two-person exhibition at Albion Jeune in London. Bobbye Fermie, an Amsterdam-born London-based artist, produces dreamlike watercolors and collages, with works available at Wilder Gallery.
Gathie Falk, the acclaimed Canadian artist known for her six-decade practice spanning Surrealist paintings, hand-fashioned ceramics, sculptural installations, and performance, died at her home in Vancouver on 22 December at age 97. Her work transformed everyday objects—glazed ceramic apples, cabbages, shoes, and watermelons—into jewel-like sculptures and installations, with notable series including "Picnics" (1976-77), "Cement With Poppies" (1982), and "55 Oranges" (1969-70). Born in rural Manitoba in 1928 to Mennonite refugees, Falk initially pursued music before turning to art at age 37, studying ceramics with Glenn Lewis and developing a practice rooted in what she called a "veneration of the ordinary."
Kathleen Goncharov, an artist and curator who worked at influential US organizations including Just Above Midtown and Creative Time, died on 31 December at age 73. She most recently served as senior curator at the Boca Raton Museum of Art from 2012 until her retirement in 2024, and previously held positions at the Nasher Museum of Art at Duke University, the MIT List Visual Arts Center, and the New School. Goncharov also served as commissioner of the US Pavilion at the 2003 Venice Biennale, curating Fred Wilson's solo project. She had a solo exhibition of her abstract paintings at Olympia gallery in New York in 2022.
The article profiles three emerging artists to watch in 2026: Lebanese artist Dala Nasser, who creates politically charged works using materials like salted water and cyanotypes; Chinese-born, Berkeley-based artist Connie Zheng, whose work maps plantation economies and resource extractivism through painterly and symbolic compositions; and New York-based artist Nina Hartmann, who creates resin works inspired by DIY plaques and memorials, exploring hidden histories and Freemason symbolism. Each artist is highlighted for upcoming exhibitions or new series in 2026.
India's art market experienced a major resurgence in 2025, driven by record auction sales for modernists like M.F. Husain, Tyeb Mehta, and V.S. Gaitonde. Husain's 'Gram Yatra' became the first Indian painting to sell for over USD 10 million, setting a new benchmark. The boom is fueled by India's strong economy, rising private wealth, digital platforms, and increased global recognition. The India Art Fair in Delhi and the launch of India Art Fair Contemporary in Mumbai highlighted strong sales, with galleries selling 90% of their stands on preview day. A reduction in India's goods and services tax on art from 12% to 5% further boosted the market, while independent reports estimate Indian art auctions reached Rs 2,456.7 crore, up over 20% from the previous year.
This article presents a year-end roundup of the top art shows in New Jersey during 2025, curated by a Hudson County-based arts writer. The author highlights a concentration of exceptional exhibitions in Essex County, particularly in Montclair, while also noting strong shows at institutions like the Zimmerli Art Museum, Princeton University, the Morris Museum, and the Hunterdon Art Museum. Specific shows featured include "Jake Troyli: Fine Line" at Project for Empty Space in Newark and "Salvador Jiménez-Flores: Raíces & Resistencias" at Grounds For Sculpture in Hamilton, with detailed descriptions of their themes and artistic impact.
At the VIP preview of Nada Miami, dealers reported brisk sales of paintings, with galleries like Hawkins Headquarters, Shrine, Burnaway, the Locker Room, and Baker—Hall showing works by artists including Jackson Markovic, Angela China, Alex Hutton, Clare Torina, Eric Diehl, and Thomas Bils. Nightlife themes were prominent, with Markovic's fluorescent nightclub photographs and Raffi Kalenderian's painting of Mac's Club Deuce dive bar. The Pérez Art Museum Miami acquired works by Bils, Sheroanawe Hakihiiwe, and Pallavi Sen through its Nada Acquisition Gift programme.
Art Basel has announced the gallery lineup and first highlights for its 2026 Hong Kong edition, which will feature 240 leading galleries from 41 countries and territories. Over half of the participating galleries operate in the Asia-Pacific region, including 29 with spaces in Hong Kong. A new sector called Echoes debuts, spotlighting recent works by up to three artists per presentation. The Encounters sector will be curated for the first time by a collective of four Asia-based curators led by Mami Kataoka. The fair also introduces a Film Program curated by media artist Ellen Pau and a Conversations Program directed by Venus Lau. For the fifth year, Art Basel and M+ will co-commission a monumental public artwork for the M+ Facade, this time by Shahzia Sikander. The fair runs March 27–29, 2026, with preview days on March 25 and 26 at the Hong Kong Convention and Exhibition Centre.
The fifth edition of 'Forever is Now' has transformed the Giza Plateau in Cairo into an open-air gallery, featuring 10 large-scale contemporary art installations by international artists. Running until December 6, the exhibition is organized by the cultural platform Art D’Egypte and invites artists to explore the theme of immortality, sparking a dialogue between ancient Egyptian heritage and contemporary art. Notable participants include 92-year-old Nobel Peace Prize nominee Michelangelo Pistoletto, Portuguese artist Vhils (Alexandre Farto), US-based Alex Proba, the Russian Recycle Group, Lebanese artist Nadim Karam, Franco-Beninese ceramicist King Houdekpinkou, and Turkish sculptor Mert Ege Köse, among others.
Artnet News spotlights five trailblazing performance artists defining 2025, including Geumhyung Jeong, whose work "Toys, Selected" (2025) at Canal Projects in New York explores the uncanny relationship between humans and robots through intimate, choreographed interactions with machine parts she built herself. Jeong, who studied acting, dance, and film animation in South Korea, has performed at Kunsthalle Basel, the 2022 Venice Biennale, and London's ICA, and is currently unrepresented by a gallery. The article also profiles Maja Malou Lyse, who was tapped to represent her country at the Venice Biennale.
The article reports on the impact of President Javier Milei's anarcho-capitalist economic policies on Argentina's cultural sector since his December 2023 election. Public museums like the Museo Nacional de Bellas Artes face frozen budgets and loss of autonomy, the cultural ministry has been shuttered, and a climate of fear and retribution has led many in the art world to speak anonymously. The piece focuses on artist Liv Schulman's film and exhibition "Un círculo que se fue rodando" (2024) as a psychological portrait of the nation under Milei, and includes observations from a Buenos Aires gallerist and journalist about the dismantling of civic institutions.
Portrait painter Amy Sherald has selected Kingsville-born artist René Treviño to present a solo exhibition at Frieze London this October. Treviño's presentation, titled "Moscas en la Pared (Flies on the Wall)," will debut in the fair's Artist-to-Artist section, a curated program launched in 2023 that invites renowned artists to nominate emerging talents. Treviño, who is represented by Erin Cluley Gallery in Dallas, adapts Mayan and Mexíca symbology in his multimedia work, which often incorporates vibrant colors, queer sensibilities, and restorative storytelling. His exhibition record includes shows at the Wadsworth Athenaeum, the Baltimore Museum of Art, and a 2024 career survey at The Wellin Museum of Art.
In Basel, alternative art fairs are proliferating as dealers seek new ways to engage collectors outside the main Art Basel fair. Maison Clearing, a pop-up group exhibition by the New York and Los Angeles-based Clearing gallery, occupies a four-story villa in central Basel, featuring works by 46 artists including Kayode Ojo, Jasmine Gregory, and Jean-Marie Appriou. The rental cost of $2,000 per day is roughly one-third the price of a medium-sized stand at Art Basel. Meanwhile, the Basel Social Club (BSC) returns for its fourth edition in a former bank building near the Kunstmuseum, hosting over 100 spaces filled with art, performances, and hospitality offerings, including artist-led services like a hairdresser and a blood bank.
ZYNKA Gallery in Sharpsburg, Pennsylvania, celebrates its fifth anniversary. Founded by Jeff Jarzynka in November 2019, the gallery represents over 50 mostly regional artists. Its current exhibition, “Time Between Echoes,” features Dutch-born artist Hans Neleman and runs through June 8. The gallery faced an early challenge when it had to close just months after opening due to the COVID-19 pandemic, but it reopened in summer 2020 with timed visits. Jarzynka has since expanded his curatorial work, including curating exhibitions for The Portal Art Gallery at Bakery Square in East Liberty since February 2024.
The article announces "The Subtle Charm of Obsessions," a multidisciplinary exhibition opening April 25, 2025, at the City Museum of Wrocław – Royal Palace. Curated by Jerzy Zajączkowski, the show explores Sigmund Freud's concept of the compulsion to repeat through works by artists based in Wrocław and across Poland, including Tamara Berdowska, the collective Monomoka (Katarzyna and Monika Gwiazdowskie), and Michał Misiak. The exhibition features painting, glass, fabric, and crocheted works, emphasizing rhythm, memory, and the cyclical return to familiar motifs placed in new contexts.
Artist and curator Adam Heft Berninger is opening a new contemporary art gallery called Heft in New York City's Lower East Side on April 23, 2025. The gallery evolves from Berninger's curatorial project Tender into a permanent space, debuting with the group exhibition "Truth or" featuring generative art pioneers including Mario Klingemann, Katie Morris, Michael Mandiberg, and a collaboration between Edward Burtynsky and Alkan Avcıoğlu. The show runs through May 10, 2025, and includes works by Kevin Abosch, Gretchen Andrew, and others.
Emma Webster is preparing her first solo exhibition with Petzel gallery, opening April 30, featuring paintings of domestic animals like horses, cows, and dogs. The Los Angeles-based artist uses a multi-step process: building physical maquettes from clay and wire, 3D-scanning them, rendering digital dioramas in Blender, and then painting from those digital references. For the first time, she will also project the digital diorama in the gallery's entryway for viewers to interact with in real time.
Cultured profiles Jesús Hilario-Reyes, a 29-year-old New York-based artist who describes themself as “anti-disciplinary,” working across performance, sound, video, and sculpture. Inspired by queer rave culture, migration, Western carnivals, and Puerto Rico’s hurricane-worn mangrove forests, they have performed at Documenta, the Kitchen, Gladstone Gallery, and the Museum of Contemporary Art, Chicago. In the interview, Hilario-Reyes discusses key influences from graduate school teachers, the importance of spontaneity and presence in their practice, and their underrated studio tool—an electrical die grinder.
Curator Luis Pérez-Oramas has organized a two-person exhibition at Nara Roesler's New York gallery pairing Afro-Brazilian artists Alberto Pitta, 64, and Elian Almeida, 31. The show collapses generational and medium-based boundaries, featuring Pitta's layered canvas silkscreens with symbolic folk elements alongside Almeida's colorful explorations of Brazil's history in paint. A functioning coffee cart by Pitta, elevated to artwork status, greets visitors. The exhibition runs through early January.
Cannupa Hanska Luger, a New Mexico-based artist, has created "Volume," an installation of clay whistles shaped like animal skulls that produce sound hourly using sensors and mechanical breath. The work is part of AIR, the Aspen Art Museum's inaugural retreat and festival, which explores the role of art in an era of rapid technological transformation. Luger discusses how the whistles, fired using multiple techniques, serve as a memento mori and draw on ancient globular whistle technology, Indigenous knowledge systems, and the idea that objects carry life.
Cultured magazine interviews Brazilian artist Solange Pessoa about her new exhibition "Catch the sun with your hand" at the Aspen Art Museum, on view through October 26. The conversation explores parallels between Aspen's mining history and her home region of Minas Gerais, Brazil, her use of organic materials like blood and hair, her stone collection, and the sense of incompleteness in her process-based work. The exhibition features carved soapstone sculptures on the museum's roof and works inside that engage with crystals and silver.
The article previews 14 artists who will have major museum exhibitions in 2026, highlighting key shows such as a long-awaited US retrospective of Marcel Duchamp, a Calder exhibition in Paris, and a Rothko show in Florence. It also details concurrent auction highlights at Christie's New York, including works from the S.I. Newhouse collection by Brancusi, Lichtenstein, Matisse, and Pollock. Specific exhibitions covered include "Krasner and Pollock: Past Continuous" at the Metropolitan Museum of Art, a Roy Lichtenstein retrospective at the Whitney Museum, and multiple European shows for Constantin Brancusi's 150th anniversary.
Air de Paris, the Paris gallery known for its punk ethos and commitment to cutting-edge Conceptual art, will close this week after 36 years and more than 400 exhibitions, amid bankruptcy proceedings. Founded in Nice in 1990 by Florence Bonnefous and Edouard Merino, the gallery was named after Marcel Duchamp’s 50cc of Paris Air and became legendary for its inaugural show, “Les Ateliers du Paradise,” which featured artists living in the gallery and later influenced critic Nicolas Bourriaud’s theory of relational aesthetics. The gallery moved to Paris in 1994 and later to Romainville in 2019, showing artists such as Paul McCarthy, Raymond Pettibon, Liam Gillick, Pierre Huyghe, and Dorothy Iannone.
Conductor, a new art fair hosted by Powerhouse Arts, opened in Brooklyn on Wednesday night, drawing over 800 visitors within hours. The fair features 28 galleries and 20 special projects, with installations spilling out of traditional booths into shared spaces. Highlights include House of Silence, a tent-like structure by Turkish artist Vuslat and architect Sana Frini; Retorno (2022) by Juan José Barboza-Gubo, presented by Praise Shadows Gallery; and works by Beya Gille Gacha, who is set to appear in the Cameroon Pavilion at the Venice Biennale. Fair director Adrianna Farietta noted that some galleries had to withdraw due to the war in Iran, but the result remains an inclusive and immersive event.
The Association of International Photography Art Dealers (AIPAD) has announced the 45th edition of The Photography Show, scheduled to take place at New York’s Park Avenue Armory from April 22–26, 2026. The fair will feature 77 galleries, ranging from long-standing participants like Edwynn Houk Gallery to first-time exhibitors such as Galerie Sophie Scheidecker and Central Server Works. A significant addition to this year's programming is the debut of "Focal Point," a new sector dedicated exclusively to solo presentations that explore the experimental and evolving nature of lens-based media.
Art Dubai has announced a significantly scaled-back 20th-anniversary edition, reducing its exhibitor list by 57 percent following regional conflict and logistical disruptions. Originally scheduled for April, the fair has been postponed to May 15–17 at Madinat Jumeirah and will now feature only 50 galleries, with a heavy emphasis on regional participants. To support dealers during this period of uncertainty, organizers have implemented a "risk-sharing" booth fee model where galleries pay a percentage of sales capped at their original fee.
Several key personnel changes occurred in the art world this week. Boston gallery Praise Shadows hired Rebecca Hayes as its new Sales Director, while Hong Kong's Para Site appointed curator James Taylor-Foster as its Executive Director. Concurrently, galleries Lehmann Maupin and Jessica Silverman announced a co-representation agreement for artist Guimi You, and London's Timothy Taylor gallery revealed it will close its New York outpost after ten years.
Artists Alexandre Singh and Natalie Musteata have won the Academy Award for Best Live Action Short Film for their dystopian French-language short, "Two People Exchanging Saliva." In a rare occurrence for the Oscars, the category resulted in a tie with Sam Davis’s musical comedy "The Singers." Singh and Musteata’s film depicts a near-future Paris where physical intimacy is a capital offense and commerce is conducted through ritualized physical violence.